list of works

Pacita Abad Marcos and His Composition (Octopus In collaboration with Cronies, 1985–95 Transformation), 2018 weavers Daniela African Mephisto, 1981 Acrylic, oil, textile Ink and colored pencil Catrileo, Aylin Espinoza Acrylic, rick rack collage, mirrors, shells, on paper Chehuaicura, Camila ribbons, tie dyed buttons, glass beads, 126.7 × 114.3 cm Huenchumil, Pamela cloth, painted cloth on gold thread and padded Collection Paul and Iglesias, Victoria stitched and padded fabric on stitched and Mary Desmarais III Maliqueo, Danae canvas padded fabric Morales, Gianni 270 × 180 cm 500 × 293 cm Monsters Holding a Nahuelhuan, Mikal Collection Singapore Drawing, 2015 Neculqueo, Alejandra Kaunga, 1983 Art Museum, Singapore Ink and colored pencil Silva, Ange Valderrama Acrylic, oil, cowrie shells, With the support of on paper Cayuman buttons stitched on Pacita Abad Art Estate, 121.9 × 127 cm Courtesy Paula Baeza padded canvas Los Angeles Collection Paul and Pailamilla 218 × 173 cm Mary Desmarais III With the support of Noor Abuarafeh Dirección de Asuntos Oceania Mask Composition (Monsters Culturales (DIRAC) (Dancing Demon), 1983 Am I the ageless object and Children), 2016 of the Ministry of Acrylic, cowrie shells at the museum?, 2018 Ink and colored pencil Foreign Affairs of stitched on padded Video, color, sound, on paper Chile; Executive canvas 15'08" 73.6 × 127 cm Secretary of Visual Arts 269 × 179 cm Courtesy Collection Paul and and International Affairs Noor Abuarafeh Mary Desmarais III Unit of the Ministry Bacongo VIII, 1988–90 Commissioned by A.M. of Cultures, Arts and Acrylic, cowrie shells, Qattan Foundation Salt Bones, 2016 Heritage in collabora- plastic buttons, Ink and colored pencil tion with the Embassy of mirrors stitched on Marwa Arsanios on paper Chile in Germany silk screen­ed, padded 121.9 × 165.1 cm canvas Who is Afraid of Collection Peter Ross Aline Baiana 258 × 150 cm Ideology? (Part 3) – Micro Resistancias, Composition (Clock), The Cross of the South, African Mask (Kongo), 2020 2014 2020 1990 Video, color, sound, Ink and colored pencil 5 stones (banded iron Acrylic, colored beads, 31'16'', pencil on paper on paper formation, auriferous shells, handwoven yarn, Works on paper each 112.4 × 104.1 cm conglomerate, orna- padded fabric, painted 30 × 30 cm Kitchener-Waterloo mental stone, Itabirite, canvas stitched on Courtesy Art Gallery Collection, cupriferous conglomer- canvas Marwa Arsanios Kitchener. Purchased ate), metal wires, com- 261 × 175 cm Commissioned in part through the puter pieces, iron ore, and coproduced by support of the Elizabeth epoxy resin, and mining Hopi Mask, 1990 Berlin Biennale for L. Gordon Art Program, waste resulting from Acrylic, yarn, sequins Contemporary Art; a program of the Walter environmental crimes in stitched on padded Fondazione Sandretto and Duncan Gordon Brumadinho, BR canvas Re Rebaudengo; Foundation and admin- Dimensions variable 255 × 180 cm Contemporary Art istered by the Ontario Courtesy Aline Baiana Center Cincinnati; Arts Foundation, 2017 Commissioned All works courtesy Vooruit and produced by Pacita Abad Art Estate, Paula Baeza Pailamilla Berlin Biennale for Los Angeles Shuvinai Ashoona Contemporary Art With the support of Kurü Mapu [Black Land], Pacita Abad Art Estate, Untitled, 2013 2018 Los Angeles Ink and pencil crayon Textile, wood, barbed on paper wire, metal; HD video, 127 × 123.2 cm color, sound, 3'45" list of works list Collection Paul and Dimensions variable Mary Desmarais III Virginia Borges, With the support of Cotton, yarn, Minha Mãe Morrendo Gil DuOdé, and Canada Council for the embroidered words; (no. 3) [My Mother Virginia de Medeiros Arts, The Art Museum 2 photographs­ – Dying no. 3], 1947 at the University of exhibition prints 69.7 × 50.1 cm Ìyá Agbára [Strength of Toronto 58 × 71 cm Mothers], 2020 Archival permissions (sweater size M) Minha Mãe Morrendo 16mm film transferred courtesy University Each 21 × 27 cm (no. 4) [My Mother to HD, color, sound, of Toronto, The Arts & (photographs) Dying no. 4], 1947 11'32" Letters Club, Art Gallery 69.7 × 50 cm Video Editor of Ontario, Ontario All works courtesy Junae Andreazza Provincial Archives, Edgar Calel Minha Mãe Morrendo Photography and National Museum of (no. 5) [My Mother Camera Gustavo Jahn Civilization, Canadian Edgar Calel in collab- Dying no. 5], 1947 Music and Sound Museum of History oration with Fernando 68.4 × 51.3 cm Leonardo Oliveira Pereira dos Santos Chorus Virginia Borges, Cansu Çakar Minha Mãe Morrendo Luane Thiago da Sueño de Obsidiana (no. 6) [My Mother Conceição, Gil DuOdé, A day, 2020 [Obsidian Dream], 2020, Dying no. 6], 1947 Mirah Lanine, Spray paint on concrete work in progress 66.1 × 50.9 cm Vera Schneeberg Dimensions variable HD video, color, stereo, Musicians 13'57" Minha Mãe Morrendo Valdir Jovenal, From the series Courtesy Edgar Calel (no. 7) [My Mother Joelson Menezes, Labyrinth to Kybele, and Fernando Pereira Dying no. 7], 1947 Juninho Quebradeira 2020 dos Santos 69.4 × 50.4 cm Participants Virginia Commissioned and Borges, Luane Thiago Circumcision Feast, coproduced by the Minha Mãe Morrendo da Conceição, 2020 11th Berlin Biennale for (no. 8) [My Mother Gil DuOdé, Virginia de Contemporary Art Dying no. 8], 1947 Medeiros, Nitzan Meilin, The Return of the With the support of 64.3 × 50.4 cm Claudia Sampaio Silva, Goddess, 2020 DAAD Artists-in-Berlin Vera Schneeberg, Program and Sendero Minha Mãe Morrendo Diana Schreier Ancient Lake, 2020 Filmes (no. 9) [My Mother Courtesy Virginia Dying no. 9], 1947 Borges, Gil DuOdé, and Possessed Woman’s Flávio de Carvalho 68.6 × 51 cm Virginia de Medeiros Murder, 2020 Commissioned and Vitrine Berlin Biennale All works charcoal produced by the 11th Closed Court Hearing, c/o Exrotaprint on paper Berlin Biennale for 2020 9 offset prints (of Contemporary Art Experiencia no. 2, original drawings) All works watercolor, realizada sobre uma Courtesy the Estate Deanna Bowen gouache, and gold procissão de Corpus of Flávio de Carvalho on paper Christi, São Paulo Original drawings Deconstructing 70 × 100 cm [Experience no. 2, Collection Museu de The God of Gods: A performed at a Corpus Arte Contemporânea Canadian Play, 2019 All works courtesy Christi Procession, de Universidade de Deanna Bowen Cansu Çakar São Paulo], 1931 São Paulo in conversation with Commissioned and Collection Paulo With the support John G. Hampton, coproduced by the Bacellar Monteiro of Almeida e Dale, Peter Morin, Lisa Myers, 11th Berlin Biennale for Brasilianische Botschaft Archer Pechawis, and Contemporary Art Retrato ancestral in Berlin, Goethe- cheyanne turions With the support of [Ancestral portrait], Institut Rio de Janeiro Recorded at Hart SAHA Association 1932 House Theatre, Toronto Oil on canvas Sara Sejin Chang on 21.6.2019 Edgar Calel 81 × 60 cm (Sara van der Heide) Video, color, sound, Collection Hecilda and 73'52" Ni Ch’itiloj Ri q’aq Sergio Fadel Four