DOCSLIB.ORG

BH6 TV Movie Premiere Date Announcement

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BH6 TV Movie Premiere Date Announcement October 17, 2017 'BIG HERO 6 THE SERIES' LAUNCHES WITH PRIMETIME TV MOVIE 'BAYMAX RETURNS,' MONDAY, NOVEMBER 20, SIMULTANEOUSLY ON DISNEY XD AND DISNEY CHANNEL -- Series to Debut Early 2018 on Disney XD -- SAN FRANSOKYO – Disney XD's animated "Big Hero 6 The Series" is set to launch MONDAY, NOVEMBER 20 (8:00-9:00 p.m. EST), with a one-hour primetime television movie, "Baymax Returns," simultaneously on Disney XD and Disney Channel, and available on the DisneyNOW app and Disney XD VOD. Immediately following the TV movie, two special full-length preview episodes of "Big Hero 6 The Series" will debut exclusively on the DisneyNOW app and Disney XD VOD. "Pocket Baymax," a customizable, interactive virtual assistant which brings Baymax to life, launches on DisneyNOW that same day. Photo credit: Disney XD* Set in the fictional city of San Fransokyo, "Baymax Returns" explores the moment in Walt Disney Animation Studios' Academy Award®-winning feature film after Hiro believes that his compassionate, cutting-edge robot Baymax is lost in the portal forever and discovers the chip his brother Tadashi designed to create Baymax. 14-year-old tech genius Hiro begins school as the new prodigy at San Fransokyo Institute of Technology and sets off to rebuild Baymax, but his overconfidence and penchant for taking shortcuts leads him and the newly minted Big Hero 6 team – Wasabi, Honey Lemon, Go Go and Fred – into trouble. The series, which will debut in early 2018 on Disney XD, continues the adventures and friendship of Hiro, Baymax and the Big Hero 6 team, picking up immediately following the events of the feature film. The TV movie and series will roll out through 2018 on Disney XD channels and Disney Channels worldwide. Reprising their roles from the feature film are Maya Rudolph as Aunt Cass, Ryan Potter as Hiro, Scott Adsit as Baymax, Jamie Chung as Go Go, Alan Tudyk as Alistair Krei, Genesis Rodriguez as Honey Lemon, David Shaughnessy as Heathcliff and Marvel Comics legend Stan Lee as Fred's dad. Also joining the main voice cast are Khary Payton as Wasabi and Brooks Wheelan as Fred. Recurring guest voice cast includes Jenifer Lewis as Professor Granville, Haley Tju as Karmi, Andrew Scott as Obake and Andy Richter as Globby. Mark McCorkle, Bob Schooley and Nick Filippi, the team behind the Emmy Award®- winning global hit Disney Channel series "Kim Possible," serve as executive producers. Filippi also serves as supervising director. "Big Hero 6 The Series" is a production of Disney Television Animation and carries a TV-Y7 FV parental guideline. About Big Hero 6 From the studio that created "Frozen," "Tangled" and "Wreck-It Ralph," the Academy Award-winning "Big Hero 6" is the 54th animated feature from Walt Disney Animation Studios. The film was inspired by the Marvel comic created by Man of Action. The action-packed comedy centers on the special bond that develops between an inflatable robot and a young prodigy as they and their close friends seek to solve a mystery that threatens the city of San Fransokyo. Directed by Don Hall and Chris Williams and produced by Roy Conli, "Big Hero 6" was released in October 2014 and became the biggest animated film of the year with over $657 million worldwide. In addition to being named Best Animated Picture by the Academy of Motion Picture Arts and Sciences, it was nominated for Golden Globe, Critics Choice and BAFTA awards, and was the recipient of five Visual Effects Society Awards, the most ever for an animated feature, as well as a Cinema Audio Society Award and a Kids' Choice Award for Favorite Animated Movie. About Disney XD Disney XD is a basic cable channel and multiplatform brand showcasing a compelling mix of live-action and animated programming for kids age 6-11, hyper-targeting boys and transporting them into worlds full of humor, unexpected fun and inspiring action- filled adventures. Disney XD-branded content spans television, online, mobile and VOD platforms. The programming includes series, movies and short form, as well as sports- themed programming developed with ESPN. In the U.S., Disney XD is seen on a 24- hour, advertiser supported network that reaches over 76 million households via its basic cable and satellite affiliates. In total, there are 31 Disney XD channels available in 25 languages around the world. *COPYRIGHT ©2017 Disney Enterprises, Inc. All photography is copyrighted material and is for editorial use only. Images are not to be archived, altered, duplicated, resold, retransmitted or used for any other purposes without written permission of Disney Junior. Images are distributed to the press in order to publicize current programming. Any other usage must be licensed. Photos posted for Web use must be at the low resolution of 72dpi, no larger than 2x3 in size. Media Relations Cecilia Johnson (818) 569-7899 [email protected] Katie Croxton (818) 569-5032 [email protected] Press materials are available at http://www.disneyabcpress.com/disneyxd/ Follow @DisneyChannelPR for up-to-date news on #BigHero6 Twitter: https://twitter.com/DisneyChannelPR Instagram: http://instagram.com/disneychannelpr -- Disney XD -- .
