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Digital Surrealism: Visualizing Walt Disney Animation Studios
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns. -
MXD – Evaluering 2018
EVALUERINGSRAPPORT 2018 Evaluering af MXD’s aktiviteter i 2018 Det er MXD’s mission at øge eksporten af dansk professionel populærmusik og herigen- nem at styrke den kunstneriske udvikling og forretningsgrundlaget for danske kunstnere og musikselskaber. MXD’s Strategi 2016-19 definerer tre hovedopgaver, som skal realisere denne mission: 1. Eksportstøtte 2. Internationale projekter 3. Videndeling og kommunikation. I det følgende beskrives aktiviteterne og resultaterne inden for hver af disse. Ad. 1. Eksportstøtte Danske bands/musikselskaber kan søge MXD om støtte til både egne eksportprojekter og til deltagelse i MXD’s eksportprojekter i udlandet, såsom handelsmissioner, Danish Night At Reeperbahn Festival, Ja Ja Ja Club Night etc. Der kan søges om støtte via tre puljer: 1. Eksportstøtte til markedsudvikling 2. Dynamisk eksportstøtte til unikke markedsmuligheder 3. Eksportstøtte til branchefolk I marts 2017 lancerede MXD og DPA (foreningen for sangskrivere, komponister, tekst- forfattere og producere inden for det kommercielle og populære felt) en ny eksportstøt- tepulje, som har til formål at styrke eksporten af dansk-producerede sange: 4. Eksportstøtte til branchefolk - sangskrivning Støttemidlerne kommer fra Kodas Kulturelle Midler, og puljen administreres af MXD. Læs mere om alle fire puljer (herunder formål, vurderingskriterier og MXD’s uddelings- politik) her: mxd.dk/eksportstoette/ Det samlede bogførte resultat for 2018 blev: Pulje Resultat Budget 1. Eksportstøtte til markedsudvikling 1.595.720 2. Dynamisk eksportstøtte til unikke markedsmuligheder 101.497 3. Eksportstøtte til branchefolk 301.952 Ubrugte midler fra tidligere år -123.512 I alt 1.875.657 1.800.000 4. Eksportstøtte til branchefolk – sangskrivning 124.855 0 Ubrugte midler fra tidligere år -15.955 I alt 108.900 180.000 Samlet resultat 1.984.557 1.980.000 I forhold til budgettet blev resultatet for pulje 1.-3. -
2011 Annual Report
232265_BNY_LiveNation_AR_CVR.indd 1 4/13/12 8:12 PM UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2011, OR ! TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32601 LIVE NATION ENTERTAINMENT, INC. (Exact name of registrant as specified in its charter) Delaware 20-3247759 (State of Incorporation) (I.R.S. Employer Identification No.) 9348 Civic Center Drive Beverly Hills, CA 90210 (Address of principal executive offices, including zip code) (310) 867-7000 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on which Registered Common Stock, $.01 Par Value per Share; New York Stock Exchange Preferred Stock Purchase Rights Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ! No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. ! Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and 2) has been subject to such filing requirements for the past 90 days. -
1988 Tour of North America
1988 TOUR OF NORTH AMERICA Interstate 88 Tour, part 1: Summer Tour of North America. JUNE 7 Concord, California Concord Pavilion 9 Sacramento, California Cal Expo Amphitheatre 10 Berkeley, California Greek Theatre, University Of California 11 Mountain View, California Shoreline Amphitheatre 13 Salt Lake City, Utah Park West, Park City 15 Denver, Colorado Fiddler's Green Amphitheatre 17 St Louis, Missouri The Muny, Forest Park 18 East Troy, Wisconsin Alpine Valley Music Theatre 21 Cuyahoga Falls, Ohio Blossom Music Center 22 Cincinnati, Ohio Riverbend Music Center 24 Holmdel, New Jersey Garden State Performing Arts Center 25 Holmdel, New Jersey Garden State Performing Arts Center 26 Saratoga Springs, New York Saratoga Performing Arts Center 28 Canandaigua, New York Finger Lakes Performing Arts Center 30 Wantagh, New York Jones Beach Theater, Jones Beach State Park JULY 1 Wantagh, New York Jones Beach Theater, Jones Beach State Park 2 Mansfield, Massachussetts Great Woods Performing Arts Center 3 Old Orchard Beach, Maine Old Orchard Beach Ballpark 6 Philadelphia, Pennsylvania Frederick Mann Music Center 8 Montreal, Quebec, Canada Forum de Montréal 9 Ottawa, Ontario, Canada Ottawa Civic Centre Arena 11 Hamilton, Ontario, Canada Copps Coliseum 13 Charlevoix, Michigan Castle Fares Music Theatre 14 Chicago, Illinois Poplar Creek Music Theatre, Hoffman Estates 15 Indianapolis, Indiana Indiana State Fairground Grandstand 17 Rochester, Michigan Meadowbrook Music Theatre, Oakland University 18 Rochester, Michigan Meadowbrook Music Theatre, Oakland -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
View Annual Report
Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
EAFONSI Template