Months, Four [Phonemes of Fire], Million Light Years, The God of Gods: Berlin 2020–ongoing From the series Série 2020 Berlin, 2020 Charcoal, pencil, pen, Trágica [Tragic Series], Video, color, sound, 35', Digital print on India ink on paper, 1947 textiles, paper, water- wallpaper cardboard color on paper Dimensions variable Various formats: Minha Mãe Morrendo Dimensions variable 21 × 29.7 cm; (no. 1) [My Mother Director, editor Sara All works courtesy 29.7 × 21 cm; 15 × 21 cm; Dying no. 1], 1947 Sejin Chang (Sara van Deanna Bowen 15 × 45 cm 66.2 × 51 cm der Heide) Commissioned and Film editing, color coproduced by the B’atz tejido constel- Minha Mãe Morrendo grading Paul Millot 11th Berlin Biennale for ación de saberes [B’atz (no. 2) [My Mother Singing Yan Contemporary Art Textile Constellation of Dying no. 2], 1947 Vandenbroucke Knowledges], 2015 69 × 50.5 cm Drumming Leslie Maes Sound Céline Gillian Collection Juan Yarur Collection Juan Yarur Camera John Javellana Costumes, textiles Torres – Fundación AMA Torres – Fundación AMA Sound Jippy Pascua Lila John Editor Kiri Dalena Production assistant Calendario Il Untitled, no date Music Datu Arellano Stefan Govaart [Calendar Il], 1974 Photographs, hand-col- Drawings each Corean banner Catalogue or magazine ored paper, handmade 57.2 × 72.4 cm 천라만상 Universe clipping, copper plate, paper, printed paper, Courtesy Kiri Dalena 조상 Ancestors photographs by gold and silver paper, 우주 Cosmos Wren de Antonio and pastel on cardboard Alunsina, 2020 먼지 우주로 지어졌다 Luis Poirot 52.2 × 64 cm, framed Video, color, sound, You‘re made of stardust on cardboard Collection Juan Yarur 41'07" 집에 가기 Coming 65.1 × 52.2 cm, framed Torres – Fundación AMA Camera Jippy Pascua, home Collection Juan Yarur Denesse Victoria 별먼지 가족 Stardust Torres – Fundación AMA Keep Going, Honey, Production manager Family 1990 Nico Bagsic 어머니 Mother Calendario III White gauze, clipped Sound Aljohn Torres, 아버지 Father [Calendar III], 1974 photographs, white Nonilon Abao Courtesy Photograph, copper net fabric, metallic Editor Majoy Sara Sejin Chang sheet, clipped pho- paper silver and gold, Siason-Bascos (Sara van der Heide) tographs by Wren de ink, paper, clipped Animation Ellen Ramos With the support of Antonio and Luis Poirot photograph by Maurizio Sound Design Mondriaan Fonds, on black cardboard Buscarino on cardboard Mikko Quizon Botschaft des 65.1 × 52.2 cm, framed 52.5 × 65 cm, framed Music Datu Arellano Königreichs der Collection Juan Yarur Collection Juan Yarur Paintings and Drawings Niederlande Torres – Fundación AMA Torres – Fundación AMA Christine, CJ, Joanne, Coproduced with Kaila, Remy, RJ Kunstenfestivaldesarts, On Stage, 1990 Mother, 1990 Courtesy Kiri Dalena Brussels Photographs, metallic Taped magazine Commissioned and With thanks to gold and silver paper, cut-outs, artist’s pho- produced by the 11th GRIMONSTER; Korean masking tape, black tographs and old photo- Berlin Biennale for Cultural Center Brussels cardboard, hand graph (could be artist’s Contemporary Art painted paper, fiber mother), stapled silver Francisco Copello paper on cardboard paper and green pencil Cian Dayrit 52.2 × 65 cm, framed inscription: “Mother,” Madhouse, no date Collection Juan Yarur on cardboard Anatomy of Collage, photography, Torres – Fundación AMA 65.1 × 52.2 cm, framed Aggression I, 2020 2 magazine pages, Collection Juan Yarur Mixed media on textile paper on cardboard Untitled, 1990 Torres – Fundación AMA 162.5 x 116.8 cm 51 × 38 cm Copper, handmade Courtesy Die Ecke paper, hand-colored Casta Diva Anatomy of Gallery paper, silver and gold [Chaste Diva], 1990 Aggression II, 2020 Collection Family paper, photograph, Photoengraving, Mixed media on textile Copello Norero magazine cutout, mixed media 162.5 x 99 cm lace crochet, glitter, on BFK Rives paper Madhouse Santiago, staples on cardboard 90 × 70 cm, framed Tropical Terror Tapestry, Chile, 1993 52.2 × 65 cm, framed Collection Museo 2020 Collage, photography, Collection Juan Yarur Nacional de Bellas Mixed media on textile paper, colored Torres – Fundación AMA Artes, Santiago de Chile 198 × 358 cm pencil on cardboard 51 × 38 cm Performance, 1990 Participación del All works courtesy Cian Courtesy Photograph, tulle, lace, público [Audience Dayrit; NOME, Berlin Die Ecke Gallery handmade paper, glitter, Participation], 1990 Commissioned and Collection Family pencil on cardboard Photoengraving, mixed coproduced by the Copello Norero 52.2 × 65.1 cm, framed media on Somerset 11th Berlin Biennale for Collection Juan Yarur paper Contemporary Art Untitled, no date Torres – Fundación AMA 90 × 70 cm, framed With the support of Pigment, tulle, 4 maps, Collection Museo NOME, Berlin 7 b/w cut-out photo­ The Blash, 1990 Nacional de Bellas graphs of the perfor- Metallic paper, printed Artes, Santiago de Chile Zehra Doğan mance El Mimo y paper, handcrafted La Bandera [The Mime paper, tulle, handmade All works with the Xêzên Dizî [The Hidden and the Flag] (entire paper with hair, colored support of Juan Yarur Drawings], 2018–20 series), 1 color cut-out paper, and photograph Torres – Fundación AMA 103 drawings, charcoal photograph of Chilean by Ivan della Tana from pencil and marker pen flag (presumably the performance Casta Kiri Dalena on letter papers that from the same series) Diva, New York City, were sent to the artist on canvas 1985 Tungkung Langit, 2012 by a friend list of works list 170 × 120 cm 52.2 × 65 cm, framed Video, color, sound, Each 29.5 × 21 cm 20'35" Courtesy Zehra Doğan El Palomar Ang Daigdig ay Lumiit Umiikot Lang Ang or SINGAPORE or ng Ang Tore ay Gumuho Kasaysayan [History WASHINGTON or Schreber is a Woman, [The World Decreased Repeats Itself], 2018 PHILDELPHIA or 2020 When the Tower Colored ink on paper YOKOHAM], 2013 4K video transferred Crumbled], 2018 32.3 × 49.8 cm Pen on paper to HD, 2-channel Colored ink on paper 17 × 25 cm installation, color, 32.7 × 49.9 cm All works courtesy stereo, ca. 30'; vitrine Brenda V. Fajardo and Fercundación del bebé with books, posters, Ang Daigdig ng Pekeng Tin-aw Art Management, [Fertilization of the postcards, and other Dragon [The World of Inc. Baby], 2013 materials the Fake Dragon], 2018 Pen on paper Direction, Script, and Colored ink on paper FCNN – Feminist 35 × 25 cm, framed Production El Palomar 32.5 × 49.6 cm Collective With No Music and Sound Name (Dina El Kaisy LLAMA DE FUEGO Mariokissme Mga Kaawa-Awang Friemuth/Anita [FLAME OF FIRE], 2013 Video Editor Inang Bayan [The Beikpour), with Pen on paper R. Marcos Mota Pathetic Mother Neda Sanai 25 × 35 cm Technical Director Country], 2018 Julietta Lutti Colored ink on paper Hydrocapsules.love, Vista de Madrid capital Electrical Assistant 32.8 × 49.8 cm 2020 por la noche [View of Alex García Paper, fabric, film, capital Madrid at night], Cast David Priego Mga Taga Pamagitan sound, and digital 2013 Bueno (Schreber), at Manggagamot para platform Pen on paper Raphaëlle Pérez Bumalik ang Liwanag