Cast and Crew in Association with Classical Kicks Productions and EB

Total Page:16

File Type:pdf, Size:1020Kb

Cast and Crew in Association with Classical Kicks Productions and EB Cast and Crew Emily Blacksell—Producer, Director and Writer Emily’s 18-year career in the entertainment sector has seen her assist, support, and represent some of the legendary figures of their respective fields both in the UK and internationally, namely the late John Barton CBE, the late Sir Peter Hall, Sir Paul McCartney and Sally Greene OBE. She has worked for world-renowned organisations and venues including the RSC, MPL Communications Ltd., the Old Vic Theatre, Old Vic Productions (now Greene Light Stage), Ronnie Scott’s Jazz Club, and Bristol Old Vic Theatre, granting her extraordinary access to, and the experience of working with, globally recognised creative teams and artists on diverse projects and creative ventures. These include Tantalus (USA and Europe), Billy Elliot the Musical (worldwide), five world tours, four album releases, and six book publications during her five years as Assistant to Sir Paul McCartney, and eight seasons at the Old Vic Theatre – a period that included the groundbreaking three-year BAM/Old Vic/Sam Mendes Bridge Project collaboration. Emily received her creative and academic training from the Guildhall School of Music and Drama Junior department where she studied violin and voice, and the University of Birmingham where she read English and Drama. Her passion for music specifically, and performance in general, has informed her own practice and enabled her to work creatively as a director, assistant director, and producer across theatre, opera, digital platforms, and film. As Producer: WillShake Henry V (Short Form Film Company) featuring Tom Hiddleston; Theatre Lives (Digital Theatre+) featuring Dame Julie Walters, Imelda Staunton, Juliet Stevenson, Adrian Lester, and Michael Grandage; Producer & Project Manager Peter O’Toole Memorial (Old Vic Theatre, London); Producer & Co-Curator - with Tom Morris and John Caird - Bristol Old Vic 250th Anniversary Gala. As Assistant Director A Midsummer Night’s Dream/Le songe d'une nuit d'été (Théâtre Gérard-Philipe, Paris); La Fanciulla del West (Opera Holland Park); The Rape of Lucretia (Benjamin Britten International Opera School, Royal College of Music); as Production Assistant The Shakespeare Sessions – John Barton on Shakespeare (PBS); as Associate Producer Desert Dancer (dir. Richard Raymond – feature); as Executive Producer Double Take (dir. Sam Hodg- es for Channel 4/Big Shorts in association with BAFTA – award-winning short film) and Mary Nighy’s award- winning debut short film, Player, starring the late Pete Postlethwaite. In Association with Classical Kicks Productions and EB Productions Lizzie Ball—Lead Artist Violin, Vocals, Composer, Co-creator of Corrido, Co-producer of Corrido “she lit the place on fire with one of her solos” San Francisco Chronicle Lizzie Ball is an internationally recognised violinist, vocalist, and concert producer known for her ability to perform in a multitude of musical styles. Her creation of Classical Kicks, a unique brand of energetic reinvigorated classical music shows has been a stand out addition to the classical performance scene in London. It began its residency in Soho’s Ronnie Scott’s Jazz Club, and then toured to international festivals, created its own flagship UK festival, a record label, a children’s education show, and collaborations with world class musicians including DJ/Bestival Founder Rob da Bank. Lizzie’s further solo violin/vocal collaborations are numerous. The most notable include countless international tours in the world’s finest venues with Nigel Kennedy (as a soloist with him and leader of his Orchestra of Life for 8 years), as a featured band member as both solo violinist and vocalist on numerous occasions with Jeff Beck and Brian Wilson, Judith Owen with Bryan Ferry, New York Polyphony, accordion superstar Martynas Levickis , James Pearson Trio, and more recently leading an all female orchestra for Grammy award winning MD Steve Sidwell for US pop sensation Ariana Grande, in a BBC film special to air later in 2018/19. Performance highlights include headlining at Madison Square Garden NY for Eric Clapton’s Crossroads Guitar Festival, several critically acclaimed US-wide tours, and directing the historical Palestine Prom for BBC Proms 2013 in the Royal Albert Hall. Lizzie has an MA in Music from St. Johns College, Cambridge University and postgraduate performance diplomas from Royal College of Music/Guildhall School of Music. She plays a Joseph Kantuscher violin (1967), and electric violins custom made by Bridge. She is currently endorsed by Strymon pedals, AER amplifiers, Thomastik strings, and Eastman Music of Los Angeles. She is a proud ambassador of PRISMA Mexico, a charity set up by Morgan Szymanski to provide arts workshops for children in need in Mexico. In Association with Classical Kicks Productions and EB Productions Morgan