Load more

Recommended publications
  • Digital Surrealism: Visualizing Walt Disney Animation Studios
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Animated Stereotypes –
    Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes.
    [Show full text]
  • Disneynature Penguins Activity Packet
    ACTIVITY PACKET Created in Partnership with Disney’s Animals, Science and Environment IN THEATERS EARTH DAY 2019 arrated by Ed Helms (The Office, The Hangover trilogy, The Daily Show with NJon Stewart), Disneynature’s all-new feature filmPenguins is a coming-of-age story about an Adélie penguin named Steve who joins millions of fellow males in the icy Antarctic spring on a quest to build a suitable nest, find a life partner and start a family. None of it comes easily for him, especially considering he’s targeted by everything from killer whales to leopard seals, who unapologetically threaten his happily ever after. From the filmmaking team behindBears and Chimpanzee, Disneynature’s Penguins opens in theaters and in IMAX® April 17, 2019. Acknowledgments Disney’s Animals, Science and Environment would like to take this opportunity to thank the amazing teams that came together to develop the Disneynature Penguins Activity Packet. It was created with great care, collaboration and the talent and hard work of many incredible individuals. A special thank you to Dr. Mark Penning for his ongoing support in developing engaging educational materials that connect families with nature. These materials would not have happened without the diligence and dedication of Kyle Huetter and Lacee Amos who worked side by side with the filmmakers and educators to help create these compelling activities and authored the unique writing found throughout each page. A big thank you to Hannah O’Malley and Michelle Mayhall whose creative thinking and artistry developed games and crafts into a world of outdoor exploration. Special thanks to director Jeff Wilson, director/producer Alastair Fothergill and producers Mark Linfield, Keith Scholey and Roy Conli for creating such an amazing story that inspired the activities found within this packet.
    [Show full text]
  • Kim Possible – Sie Kann Alles«
    PROGRAMM 20/2007/2 11 »Kim Possible – sie kann alles« Ein Gespräch mit Robert Schooley und Mark McCorkle* Die Mitglieder von Team Possible und jetzt ist das tatsächlich im All- tion zu arbeiten. Wenn jemand Kim – sind das Helden? tag der Kinder angekommen. über ihre Website kontaktiert, dann Es sind Helden, aber wir wollten sie hilft sie. nicht zu Superhelden machen, d. h. Welche Rolle spielt Humor in der sie sind nicht unzerstörbar oder etwas Serie? Wie haben Sie die Figur Kim in der Art. Wir wollten, dass Kinder Kim Possible ist ja in erster Linie eine Possible entwickelt? sich in Kim und Ron wiederfinden Comedy-Serie. Die Serie parodiert Wir bekamen die Anfrage von den können. Was Kim macht, ist ziemlich viele der Konventionen von James- Leuten von Disney Channel, die eine fantastisch und unglaublich, aber Bond-Filmen und anderen Filmen neue Serie mit normalen Kindern in trotzdem muss sie sich mit Teenager- dieses Genres. Wir haben die Erfah- außergewöhnlichen Situationen woll- Problemen herumschlagen. Das war rung gemacht, dass Jungen Action ten. Bob und ich waren auf dem Weg es auch, was Disney Channel interes- mögen, auch wenn’s reine Action ist; zurück vom Mittagessen, und da habe sierte: normale Kinder in außerge- Mädchen wollen eher Persönlichkei- ich mich zu ihm umgedreht und ge- wöhnlichen Situationen. Also haben ten sehen und Beziehungen. Was sagt: »Kim Possible, sie kann alles.« wir ganz zu Anfang beschlossen: Kim Mädchen und Jungen vereint, ist, Und dann sagte Bob: »Ron Stopp- ist ein normales Mäd- dass sie gern lachen, able. Er nicht.« Und damit hatten wir chen, aber das, was sie und deswegen wollten praktisch schon das ganze Konzept.