Dimensions variable 35 × 25 cm (Goddess 1), Nikita [The Middleman and Contributing artists: Wolfe (Goddess 2), Healer are Needed so Aysha Amin/Andromeda, Estación Álex de la Croix that Light will Return], Lydia Diakité, Juliana Cundinamarca (Goddess 3) 2018 Huxtable, Moor Mother, [Cundinamarca Station], Locations Charm Mone Colored ink on paper Pardis Pourahmad, 2014 Shadow 32.7 × 49.7 cm Tabita Rezaire, Pen on paper Aimar Pérez Galí Liz Rosenfeld, Bao-Tran 59 × 21 cm Clothing Palomo Spain Nakibaka si Oryang at Tran, and more Make-up Helena Fenoy, si Gabriela [The Battle Courtesy FCNN – Untitled, 2014 Elisabeth Sánchez of Oryang and Gabriela Feminist Collective Pen on paper Fernández (Philippine women With No Name (Dina 21 × 30 cm Hairdressing Angel Viler heroes)], 2018 El Kaisy Friemuth / Support Clothing Colored ink on paper Anita Beikpour), with Mapa del Canal del Gustavo Adolfo Tarí 28.4 × 40 cm Neda Sanai Parto [Birth Canal Map], 3D Design With the support of 2015 Luz Enith Martínez, Sayang Pula, Tatlong Danish Arts Foundation Pen on paper Carlos Antón Varó Pera [Red Skirt, 50 × 35 cm Graphic Design Three Coins], 2018 Feminist Health Care Laia Blesa Colored ink on paper Research Group (Inga Cork, 2016 Drawings Alicia Sango 32.6 × 50 cm Zimprich/Julia Bonn) Pen on paper Video and Photo 59 × 83,8 cm Documentation Si Inday may Being in Crises Candela Cuervo Ginapinsar [Thinking of Together, Vol. 2, 2020 La Previda [The Prelife], Courtesy El Palomar Inday (Endearment for Publication, riso- 2016 Commissioned and woman)], 2018 graphed, self-published Pen on paper coproduced by the Colored ink on paper Commissioned and 30 × 42 cm 11th Berlin Biennale 22.5 × 40 cm produced by the for Contemporary Art 11th Berlin Biennale for MADRID CAPÌTAL With the support Sila Raw ay Nanlaban; Contemporary Art [CAPITAL MADRID], of Accíon Cultural Kaya Sila Namatay? 2016 Española (AC/E), [They Said They Fought Andrés Fernández Pen on paper Institut Ramon Llull Back; So They Died?], 30 × 40 cm 2018 Identificación de per- Brenda V. Fajardo Colored ink on paper sonas perdidas [Lost Untitled, 2016 32.7 × 49.7 cm persons identification], Pen on paper Alaala ni Erol, Bens, 2012 30 × 42 cm Julia, Jake atbp. Siya ang Dragon Pen and pencil on paper Maging Matatag, ng Kadiliman at 30 × 21 cm, Untitled, 2016 Huwag Sumuko! Kasinungalingan- double-sided Pen on paper [Memory of Erol, Bens, Gahaman [He is the 30 × 42 cm, dou- Julia, Jake, and Others. Dragon of Darkness ES NUEVA YON o. ble-sided Be Courageous, Do Not and Lies – Avaricious], TOKYO o. SINGAPUR Surrender! (People who 2018 o. WASHINGTON Untitled, 2016 took their lives)], 2018 Colored ink on paper o. PHILADELPHIA Pencil on paper Colored ink on paper 32.6 × 49.8 cm o. YOKOHAM [IT IS 30 × 42 cm 28.3 × 40 cm NEW YON or TOKYO PARTE DEL MATADERO untreated cotton Liebe & Lyrik sind All works oil and [PART OF MATADERO], 125 × 100 cm zweckfrei (Etwas außer- newsprint on canvas 2017 halb der Legalität) Each 120 × 120 cm Pen on paper noch ein MischiNessi [Love & Poetry have no Courtesy Sandra 30 × 42 cm [Another MischiNessi], determined purpose Gamarra Heshiki; 1987 (A bit beyond legality)], Untitled, 2017 Emulsion, chalk, 2007 Galería 80m2 Livia Pen on paper tempera on untreated Video, color, no sound, Benavides, Lima 32 × 36.5 cm cotton 6'09" Commissioned and 135 × 115 cm Director of Photography coproduced by the Untitled, 2018 Miriam Visaczki 11th Berlin Biennale for Pen and pencil on paper Turbasky, 1987 Contemporary Art 70 × 50 cm Mixed technique on Munkelwust & Co, 2007 With the support cardboard Video, color, no sound, of Accíon Cultural Plano de Madrid y 122.5 × 86 cm 6'13" Española (AC/E), Red de Metro Director of Photography Botschaft der Republik [Map of Madrid and Untitled, 1989 Miriam Visaczki Peru Metro Network], 2018 Emulsion, chalk on Pen on paper untreated cotton o.T. (Münsterbuch) From the series The 140 × 98.5 cm 150 × 180 cm [Untitled Museum of Ostracism, (Münsterbook)], 2007 2018 All works courtesy o.T. Video, color, no sound, Debajo del Sombrero, (Freisemesterbericht) 2'10" The Museum of Madrid [Untitled (Freesemester Director of Photography Ostracism— With the support report)], 1998–2002 Miriam Visaczki Showcase III, 2018 of Accíon Cultural Book, paper, ballpoint Courtesy Sandra Española (AC/E); pen, felt-tip pen, cut and o.T. Gamarra Heshiki; Centro de residencias collaged (Freisemesterbericht) Galería Juana de artísticas, Matadero, 28 pages including [Untitled (Freesemester Aizpuru, Madrid Madrid cover (painted on front report)], 2007 and back) Video, color, no sound, The Museum of Raymond Frajmund 21 × 15 cm 1'40" Ostracism— Director of Photography Showcase V, 2018 From the series Liebe & Lyrik sind Miriam Visaczki Collection CA2M Expedição do zweckfrei (Etwas außer- Centro de Arte Dos de Rio Negro [Rio Negro halb der Legalität) o.T. (Mitteilung Mayo, Madrid Expedition], 1958 [Love & Poetry have no 2000) [Untitled determined purpose (Communication 2000)], The Museum of All works: Untitled, 1958 (A bit beyond legality)], 2007 Ostracism— 7 b/w photographs – 2000–03 Video, color, no sound, Showcase VIII, 2018 exhibition prints Book, cardboard, paper, 1'09" Courtesy Sandra 10.2 × 15.2 cm mixed media, cut Director of Photography Gamarra Heshiki; Courtesy estate of 100 pages and cover Miriam Visaczki Galería Juana de Raymond Frajmund (96 pages painted on Aizpuru, Madrid front and back) All works courtesy Galli Galli 23 × 25 cm The Museum of Sandra Gamarra Ostracism— Munkelwust & Co, o.T. (Mitteilung 2000) Heshiki Showcase X, 2018 1977–2006 [Untitled (Notification Courtesy Sandra Book, cardboard, paper, 2000)], 2001 From the series Gamarra Heshiki; mixed media, cut and Book cardboard, paper, Cryptomnesia, 2015– Galería Juana de collaged mixed media, cut and ongoing Aizpuru, Madrid 98 pages and cover collaged (96 pages painted on 12 pages and cover Cryptomnesia IV (or in All works oil on meth- front and back) (pages painted on front some museums the sun acrylate, metal, fabric, 32.7 × 20.8 cm and back) never shines), 2020 wood, methacrylate 29.7 × 21.3 cm showcase … und predigt den Cryptomnesia V (or in Each 127 × 180 × 40 cm Huskys die Liebe (o.T.)