Szymanski—Special Guest Guitarist Described as ‘a player destined for future glories’ (Classical Guitar Magazine) Morgan Szymanski has been highlighted as ‘One to Watch’ by both Gramophone Magazine and the BBC Music Magazine. In 2016 he was selected as one of Mexico´s most influential international artists by the Mexican Government. Born in Mexico City in 1979, Morgan started playing the guitar at the age of six. Early studies at the National Music School (Mexico) and the Edinburgh Music School led to a scholarship to study at the Royal College of Music (RCM) in London where he was awarded all guitar prizes as well as scholarships from the Tillett Trust, Countess of Munster Musical Trust, Leverhulme Trust, Wall Trust, FONCA and a scholarship to study at the Conservatorium van Amsterdam. He immediately went on to become the first solo guitarist to be selected by the Young Classical Artist Trust and was the first guitarist to be awarded a Junior Fellowship at the RCM. A top prize-winner at international competitions, Morgan won first prize at the National Guitar Competition in Mexico. Performances as a soloist and with orchestras have taken him to concert halls and festivals worldwide. Morgan enjoys a varied career as s soloist and chamber musician. His many recordings on Sarabande Records have been described as ‘top class in every respect’ (Classical Guitar Magazine), and as ‘a jewel’ by Gramophone Magazine. On Szymanski´s Sketches of Mexico, Gramophone Magazine called it ‘a gorgeous and original tribute to Szymanski’s homeland, its artists and its music’ with Morgan’s playing ‘of the highest order.’ Numerous composers have written works for him and he is frequently broadcast on BBC Radio 3. Morgan Szymanski plays on a guitar by the Chinese master guitar Luthier Yulong Guo. He is a Live Music Now! Alumni - the scheme started by Lord Yehudi Menuhin to reach audiences that would otherwise have no access to live music. ´ In 2016 he started PRISMA, an artistic outreach programme aimed at disadvantaged and remote areas in Mexico. In Association with Classical Kicks Productions and EB Productions Eve Best—Narrator Eve Best is an internationally award-winning, critically acclaimed actress and director. Her stage debut was opposite Jude Law in ’Tis pity She’s a Whore at the Young Vic for which she won London’s coveted Evening Standard Award for Best Newcomer as well as the Critic’s Circle Award for Outstanding Newcomer, and she went on to star at the National Theatre, the Old Vic and Shakespeare’s Globe (The Cherry Orchard, The Heiress, Three Sisters, Mourning Becomes Electra, Macbeth, Much Ado About Nothing, The Coast of Utopia, The Duchess of Malfi and Antony and Cleopatra). She garnered several more awards along the way, including the Olivier Award for Best Actress, for her performance as Hedda Gabler in London’s West End. On Broadway she has twice been nominated for a Best Actress Tony, starring in Eugene O’Neill’s A Moon For the Misbegotten, and in Harold Pinter’s The Homecoming; she starred as Dr O’Hara in Showtime’s hit black comedy Nurse Jackie, and played Wallis Simpson in the Oscar winning film The King’s Speech. Eve made her directorial debut with Macbeth at Shakespeare’s Globe in London. In 2012 she held The Shakespeare Sessions, a three-month pop-up underground theatre in SoHo New York, which hosted poetry, play readings and several productions including Othello (starring Anna Deveare Smith), As You Like It, and Twelfth Night. She has conducted masterclasses and led workshops all over the world, including The Actor’s Studio in New York, Zayed University in Abu Dhabi, and in rural Mozambique as part of the country’s AIDS rehabilitation programme. Eve is a member of council for RADA, and is the Founder and Artistic Director of Sunlight, a not-for-profit company that takes theatre to deprived or damaged regions of the world. In Association with Classical Kicks Productions and EB Productions Bartosz Glowacki—Accordion Bartosz Glowacki is one of the leading lights of a new generation of accordionists. His artistic goal is to con- tinue to improve awareness of the accordion in classical music, as well as to develop a new repertoire for his instrument. In 2016 he graduated from The Royal Academy of Music with distinction and DipRAM. Bartosz won the Polish Young Musician of the Year in 2009, following which he represented Poland in the Eurovision Young Musicians Competition in Vienna. He is a winner of many National, as well as Interna- tional Music Competitions. Bartosz is one of the 2015 Artists of the City Music Foundation. He won the Sir John Manduell Prize at The Bromsgrove International Musicians’ Competition 2018. As a soloist he has performed in many prestigious concert halls, for example The Wigmore Hall, The Royal Festival Hall, The Purcell Room, Salle Cortot, The Colston Hall, Studio SI of The Polish National Radio, and many others. As well as being a soloist, Bartosz is extremely active chamber musician. He is a founding member of The Deco Ensemble.
