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KILLING BONO a Nick Hamm Film
KILLING BONO A Nick Hamm Film Production Notes Due for Release in UK: 1st April 2011 Running Time: 114 mins Killing Bono | Production Notes Press Quotes: Short Synopsis: KILLING BONO is a rock n’ roll comedy about two Irish brothers struggling to forge their path through the 1980’s music scene… whilst the meteoric rise to fame of their old school pals U2 only serves to cast them deeper into the shadows. Long Synopsis: Neil McCormick (Ben Barnes) always knew he’d be famous. A young Irish songwriter and budding genius, nothing less than a life of rock n’ roll stardom will do. But there’s only room for one singer in school band The Hype and his friend Paul’s already bagged the job. So Neil forms his own band with his brother Ivan (Robert Sheehan), determined to leave The Hype in his wake. There’s only one problem: The Hype have changed their name. To ‘U2’. And Paul (Martin McCann) has turned into ‘Bono’. Naturally there’s only one option for Neil: become bigger than U2. The brothers head to London in their quest for fame, but they are blighted by the injustices of the music industry, and their every action is dwarfed by the soaring success of their old school rivals. Then, just as they land some success of their own, Ivan discovers the shocking truth behind Neil’s rivalry with U2, and it threatens to destroy everything. As his rock n’ roll dream crashes and burns, Neil feels like his failure is directly linked to Bono’s success. -
March 2002 50P
Community Voice of the Strettons March 2002 50p Pete Postlethwaite plays Scaramouche Jones at Church Stretton School Arts Festival Pre-view . 3 South Shropshire Local Plan . 5 Health Care out of Hours . 7 Town Council . 18 Churches . 24 - 27 Library Storytime . 30 Whitewater Rafting . 32 Children’s page . 34 Supported by West Midlands Co-operative Society Limited, Church Stretton Town Council, Shropshire Rural Development Programme, Strettons Civic Society and Well, Well, Well (UK) Ltd. March 2002 mag 1 19/2/02 11:59 am STRETTON FOCUS This month’s cover (founded 1967) ur own Pete Postlethwaite brings his one-man Average monthly sales: 1,368 copies. stage show Scaramouche Jones to Church Stretton (About 62% of households in Church Stretton) Oprior to a National and International tour. He will be performing in the new auditorium of Church Chairman: Dr Martin Plumptre . 723595 Stretton School on Friday 8th and Saturday 9th March. Vice Chairman: David Jandrell . 724531 In Scaramouche Jones, Pete Editors: Peggy Simmonds . 724117 plays the ageing circus Jill Turner Jones . 724371 clown who sits backstage Design/Layout: Barrie Raynor . 723928 doing a crossword and Paul Miller . 724596 refl ecting upon the Rowland Jackson . 722390 extraordinary experiences Distribution: David Jandrell . 724531 which have made him Advertising: Len Bolton . 724579 who and what he is, his Treasurer: John Wainwright . 722823 life on the road, and the Secretary: Janet Plumptre . 723595 father he never knew. Advertisements. Rates for block and occasional Pete Postlethwaite was advertisements may be obtained (send s.a.e.) from the born in 1945 in Warrington Advertising Manager, Len Bolton, ‘Oakhurst’, Hazler and has lived in Minton Road, Church Stretton, SY6 7AQ, Tel: 01694 724579 to for the past 13 years. -
Narnia Melts Reviewer's Heart
February 10, 2006 Narnia melts reviewer’s heart w Maheen Nageeb w Staff Writer The greatly anticipated blockbuster The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe, a film based on the books by C.S. Lewis, hit the big screens Dec. 9, taking first place in the box office on the first .day Although a great fan of The Chronicles of Narnia series, I wasn’t one of the many people rushing to the theaters to catch the first show. I was under the impression that the PG rating meant that this movie would be targeted at little kids and therefore wouldn’t hold my interest or attention. After finally having seen the movie, I