United States Department of Agriculture Bonneville Power Administration Forest Service Department of Energy Longley Meadows Fish Habitat Enhancement Project Environmental Assessment La Grande Ranger District, Wallowa-Whitman National Forest, Union County, Oregon August 2019 For More Information Contact: Bill Gamble, District Ranger La Grande Ranger District 3502 Highway 30 La Grande, OR 97850 Phone: 541-962-8582 Fax: 541-962-8580 Email: [email protected] DOE EA - 2100 In accordance with Federal civil rights law and U.S. Department of Agriculture (USDA) civil rights regulations and policies, the USDA, its Agencies, offices, and employees, and institutions participating in or administering USDA programs are prohibited from discriminating based on race, color, national origin, religion, sex, gender identity (including gender expression), sexual orientation, disability, age, marital status, family/parental status, income derived from a public assistance program, political beliefs, or reprisal or retaliation for prior civil rights activity, in any program or activity conducted or funded by USDA (not all bases apply to all programs). Remedies and complaint filing deadlines vary by program or incident. Persons with disabilities who require alternative means of communication for program information (e.g., Braille, large print, audiotape, American Sign Language, etc.) should contact the responsible Agency or USDA’s TARGET Center at (202) 720-2600 (voice and TTY) or contact USDA through the Federal Relay Service at (800) 877-8339. Additionally, program information may be made available in languages other than English. To file a program discrimination complaint, complete the USDA Program Discrimination Complaint Form, AD-3027, found online at http://www.ascr.usda.gov/complaint_filing_cust.html and at any USDA office or write a letter addressed to USDA and provide in the letter all of the information requested in the form. -
Soccer Team Saturday and Sunday Matches, Monday's 9-0 Victory Against Splittmg the Two Games
TOPA Y INSIDE TODAY EDITORIALLY * THOSE BAPTISTS * STUDENT EFFORTS * RESTAURANT REVIEW an at * PUB ROW· SBAC Vol. UX Wake t'orest IJniversity, Winston-Salem, North Carolina, t'riday, March 5, 1976 No. 21 SG Denies Pub Row Plan By JACKSON ANN directly under the control of Vice newspaper is under the financial · Staff Writer committee. "They ISG J are President for Business and control of a government, the trying to protect you as much as Y.'inance Gene Lucas. government is always in a In a special meeting Tuesday you are trying to protect Representatives from the Old position t~ exercise financially night, the Student Government yourselves," legislator Melanie Gold and Black,, The Student, and empowered censorship." Raimey argued. legislature defeated 30-4 a Howler were present at the proposal which would have Eckert said, "It is notlogical to Eckert protested that ~'the meeting to plead their case. think that the student newspaper removed student publications Southern States Association of According to a written can be editorially independent of Colleges and Secondary Schools, from the Student Budget statement presented by OG&B Advisory Committee's the student government if it must the academic community's associate · editor Brian Eckert, curb the free flow of ideas for accreditation organization, jurisdiction and place the the newspaper requested the budgets for these organizations fear of losing its financial would never look favorably upon change · because ·"when a assets." a school administration that "The whole situation is ironic stifled a responsible press." that we have to come before The Student's budget for next SLC Approves Student Government and ask to year was cut by 42 per cent by the be taken ·away because we're SBAC. -
Putting For.~ a Cause - -·
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2005-09-21 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2005). All Xavier Student Newspapers. 3004. https://www.exhibit.xavier.edu/student_newspaper/3004 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. T·H·E XAVIER· ' ' Published since f 915 by- the students of Xavier Univ~rslty 9lst year, issue 6 . ... weekofSEPfEMBER21;2005 www.xu.edu/newswire/ . Putting for.~ a cause - -· .-. ' . GRACE NORTHERN ernmerit Association. President - fun and enjoyable afternoon for ev~ events of the Fenwick Open will year and holds this event in high ·SeniOr News Editor ·. William Buckley. eryone involved. also include a presentation of nu~ regards. "This year we have· chosen the . There are 35 teams. with four merous awards and trophies, in- "It's truly one of the great suc . This year marks tl~e 16th annual American Cancer.Society as the re- · people on each team: The entry fee eluding the recognition of the cess stories fr()m the Student Gov Fen.wick Open charity golf outing, cipient of all the proceeds. The for students is $35 per person, which · Circle ofHonorAward. ernment Association, which is ·hosted by·Xavier.Univers.ity. The main reason ~e chose the Ameri~ . pays for a ~ou~d ·of golf, lunch pro- "We give this award to some something they should be very event will tak~ place on Oct. -
Live Nation Adds Cleveland's Masonic Auditorium To