Recommended publications
  • Shakespeare and London Programme
    andShakespeare London A FREE EXHIBITION at London Metropolitan Archives from 28 May to 26 September 2013, including, at advertised times, THE SHAKESPEARE DEED A property deed signed by Mr. William Shakespeare, one of only six known examples of his signature. Also featuring documents from his lifetime along with maps, photographs, prints and models which explore his relationship with the great metropolis of LONDONHighlights will include the great panoramas of London by Hollar and Visscher, a wall of portraits of Mr Shakespeare, Mr. David Garrick’s signature, 16th century maps of the metropolis, 19th century playbills, a 1951 wooden model of The Globe Theatre and ephemera, performance recording and a gown from Shakespeare’s Globe. andShakespeare London In 1613 William Shakespeare purchased a property in Blackfriars, close to the Blackfriars Theatre and just across the river from the Globe Theatre. These were the venues used by The Kings Men (formerly the Lord Chamberlain’s Men) the performance group to which he belonged throughout most of his career. The counterpart deed he signed during the sale is one of the treasures we care for in the City of London’s collections and is on public display for the first time at London Metropolitan Archives. Celebrating the 400th anniversary of the document, this exhibition explores Shakespeare’s relationship with London through images, documents and maps drawn from the archives. From records created during his lifetime to contemporary performances of his plays, these documents follow the development of his work by dramatists and the ways in which the ‘bardologists’ have kept William Shakespeare alive in the fabric of the city through the centuries.
    [Show full text]
  • Django Reinhardt
    Data » Personalities » Django Reinhardt http://romani.uni-graz.at/rombase Django Reinhardt Peter Wagner Today is the 1st of November, 1928, All Saint’s Day, late in the evening. The Reinhardt family shares this holiday with the souls of the deceased, particularly with a young one, only lately deceased, for whom the caravan has been decorated with artificial flowers. Young Django Reinhardt is returning from a concert, most probably preoccupied by an offer by Jack Holton, the English master of symphonic jazz, to move to him to England and play in his orchestra. Fate, however, had decreed otherwise. He lights the candles, and with them the flowers, and immediately the whole caravan catches fire; the family is glad to escape with their lives. For the young, promising musician, this incident is a catastrophe. His left leg is badly burnt, it will later have to be operated on, but what is worse, two fingers of his left hand remain unable to function, which is to lose the basis of existence for a goldsmith or a musician. But not Django Reinhardt. A fanatic love of music had already rooted in him, and a present – a guitar which should support his therapy – makes it break out. Notwithstanding his handicap, an inner need to express himself via music makes him return in all his virtuosity within one and a half years, equipped with additional, original means of expression. His new technique arouses amazement and curiosity with a whole generation of guitarists and musical researchers. It is difficult to judge the role of his handicap in this still significant– mainly among the Roma – school.
    [Show full text]
  • Playing Shakespeare with Deutsche Bank Production of Twelfth Night
    2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh.
    [Show full text]
  • HA-Bio New 2010
    Howard Alden- Jazz Guitarist “He may be the best of his generation,” writes Owen Cordle in JAZZ TIMES. George Kanzler of the NEWARK STAR LEDGER proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the NEW YORK POST observes that he is “ ...one of the very finest young guitarists working today.” It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best. Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Louis Armstrong, Count Basie and Benny Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with vibraphone legend Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Aldenʼs skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits.
    [Show full text]
  • KILLING BONO a Nick Hamm Film
    KILLING BONO A Nick Hamm Film Production Notes Due for Release in UK: 1st April 2011 Running Time: 114 mins Killing Bono | Production Notes Press Quotes: Short Synopsis: KILLING BONO is a rock n’ roll comedy about two Irish brothers struggling to forge their path through the 1980’s music scene… whilst the meteoric rise to fame of their old school pals U2 only serves to cast them deeper into the shadows. Long Synopsis: Neil McCormick (Ben Barnes) always knew he’d be famous. A young Irish songwriter and budding genius, nothing less than a life of rock n’ roll stardom will do. But there’s only room for one singer in school band The Hype and his friend Paul’s already bagged the job. So Neil forms his own band with his brother Ivan (Robert Sheehan), determined to leave The Hype in his wake. There’s only one problem: The Hype have changed their name. To ‘U2’. And Paul (Martin McCann) has turned into ‘Bono’. Naturally there’s only one option for Neil: become bigger than U2. The brothers head to London in their quest for fame, but they are blighted by the injustices of the music industry, and their every action is dwarfed by the soaring success of their old school rivals. Then, just as they land some success of their own, Ivan discovers the shocking truth behind Neil’s rivalry with U2, and it threatens to destroy everything. As his rock n’ roll dream crashes and burns, Neil feels like his failure is directly linked to Bono’s success.