feel sheepish for ever having even thought such a thing. Just as the written story The Lion, The Witch, and the Wardrobe had captured my heart and soul so many years ago as a little child, the film, under the direction of Andrew Adamson, rekindled its magic within me once again, even as a brooding 16-year-old. The movie stays surprisingly true to the book, although there are some added scenes that prolong the movie to the oh-so- reasonable length of 140 minutes as well as allowing the cinematographers to showcase their talents. These scenes consist of the fire in Tumnus the faun’s place, the frozen animals and the elaborate battle sequences to name a few. The setting and scenery in the movie is perfectly breathtaking, to say the least, and the actors were born to play their respective parts: their looks, their posture, their style. -
2016 STUDY Guideproduction Co-Sponsors 2016 STUDY GUIDE
2016 STUDY GUIDEProduction Co-Sponsors 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER THE LION, THE WITCH AND THE WARDROBE BY C. S. LEWIS, DRAMATIZED BY ADRIAN MITCHELL DIRECTOR TIM CARROLL TOOLS FOR TEACHERS sponsored by INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Author: C.S. Lewis ................................................................................................ 3 The Playwright: Adrian Mitchell .................................................................................. 3 Plot Synopsis ............................................................................................................... 4 Sources, Origins and Stage History ............................................................................ 5 Cast of Characters ....................................................................................................... 6 The Production Artistic Team -
The Chronicles of Narnia
THE CHRONICLES OF NARNIA 0. THE CHRONICLES OF NARNIA - Story Preface 1. DOES GOD ALLOW EVIL? 2. THE CHRONICLES OF NARNIA 3. THE PATH TO GOD 4. THE PATH TO FAITH 5. LORD OF THE RINGS 6. FAME 7. LOVE ARRIVES 8. DEATH COMES TOO SOON 9. JACK'S IMPACT 10. LEARNING LINKS The Chronicles of Narnia, a series of books that have made C. S. Lewis a perennial favorite of children, have their roots in Northern Ireland. Jack never lost his boyhood love of Northern Ireland - especially his County Down - even after he moved permanently to The Kilns in Oxford. He once told a friend "Heaven is Oxford placed into County Down." While still a youngster, Jack studied briefly at Campbell College, in Belfast, before his father sent him to boarding school in England. But that was after his mother died and before he wrote about the place where fantastic childhood imaginings had come alive in his own mind. The "Wardrobe," in the Chronicles of Narnia, was real only for him at that early date. Not until later would his imaginings come alive not just for himself, but for millions of children throughout the world. Jack left for England, his faith shaken by his mother’s death. And it was in England, at the boarding school, where the future Christian apologist, C. S. Lewis, lost his faith altogether: He had, in fact, become an atheist. See Alignments to State and Common Core standards for this story online at: http://www.awesomestories.com/asset/AcademicAlignment/THE-CHRONICLES-OF-NARNIA-Shadowlands See Learning Tasks for this story online at: http://www.awesomestories.com/asset/AcademicActivities/THE-CHRONICLES-OF-NARNIA-Shadowlands Media Stream C.S. -
Cast and Crew in Association with Classical Kicks Productions and EB