LIVE NATION ADDS CLEVELAND’S MASONIC AUDITORIUM TO GROWING PORTFOLIO OF CLUBS AND THEATRES CLEVELAND, Ohio – (July 16, 2018) — TempleLive and Live Nation – the world’s largest live entertainment company – have announced that the Masonic Auditorium, recently purchased by TempleLive, will become part of Live Nations’ expanding portfolio of mid-west properties it now books and operates. Combined with Live Nation’s operation of the House of Blues, Jacobs Pavilion and Blossom Music Center, Live Nation plans to attract an increasingly robust roster of performers to Northeast Ohio and is now gearing up for a new fall schedule with dates starting as soon as November. Live Nation Club & Theatre, a division of Live Nation, owns, operates and books landmark clubs and theaters throughout the United States, including The Wiltern Theatre in Los Angeles and The Tabernacle in Atlanta as well as the House of Blues and Fillmore venues. The company produces more than 15,000 events – including concerts, special events, private event rentals, club nights and more – in 100 venues nationwide. “The Masonic was the next logical move for us in Cleveland. It is a vibrant music market with a very large population base that we think is underserved at the theater level,” said Ben Weeden, COO of Live Nation Club & Theatre division, which will oversee The Masonic. “We look forward to establishing the Masonic as the must- play, 2,000-capacity venue in Cleveland.” “We are proud to have The Masonic Auditorium as part of Live Nation’s portfolio of properties,” said Mike Brown of TempleLive, which recently purchased the property. -
Odesza Announces New “A Moment Apart Tour” Dates Tickets on Sale to Public Starting December 8 at Livenation.Com Electronic
ODESZA ANNOUNCES NEW “A MOMENT APART TOUR” DATES TICKETS ON SALE TO PUBLIC STARTING DECEMBER 8 AT LIVENATION.COM ELECTRONIC DUO EARNS TWO GRAMMY NOMINATIONS LOS ANGELES (Dec. 4, 2017) – On the heels of two GRAMMY nominations last week for Best Dance/Electronic Album for A Moment Apart and Best Dance Recording for “Line Of Sight”, ODESZA has announced a second leg to their “A Moment Apart Tour” with 14 new North American dates in 2018, produced by Live Nation. This year, ODESZA (Harrison Mills and Clayton Knight) has taken their "transcendent" (Nylon) brand of indie electronic to new heights of popularity with sold out arena shows and a No. 3 debut on the Billboard 200 chart for their album A Moment Apart (Counter Records/Ninja Tune). Presale tickets are available at www.odesza.com starting Tuesday, December 5 at 10:00am local time with password: APART. Tickets will go on sale to the general public starting Friday, December 8 at 10:00am local time at LiveNation.com. Citi® is the official credit card of the U.S. leg of the 2018 “A Moment Apart Tour.” As such, Citi® cardmembers will have access to purchase U.S. presale tickets beginning Tuesday, December 5 at 10:00am local through Thursday, December 7 at 10:00pm local through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Since starting in early September in New Zealand, the “A Moment Apart Tour” has spanned nine countries, selling out multiple nights in cities across the globe with a live show featuring musicians including horns, guitar, a six piece drum line and vocalists. -
THE TUFTS DAILY Est
Where You Mostly Sunny Read It First 26/13 THE TUFTS DAILY Est. 1980 VOLUME LXI, NUMBER 24 THURSDAY, MARCH 3, 2011 TUFTSDAILY.COM Steam accumulates on ResQuad after pipe leaks BY MARTHA SHANAHAN While Winslow yesterday was StudentsDaily Editorial Board fight notfor available unions, to speak with the stu- dents, the JJA members and other Two separate groups of students this Harvard University and Northeastern weekfinancial took a trip to the Massachusetts aid at University State students House involved with State House to meet with legislators, the Washington-based Student Labor hoping to raise awareness among state Action Project had an “in-depth” con- leaders about the importance of main- versation with his assistant about the taining union rights for workers and bill and left a letter detailing their financial aid for students. position with the office. Seven members of the student group “The letter effectively said we feel Jumbo Janitor Alliance (JJA) rallied in that collective bargaining is a basic the office of Massachusetts State Rep. workers’ right … but taking away work- Daniel Winslow (R-Norfolk, LA ’80), ers’ rights is not the way to deal with along with almost 20 other area stu- budget deficits,” JJA member Andrea dents, to discuss a bill Winslow last Ness, a senior, said. month sponsored that would consid- “We just wanted him to hear what erably limit unions’ rights. we had to say about it, why we’re Winslow’s Massachusetts against this bill,” she added. Management Rights Bill, submitted to JJA member Cielo Llinas, a senior, LANE FLORSHEIM/TUFTS DAILY the state’s House of Representatives, voiced her dissatisfaction with A leak yesterday afternoon in a pipeline in front of Miller Hall caused large amounts of replicates a widely protested budget Winslow’s proposed bill.