    [Show full text]
  • VES Goes Big for 'Hero,' 'Apes'
    Search… Monday, June 22, 2015 News Resources Magazine Advertise Contact Shop Animag TV Galleries Calendar Home Festivals and Events VES Goes Big for ‘Hero,’ ‘Apes’ VES Goes Big for ‘Hero,’ ‘Apes’ Tom McLean Feb 4th, 2015 No Comments yet Like 0 Tweet 7 0 0 Share Email Print 0 The 13th annual VES Awards went ape for Apes and big for Big Hero 6 last night. Dawn of the Planet of the Apes lead the live­action feature film categories Newsletter with three wins, while Disney’s animated feature Big Hero 6 took home the most awards overall with five. Subscribe to our Daily Newsletter In the TV categories, Game of Thrones came out on top, and SSE was email address Subscribe the most­honored commercial. Here’s the full list of nominees, with the winners indicated in bold type. Congratulations to all the RSS Google Plus winners! Get updates Join our circle Outstanding Visual Effects in a Visual Effects­Driven Photoreal/Live Action Feature Motion Twitter Facebook Follow us Become our Picture fan Dawn of the Planet of the Apes. Joe Letteri, Ryan Stafford, Matt Kutcher, Dan Lemmon, Recent Posts Hannah Blanchini. Guardians of the Galaxy. Stephane Ceretti, Susan Pickett, Jonathan Fawkner, Nicolas Aithadi, Paul 'April,' 'Cosmos' Top Annecy Corbould. Awards Interstellar. Paul Franklin, Kevin Elam, Ann Podlozny, Andrew Lockley, Scott Fisher. June 21, 2015 0 Maleficent. Carey Villegas, Barrie Hemsley, Adam Valdez, Kelly Port, Michael Dawson. 'Inside Out' Opens to $91M, 2nd The Hobbit: The Battle of the Five Armies. Joe Letteri, David Conley, Eric Saindon, Kevin to 'Jurassic' Juggernaut Sherwood, Steve Ingram.
    [Show full text]
  • Masculinity in Children's Film
    Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________
    [Show full text]
  • Master Class with Andrea Martin: Selected Filmography 1 the Higher
    Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A.
    [Show full text]
  • Tangled Film Production Notes
    FINAL PRODUCTION NOTES October 20, 2010 RELEASE DATE: 6 JANUARY, 2011 Rated : (PG) Consumer Advice : Mild animated violence. Running Time : 100mins PRODUCTION NOTES 1 FINAL PRODUCTION NOTES October 20, 2010 Walt Disney Pictures presents “Tangled,” one of the most hilarious, hair-raising tales ever told. When the kingdom’s most wanted—and most charming—bandit, Flynn Rider (voice of Zachary Levi), hides out in a mysterious tower, he’s taken hostage by Rapunzel (voice of Mandy Moore), a beautiful and feisty tower-bound teen with 70 feet of magical, golden hair. Flynn’s curious captor, who’s looking for her ticket out of the tower where she’s been locked away for years, strikes a deal with the handsome thief, and the unlikely duo sets off on an action-packed escapade, complete with a super-cop horse (named Maximus), an over-protective chameleon (named Pascal), and a gruff gang of pub thugs. Also featured in the talented vocal ensemble is two-time Tony® Award winner Donna Murphy as Mother Gothel. Ron Perlman lends his voice to a Stabbington Brother, one of Flynn’s double-crossed partners in crime, and Jeffrey Tambor and Brad Garrett provide the voices of two of the thugs Flynn and Rapunzel encounter along the way. “‘Tangled’ is so full of hilarious characters, but it also has tremendous action and a lot of heart,” says John Lasseter, chief creative officer for Walt Disney and Pixar Animation Studios. “We wanted to create a unique world and story that evoke the rich, dramatic feeling that is classically Disney, but is also fresh and humorous, and that gives the audience something it has never seen before in computer animation.
