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List of Works the Crack Begins With

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List of Works the Crack Begins With list of works Pacita Abad Marcos and His Composition (Octopus In collaboration with Cronies, 1985–95 Transformation), 2018 weavers Daniela African Mephisto, 1981 Acrylic, oil, textile Ink and colored pencil Catrileo, Aylin Espinoza Acrylic, rick rack collage, mirrors, shells, on paper Chehuaicura, Camila ribbons, tie dyed buttons, glass beads, 126.7 × 114.3 cm Huenchumil, Pamela cloth, painted cloth on gold thread and padded Collection Paul and Iglesias, Victoria stitched and padded fabric on stitched and Mary Desmarais III Maliqueo, Danae canvas padded fabric Morales, Gianni 270 × 180 cm 500 × 293 cm Monsters Holding a Nahuelhuan, Mikal Collection Singapore Drawing, 2015 Neculqueo, Alejandra Kaunga, 1983 Art Museum, Singapore Ink and colored pencil Silva, Ange Valderrama Acrylic, oil, cowrie shells, With the support of on paper Cayuman buttons stitched on Pacita Abad Art Estate, 121.9 × 127 cm Courtesy Paula Baeza padded canvas Los Angeles Collection Paul and Pailamilla 218 × 173 cm Mary Desmarais III With the support of Noor Abuarafeh Dirección de Asuntos Oceania Mask Composition (Monsters Culturales (DIRAC) (Dancing Demon), 1983 Am I the ageless object and Children), 2016 of the Ministry of Acrylic, cowrie shells at the museum?, 2018 Ink and colored pencil Foreign Affairs of stitched on padded Video, color, sound, on paper Chile; Executive canvas 15'08" 73.6 × 127 cm Secretary of Visual Arts 269 × 179 cm Courtesy Collection Paul and and International Affairs Noor Abuarafeh Mary Desmarais III Unit of the Ministry Bacongo VIII, 1988–90 Commissioned by A.M. of Cultures, Arts and Acrylic, cowrie shells, Qattan Foundation Salt Bones, 2016 Heritage in collabora- plastic buttons, Ink and colored pencil tion with the Embassy of mirrors stitched on Marwa Arsanios on paper Chile in Germany silk screen ed, padded 121.9 × 165.1 cm canvas Who is Afraid of Collection Peter Ross Aline Baiana 258 × 150 cm Ideology? (Part 3) – Micro Resistancias, Composition (Clock), The Cross of the South, African Mask (Kongo), 2020 2014 2020 1990 Video, color, sound, Ink and colored pencil 5 stones (banded iron Acrylic, colored beads, 31'16'', pencil on paper on paper formation, auriferous shells, handwoven yarn, Works on paper each 112.4 × 104.1 cm conglomerate, orna- padded fabric, painted 30 × 30 cm Kitchener-Waterloo mental stone, Itabirite, canvas stitched on Courtesy Art Gallery Collection, cupriferous conglomer- canvas Marwa Arsanios Kitchener. Purchased ate), metal wires, com- 261 × 175 cm Commissioned in part through the puter pieces, iron ore, and coproduced by support of the Elizabeth epoxy resin, and mining Hopi Mask, 1990 Berlin Biennale for L. Gordon Art Program, waste resulting from Acrylic, yarn, sequins Contemporary Art; a program of the Walter environmental crimes in stitched on padded Fondazione Sandretto and Duncan Gordon Brumadinho, BR canvas Re Rebaudengo; Foundation and admin- Dimensions variable 255 × 180 cm Contemporary Art istered by the Ontario Courtesy Aline Baiana Center Cincinnati; Arts Foundation, 2017 Commissioned All works courtesy Vooruit and