    [Show full text]
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
    [Show full text]
  • Organisations Alexandra Theatre, Bognor Regis
    Statement from (in alphabetical order) Organisations Alexandra Theatre, Bognor Regis - Hazel Latus Almeida Theatre – Rupert Goold, Denise Wood Ambassador Theatre Group - Mark Cornell and Michael Lynas Andrew Treagus Associates - Andrew Treagus Arcola Theatre – Mehmet Ergen, Leyla Nazli, Ben Todd Arts Theatre - Louis Hartshorn and Lizzie Scott Barbican Theatre - Toni Racklin Battersea Arts Centre – David Jubb Belgrade Theatre – Hamish Glen, Joanna Reid Birmingham Hippodrome - Fiona Allan Birmingham Repertory Theatre – Roxana Silbert and Stuart Rogers Birmingham Stage Company - Neal Foster and Louise Eltringham Bridge Theatre – Nicholas Hytner, Nick Starr Bristol Old Vic – Tom Morris, Emma Stenning Bush Theatre – Madani Younis, Jon Gilchrist Cheek by Jowl - Declan Donnellan, Nick Ormerod and Eleanor Lang Chichester Festival Theatre – Daniel Evans, Rachel Tackley Citizens Theatre - Dominic Hill, Judith Kilvington Curve Theatre - Chris Stafford and Nikolai Foster Darlington Hippodrome - Lynda Winstanley Derby Theatre – Sarah Brigham Disney Theatrical Productions - Richard Oriel and Fiona Thomas Donmar Warehouse – Josie Rourke, Kate Pakenham Donna Munday Arts Management - Donna Munday D'Oyly Carte Opera Trust - Ian Martin Eclipse - Dawn Walton Empire Street Productions - James Bierman English National Ballet - Tamara Rojo & Patrick Harrison English Touring Theatre - Richard Twyman, Sophie Watson Everyman Theatre, Cheltenham - Paul Milton and Penny Harrison Festival City Theatres Trust - Duncan Hendry and Brian Loudon Fit The Bill - Martin Blore
    [Show full text]
  • Venus and Adonis the Rape of Lucrece
    NA432912 Venus and Adonis Booklet 5-9-6 7/9/06 1:16 pm Page 1 William Shakespeare THE COMPLETE Venus and Adonis TEXT The Rape of Lucrece UNABRIDGED POETRY Read by Eve Best, Clare Corbett, David Burke and cast 3 Compact Discs NA432912 Venus and Adonis Booklet 5-9-6 7/9/06 1:16 pm Page 2 CD 1 Venus and Adonis 1 Even as the sun with purple... 5:07 2 Upon this promise did he raise his chin... 5:19 3 By this the love-sick queen began to sweat... 5:00 4 But lo! from forth a copse that neighbours by... 4:56 5 He sees her coming, and begins to glow... 4:32 6 'I know not love,' quoth he, 'nor will know it...' 4:25 7 The night of sorrow now is turn'd to day... 4:13 8 Now quick desire hath caught the yielding prey... 4:06 9 'Thou hadst been gone,' quoth she, 'sweet boy, ere this...' 5:15 10 'Lie quietly, and hear a little more...' 6:02 11 With this he breaketh from the sweet embrace... 3:25 12 This said, she hasteth to a myrtle grove... 5:27 13 Here overcome, as one full of despair... 4:39 14 As falcon to the lure, away she flies... 6:15 15 She looks upon his lips, and they are pale... 4:46 Total time on CD 1: 73:38 2 NA432912 Venus and Adonis Booklet 5-9-6 7/9/06 1:16 pm Page 3 CD 2 The Rape of Lucrece 1 From the besieged Ardea all in post..