    [Show full text]
  • ©2014 Disney ©2014 Disney Enterprises, Inc
    ©2014 Disney ©2014 Disney Enterprises, Inc. All Rights Reserved. Disney.com/Neverbeast STORY Story Artists TROY ADOMITIS JOHN D. ANDERSON TOM BERNARDO EMMANUEL DELIGIANNIS RYAN GREEN DAVID KNOTT JIHYUN PARK ROBB PRATT LYNDON RUDDY SEUNG-HYUN OH SHANE ZALVIN Creative Development ............................VICKI LETIZIA PRODUCTION Production Managers ..................... JARED HEISTERKAMP JASON I. STRAHS Directed by ........................................ STEVE LOTER Production Coordinators ........................JILLIAN GOMEZ Produced by ...........................MICHAEL WIGERT, p.g.a. AMY PIJANOWSKI Executive Producer .............................JOHN LASSETER BARBRA PUSHIES Story by ........................................... STEVE LOTER ALLIE RUSSELL and TOM ROGERS Production Finance Lead ........................ TANYA SELLERS Screenplay by .................................... TOM ROGERS Production Secretary ....................... BRIAN MCMENAMIN and ROBERT SCHOOLEY & MARK MCCORKLE DESIGN and KATE KONDELL Original Score Composed by ..................... JOEL MCNEELY Character Design .............................RITSUKO NOTANI Editor ..........................................MARGARET HOU ELSA CHANG Art Director .....................................ELLEN JIN OVER DAVID COLMAN Animation Supervisor .................... MICHAEL GREENHOLT BOBBY CHIU Head of Story ................................. LAWRENCE GONG KEI ACEDERA CG Supervisor ...................................... MARC ELLIS Associate Producer ......................TIMOTHY
    [Show full text]
  • Educational and Therapeutic Impact of Contemporary Animated Film Characters on the Viewer
    Konteksty Pedagogiczne 2(11)/2018, s. 151–163 DOI: 10.19265/KP.2018.211151 www.kontekstypedagogiczne.pl Joanna Mytnik [email protected] University of Bialystok ORCID iD: 0000-0003-3924-8188 Educational and therapeutic impact of contemporary animated film characters on the viewer Introduction From the beginning of its existence, films have been evoking interest and giving inspiration. A motion picture has been a tool for many practition- ers. Educators, psychologists, therapists, and animators have long appreci- ated and used film art in their work. Considering the increasing pervasion of the mass media into human life, its presence in many aspects of human functioning, it is necessary to pay close attention to the power of its influ- ence. It is worth noting that the products of popular culture do not only carry risks. Films created for commercial purposes also serve higher purposes, not just entertainment. Being easier in perception for the viewer at any age (through the frequency of contact with this cultural product), it can influence their emotions more strongly, encourage deeper mental work and stimulate reflection. In this article I would like to focus primarily on the possibilities of supporting upbringing and human development, referring to the assump- tions of film therapy (Kozubek, 2016). According to Depta, “the starting point of educational work with a film should be the use of such films that are most popular among young viewers while increasing their cognitive horizons” (Depta, 1983, p. 165). The potential of contemporary animated films seems to be indisputable in this respect, as will be demonstrated by the analysis of the main factor of their influence on the viewer, namely film heroes.
    [Show full text]
  • Falcon Tips & the Problems of the Day Grade 5
    14405 St. Clair Ave., Cleveland OH, 44110 | 216.453.4556 | www.lakeerieprep.org Falcon Tips & The Problems of the Day Grade 5: Day 2 Problems of the Day are designed to help our families and scholars prepare for the Reading requirements as laid out in our state standards. They are created to prompt collaborative discussions between you and your child and help ease the dreaded “Brain Drain”! Work hard on them and have fun with them! A new problem will be uploaded to our social media sites, daily! Falcon Tip • Why is this answer choice the best answer? • What answer choice confuses you? • What strategy did you use to determine the answer? • Can you PROVE IT?! What evidence in the passage supports your answer? Software developers helped Disney make "Big Hero 6" look amazing “Big Hero 6” has been a success for Walt Disney Animation Studios in many ways. Audiences and critics loved it. It won an Oscar and sold more than $500 million in movie tickets. Still, 39,000 might be the more important number for Disney Animation. That's how many hours it took to make the computer software that made the movie possible. The software is called Hyperion. It makes the light in an animated film look more realistic. The light in the movie behaves like it would in the real world. This can make animated films more lifelike or give them a surreal look. Great New Tool For Artists Movies like "Big Hero 6," "Frozen" and "Finding Nemo" are made with computer animation. Computers are used to draw the characters and scenery and make it look like they are moving.
    [Show full text]