! o.T. (Münsterbuch) some museums the sun With the support [… and preach love to [Untitled never shines), 2020 of Accíon Cultural the huskies (untitled)!], (Münsterbook)], Española (AC/E) 1981–87 2003–06 Cryptomnesia VI (or in Acrylic, chalk, tempera Book, cardboard, paper, some museums the sun Mauricio Gatti on untreated cotton mixed media, cut and never shines), 2020 125 × 100 cm collaged En la selva hay mucho 40 pages including Cryptomnesia IX (or in por hacer, CIDOB-TM Fidschi im Transit (O.P.) cover (painted on front some museums the sun (Centro de Información list of works list [Fiji in Transit (O.P.)], and back) never shines), 2020 y Documentación en 1984 22 × 17 cm Barcelona del Tercer Chalk, tempera on Mundo), Barcelona, 1977 Collection Royal by, with, and for Manzano, Fernando Book Museum for Central Emma Howes, Balz Isler, Mendoza Africa (RMCA), Tervuren Justin Kennedy, and Director of Photography Im Urwald gibt es viel Courtesy special guests Nkisi and Jorge Manzano zu tun, Zurich, 1979 Pélagie Gbaguidi Ethan Brown Producer Coloring book Commissioned and Costume Design Manuel Díaz Calfiú coproduced by the Beate Huss Song Héctor Mariano Im Urwald gibt es viel 11th Berlin Biennale for Make-up and Special Portrait Andrés zu tun, Altberliner Verlag, Contemporary Art Effects Consultant Melinao Montoya Berlin, 1987 With the support of Caterina Veronesi Locations Coloring book Flanders State of the Sculptures and Valdivia, Chiwaiwe, Art; Royal Museum for Props from Los Muermos, CL Dans la forêt vierge Central Africa (RMCA), Molds Emma Howes il y a fort à faire, Tervuren Carpentry Construction Adentu [Portraits], 2015 Association pour l’Art Balz Isler Super 8 transferred to et l’Expression Libres, Grupo Experimental de Courtesy Emma Howes, HD, b/w, silent, 3'53" Toulouse, 2002 Cine (Alfredo Echániz, Balz Isler, and Camera Francisco Book Gabriel Peluffo, Walter Justin Kennedy Huichaqueo, Tournier) Commissioned and Jorge Manzano En la selva hay mucho coproduced by the Director of Photography por hacer, Editorial En la selva hay mucho 11th Berlin Biennale for Jorge Manzano NORDAN-comunidad, por hacer [In The Jungle Contemporary Art Producer Montevideo, 2012/1972 There Is Much To Do], With the support of Manuel Díaz Calfiú Book 1974 Canada Council for Portraits Huenulef Cut-out animation the Arts Melinao Montoya, Im Urwald gibt es viel film, with background Special thanks to Luis Melinao Melinao, zu tun, Berlin Biennale paintings with pastels, Jarrett Gregory, Daniel Teresa Montoya Levinao for Contemporary Art, shot in 35mm, 4:3, color, Rubin, VERY Project Location Chiwaiwe, CL Berlin, 2019 sound, 16'34" Space, Berlin Glas e. V. Coloring book Drawings and anima- Adentu [Portraits], 2015 tions Alfredo Echániz, Francisco Huichaqueo Super 8 transferred to In the Jungle There Gabriel Peluffo, HD, b/w, silent, 5'15" Is Much to Do, Walter Tournier Wenu Pelon. Kuifi ül Camera Francisco Berlin Biennale for Producer [Portal of Light. Ancient Huichaqueo, Contemporary Art, Walter Achugar Sound], 2015/20 Jorge Manzano Berlin, 2019 Music composed and Video installation Director of Photography Coloring book sung by Jorge Estela Jorge Manzano Female voice Kultrün [Drum], no date Producer Pélagie Gbaguidi Susana Castro Wood, skin, leather, hair Jorge Manzano Development Height 14.5 cm; Portraits José Collanao Zone de troc Laboratorios Roca, ø 37.5 cm Cañiuqueo, María [Barter Zone], 2020 Montevideo Collanao Millanao 98 drawings from a new Digitalization Metawe [Clay jug], Location Temulemu, CL series, colored pencils, Laboratorio de no date dry pastel and wool on Preservación Clay Daniel Melinao Melinao. paper; embroidery on Audiovisual del 28.3 × 24 × 24.3 cm Wente Wingkul Mapu ñi tarpaulin from Congo Archivo General de werken [Daniel Melinao and flour sack from la Universidad de la Metawe [Vessel with Melinao, Works from Morocco (Residency República (LAPA-AGU) handle], no date the Wente Wilkun Mapu Ifitry, Morocco / artist’s Collection Archivo de Clay Community], 2015 studio, Belgium); Cinemateca Uruguaya 15.3 × 12.4 × 14.5 cm Super 8 transferred to taxidermied hyena With the support HD, b/w, sound, 5'47" Crocuta crocuta; taxi- of Laboratorio Pifüllka [Flute], no date Camera Francisco dermied Barbary sheep de Preservación Wood Huichaqueo, Ammotragus lervia; Audiovisual del Length 27 cm Jorge Manzano shipping wooden crates Archivo General de Director of Photography “Mandeville. Poste de la Universidad de la All objects collection Jorge Manzano pêche Kingabwa” and República (LAPA-AGU) Staatliche Museen zu Producer “Musée Ethnographie”; Berlin, Ethnologisches Manuel Díaz Calfiú sound Emma Howes and Museum Portrait Sound Xû Mikatsiu, Justin Kennedy in Daniel Melinao Melinao Pélagie Gbaguidi collaboration with Ilwen. Entuadpeyüm Location Wente Wilkún Architectural consulting Balz Isler [The Land Smells of Mapu, Trayenco – Lydia Antoniou Father], 2013–15 Wallmapu, CL Poem translation UNFURL: a lucid Super 8 transferred to Sofia Dati sci-fi opera, 2020 HD, color, sound, 7'42" Machi Silvia Kallfüman Dimensions variable Ca. 60' Music Tomás González ñi pewma [The Taxidermied animals Performance and Camera Francisco Dreams of Machi Silvia and shipping crates Musical Composition Huichaqueo, Jorge Kallfüman], 2015 Super 8 transferred to Weberzug [March of transfer paper 19'33", loop HD, color, sound, 7'38" the Weavers] (Sheet 86 × 68 cm, framed Concept and Direction Camera 4 of the cycle Ein Collection Käthe Heidi Abderhalden, Francisco Huichaqueo, Weberaufstand Kollwitz Museum Köln, Rolf Abderhalden Jorge Manzano [A Weavers’ Revolt]), Cologne Photography Direction Director of Photography 1893–97 Ximena Vargas Jorge Manzano Line etching and Die Gefangenen [The Camera Fausto Díaz, Producer sandpaper Prisoners] (Sheet 5 of Mónica Torregrosa Manuel Díaz Calfiú 42 × 56 cm, framed the cycle Bauernkrieg Editing Fausto Díaz, Performer Collection Käthe [Peasants’ War], Heidi Abderhalden Teresa Montoya Levinao Kollwitz Museum Köln, 1st edition), 1908 Sound Design Juan Location Wente Wilkún Cologne Etching Ernesto Díaz Mapu, Trayenco – 83 × 67 cm, framed Voice Agnes Brekke Wallmapu, CL Study for Aufruhr Collection Akademie Craftsman [Uprising] (reversed der Künste, Berlin Jorge Alirio Melo Kuifi ül[Ancient Sound], sketch for the epony- Programming and 2020 mous etching), ca. 1899 Die Mütter [The Production 2K, color, sound, 10' Watercolor and opaque Mothers] (Sheet 6 of Ximena Vargas Camera and paint, ink, pen on the cycle Krieg [War]), Photography brown paper 1922/23 Index #2: Socratea Francisco Huichaqueo 78 × 63 cm, framed Xylograph Exorrhiza, 2020 Producer Collection Staatliche 83 × 67 cm, framed Stereo, 3'33" Rolando Carileo Nova Museen zu Berlin, Collection Akademie Concept and Direction Performer Alonso Kupferstichkabinett der Künste, Berlin Heidi Abderhalden, Chepo Calfio, Antonia Rolf Abderhalden Chepo Matuz, Catalina Aufruhr [Uprising], 1899 La rara troupe Sound Design Alvarado Cañuta Etching Juan Ernesto Díaz Location Malhuehue, 83 × 67 cm, framed La humana perfecta Extracts from “Cariba Comunidad indígena Collection Akademie (The perfect human), Malo” by Roberto Antonio Chepo, der Künste, Berlin 2018 Franco Loncoche Wallmapu, CL Video, b/w, sound, 13'07" Translation into Commissioned and Die Carmagnole Courtesy LAAV_ Andoque dialect and coproduced by the [The Carmagnole] MUSAC, León voice Levi Andoque 11th Berlin Biennale for (test print, state I), 1901 With the support Translation into Contemporary Art Etching, sandpaper of Accíon Cultural English and voice Rolf 88.5 × 68 cm, framed Española (AC/E) Abderhalden All works courtesy Collection Staatliche Programming and Francisco Huichaqueo