Cast and Crew Emily Blacksell—Producer, Director and Writer Emily’s 18-year career in the entertainment sector has seen her assist, support, and represent some of the legendary figures of their respective fields both in the UK and internationally, namely the late John Barton CBE, the late Sir Peter Hall, Sir Paul McCartney and Sally Greene OBE. She has worked for world-renowned organisations and venues including the RSC, MPL Communications Ltd., the Old Vic Theatre, Old Vic Productions (now Greene Light Stage), Ronnie Scott’s Jazz Club, and Bristol Old Vic Theatre, granting her extraordinary access to, and the experience of working with, globally recognised creative teams and artists on diverse projects and creative ventures. These include Tantalus (USA and Europe), Billy Elliot the Musical (worldwide), five world tours, four album releases, and six book publications during her five years as Assistant to Sir Paul McCartney, and eight seasons at the Old Vic Theatre – a period that included the groundbreaking three-year BAM/Old Vic/Sam Mendes Bridge Project collaboration. Emily received her creative and academic training from the Guildhall School of Music and Drama Junior department where she studied violin and voice, and the University of Birmingham where she read English and Drama. Her passion for music specifically, and performance in general, has informed her own practice and enabled her to work creatively as a director, assistant director, and producer across theatre, opera, digital platforms, and film. As Producer: WillShake Henry V (Short Form Film Company) featuring Tom Hiddleston; Theatre Lives (Digital Theatre+) featuring Dame Julie Walters, Imelda Staunton, Juliet Stevenson, Adrian Lester, and Michael Grandage; Producer & Project Manager Peter O’Toole Memorial (Old Vic Theatre, London); Producer & Co-Curator - with Tom Morris and John Caird - Bristol Old Vic 250th Anniversary Gala. -
DIE CHRONIKEN VON NARNIA: DER KÖNIG VON NARNIA Ist Die Größte Disney-Produktion Aller Zeiten Entstanden
Walt Disney Pictures, Walden Media und Buena Vista International präsentieren Regie: Andrew Adamson mit Tilda Swinton, William Moseley, Anna Popplewell, Skandar Keynes, Georgie Henley u.a. Kinostart: 8. Dezember 2005 im Verleih der Buena Vista International www.presse.movie.de Pressebetreuung: JUST PUBLICITY GmbH Erhardtstr. 8 80469 München Tel.: 0 89 / 20 20 82 60 Fax: 089 / 20 20 82 89 Mail: [email protected] Kurzinhalt England, während des Zweiten Weltkriegs: Zum Schutz vor Bombenangriffen werden die Geschwister Peter (WILLIAM MOSELEY), Susan (ANNA POPPLEWELL), Edmund (SKANDAR KEYNES) und Lucy (GEORGIE HENLEY) von London zum Landsitz eines alten Professors (JIM BROADBENT) geschickt. Beim Versteckspiel entdeckt die Jüngste, Lucy, in einem leeren Zimmer einen seltsamen Schrank. Er ist das Tor zu einem magischen Land: Narnia! Von mythischen Kreaturen und sprechenden Tieren bewohnt, war Narnia einst ein friedliches Paradies. Doch die Weiße Hexe (TILDA SWINTON) hat das Land mit einem Fluch belegt: Seither herrscht ewiger Winter. Die Älteren wollen Lucy anfangs nicht glauben, doch schließlich betreten alle vier Geschwister diesen rätselhaften Ort und erleben fantastische Abenteuer bei ihrem Versuch, den Bann zu brechen und dem Löwen Aslan, dem rechtmäßigen Herrscher von Narnia, in einer gewaltigen Schlacht zu seinem Recht zu verhelfen. Pressenotiz Mit dem fantastischen Abenteuerfilm DIE CHRONIKEN VON NARNIA: DER KÖNIG VON NARNIA ist die größte Disney-Produktion aller Zeiten entstanden. Unter der Regie von Andrew Adamson (SHREK und SHREK 2) wurde C. S. Lewis’ weltweit beliebter, mehr als 85 Millionen Mal verkaufter Klassiker der Fantasy-Literatur aufwändig verfilmt. Für die mystischen Kreaturen und die Spezialeffekte des Films zeichnen Oscar®-Preisträger Richard Taylor und sein WETA-Team (DER HERR DER RINGE-Trilogie) verantwortlich. -
Irish Movies: a Renaissance
