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[Download Free Pdf] in the Ravine and Other Short Stories Online
PQsbM [Download free pdf] In the Ravine and Other Short Stories Online [PQsbM.ebook] In the Ravine and Other Short Stories Pdf Free Anton Chekhov audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #3925061 in Books 2016-06-07 2016-06-07Formats: Audiobook, MP3 Audio, UnabridgedOriginal language:EnglishPDF # 1 6.75 x .50 x 5.25l, Running time: 4 HoursBinding: Audio CD | File size: 78.Mb Anton Chekhov : In the Ravine and Other Short Stories before purchasing it in order to gage whether or not it would be worth my time, and all praised In the Ravine and Other Short Stories: 4 of 4 people found the following review helpful. In the Ravine: And Other Short StoriesBy Stephen BalbachEleven short stories and one novella (In the Ravine) by Anton Chekhov, as read by British actor Kenneth Branagh in 2002. The stories are:The Trousseau (1883)Fat and Thin (1883)Oh! the Public! (1885)Misery (1886)An Actor's End (1886)Children (1886)The Chorus Girl (1886)The Orator (1886)Hush! (1886)The Beggar (1887)A Story Without a Title (1888)Overall very good although it helps to read along with the text since some of the Russian vocabulary and names are difficult to track by audio alone. It is the Constance Garnett translation, freely available online. In the Ravine is the best, a wide and colorful portrait of peasant village life - a tragic story though. "Misery" is very good. "Children" does a good job at evoking childhood. "The Chorus Girl" is also well done. The CD says "Abridged" even though all the stories are Unabridged.6 of 6 people found the following review helpful. -
THE CHORUS GIRL and OTHER STORIES by Anton Chekhov
THE CHORUS GIRL AND OTHER STORIES By Anton Chekhov Translated by Constance Garnett Ref: Project Gutenberg http://www.gutenberg.org/ CONTENTS: THE CHORUS GIRL..................................................................................................3 VEROTCHKA ............................................................................................................8 MY LIFE...................................................................................................................19 I.............................................................................................................................19 II ...........................................................................................................................25 III ..........................................................................................................................30 IV..........................................................................................................................35 V ...........................................................................................................................38 VI..........................................................................................................................42 VII.........................................................................................................................46 VIII .......................................................................................................................53 IX..........................................................................................................................56 -
The Artist As Literary Character in the Works of Anton Chekhov
THE ARTIST AS LITERARY CHARACTER IN THE WORKS OF ANTON CHEKHOV by Amber Jo Aulen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Slavic Languages and Literatures University of Toronto Copyright by Amber J. Aulen 2018 ABSTRACT The Artist as Literary Character in the Work of Anton Chekhov Doctor of Philosophy 2017 Amber Jo Aulen Department of Slavic Languages and Literatures University of Toronto The present dissertation considers the methodology of Anton Chekhov’s literary ethics by focusing on the figure of the artist in his work. There are two general strategies he employs in depicting this figure. The first regards his engagement with typicality in characterizing the artist, and the second regards the reflexivity of the artist, which is to say the artist’s actions on the fictional plane draw attention to the author’s actions on the meta-fictional plane. The concern with typicality vis-à-vis the artist is more prominent in his earlier stories and is the focus of the first part of the dissertation. Chapter One addresses typicality in the genre of the physiologie in France and its Russian counterpart, the fiziologicheskii ocherk. This discussion lays the groundwork for Chapter Two, which addresses Chekhov’s move towards the complicated type in a trio of stories showcasing artists published in short succession in February 1886 – “An Actor’s Death” (“Akterskaia gibel’”), “Requiem” (“Panikhida”), and “Anyuta” (“Aniuta”). The reflexive quality of the figure of the artist, which we also find in the three aforementioned stories, is more prominent in Chekhov’s later stories and is the focus of the second part of the dissertation. -