Museen zu Berlin, Delaine Le Bas Production With the support of Kupferstichkabinett Ximena Vargas Rectoria de Universidad St Sara Kali George, de Conceptión, Die Carmagnole 2020 Index #3: Socratea Directorate of Cultural [The Carmagnole], 1901 Mixed media exorrhiza (The Walking Affairs (DIRAC) Etching with aquatint Dimensions variable Palm), 2020 of the Ministry of 83 × 67 cm, framed Animation Laszlo Animated landscape: Foreign Affairs of Collection Akademie Farkas palm automaton; Chile; Executive der Künste, Berlin Soundscape Justin 2 videos, color, sound, Secretary of Visual Arts Langlands 19'33" and International Affairs Losbruch [Charge] Courtesy Delaine Le Dimensions variable Unit of the Ministry (Sheet 5 of the cycle Bas; Yamamoto Keiko Concept and Direction of Cultures, Arts and Bauernkrieg [Peasants’ Rochaix, London Heidi Abderhalden, Heritage in collabora- War], state IX), 1903 Commissioned and Rolf Abderhalden tion with the Embassy of Etching, fabric imprint, coproduced by the Camera Chile in Germany aquatint 11th Berlin Biennale for Javier Hernández 68 × 88.5 cm, framed Contemporary Art Editing John de los Ríos Käthe Kollwitz Collection Staatliche With the support Programming and Museen zu Berlin, of National Lottery Production Sturm [Storming Kupferstichkabinett through Arts Council Ximena Vargas the Gate—Attack] England Architectural Modeling (Sheet 5 of the cycle Bewaffnung in einem Arq. Daniela Bright Ein Weberaufstand Gewölbe [Arming in Mapa Teatro – Constructors [A Weavers’ Revolt]), a Vault] (Sheet 4 of Laboratorio de Artistas LICHTblick 1893–97 the cycle Bauernkrieg Line etching and [Peasants’ War], 2nd The Moon is in the Courtesy Mapa Teatro – sandpaper edition, final version), Amazon: Index #1, Laboratorio de Artistas 42 × 56 cm, framed 1906 Index #2, Index #3: an Commissioned and Collection Käthe Bicolor etching with line ethnofiction, 2020 coproduced by the Kollwitz Museum Köln, etching, drypoint, aqua- 11th Berlin Biennale list of works list Cologne tint and soft ground Index #1: The Nut, 2019 for Contemporary Art; with imprint of Ziegler’s Video, color, stereo, Matadero, Madrid; Mapa Teatro – Musée d’art contem- riness of representing pencil on paper Laboratorio de Artistas porain de Montréal, humans while not being 78 × 108 cm, framed With the support 23.10.–3.11.2018 part of humanity], 1997 of Goethe-Institut Video, color, sound, Acrylic on paper Sou Um Monstro Kolumbien, Universidad 33'31" Polyptych (6 parts): Degolado Por Jesus Nacional de Colombia, Courtesy Dana Michel 108 × 78 cm, framed (3); Christo! Nunca Tropenbos Inter- and Tracy Maurice 103 × 337 cm, framed; Saberemos… [I am a national – Colombia Commissioned and 208 × 108 cm, framed; Monster Beheaded by coproduced by the 207.5 × 108 cm, framed Jesus Christ! We will Christine Meisner 11th Berlin Biennale for Overall dimensions never know…], 1998 Contemporary Art 427 × 337 cm Acrylic, colored pencil Unschärfe im With the support of and collage on paper Möglichen, Episode 1: Canada Council for the Liebe Ist Kälter Als Der 78 × 108 cm, framed Einsendungen aus Arts Tod!!! [Love Is Colder Berlin [Unsharpness In Than Death!!!], 1997/98 All works courtesy A Possible, Episode 1: Małgorzata Mirga-Tas Acrylic and collage on Instituto Pedro Submissions from paper and textile Moraleida Bernardes Berlin], 2020 From the series Lost Polyptych (5 parts): With the support of Spatial installation of Memory, 2018 158 × 115 cm, framed; Antônio Luiz Bernardes, photographs, texts, and 158 × 112.5 cm, framed; Nilcéa Moraleida, sound Lost Memory, 2018 193 × 153,5 cm, framed; Rafael Marcos Dimensions variable Wax 158 × 115 cm, framed; Moraleida Bernardes Concept, research, Dimensions variable 176 × 115 cm, framed photographs, texts Overall dimensions Óscar Fernando Christine Meisner From the series 550 × 193 cm Morales Martínez Sound composition Romani Kali Daj [Roma Tiziano Manca Madonna], 2019/20 From the series Gran auto antigravita- Reprophotography Deleuze: Corpo Sem cional extra tridimen- Timm Schamberg Miri Baba [My Órgãos [Deleuze: sional de gran motor Sound Design Lorenzo Grandmother], 2019 Body without Organs], [Large Extra Three- Ballerini, Alberto Gatti Textiles, red acrylic, 1996–1998 dimensional Anti-gravity Scientific consulta- wood Car With Large Engine], tion Dr. Christoph 180 × 205 × 3 cm Artaud, 1998 29.6.2014 Kreutzmüller; Gerhard Acrylic, gouache and Felt-tip marker and Jochem, Stadtarchiv Miri Daj [My Mother], collage on paper pen on paper Nürnberg 2019 108 × 78 cm, framed 45.5 × 61 cm Copy editing Daniela Textiles, yellow acrylic, Private collection Plügge wood Enfim, Ganhei a Dádiva Digitization Stürmer 186 × 161 × 3 cm Divina [At Last, I Have Edificio-universo [Stormer] edi- Gained the Divine Gift], [Universe Building], tions Nuremberg Phuter o Jakha [Open 1998 from the series Yo City Archives; your Eyes], 2020 Acrylic, colored pencil constructor [Me Stadtbibliothek Textiles, yellow acrylic, and collage on paper Constructor], 19.4.2015 Nürnberg; Deutsches wood 78 × 108 cm, framed Felt-tip marker, color Historisches Museum, 185 × 235 × 3 cm pencil and pen on paper Berlin Na Dúvida, Consulte; 53.5 × 37.5 cm With thanks to All works courtesy São os Calvários Private collection Gerhard Jochem and Małgorzata Mirga-Tas [When in Doubt, Ask; It Ingeborg Roschlau With the support of is the Sufferings], 1998 Virgen santa y su hijo Courtesy Christine Adam Mickiewicz Acrylic, gouache and Jesús y su santa iglesia Meisner Institute, Visual Poland collage on paper del sagrado espíritu Commissioned and 78 × 108 cm, framed santo [Holy Virgin and coproduced by the Pedro Moraleida Her Son Jesus and His 11th Berlin Biennale for Bernardes O Bispo do Rosário é Holy Church of the Holy Contemporary Art Meu Pai Porque Estou Spirit], 29.4.2015 With the support of From the series Faça Desvencilhado Felt-tip marker, color Flanders State of the Você Mesmo Sua [The Bishop of Rosario pencil and pen on paper Art, A/R asbl – art/ Capela Sistina [Make is My Father Because 37.5 × 53.5 cm research –, Brussels; Your Own Sistine I am Unveiled], 1998 Private collection Stadtarchiv Nürnberg Chapel], 1997/98 Acrylic, colored pencil and collage on paper Sueño de personaje Dana Michel and Sub-series Germânica 78 × 108 cm, framed artista de película Tracy Maurice [Germanic] [Movie Star Character's O Julgamento de Dream], 05.5.2015 Lay them all down, Sentindo um cansaço Deus, São As Minhas Felt-tip marker, color 2020 mortal por representar Profecias… [The pencil and pen on paper Footage of the video o humano, sem fazer Judgment of God, Are 53.5 × 37.5 cm and live performance parte do humano My Prophecies…], 1998 Private collection Jams do Jams at the [Feeling a deadly wea- Acrylic and colored Computador robótico Painting and Literature Carlos Motta Culturale Dello victorioso [Victorious Recoleta], 30.7.2017 Scompiglio Robot Computer], Felt-tip marker on paper REQUIEM, 2016 17.7.2015 