    [Show full text]
  • Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
    Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook
    [Show full text]
  • 13. Cleveland Jazz Guitarists
    13. Cleveland Jazz Guitarists itariSts who grew up in still a teenager. He joined the leveland have been among musicians' union when he was 16. By Gthe most important and most 1940, when he was 17, he was playing acclaimed in jazz history. They all at parties and country clubs around drew their inspiration from the all­ Cleveland. "I played with band leaders time grand masters of jazz guitar, Clint Noble and Jack Horowitz," he Django Reinhardt and Charlie said, but he had bigger plans. Christian. "In 1941, I went to New York to become famous. My father borrowed Fred Sharp $50 on his life insurance policy and Anyone who was even a casual gave me the money to go. Joe Sharp listener ofjazz in Cleveland from the never had money at all. In New York, 1940s to the '80s probably heard I put in for my union card. You had to guitarist Fred Sharp. He played with stay six months to get your card and I some ofthe biggest names in jazz and went to the union floor every day and was the man Jim Hall credited as his started to get some club dates. The teacher. scale was $7 then for a club date, but In the mid-1930s, when Sharp was most everybody paid $4." growing up in the Glenville area of Courtesy of Fred Sharp When he was still in his teens, Fred Sharp and Babik Reinhardt, Cleveland and listening to music on Sharp remembered he almost starved the 23-year-old son of Sharp's the radio, the guitar, with a few guitar idol Ojango Reinhardt, in trying to become famous in New exceptions, was not a solo jazz voice, Paris in 1967 York.
    [Show full text]
  • Colin Grenfell Lighting Designer
    Colin Grenfell Lighting Designer Colin has been lighting shows and performances for over 20 years, beginning his career with the Improbable Theatre Company. His first productions were 70 HILL LANE and ANIMO and these marked the start of a long collaboration; designing the lighting for shows touring the UK and around the world, including THEATRE OF BLOOD (National theatre), THE HANGING MAN (West Yorkshire Playhouse) LIFEGAME (National Theatre, UK Tour, La Jolla Playhouse, Off Broadway, Brisbane, US Tours) SPIRIT (Royal Court, UK, US Tours, Sydney Opera House,New York Theatre Workshop. Agents Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Theatre Production Company Notes RODELINDA Royal College of Music Dir. Jo Davies 2021 STILL Traverse Theatre Dir. Gareth Nicholls 2021 THE KING OF HELL'S Hampstead Theatre Dir. Michael Boyd PALACE 2019 MACBETH Royal Exchange Theatre, Manchester Dir. Christopher Haydon 2019 TAO OF GLASS Royal Exchange Theatre, Manchester Co-Directors: Phelim 2019 McDermott and Kirsty Housley United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ON THE EXHALE China Plate & Audible in association Dir. Christopher Haydon 2018 with New Theatre Royal Portsmouth THE CHERRY ORCHARD Bristol Old Vic & Manchester Royal Dir. Michael Boyd 2018 Exchange CHRISTMAS EVE Theatre Royal Bath Dir. Laurence Boswell 2018 TROUBLE IN MIND Print Room at the Coronet/Theatre Dir Laurence Boswell 2017 Royal
    [Show full text]
  • Django Reinhardt
    Photo : Emile Savitry, courtesy Sophie Malexis courtesy : Emile Savitry, Photo Django Reinhardt, Paris swing Multimedia exhibition organised by the Cité de la musique, Paris Available from November 2012 Following the success of the multimedia exhibition “Chopin in Paris, the composer’s studio” in 2010 and of “Brassens or freedom” in 2011, the Cité de la musique is looking to extend its multimedia exhibition proposal, streamlined in both cost and implementation. In 2012, the Cité de la musique will be shining the spotlight on Django Reinhardt in the exhibition “Django Reinhardt, Paris swing” showing in Paris from 6 October 2012 to 23 January 2013. The multimedia version will be available from mid-November 2012. Django Reinhardt, Paris swing “All the miraculous poetry surrounding the child thieves, fortune-tellers and the dreaming white horse tied up on a roadside, escorted you on your departure. Transforming a painted caravan into a sports car is not the least of your talents. Now, you have become one with your heavenly guitar riffs and brass ensembles. Your rhythm has shaken the universal malaise to the core. And if we survive to the last era, we shall perhaps hear your orchestra compose an arrangement to the trumpets of the Apocalypse.” Jean Cocteau “I think that Django Reinhardt’s music would appeal to anyone, from the intellectual to the taxi driver. The beauty of his music is so immediately perceptible.” Woody Allen, filmmaker “He is the Holy Spirit. Django is the greatest improviser of all times. He has composed heavenly music, like Bach or Chopin. In his hands, even the wrong notes are amazing.” Thomas Dutronc, guitarist and singer Jean Cocteau, Portrait of Django Reinhardt, c.
    [Show full text]