PROFESSOR Noodlet
OMAHAOS nUYDY AND BElT HE EDIATOR WEEKLY. NEWSPAPER OMAHA, NEBRASKA. FRID:\Y, ~A1'iUARY 30th 1925. NO.5. TerribleConditionsAtLocalDanceHalls FREIGHT RATES DISCUSSED BY PROFESSOR NOODLEt SOMe "PHOt<1~ SERVICE!! SLIP OF A GIRL ALMOST NUDE .D ear Professor:- THE BURLINGTON PRESIDENT One time I called a friend of mine. To China he had. -planned "to fJo. IN DANCE WITH· OLD SHIEk Ana while I waited for the line J President Of "Q" System Delivers Epoch Making. he crosseaethe ocean to and. fro! One Of The Many Incidents Found At The New Speech Before Greater Omaha Committee. Now that's the limit~ I aver. Shanghai And Other Dance Halls By Reporter. I ask you-can. SPEECH BROADCAST THROUGHOUT U. S. '!Iou bea.t it.. sir! J:Snooks MANY JAZZ DANCERS ALL DRUNKED UP Railroad Head Says Canal Traffic A menace To 1\lid·West Shippers- TIl R P t Other Bailroad Officials Talk Co-Operation And Prosperity- IC-onditions At Some Places l\lueh Worse an eported- roprie ors Walter Head President Of Shortest Bailroad- I Putting On Soft Pedal Of Late-ScJlOol Girls And Boys Laugh At Age Limit-Dancers Try To Out Do Future Prospects Appear Bright. '- Each Other In Immoral Poses. I called a bride-and While the public in general is for-l epoch making speech was direct and ~room one tinte c-......--__-'_ What Is it that .is making of ourIher dress well above the waist line ever fighting railroad freight and to the point. The tens of thousands to wish them girls in their early teens, professional and in that condition was reeling passenger rates without direct or of radio fans who listened in learned sweet felicity. -
In the Ravine CD Booklet
Anton Chekhov In the Ravine and Other Short Stories CLASSIC Read by FICTION Kenneth Branagh NA326112D 1 Oh! the Public 9:209 2 The Chorus Girl 13:12 3 The Trousseau 13:17 4 A Story Without a Title 10:19 5 Children 12:16 6 Misery 14:14 7 Fat and Thin 5:02 8 The Beggar 11:58 9 Hush! 7:54 10 The Orator 8:43 11 An Actor’s End 15:34 12 In the Ravine – I 10:37 13 II The elder son Anisim came home very rarely 6:56 14 III In the village Shikalovo lived two dressmakers 4:25 2 15 III (cont.) The day of the wedding arrived 3:46 16 III (cont.) When they returned from the church 7:19 17 IV Five days had passed 7:45 18 V On Friday the 8th of July 8:47 19 V (cont.) By now the sun had set 6:32 20 VI News had come long before 9:48 21 VII Old Tsybukin went to the town 5:08 22 VIII Nikifor was taken to the district hospital 6:25 23 VIII (cont.) Vavila got into the cart 6:55 24 IX At the present time 9:11 Total time: 3:35:23 3 Anton Chekhov In the Ravine and Other Short Stories Anton Pavlovich Chekhov, grandson of a rather than masculine plots with a strong serf, was born into a Russia of tumult in conclusion. For a generation engaged by 1860. In 1861 the system of serfs was Maupassant (1850−1893), with his overtly abolished, although serfdom echoed exciting storylines, Chekhov presented a through the social order for succeeding totally different approach. -
In the Ravine
C ASSETTE I NFORMATION A BOUT THE M USIC A NTON C HEKHOV Cassette 1, Side 1 . (46:08) Cassette 1, Side 2 . (31:32) The music on this recording was taken from the NAXOS and MARCO POLO catalogs RUBINSTEIN 24 MUSICAL PORTRAITS 8.223846 Oh! The Public Children Joseph Banowetz, piano The Chorus Girl Misery In The Ravine The Trousseau Fat and Thin CIURLIONIS PIANO WORKS 8.223549 & Other Short Stories Mûza Rubackyté, piano 3 CASSETTES A Story Without a Title Total Time on Cassette 1: 1:17:40 Oh! The Public · The Chorus Girl TCHAIKOVSKY ALBUM FOR THE YOUNG 8.550885 CLASSIC Cassette 2, Side 1 . (44:04) Cassette 2, Side 2 . (22:00) Idil Biret, piano FICTION The Trousseau · A Story Without a Title UNABRIDGED Children · Misery · Fat and Thin · The Beggar The Beggar In The Ravine - I BALAKIREV RUSSIA 8.550793 Hush! II - The elder so Anisim came home Russian State SO, Igor Golovschin Hush! · The Orator · An Actor’s End The Orator very rarely Music programming by Nicolas Soames R EAD BY K ENNETH B RANAGH An Actor’s End III - In the village Shikalovo K ENNETH B RANAGH lived two dressmakers Kenneth Branagh, a leading figure in film, television and Total Time on Cassette 2: 1:06:04 on stage, is equally at home with classic and contemporary Cassette 3, Side 1 . (37:23) Cassette 3, Side 2 . (34:32) subjects. However, as director and adaptor, he has made a particular contribution to Shakespearean performance with In The Ravine (cont) In the Ravine (cont) his films such as Much Ado About Nothing, Henry V, Hamlet III - The day of the wedding arrived VI - News had come long before and Love’s Labour’s Lost. -