produced by Pacita Abad Art Estate, Paula Baeza Pailamilla Berlin Biennale for Los Angeles Shuvinai Ashoona Contemporary Art With the support of Kurü Mapu [Black Land], Pacita Abad Art Estate, Untitled, 2013 2018 Los Angeles Ink and pencil crayon Textile, wood, barbed on paper wire, metal; HD video, 127 × 123.2 cm color, sound, 3'45" list of works Collection Paul and Dimensions variable Mary Desmarais III Virginia Borges, With the support of Cotton, yarn, Minha Mãe Morrendo Gil DuOdé, and Canada Council for the embroidered words; (no. 3) [My Mother Virginia de Medeiros Arts, The Art Museum 2 photo graphs – Dying no. 3], 1947 at the University of exhibition prints 69.7 × 50.1 cm Ìyá Agbára [Strength of Toronto 58 × 71 cm Mothers], 2020 Archival permissions (sweater size M) Minha Mãe Morrendo 16mm film transferred courtesy University Each 21 × 27 cm (no. 4) [My Mother to HD, color, sound, of Toronto, The Arts & (photographs) Dying no. 4], 1947 11'32" Letters Club, Art Gallery 69.7 × 50 cm Video Editor of Ontario, Ontario All works courtesy Junae Andreazza Provincial Archives, Edgar Calel Minha Mãe Morrendo Photography and National Museum of (no. 5) [My Mother Camera Gustavo Jahn Civilization, Canadian Edgar Calel in collab- Dying no. 5], 1947 Music and Sound Museum of History oration with Fernando 68.4 × 51.3 cm Leonardo Oliveira Pereira dos Santos Chorus Virginia Borges, Cansu Çakar Minha Mãe Morrendo Luane Thiago da Sueño de Obsidiana (no. 6) [My Mother Conceição, Gil DuOdé, A day, 2020 [Obsidian Dream], 2020, Dying no. 6], 1947 Mirah Lanine, Spray paint on concrete work in progress 66.1 × 50.9 cm Vera Schneeberg Dimensions variable HD video, color, stereo, Musicians 13'57" Minha Mãe Morrendo Valdir Jovenal, From the series Courtesy Edgar Calel (no. 7) [My Mother Joelson Menezes, Labyrinth to Kybele, and Fernando Pereira Dying no. 7], 1947 Juninho Quebradeira 2020 dos Santos 69.4 × 50.4 cm Participants Virginia Commissioned and Borges, Luane Thiago Circumcision Feast, coproduced by the Minha Mãe Morrendo da Conceição, 2020 11th Berlin Biennale for (no. 8) [My Mother Gil DuOdé, Virginia de Contemporary Art Dying no. 8], 1947 Medeiros, Nitzan Meilin, The Return of the With the support of 64.3 × 50.4 cm Claudia Sampaio Silva, Goddess, 2020 DAAD Artists-in-Berlin Vera Schneeberg, Program and Sendero Minha Mãe Morrendo Diana Schreier Ancient Lake, 2020 Filmes (no. 9) [My Mother Courtesy Virginia Dying no. 9], 1947 Borges, Gil DuOdé, and Possessed Woman’s Flávio de Carvalho 68.6 × 51 cm Virginia de Medeiros Murder, 2020 Commissioned and Vitrine Berlin Biennale All works charcoal produced by the 11th Closed Court Hearing, c/o Exrotaprint on paper Berlin Biennale for 2020 9 offset prints (of Contemporary Art Experiencia no. 2, original drawings) All works watercolor, realizada sobre uma Courtesy the Estate Deanna Bowen gouache, and gold procissão de Corpus of Flávio de Carvalho on paper Christi, São Paulo Original drawings Deconstructing 70 × 100 cm [Experience no. 2, Collection Museu de The God of Gods: A performed at a Corpus Arte Contemporânea Canadian Play, 2019 All works courtesy Christi Procession, de Universidade de Deanna Bowen Cansu Çakar São Paulo], 1931 São Paulo in conversation with Commissioned and Collection Paulo