53.5 × 37.5 cm 3-channel Courtesy Galeria Felt-tip marker and pen Private collection video installation Vermelho, São Paulo; on paper P.P.O.W Gallery, New 53.5 × 37.5 cm Ángel de Orion origen Libera me [Deliver me], York; mor charpentier, Private collection de red espacio [Angel 2016 Paris of Orion Origin of Space Video, b/w, sound, 2'30" REQUIEM is a copro- Probeta fábrica angeli- Network], 30.6.2019 Featuring duction of MALBA and cal computacional Felt-tip marker on paper Ernesto Tomasini Associazione Culturale [Computational 53.5 × 37.5 cm Music Libera Me Dello Scompiglio, Angelical Test Private collection from Gabriel Fauré’s Buenos Aires Tube Factory], Requiem REQUIEM is part of 23.10.2015 Edificio museo de Camera a live performance Felt-tip marker and la cultural mansión del Jonas Spriestersbach commissioned by pen on paper arte Recoleta [Museum Camera Assistant Angel Moya García 53.5 × 37.5 cm Building of the Cultural Dino Osmanovic and Eugenio Viola for Private collection Mansion of Arts Video Editing Sui generis, reseña Recoleta], 4.8.2019 Carlos Motta de performance of Cerebro universo Felt-tip marker on paper Video Editing Associazione Culturale [Universe Brain], 53.5 × 37.5 cm Consultant Irit Batsry Dello Scompiglio in 26.2.2016 Private collection Sound Saverio Damiani June, 2016 Felt-tip marker and Sound Design Zachary pen on paper Aves angelicales del Dunham, Ian Turner Museo de la 37.5 × 53.5 cm edén jardín huerto Solidaridad Salvador Private collection paraíso art brut The End of Crucifixion, Allende (MSSA), CL [Angelic Birds of Eden 2016 Futura población Psje Garden Paradise Art Video, color, sound, Unidentified Gabriel Palma Comuna Brut], 22.8.2019 21'5" woman artist de Recoleta [Future Felt-tip marker and Featuring Linn Tonstad Untitled, ca. 1973–85 Neighborhood Psje pencil on paper Camera Pieces of fabric sewn Gabriel Palma Comuna 53.5 × 37.5 cm Martina Radwan together (arpillera) de Recoleta], from the Private collection Camera Assistant 34.5 × 46 cm series Yo constructor Travis Tomlinson [Me Constructor], La máquina del tiempo Video Editing Unidentified 12.3.2016 pasado presente futuro Carlos Motta woman artist Felt-tip marker on paper [The Time Machine Sound Ian Turner Untitled, ca. 1973–85 53.5 × 37.5 cm Past Present Future], Sound Design Pieces of fabric sewn Private collection 23.9.2019 Zachary Dunham together (arpillera) Felt-tip marker on paper Post Production 38.5 × 47.5 cm Máquina-electrólisis 53.5 × 37.5 cm Aleksander Bergan [Electrolysis Machine], Private collection Production Unidentified 21.4.2016 Camilo Godoy woman artist Felt-tip marker on paper Santa Luisita Angelical Untitled, ca. 1973–85 53.5 × 37.5 cm [Saint Luisita Angelical], Inverted World, 2016 Pieces of fabric sewn Private collection 26.11.2019 Video, color, sound, together (arpillera) Felt-tip marker on paper 7'39" 37.5 × 49.5 cm La canción del mori- 53.5 × 37.5 cm Featuring Stefano bundo el immortal [The Private collection Laforgia, Carlos Motta, Unidentified Song of the Immortal Andrea Ropes woman artist Dying Man], 29.5.2017 With the support of Camera Untitled, ca. 1973–85 Felt-tip marker on paper Directorate of Cultural Jonas Spriestersbach Pieces of fabric sewn 37.5 × 53.5 cm Affairs (DIRAC) Camera Assistant together (arpillera) Private collection of the Ministry of Dino Osmanovic 41 × 47 cm Foreign Affairs of Video Editing Radio estación Chile; Executive Carlos Motta Unidentified locura [Radio Station Secretary of Visual Arts Video Editing woman artist Madness], 29.5.2017 and International Affairs Consultant Irit Batsry Untitled, ca. 1973–85 Ballpoint pen and Unit of the Ministry Sound Saverio Damiani Pieces of fabric sewn marker on paper of Cultures, Arts and Sound Design together (arpillera) 53.5 × 37.5 cm Heritage in collabora- Zachary Dunham 38.5 × 45.5 cm Courtesy christian berst tion with the Embassy Viola Concetta Abbatte art brut, Paris of Chile in Germany Post Production Unidentified Aleksander Bergan woman artist Gran museo chileno Mural San Francisco, Untitled, ca. 1973–85 Recoleta pintura y early sixteenth century, Pieces of fabric sewn list of works list literatura [Great anonymous, in the together (arpillera) Chilean Museum of chapel at Associazione 36.2 × 49 cm Unidentified Lithograph on paper the People] Israel Roa, La viuda woman artist 49.8 × 70.1 cm Francisco Brugnoli, [The Widow] Untitled, ca. 1973–85 Agresión [Agression] Dino di Rosa, El pie del Pieces of fabric sewn Teresa Montiel Alfredo Cañete, martir [The Foot of the together (arpillera) Fragmentos… Diálogo [Dialogue] Martyr] 45.5 × 37 cm [Fragments…], 1983 Delia del Carril, Fernando Undurraga, Graphite on cardboard Caballo [Horse] Unidad [Unity] Unidentified and collage Santos Chavez, Elsa Urzúa, woman artist 60 × 80 cm Pareja [Couple] Latinoamérica Untitled, ca. 1973–1985 Adolfo Couve, Para [Latin America] Pieces of fabric sewn Taller 4 Rojo (Diego el niño [For the Child] together (arpillera) Arango, Nirma Zárate) Gonzalo Diaz, 36.5 × 51 cm La lucha es larga El tamborin bandera Various formats: comencemos ya [The Drummer] 83 × 59 cm; 76 × 53 cm Unidentified [The Struggle is Long, Dinora, Otra vez el Edited by Heinz Brieden, woman artist Let’s Start Now], 1971 recuerdo [Once again Manfred Dammeyer, Untitled, ca. 1973–1985 Silkscreen on paper the Memory] Karl Ernst Gläser, Fabrik Pieces of fabric sewn 69.9 × 99.6 cm Luz Donoso, La lagrima K14, Oberhausen together (arpillera) [The Tear] Produced by 37.5 × 49.5 cm María Teresa Toral José García, W. Th. Webels, Essen Juegos (8) Homenaje Venceremos Collection Ibero- Unidentified A Trinka (Teatro De [We will be Victorious] Amerikanisches Institut, woman artist Marionetas) [Games Eduardo Garreaud, Berlin Untitled, ca. 1973–1985 (8) Homage to Trinka La soledad en los Pieces of fabric sewn (Puppet Theater)], 1970 parques [The Loneliness Julio Cortázar à together (arpillera) Etching, aquatint in the Parks] propos de la création 40 × 49 cm and roulette printed Patricia Israel, Grupo de du «Musée interna- in color on paper M… [Commando M…] tional de la résistance Gracia Barrios 75.6 × 43 cm Carmen Johnson, Salvador Allende» Multitud III Todavía es tiempo [Julio Cortázar on the [Multitude III], 1972 Maria Helena Vieira [There is Still Time] creation of the Pieces of fabric Da Silva Eduardo Martinez “Salvador Allende sewn together Untitled, ca. 1968 Bonati, Con Allende International Museum 300 × 800 cm Lithograph on paper [With Allende] of Resistance”], in 65.2 × 50 cm Ricardo Mesa, ¡Ojo! Aujourd’hui madame, José Gamarra [Be Aware!] Nancy théâtre du Puzzle, 1975 All works Collection Pedro Millar, Untitled Monde, Antenne 2, Oil on canvas Museo de la Solidaridad José Moreno, 26.7.1977 150 × 150 cm Salvador Allende Intervencion Video, color, sound, 4'6" (MSSA), Chile [Intervention] Source Institut national Teresa Gazitúa With the support of Guillermo Núñez, de l’audiovisuel (INA), Estuve enfermo y Directorate of