Options by O Henry
OPTIONS 1 OPTIONS BY O HENRY CONTENTS "The Rose of Dixie" The Third Ingredient The Hiding of Black Bill Schools and Schools Thimble, Thimble Supply and Demand BY O HENRY 2 Buried Treasure To Him Who Waits He Also Serves The Moment of Victory The Head-Hunter No Story The Higher Pragmatism Best-Seller Rus in Urbe A Poor Rule OPTIONS "THE ROSE OF DIXIE" When The Rose of Dixie magazine was started by a stock company in Toombs City, Georgia, there was never but one candidate for its chief editorial position in the minds of its owners. Col. Aquila Telfair was the man for the place. By all the rights of learning, family, reputation, and Southern traditions, he was its foreordained, fit, and logical editor. So, a committee of the patriotic Georgia citizens who had subscribed the founding fund of $100,000 called upon Colonel Telfair at his residence, Cedar Heights, fearful lest the enterprise and the South should suffer by his possible refusal. The colonel received them in his great library, where he spent most of his days. The library had descended to him from his father. It contained ten BY O HENRY 3 thousand volumes, some of which had been published as late as the year 1861. When the deputation arrived, Colonel Telfair was seated at his massive white-pine centre-table, reading Burton's Anatomy of Melancholy. He arose and shook hands punctiliously with each member of the committee. If you were familiar with The Rose of Dixie you will remember the colonel's portrait, which appeared in it from time to time. -
The Oppression and Sexism of African-American Women: Then and Now: Substantial Contributions to the History of Musical Theatre
University of Central Florida STARS HIM 1990-2015 2014 The Oppression and Sexism of African-American Women: Then and Now: Substantial Contributions to the History of Musical Theatre Kelli Owens University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Owens, Kelli, "The Oppression and Sexism of African-American Women: Then and Now: Substantial Contributions to the History of Musical Theatre" (2014). HIM 1990-2015. 1609. https://stars.library.ucf.edu/honorstheses1990-2015/1609 THE OPPRESSION AND SEXISM OF AFRICAN-AMERICAN WOMEN: THEN AND NOW SUBSTANTIAL CONTRIBUTIONS TO THE HISTORY OF MUSICAL THEATRE by KELLI OWENS A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Musical Theatre in the College of Arts and Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2014 Thesis Chair: Earl Weaver, MFA © 2014 Kelli Owens ii ABSTRACT A wise Martin Luther King Jr. once said, “Freedom is never given by the oppressor; it must be demanded by the oppressed (King 1).” For as long as men and women have shared the planet, sexism has been a universal issue in civilization. In a social justice context, American society has found ways to oppress people for centuries. -
Isolation and Russian Short Fiction, 1877-1890: Garshin, Chekhov and Korolenko
ISOLATION AND RUSSIAN SHORT FICTION, 1877-1890: GARSHIN, CHEKHOV AND KOROLENKO MARK CONLIFFE A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy, Graduate Department of Slavic Languages and Literatures, in the University of Toronto @ Copyright by Mark Conliffe 1999 National Library Bibliothéque nationale l*i .,na& du Canada Acquisitions and Acquisitions et Bibliographie SeMces services bibliographiques 395 Wellington Street 395, rue Wellington OttawaON K1AON4 OttawaON K1AON4 Canada Cana& The author has gmnted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seII reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfilm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des exîmits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Isolation and Russian Shxt Fiction, 1877-1890: Garshin, Chekhov and Korolenko Doctor of Philosophy 1999 Mark Conliffe Graduate Department of Slavic Languages and Literatures University of Toronto Abstract In this study I consider aspects of isolation in works that V.M. Garshin (1855-1888), A.P. Chekhov (1860-1904) and V.G. Korolenko (1853-1921) wrote during the period 18774890. -
Chekhov in English 1998 • • • 2008
