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Pay TV in Australia Markets and Mergers
Pay TV in Australia Markets and Mergers Cento Veljanovski CASE ASSOCIATES Current Issues June 1999 Published by the Institute of Public Affairs ©1999 by Cento Veljanovski and Institute of Public Affairs Limited. All rights reserved. First published 1999 by Institute of Public Affairs Limited (Incorporated in the ACT)␣ A.C.N.␣ 008 627 727 Head Office: Level 2, 410 Collins Street, Melbourne, Victoria 3000, Australia Phone: (03) 9600 4744 Fax: (03) 9602 4989 Email: [email protected] Website: www.ipa.org.au Veljanovski, Cento G. Pay TV in Australia: markets and mergers Bibliography ISBN 0 909536␣ 64␣ 3 1.␣ Competition—Australia.␣ 2.␣ Subscription television— Government policy—Australia.␣ 3.␣ Consolidation and merger of corporations—Government policy—Australia.␣ 4.␣ Trade regulation—Australia.␣ I.␣ Title.␣ (Series: Current Issues (Institute of Public Affairs (Australia))). 384.5550994 Opinions expressed by the author are not necessarily endorsed by the Institute of Public Affairs. Printed by Impact Print, 69–79 Fallon Street, Brunswick, Victoria 3056 Contents Preface v The Author vi Glossary vii Chapter One: Introduction 1 Chapter Two: The Pay TV Picture 9 More Choice and Diversity 9 Packaging and Pricing 10 Delivery 12 The Operators 13 Chapter Three: A Brief History 15 The Beginning 15 Satellite TV 19 The Race to Cable 20 Programming 22 The Battle with FTA Television 23 Pay TV Finances 24 Chapter Four: A Model of Dynamic Competition 27 The Basics 27 Competition and Programme Costs 28 Programming Choice 30 Competitive Pay TV Systems 31 Facilities-based -
Reality Programming Lessons for Twenty-First Century Trial Lawyering
Penn State Dickinson Law Dickinson Law IDEAS Faculty Scholarly Works Faculty Scholarship Fall 2001 Reality Programming Lessons for Twenty-First Century Trial Lawyering Gary S. Gildin [email protected] Follow this and additional works at: https://ideas.dickinsonlaw.psu.edu/fac-works Recommended Citation Gary S. Gildin, Reality Programming Lessons for Twenty-First Century Trial Lawyering, 31 Stetson L. Rev. 61 (2001). This Article is brought to you for free and open access by the Faculty Scholarship at Dickinson Law IDEAS. It has been accepted for inclusion in Faculty Scholarly Works by an authorized administrator of Dickinson Law IDEAS. For more information, please contact [email protected]. REALITY PROGRAMMING LESSONS FOR TWENTY-FIRST CENTURY TRIAL LAWYERING Gary S. Gildin* I. WHY SHO ULD WE CARE ABOUT THE ARRIVAL OF THE TWENTY-FIRST CENTURY? When I told my cousin-in-law Gary Ruben, a lawyer in Chicago, that I had agreed to write an article for a Symposium on trial advocacy in the twenty-first century, he responded incredulously, "We are supposed to be doing something different than trying to make a jury understand what happened and be persuaded by our version of the events?" Well, Gary, in one sense you are absolutely correct to be skeptical because the objectives of trial advocacy that you described have remained immutable, regardless of the century. However, two interrelated changes are occurring as we enter the new millennium that must affect the way trial lawyers present their cases to the jury - the evolution in the demographics of the jury pool and the revolution in technology that has transformed how our new breed of juror receives and is presented out-of-court informa- tion. -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD by Steve Sternberg