There is the famously Irish instinct for dealing with human eccentricity as well as the whimsical and magical. Irish Movies: a Renaissance Name of the Father" and "Michael Collins," you're right. There is an "Irish spring" happening in the cin- ema, but it has nothing lo do with Colgate-Palmo- live or bath soap. These are just a few of the major Irish films that have been accessible to American audiences in theaters during the 199O's. Many are available on video, as are a score of other titles from the last decade, some familiar, some not. like "Cal," "Mona Lisa," "The Field," "Hear My Song," "The Playboys." "The Commitments," "The Snapper," "Widow's Peak," "Frankie Starlight," "Circle of Friends," "Into the West." They're all "Irish" in the sense that they're about the Irish, substantially pro- duced in Ireland, and/or (more and more common- ly) created by Irish companies and talent. "Frankie Starlight," for example, is produced by Irishman Noel Pearson but adapted from American Chet Raymo's novel. The Dork of Cork. It's abtuit a dwarf who grows up in lieland after World War II, the son of a Frenchwoman and an American G.I., discovers astronomy, becomes a famous author and finds true love. It was made mostly in Ireland with an international cast directed by Michael Lindsay- Hogg, who. although English, is the accomplished son (he directed the "Brideshead Revisited" minis- eries for British television) of the durable Irish-bom actress Géraldine Fitzgerald. Jim Sheridan's 1989 Irish film. My Left Foot, brought Another chaiacteristic of these films is that, for Academy Awards to Brenda Fricker (left), as the mother of the most part, they have a charm and humanity, an Christy Brown, who is played by Daniel Day-Lewis, winner infectious, "real people" quality that distinguishes of the Best Actor award. -
Kate Sanderson, Freelance Consultant with Jon Bradfield
Arts Marketing Association Why? AMA Conference 2008 Kate Sanderson, Freelance Consultant with Jon Bradfield, Marketing Manager, Out of Joint and Laura Arends, Marketing Campaigns Manager, Liverpool Everyman and Playhouse Long distance relationships – jointly developing relevant communications Kate Sanderson started her marketing career in insurance before moving into the arts. After a spell as marketing manager at an arts centre in Lincolnshire she moved to the West Yorkshire Playhouse where she worked for nine years, being promoted to director of communications and managing a team of 25. Since 2006 she has been a freelance consultant and professional trainer. She is director of TMA’s Essentials of Marketing Course (Druidstone), directed the first Druidstone Northern Ireland and set up the TMA’s new Strategic Marketing course. She is currently managing a series of benchmarking projects involving 50 UK organisations for ADUK. Jon Bradfield began his career at Birmingham Royal Ballet and is marketing manager for Out of Joint, the new writing touring company. He also looks after marketing for Crouch End Festival Chorus which performs regularly at the Barbican and has done marketing and graphic design for productions at the Drill Hall and Southwark Playhouse and for Two’s Company. Laura Arends is marketing campaigns manager for Liverpool Everyman and Playhouse. She began her career as communications sabbatical for Kent Students’ Union before spending a year in Sicily teaching English and Drama. After three years working in sales and marketing for the international logistics industry she joined the Everyman, originally as marketing officer. She is the CIM arts ambassador for Merseyside Branch. -
The Rector Writes…. to Me One of the Most Moving Encounters with Jesus
The Rector writes…. To me one of the most moving encounters with Jesus recorded in the Gospels is when a number of Greeks, we are told, approached the disciples in northern Galilee with the words “Sir, we would see Jesus?” What lay behind that? Evidently, the fame of Jesus had spread to their community and they travelled to learn more. They had heard that this man and his message were important and mattered to them. Is the question “Sir, we would see Jesus?” one that we would ask, does the question resonate with us today? Well I hope it does and I am sure it does for anyone reading this editorial! But can Jesus be found and is it possible to know more about him? This coming month March sees the beginning of Lent, rather late this year, it has to be said! Easter Sunday this year is not until 24 April…the latest possible day for Easter is 25 April. For those who like to know these things