Cultural Desármelo y bótelo France encarcelado y no me Affairs (DIRAC) [Disarm Him and Selection of visitaron [I was sick of the Ministry of Kick Him Out] photographs and and in prison and they Foreign Affairs of Patricio de la documents of the did not visit me] from Chile; Executive O, Composición exhibition Künstler aus the Carpeta Mateo 25 Secretary of Visual Arts [Composition] Lateinamerika, 1982 [Matthew Chapter 25], and International Affairs Augustin Olavarría, at daadgalerie, from 1976 Unit of the Ministry of Y que pequenos somos the archive of the Woodcut on paper Cultures, Arts and los Hombres [And How DAAD Artists-in-Berlin 39.7 × 39.7 cm Heritage in collabora- Small We People Are] Program tion with the Embassy Anibal Ortiz Pozo, Beatriz González of Chile in Germany; El pueblo no olvida sus Museu de Arte Osório La iglesia está en Office of Contemporary muertos [The People Cesar, Franco da peligro [The Church Art Norway Do Not Forget Their Rocha, BR is in Danger], 1976 Dead] Silkscreen on paper Das Volk hat Kunst mit Julio Palazuelos, Aurora Cursino dos 54.3 × 50 cm Allende. El pueblo tiene Desaparecerán en Santos arte con Allende, [1970] septiembre [They Claude Lazar 1974 Will Disappear in A Dama do Fuhrer Tel al-Zaatar, 1976 31 prints on paper with September] [The Fuhrer’s Lady], Oil on canvas folder: Alberto Pérez, ¡Alerta! 1951 97.4 × 130 cm José Balmes, ¡No a la [Watch Out!] Oil on paper represión! [Against Gustavo Poblete, Cartel 50 × 35 cm Clemencia Lucena Repression!] [Poster] Educación revolucio- Jorge Barba, Historia de Alfonso Puente, Por Untitled, no date naria [Revolutionary Chile [History of Chile] que morir sin lucha ? Oil on paper Education], 1976 Gracia Barrios, El rostro [Why Die without 50 × 33 cm, del pueblo [The Face of Fighting?] double-­sided Untitled, no date Courtesy Complexo Untitled, 1969 [Afterword - Images Oil on paper Hospitalar do Juquery – Oil on paper of the Unconscious], 78 × 60 cm Governo do Estado 47.4 × 32.8 cm 1987/2014, de São Paulo and 5'51" (Excerpt) Maria Aparecida Dias Prefeitura de Franco Untitled, 1970 da Rocha Oil on paper All works 16 mm Untitled, 1994 With the support of 48,5 × 34 cm transferred to HD, color, Acrylic on canvas Brasilianische Botschaft sound 30 × 20 cm in Berlin, Governo do Untitled, 1973 Courtesy Estado de São Paulo, Oil on paper Leon Hirszman Estate Untitled, 1994 Goethe-Institut São 36.2 × 26.7 cm Source Oil on canvas Paulo Instituto Moreira Salles 50 × 30 cm Untitled, 1978 Museu de Imagens Oil on cardboard Andrés Pereira Paz Untitled, 1995 do Inconsciente, 55.2 × 36.4 cm Oil on canvas Rio de Janeiro, BR EGO FVLCIO 60 × 40 cm Carlos Pertuis COLLVMNAS EIVS Adelina Gomes [I FORTIFY YOUR Untitled, 1998 Untitled, no date COLUMNS], 2020 Oil on canvas Untitled, 1946 Oil on canvas Mixed media 50 × 30 cm Wax pencil on paper 34.8 × 26.6 cm Dimensions variable 27.5 × 20.4 cm Courtesy Ubirajara Ferreira Braga Untitled, 1950 Andrés Pereira Paz; Untitled, 1956 Oil on paper Crisis Galería, Lima; A porcissão Oil on paper 36.5 × 54.4 cm Galería Isla Flotante, [The procession], 1995 33.2 × 24.3 cm Buenos Aires Gouache on paper Untitled, 1951 Commissioned and 47.8 × 65.7 cm Untitled, 1959 Oil on canvas coproduced by the Gouache on paper 33 × 55 cm 11th Berlin Biennale for A Madame e o Escravo 48.3 × 33.4 cm Contemporary Art [Madame and the Untitled, 1951 With the support of Slave], 1995 Untitled, 1960 Oil on carton paper Crisis Galería, Lima; Gouache and oil on Oil on paper 49 × 67 cm Galería Isla Flotante, paper 48.8 × 32.3 cm Buenos Aires 47.8 × 65.7 cm Untitled, 1953 With thanks to Untitled, 1960 Oil on canvas Künstlerhaus Bethanien, Perssonagens do Oil on paper 52.5 × 63 cm, framed Berlin Mundi Infantiu 29.5 × 45.8 cm [Characters of the Untitled, 1962 Antonio Pichillá Children’s World], 1996 Untitled, 1961 Oil on canvas Gouache and crayon Gouache on paper 65 × 54 cm Acción de un personaje on paper 55 × 36 cm árbol [Action of a tree 50 × 66 cm All works Collection character], 2017 Untitled, 1962 Museu de Imagens Wood, dyed wool thread Masayo Seta Oil on canvas do Inconsciente, and maguey fiber 64.4 × 53.5 cm, framed Rio de Janeiro, BR 200 × 40 × 40 cm Untitled, 1986 With the support of Marker and graphite Untitled, 1964 Brasilianische Botschaft Kukulkan [Feathered on paper Oil on paper in Berlin, Goethe- Serpent], 2017 21.5 × 31.5 cm 47.5 × 34.6 cm Institut São Paulo Wood, wool thread 160 × 110 × 25 cm Untitled, 1986 Untitled, 1964 Leon Hirszman Gouache and graphite Oil on paper Imagens do Abuela [Grandmother], on paper 48.5 × 33.8 cm Inconsciente [Images 2018 30.3 × 44.9 cm of the Unconscious], Dyed synthetic thread Untitled, 1967 1986 160 × 107 × 8 cm Untitled, 1987 Oil on paper Documentary in three Gouache and graphite 55 × 35.8 cm episodes, filmed in Fuego [Fire], 2018 on paper the early 1980s Dyed wool thread 32.5 × 45 cm Untitled, 1967 in partnership with 140 × 75 × 4 cm Oil on paper Dr. Nise da Silveira Untitled, 1989 55.3 × 36.5 cm No reino das mães [In Golpes y Sanación Marker, gouache, and the kingdom of moth- [Blows and Healing], graphite on paper Untitled, 1968 ers] 4'9" (Excerpt) 2018 32.5 × 45 cm Oil on paper A barca do sol HD video, color, sound, 48 × 33.2 cm [The Sun Boat] 6'50" 4'1" All works Collection (Excerpt) list of works list Museu de Arte Osório Posfácio – Imagens All works courtesy Cesar, Franco da Rocha do Inconsciente Antonio Pichillá With the support of Nacional de Creadores Null-Defizit (in The Santa Claus Action, Centro Cultural de de Arte 2019–22 by the Ablehnung) [Zero 1975 España en Guatemala Fondo Nacional para Deficit (in Refusal)], Video, color, sound, La Cultura y las Artes, 2020 43'13" Naomi Rincón Gallardo Mexico Digital print on strips of wallpaper, powder All works courtesy Resiliencia Tlacuache Florencia Rodriguez coated steel structures Solvognen (The Sun [Opossum Resilience], Giles Dimensions variable Chariot) Theater Group 2019 Printing in collaboration With the support of HD video, color, sound, From the series with Lamarts, Istanbul Danish Arts Foundation 16'1" Biodelica, 2018 Featuring Luis Enrique All works courtesy Young-jun Tak García, Chichis Glam, Biodelica, 2018 Aykan Safoğlu Diana Gómez Córdoba, Pencil on paper, Commissioned and Chained, 2020 Naomi Rincón Gallardo mounted on canvas coproduced by the Resin, fiberglass, Cinematography Masha 228 × 302 cm 11th Berlin Biennale for paper, glue Godovannaya Courtesy Florencia Contemporary Art Ø ca. 390 cm Photo Documentation Rodriguez Giles; With the support of Courtesy Claudia López Terroso Ruth Benzacar Galería SAHA Association Young-jun Tak Electronic Sound de Arte, Buenos Aires With thanks to Commissioned and Effects Enrique Arriaga Academy of Fine Arts coproduced by the Direct Sound Konk Biodelica, 2018 Vienna, PhD in Practice; 11th Berlin Biennale for Balam Díaz Pencil on paper, doc.funds; Berliner Contemporary Art Voice-over Hill Claudia mounted on canvas