April 2021 #105 ________________________________________________________________________________________ _______ Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD By Steve Sternberg Last year’s upfront season was different from any I’ve been involved in during my 40 years in the business. Because of the COVID-19 pandemic, there were no live network presentations to the industry, and for the first time since I’ve been evaluating television programming, I did not watch any of the fall pilots before the shows aired. Many new and returning series experienced production delays, resulting in staggered premieres, shortened seasons, and unexpected cancellations. The big San Diego and New York comic-cons were canceled. There was virtually no pre-season buzz for new broadcast or cable series. Stuck at home with fewer new episodes of scripted series than ever to watch on ad-supported TV, people turned to streaming services in large numbers. Netflix, which had plenty of shows in the pipeline, surged in terms of both viewers and new subscribers. Disney+, boosted by season 2 of The Mandalorian and new Marvel series, WandaVision and Falcon and the Winter Soldier, was able to experience tremendous growth. A Sternberg Report Sponsored Message The Sternberg Report ©2021 ________________________________________________________________________________________ _______ Amazon Prime Video, and Hulu also managed to substantially grow their subscriber bases. Warner Bros. announcing it would release all of its movies in 2021 simultaneously in theaters and on HBO Max (led by Wonder Woman 1984 and Godzilla vs. Kong), helped add subscribers to that streaming platform as well – as did its successful original series, The Flight Attendant. CBS All Access, rebranded as Paramount+, also enjoyed growth. -
Telefonaktiebolaget Lm Ericsson (Publ) / Creative Broadcast Services Holdings (2) Limited
REDACTED TELEFONAKTIEBOLAGET LM ERICSSON (PUBL) / CREATIVE BROADCAST SERVICES HOLDINGS (2) LIMITED INITIAL SUBMISSION TO THE COMPETITION COMMISSION REBUTTAL OF OFT’S REFERENCE DECISION 21 October 2013 PPC/AMZL/VZK 518512481 3 REDACTED TABLE OF CONTENTS 1. SUMMARY 1 A. The facts 1 B. The OFT’s Decision 4 2. TRANSACTION BACKGROUND 7 A. Ericsson / Technicolor 7 B. Creative Broadcast Services / Red Bee Media 7 C. Deal background 7 D. Industry context 7 E. Deal rationale 8 F. The counterfactual 8 3. PRODUCT MARKET DEFINITION 10 A. The facts 10 Demand-side factors 10 Supply-side factors 13 Resources needed for linear playout 14 Resources are broadly the same across all channels 15 Resources for reactivity and intervention 17 How to plug the gaps for a new contract 18 Conclusions 21 B. The OFT’s Decision 22 Reactivity and intervention 23 Quality, service and regulatory requirements 29 Scale and risk 30 Conclusions on OFT approach 32 4. GEOGRAPHIC MARKET DEFINITION 33 A. The facts 33 B. The OFT’s Decision 33 5. HORIZONTAL UNILATERAL EFFECTS 35 A. The facts 35 The competitive dynamics of the market 35 Active competitors in the UK linear playout market 36 Any specific concerns regarding the BBC and ITV are unfounded 41 Parties are not uniquely close competitors 42 Barriers to entry and expansion are surmountable 43 In-house supply is a significant competitive constraint 43 Customers have significant buyer power 46 Conclusions 47 B. The OFT’s Decision 47 Market shares 47 Tender data for “Level One” in isolation 49 New entry/expansion would be “timely, -
MCPS TV Fpvs