the next Easter Sunday on 24 April is 2095 and for 25 April 2038! Back to “Sir we would see Jesus?” yes we can see Jesus or at least find out more about him and so meet him better in prayer and meditation. How? Well, as I say, Lent approaches us when we remember Our Lord‟s time in the Wilderness, and, as usual, we will be having Lent Groups which provide a marvelous opportunity to find out more about our faith in Jesus. Ash Wednesday is on Wednesday 9 March so on Wednesday afternoons thereafter there will be a Lent Group meeting in the Rectory, using the new York course “Rich Inheritance: Jesus‟ Legacy of Love” and there will be a Lent course in Churchstoke too (details elsewhere in the Churchstoke section) “Sir we would see Jesus? “can also be answered in the new Bishop of Ludlow‟s course “Marking Lent”, copies of which the Rector has. -
NICK PERRY Current
NICK PERRY Current: PLAN A: original feature selected for eQuinoxe Europe summer programme 2014. AFTER MACBETH: spec feature screenplay. Director Charles McDougall. MOLL the TV version: optioned film and TV rights to Kindle. LONDON PARTICULAR: three-part play for BBC Radio 4 drama. PRODUCED CREDITS BABELSBERG BABYLON: five-part original for BBC Radio 4 drama. TX July 2020. THE BATTLE OF SAN PIETRO: original play for BBC Radio 4 drama. TX May 2019. ERIC AMBLER ADAPTATIONS - EPITAPH FOR A SPY & JOURNEY INTO FEAR: BBC Radio 4 drama. TX April 2019. THE CONFIDENTIAL AGENT: two-part original BBC Radio 4 drama. TX October 2016 MOLL FLANDERS: two-part dramatisation of Daniel Defoe’s novel for BBC Radio 4 star- ing Jessica Hynes and Ben Miles. TX July 2016. Repeated 2017. NOVEMBER DEAD LIST 2: sequel to his five-part original BBC R4 drama. TX February 2016 THE SHOOTIST: BBC R4 adaptation of the novel by Glendon Swarthout, starring Brian Cox. TX October 2014 NOVEMBER DEAD LIST: five-part original BBC R4 drama. TX January 2014 HE DIED WITH HIS EYES OPEN – 3 x 30’ dramatisation of Derek Raymond’s novel for BBC R4/Sasha Yevtushenko TX October 2013 LONDON BRIDGE: part of the ‘Dangerous Visions’ season for BBC R4/Sasha Yev- tuphenko. TX June 2013 JACK’S RETURN HOME: 4 x 30’ dramatisation of Ted Lewis's British crime classic. TX August/September 2012. REFEREE: written original radio play for BBC R4/Sasha Yevtuphenko. TX May 2011. PLANET B: Wrote an episode of second series of sci-fi drama for BBC7. -
A Spectacle of Dust
A SpectAcle of DuSt A Spectacle of Dust, R smaller.indd 1 16/05/2011 16:01 A Spectacle of Dust t he Autobiogr A ph y pete postlethwaite Weidenfeld & Nicolson london A Spectacle of Dust, R smaller.indd 2 16/05/2011 16:01 A Spectacle of Dust t he Autobiogr A ph y pete postlethwaite Weidenfeld & Nicolson london A Spectacle of Dust, R smaller.indd 3 16/05/2011 16:01 first published in great britain in 2011 thanks: by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2 Jax, Will, lily © pete postlethwaite 2011 Andy richardson, pippa Markham, Alan Samson, All rights reserved. No part of this publication may be Alex irwin, Sue Johnston, olivia Stewart, gerry conlon, reproduced, stored in a retrieval system, or transmitted, in Dick penny, Nigel cooke, george costigan, any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior Kevin Spacey, beau gordon, Sean bean, bill Nighy, permission of both the copyright owner and the above publisher. bryan Singer, chris McQuarrie, Alison Steadman, the right of pete postlethwaite to be identified as the author of gabriella Martinelli, timothy Spall, Anton Monsted, this work has been asserted in accordance with the copyright, Designs and patents Act 1988. baz luhrmann, John Shea, greg hersov, philip Jackson, Stephen tompkinson, Maryanne Macdonald, otto bathurst, the author and publisher are grateful to the Shropshire Star for permission to reproduce photographs unless otherwise credited. tracey Seaward, lucinda McNeile, celia hayley, Nick hamm, A CIP catalogue record for this book Mark herman, Sandy Johnson, Daniel Day-lewis, is available from the british library.