Senatsverwaltung fur With the support López Terroso Diptych; 220 × 150 cm; Kultur und Europa of Arts Council Voice-over I dreamt 202 × 454 cm Korea, Koreanisches about the naguales Courtesy Florencia Mariela Scafati Kulturinstitut Naomi Rincón Gallardo Rodriguez Giles; With thanks to Opossum: Lyrics Naomi Ruth Benzacar Galería Movilización Collection Lena and Rincón Gallardo de Arte, Buenos Aires [Mobilization], 2020 Johann König Music Fernando 65 paintings Guadarrama Biodelica, 2018 Dimensions variable Teatro da Vertigem Voice Paulina Jiménez, Pencil on paper, Courtesy Mariela Jaranas (small guitars) mounted on canvas, Scafati; Galería Isla Marcha à ré Oliver Martínez silicone, pigments Flotante, Buenos Aires; [Reverse Gear], 2020 Kandt and Fernando 220 × 150 cm PSM, Berlin Video documentation Guadarrama Collection Roman Maltz Commissioned and of performance, color, Fermented, adulterated, coproduced by the sound, ca. 10' hyper-fertilized: Lyrics Biodelica, 2018 11th Berlin Biennale for Cinematography Naomi Rincón Gallardo Pencil on paper, Contemporary Art Eryk Rocha Music/Vocals Chichis mounted on canvas With the support of Courtesy Teatro Glam 224 × 152 cm Galería Isla Flotante, da Vertigem Rosy: Lyrics Naomi Collection Roman Maltz Buenos Aires Commissioned and Rincón Gallardo, With thanks to PSM, coproduced by the Rapper Yadhi Boz ft. Biodelica, 2018 Berlin 11th Berlin Biennale for Doma Pencil on paper, Contemporary Art Props Naomi Rincón mounted on canvas, Solvognen (The Sun Coproduced by Gallardo silicone, pigments Chariot) Theater Group Porto Alegre Opossum’s Mask 320 × 150 cm International Scene Ezequiel Marín Collection Brun Santa Army and Performing Arts Festival “Máscaras”: Cattáneo Their Flag, 1974 With the support Seamstress Mayra Color photography— of Goethe-Institut; Angélica Cernas All works with the exhibition print Prefeitura de São Paulo; Lighting Jakob Aguilar support of Collection 21 × 29.4 cm Secretaria Municipal Production Assistant Brun Cattáneo, de Cultura de São Lorena Ancona Collection Roman Maltz Santas With Their Paulo, SPcine, SP Film Courtesy and Ruth Benzacar, Trojan Goose in Front Commission Naomi Rincón Gallardo Galería de Arte, of City Hall, 1974 With the support of Buenos Aires Color photography— Elena Tejada-Herrera Patronato de Arte exhibition print Contemporáneo, Aykan Safoğlu 30.7 × 21 cm They Sing, They Dance, Parallel Oaxaca, FWF They Fight, 2020 PEEK Project: Dis/ Hundsstern steigt ab Dejlig er den himmel 3-channel video instal- possession: Post- [Dog Star Descending], blå [Wonderful Is the lation, color, sound, Participatory Aesthetics 2020 Blue Sky], 1974 loop; disco lights, 16'9" and the Pedagogies Single-channel video Poster—exhibition print Featuring Sianinne of Land installation, color, 70 × 57 cm Kriss Ampudia, Marina The artist is supported sound, 12' Kapoor, Hermelinda as Miembro del Sistema Lujan, Janet Medina, Lilith Albornoz, Lorena The Sarah Jacobson (Riojana guitar) Courtesy Deutsches Pena, Rosa Jimenez, Film Grant, The Voices Mariana Baraj, Tanzarchiv Köln Adriana Aguirre Diaz, 20th Contemporary Aldana Bello,Susy Photo Madeline Belen Zapata Silva, Art Festival SESC_ Shock Winkler-Betzendahl Olenka Marin Benitez, Videobrasil Arist Reciting Sara Hebe © Deutsches Angellina Miladi Yanez Residency Prize, The Ronroco Aldana Bello Theatermuseum Buitron, Gia Macarena Wexner Center for Ion Voice Recording München, Archiv Pedroche, Kim Hiyo the Arts Film / Video Federico Nicolao Madeline Winkler- Mendivil, Elena Residency Award Voice Recording Betzendahl; Courtesy Tejada-Herrera With the support of Estudio El Socavón, Deutsches Tanzarchiv Director, Camera, Goethe-Institut / Sebastián Choque Köln Editing Max Mueller Bhavan Post-Production, Mixing Photos Abraham Elena Tejada-Herrera New Delhi Matías Chavez Pisarek, Courtesy SLUB Assistant Pier Tapia Filmed at the open-air Dresden / Deutsche Pronouns changed Azucena Vieites landfill Hornillos, Fotothek to feminine and non Quebrada de Commissioned and binary in songs by A World, 2020 Humahuaca, February coproduced by the Victor Jara, Silverio Acrylic on paper, 2019 11th Berlin Biennale for Urbina, Los prisio- cardboard, print on Courtesy Bartolina Xixa Contemporary Art neros, Munequita paper, silkscreen on With the support of Sally, Violeta Parra, paper Osías Yanov and Mondriaan Fonds, Karla, Los destellos, Dimensions variable Sirenes Errantes Botschaft des Puro Sentimiento, Courtesy Königreichs der Fresialinda, Renata Azucena Vieites Servicio de Niederlande, Prix Flores, Victoria Porras Commissioned and Escuchasión [Listening de Rome, MIMA Quintanilla ‚Saywa‘, coproduced by the Service], 2020 Middlesborough Quilapayun and from 11th Berlin Biennale for Mixed media Institute of Modern Art, La internacional, Viva Contemporary Art Dimensions variable Akademie der Künste la quince brigada, A With the support of Courtesy Osías Yanov der Welt, Cologne las barricadas and Fundación Botín, and Sirenes Errantes With thanks to CBK Chaska Lucero Huayno Accíon Cultural Commissioned and Rotterdam; SpazioA, Ayacuchano Española (AC/E), coproduced by the Pistoia Remix Elena Tejada- Etxepare Basque 11th Berlin Biennale for Herrera Institute Contemporary Art Music Nctrnm, With thanks to DAAD S&ndC&stl&, Jason Castiel Vitorino Artists-in-Berlin Shaw, Broke for free, Brasileiro Program Kidkanevil&DZA; Free Music Archive From the series No Katarina Zdjelar Courtesy antiquário eu negociei Elena Tejada-Herrera o tempo [In the Antique Not A Pillar Not A Pile, Commissioned and Shop I Negotiated 2020 coproduced by the Time], 2018 4K video, color, sound, 11th Berlin Biennale for 5 photographic prints 11' 39", loop Contemporary Art mounted on aluminum Archive material, glass, With the support of composite board, wooden floor Centro Cultural de exhibition prints Dimensions variable España en Lima; Museo Each 120 × 80 cm Courtesy Katarina de Arte Contemporáneo Courtesy Castiel Zdjelar; SpazioA, Pistoia de Lima; Museo de Arte Vitorino Brasileiro Courtesy archival de San Marcos, Lima With thanks to family material: Brasileiro, family Photos Siegfried The Black Mamba – Vitorino, family da Enkelmann © VG Natasha Mendonca & macumba, Rodrigo Bild-Kunst, Bonn 2020; Suman Sridhar Jesus Courtesy Deutsches Tanzarchiv Köln Land of the Breasted Bartolina Xixa Photos Lenka von Woman, 2020 Koerber © Schirin und HD video, color and Ramita Seca, and Giv von Koerber, b/w, sound, music and La Colonialidad Cologne; Courtesy narration, 66' Permanente [Dry Deutsches Tanzarchiv Courtesy Twig, The Permanent Köln The Black Mamba – Coloniality], 2019 Photos © Otto Laun, Natasha Mendonca & HD video, color, sound, Stuttgart; Courtesy Suman Sridhar 5'7" Deutsches Tanzarchiv Coproduced by the Audiovisual Production Köln Elisa Portela Photos Charlotte 11th Berlin Biennale of works list for Contemporary Music Aldana Bello, Rudolph © VG Bild- Art, Berlinale Talents, Ramita Seca Kunst, Bonn 2020;