MCPS Broadcast Blanket Distribution - TV FPV Rates paid July 2014 Non Peak Non Peak Progs Progs P(ence) P(ence) Peak FPV Non Peak (covered (covered Manufact Period Rate (per Rate (per (per FPV (per by by Source/S urer Source Link (YYMMYYM weighted weighted weighted weighted blanket blanket Licensee Channel Name hort Code udc Number Type code M) second) second) minute) minute) licence) licence) AATW Ltd Channel AKA CHNAKA S1759 287294 208 qbc 13091312 0.015 0.009 Y Y BBC BBC 1 BBCTVD Z0003 5258 201 qdw 14011403 75.452 37.726 45.2712 22.6356 Y Y BBC BBC 2 BBC2 Z0004 316168 201 qdx 14011403 17.879 8.939 10.7274 5.3634 Y Y BBC BBC ALBA BBCALB Z0008 232662 201 qe2 14011403 6.48 3.24 3.888 1.944 Y Y BBC BBC HD BBCHD Z0010 232654 201 qe4 14011403 6.095 3.047 3.657 1.8282 Y Y BBC BBC Interactive BBCINT AN120 251209 201 qbk 14011403 6.854 4.1124 Y Y BBC BBC News BBC NE Z0007 127284 201 qe1 14011403 8.193 4.096 4.9158 2.4576 Y Y BBC BBC Parliament BBCPAR Z0009 316176 201 qe3 14011403 13.414 6.707 8.0484 4.0242 Y Y BBC BBC Side Agreement for S4C BBCS4C Z0222 316184 201 qip 14011403 7.747 4.6482 Y Y BBC BBC3 BBC3 Z0001 126187 201 qdu 14011403 15.677 7.838 9.4062 4.7028 Y Y BBC BBC4 BBC4 Z0002 158776 201 qdv 14011403 9.205 4.602 5.523 2.7612 Y Y BBC CBBC CBBC Z0005 165235 201 qdy 14011403 8.96 4.48 5.376 2.688 Y Y BBC Cbeebies CBEEBI Z0006 285496 201 qdz 14011403 12.457 6.228 7.4742 3.7368 Y Y BBC Worldwide BBC Entertainment Africa BBCENA Z0296 286601 201 qk2 14011403 5.556 2.778 3.3336 1.6668 N Y BBC Worldwide BBC Entertainment Nordic BBCENN Z0300 -
From Callaghan to Credit Crunch
From Callaghan to Credit Crunch: Changing Trends in British Television News 1975-2009 Steven Barnett and Gordon Neil Ramsay, University of Westminster, and Ivor Gaber, University of Bedfordshire January 2012 Table of Contents Executive Summary ................................................................................................................................ 2 1. Introduction ..................................................................................................................................... 5 2. Methodology ................................................................................................................................. 11 3. Results I: Overall News Trends .................................................................................................... 14 4. Results II: Subcategory Analysis .................................................................................................. 25 5. Qualitative Analysis ...................................................................................................................... 27 6. Conclusions ................................................................................................................................... 33 Appendices ............................................................................................................................................ 36 Acknowledgements This study has been funded by the Leverhulme Trust. We are very grateful to the Trust for enabling us to continue our analysis and provide the -
Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
Sheet1 Page 1
Sheet1 № SR MHz програма № SR MHz програма 1 6900 386 BNT 1 101 6900 338 Planeta HD 2 BTV 102 Tiankov HD 3 Nova TV 103 Travel HD 4 TV7 104 Tiankov Music HD 5 BTV Action 105 6900 346 Discovery Science 6 BTV Cinema 106 Discovery World 7 BTV Comedy 107 Hystory HD 8 BTV Lady 108 Das Erste HD 9 6900 394 Diema 109 ZDF HD 10 Kino Nova 110 6900 370 TV Tуризъм 11 Diema Family 111 ARTE HD 12 BNT World 112 ASTRA 3D 13 BNT 2 113 SCT HD 14 TV Evropa 114 SCT HQ 15 SKAT 115 SCT Redlight 16 News 7 116 SCT Exotica 17 Kanal 3 117 SCT Premium 18 6900 402 CNN 118 6900 378 National Geographic 19 Euronews 119 DW 20 BG on Air 120 Al Jazeera 21 VTV 121 CCTV News 22 EBF Business 122 Arte 23 AXN 123 TVE 24 AXN Black 124 TV Polonia 25 AXN White 125 BNT HD 26 Fox Life 126 5156 298 RTL 27 Fox 127 RTL 2 28 6900 410 History channel 128 SUPER RTL 29 Viasat History 129 n-TV 30 Viasat Explorer 130 VOX 31 Viasat Nature 131 RTL NITRO 32 TV 1000 132 4583 162 RAI 