With the support John G. Hampton, coproduced by the Bacellar Monteiro of Almeida e Dale, Peter Morin, Lisa Myers, 11th Berlin Biennale for Brasilianische Botschaft Archer Pechawis, and Contemporary Art Retrato ancestral in Berlin, Goethe- cheyanne turions With the support of [Ancestral portrait], Institut Rio de Janeiro Recorded at Hart SAHA Association 1932 House Theatre, Toronto Oil on canvas Sara Sejin Chang on 21.6.2019 Edgar Calel 81 × 60 cm (Sara van der Heide) Video, color, sound, Collection Hecilda and 73'52" Ni Ch’itiloj Ri q’aq Sergio Fadel Four Months, Four [Phonemes of Fire], Million Light Years, The God of Gods: Berlin 2020–ongoing From the series Série 2020 Berlin, 2020 Charcoal, pencil, pen, Trágica [Tragic Series], Video, color, sound, 35', Digital print on India ink on paper, 1947 textiles, paper, water- wallpaper cardboard color on paper Dimensions variable Various formats: Minha Mãe Morrendo Dimensions variable 21 × 29.7 cm; (no. 1) [My Mother Director, editor Sara All works courtesy 29.7 × 21 cm; 15 × 21 cm; Dying no. 1], 1947 Sejin Chang (Sara van Deanna Bowen 15 × 45 cm 66.2 × 51 cm der Heide) Commissioned and Film editing, color coproduced by the B’atz tejido constel- Minha Mãe Morrendo grading Paul Millot 11th Berlin Biennale for ación de saberes [B’atz (no. 2) [My Mother Singing Yan Contemporary Art Textile Constellation of Dying no. 2], 1947 Vandenbroucke Knowledges], 2015 69 × 50.5 cm Drumming Leslie Maes Sound Céline Gillian Collection Juan Yarur Collection Juan Yarur Camera John Javellana Costumes, textiles Torres – Fundación AMA Torres – Fundación AMA Sound Jippy Pascua Lila John Editor Kiri Dalena Production assistant Calendario Il Untitled, no date Music Datu Arellano Stefan Govaart [Calendar Il], 1974 Photographs, hand-col- Drawings each Corean banner Catalogue or magazine ored paper, handmade 57.2 × 72.4 cm 천라만상 Universe clipping, copper plate, paper, printed paper, Courtesy Kiri Dalena 조상 Ancestors photographs by gold and silver paper, 우주 Cosmos Wren de Antonio and pastel on cardboard Alunsina, 2020 먼지 우주로 지어졌다 Luis Poirot 52.2 × 64 cm, framed Video, color, sound, You‘re made of stardust on cardboard Collection Juan Yarur 41'07" 집에 가기 Coming 65.1 × 52.2 cm, framed Torres – Fundación AMA Camera Jippy Pascua, home Collection Juan Yarur Denesse Victoria 별먼지 가족 Stardust Torres – Fundación AMA Keep Going, Honey, Production manager Family 1990 Nico Bagsic 어머니 Mother Calendario III White gauze, clipped Sound Aljohn Torres, 아버지 Father [Calendar III], 1974 photographs, white Nonilon Abao Courtesy Photograph, copper net fabric, metallic Editor Majoy Sara Sejin Chang sheet, clipped pho- paper silver and gold, Siason-Bascos (Sara van der Heide) tographs by Wren de ink, paper, clipped Animation Ellen Ramos With the support of Antonio and Luis Poirot photograph by Maurizio Sound Design Mondriaan Fonds, on black cardboard Buscarino on cardboard Mikko Quizon Botschaft des 65.1 × 52.2 cm, framed 52.5 × 65 cm, framed Music Datu Arellano Königreichs der Collection Juan Yarur Collection Juan Yarur Paintings and Drawings Niederlande Torres – Fundación AMA Torres – Fundación AMA Christine, CJ, Joanne, Coproduced with Kaila, Remy, RJ Kunstenfestivaldesarts,
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