Chekhov in English 1998 • • • 2008 logo Northgate Books Oxford, 2008 i Anton Chekhov in English 1998 • 2004 • 2008 Compiled and edited by Peter Henry This bibliography was prepared for publication in association with Robert Reid and Joe Andrew, joint editors of Essays in Poetics, which was published at the University of Keele, Keele, UK, from 1976 to 2006. Northgate Books. Oxford 2008 i Also published by Northgate Books: Vsevolod Garshin at the Turn of the Century. An International Symposium in Three Volumes. Edited by Peter Henry, Vladimir Porudominsky and Mikhail Girshman (2000). This bibliography is accessible on the Neo-Formalist Circle page of the BASEES (British Association for Slavonic and East European Studies at http://www.basees.org.uk/sgnfc.html This is a private publication. Free copies are available from Northgate Books, 50 Collinwood Road, Risinghurst, Oxford OX3 8HL UK, or from Professor Peter Henry at the same address. Free copies are also obtainable by telephone: 44 (0) 1865 744 602 or by e-mail: [email protected] ii This modest publication is dedicated to the memory of Georgette Lewinson-Donchin, a renowned authority on Russian literature, an inspiring and supportive teacher and generous friend, who sadly passed away in February 2008. Georgette will always be remembered with much affection, admiration and deep gratitude. iii Acknowledgements It is my pleasant task to record my gratitude to the many people who have helped me with this bibliography: in the first place to Gordon McVay, Senior Research Fellow at Bristol University and a Chekhov specialist; likewise to Harvey Pitcher, Chekhov scholar and translator. -
The Chorus Girl and Other Stories
CORNELL UNIVERSITY LIBRARY CORNELL UNIVERSITY LIBRARY Cornell University Library The original of tliis bool< is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924077101149 THE TALES OF CHEKHOV VOL. VIII THE CHORUS GIRL AND OTHER STORIES THE MACMILLAN COMPANY mw YORK • BOSTON • CHICAGO • VALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Lihitbd LONDON • BOMBAY • CALCUTTA MBLBOURNB THE MACMILLAN CO. OF CANADA, Im. TOXONTO THE CHORUS GIRL AND OTHER STORIES BY ANTON CHEKHOV ^ PROM THE RUSSUN BY CONSTANCE GARNETT J13eto gorfe THE MACMILLAN COMPANY 1920 All rights reserved COPYBiaET, 1920, bt the macmillan company Get up and electrotyped. Published, March, 1920 CONTENTS PAGE The Chorus Girl . 3 Verotchka 15 My Life 37 At a Country House • • i73 A Father 187 On the Road 201 Rothschild's Fiddle 227 Ivan Matveyitch 245 Zinotchka 257 Bad Weather 269 A Gentleman Friend 279 A Trivial Incident . .. 287 THE CHORUS GIRL THE TALES OF CHEKHOV THE CHORUS GIRL One day when she was younger and better-looking, and when her voice was stronger, Nikolay Petro- vitch Kolpakov, her adorer, was sitting in the outer room in her summer villa. It was intolerably hot and stifling. Kolpakov, who had just dined and drunk a whole bottle of inferior port, felt ill- humoured and out of sorts. Both were bored and waiting for the heat of the day to be over in order to go for a walk. All at once there was a sudden ring at the door. Kolpakov, who was sitting with hisj coat off, in his slippers, jumped up and looked inquiringly at Pasha. -
Anton Chekhov's Home and a Visit to Friends
File: Redwood.391.GALLEY(h).doc Created on: 3/22/2010 10:28:00 AM Last Printed: 4/19/2010 2:11:00 PM ANTON CHEKHOV’S HOME AND A VISIT TO FRIENDS: THE DICHOTOMY BETWEEN THE PERSONAL AND THE PROFESSIONAL, OR THE LAWYER SUBJECTIFIED AND OBJECTIFIED James D. Redwood∗ I. INTRODUCTION Like any other great writer, Anton Chekhov dealt with some of the most pressing and poignant themes of human existence from which the lawyer, for all his learning and training, is not immune—love, loss, pain, joy, suffering, victory, sorrow, and death.1 We know that from Chekhov’s humble beginnings on the Sea of Azov,2 this son of a grocer from Taganrog3 went on to be- ∗ © 2009, James D. Redwood. All rights reserved. Professor of Law, Albany Law School. J.D., Loyola Law School, Los Angeles; B.A. Oberlin College. Editor in Chief, Loyola (L.A.) Law Review; Executive Editor, Loyola (L.A.) International and Comparative Law Journal; Staff Attorney with the Division of Enforcement of the Securities and Exchange Commission before joining the Albany Law School in 1989; previously practiced with Pills- bury, Madison & Sutro in San Francisco. The Author would like to thank his colleague, Maria Grahn-Farley, his research assistant, Nate Kupferman, and his legal assistant, Theresa Colbert, for their invaluable help in completing this project. 1. Vladimir Kataev, If Only We Could Know! An Interpretation of Chekhov 162 (Har- vey Pitcher ed. & trans., Ivan R. Dee 2002). 2. D.S. Mirsky, Chekhov, in Anton Chekhov’s Short Stories 291 (Ralph E. Matlaw, ed., W.W.