1 33 Nat Geo Wild 133 RAI 2 34 Discovery channel 134 RAI 3 35 Animal Planet 135 RAI NEWS 36 BOX HD 136 6250 154 TRT 1 37 6900 434 MGM 137 TRT HABER 38 Moviestar 138 TRT TURK 39 DaVinci Learning 139 TRT MUZIK 40 Super 7 140 TRT COCUK 41 Disney channel 141 TRT AVAZ 42 Disney Junior 142 EURONEWS 43 Cartoon Network 143 TRT ARAPCA 44 TLC 144 TRT SPOR 45 24 Kitchen 145 TRT 6 46 Fiesta 146 TRT DIYANET(Anadolu) 47 Travel Channel 147 5625 146 OTV Valentino 48 6900 442 CLASSICA HD 148 Duga + 49 VH 1 149 K CN 3 50 MTV 150 Canal M 51 MTV Rock 151 MKTV 2 SAT 52 The Voice 152 KCN 1 Page 1 Sheet1 53 City TV 153 Posavina TV 54 Box TV 154 SVET + 55 Planeta Folk 155 DUNA World 56 Folklor TV 156 Yu Planet test 57 Fan TV 157 K CN Music 2 58 Planeta TV 158 Eurochannel 59 6900 450 Balkanika Music 5156 138 60 бр. -
Broadcast Bulletin Issue Number 229 07/05/13
Ofcom Broadcast Bulletin Issue number 229 7 May 2013 1 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Contents Introduction 3 Standards cases In Breach Phones 4U’s sponsorship of network films on Channel 4 Channel 4, 26 December 2012, 23:32 6 Kobots Federation: Kobots Dual Action Game sponsorship credits Cartoon Network, Cartoon Network Too, Boomerang, 18 February 2013 to 17 March 2013, various times 9 The Daily Show Comedy Central Extra, 5 March 2013, 20:00 13 Cross promotion for Sky Sports Sky News, 13 February 2013, 23:47 15 Resolved Viewer competitions Channel 5 and 5*, September to November 2012, various times 17 Viewer competitions ITV1 and ITV2 channels, September to November 2012, various times 19 Advertising Scheduling cases In Breach Advertising scheduling Bloomberg Television, various dates and times 21 Breach findings table Code on the Scheduling of Television Advertising compliance reports 25 Fairness and Privacy cases Upheld Complaint by Mr C Panorama: Gambling Nation, BBC 1, 5 November 2012 26 2 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Other Programmes Not in Breach 31 Complaints Assessed, Not Investigated 32 Investigations List 40 3 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. -
Channel Listing Satellite Tv Current As of February 11, 2021
CHANNEL LISTING SATELLITE TV CURRENT AS OF FEBRUARY 11, 2021. CLASSICAL 96FM TORONTO ...............963 N STINGRAY LOUD .........................................580 GOOD CLUB JUNIOR......................... (ON DEMAND) NEWSTALK 1010 ...........................................964 STINGRAY MUSIC STATIONS .......901-947 COUNTRY FM 105 .......................................968 NPR (NATIONAL PUBLIC RADIO) ........965 STINGRAY RETRO ........................................578 THE MAJOR NETWORKS, PLUS A SELECTION CTV - KINGSTON (CKWS) .......................233 O STINGRAY VIBE .............................................579 OF SPECIALTY CHANNELS. INCLUDES ALL OF CTV - OSHAWA (CHEX2).........................583 OZ-FM - ST. JOHN’S ....................................951 T THE CHANNELS IN THE STARTER PACKAGE. CTV - PETERBOROUGH (CHEX) ............217 P THE WEATHER NETWORK ......................505 # F PALMARÈSADISQ PAR STINGRAY .......187 TSC ......................................................................660 * 102.1 THE EDGE ............................................. 955 FAITHTV ...........................................................591 PLANETE JAZZ .............................................960 TSN RADIO 1050 ......................................... 995 104.5 CHUM FM ...........................................990 I PREMIÈRE CHAÎNE FM 97.7 TSN RADIO 1290 WINNIPEG ................. 984 680 NEWS ...................................................... 958 ICI MUSIQUE - MONTREAL (CBFX FM) .975 VANCOUVER (CBUF-FM) .........................977