Art Dubai Edition

Total Page:16

File Type:pdf, Size:1020Kb

Art Dubai Edition 16 MARCH 2010 I ISSUE 1 I ART DUBAI EDITION 04 MEET THE ARTISTS 06 SPOTLIGHT: MIDDLE EASTERN ART 08 SPOTLIGHT: international ART 10 SPOTLIGHT: ASIAN ART 14 NEW GALLERIES AT ART DUBAI 16 ALL ABOUT BIDOUN PROJECTS 20 OPINION: JACK PERSEKIAN and Media Free Zone Authority. ubai Technology 21 5 MINUTES WITH JOHN MARTIN AND D SHEIKH SULTAN SOOUD AL-QASSEMI Published out of the TODAY ART DUBAI 2010 / CANVAS DAILY 1 19:00–21:30 Alex De Fluvià Under Construction exhibition opening at Cuadro Fine Art Gallery 19:00–20:30 START: AerosolArabic & START public performances Madinat Beach TOMORROW 12:30–13:30 Global Art Forum: Artists and Mapping Historiographies 13:30–13:45 Global Art Forum: Mapping Presentation, 5000 Friends after the Rolodex 13:45–14:00 Global Art Forum: Arts Writing Keynote with Douglas McLennan 14:00–15:00 Global Art Forum: Is There a Crisis in Arts Writing? 15:00–16:00 Global Art Forum: Building the Tehran Contemporary Art Museum, Depicting Rostam and Piles of Gold Bricks: Tehran in the 1970s ALL GLOBAL ART FORUM DISCUSSIONS ARE HAPPENING AT THE MADINAT BEACH 17:00–18:30 Art Park Talk: Conversation with 2010 Abraaj Capital Art Prize Recipients Bidoun Lounge 17:30–18:15 Artist-led Tour: Khalil Rabah, Fair View (Register and convene at the Arts Projects desk) Madinat Beach 17:30–19:00 START: Graffiti wall demonstration with AerosalArabic, START stand Madinat Beach 18:00–19:00 Art Park: Video Programme, Strike a Pose, followed by a Q&A with curators Özge Ersoy and Sohrab Mohebbi Bidoun Lounge elcome to the fourth edition of Art cultural highlights taking place in parallel to Art Dubai. 19:00–19:45 Art Park Talk: Archives and the Internet Dubai and the second incarnation Art lovers can also pick up one of Canvas Bidoun Lounge of Canvas Daily (which debuted magazine’s signature tops for both men and at Abu Dhabi Art 2009), the fair’s women. If you’ve ever thought something was 19:00–21:30 Maslen and Mehra Mirrored exhibition Wexclusive supplement providing daily coverage ‘artrageous’ or if the art world has confused you to opening at Cuadro Fine Art Gallery of what’s on, reviews, interviews and a host of the point where you ask yourself ‘what the kunst?’ 20:00–21:15 The Big Idea exciting features. Readers can find Canvas Daily or if you, like us, believe that ‘art > recession’ Bidoun Lounge around the fair, at five-star hotels throughout then Booth D39 is where you’ve got to head. We’re the city, at Dubai galleries, on the Artbus and also selling a Collector's Voodoo Doll, especially at airline lounges in Dubai International Airport. made for a collector’s secret evil wishes. And ALSO SHOWING A PDF of Canvas Daily is also available each we sell funky notebooks too. For now, enjoy the morning for download at www.canvasonline.com fair and remember, all for art and art for all. 1x1 Art Gallery: A Collection of Works. In the weeks leading up to the fourth Art Dubai, Call +971 43483873 or visit www.1x1artgallery.com Canvas Daily staff are happy to report a very clear mood of optimism among the fair’s 70 participating Art Couture: Exhibition by Three 21st Century Artists. galleries, the Art Dubai team, collectors and patrons. Call +971 43994331 or visit www.artcoutureuae.com Kicking off Art Dubai week was the annual invitation- “I have never been more Artspace: Laws of Direction by Zakaria Ramhani. only Canvas Collectors Dinner, which took place at Call +971 43230820 or visit www.artspace-dubai.com Madinat Jumeirah’s Pier Chic. Society images can be excited about Art Dubai. seen on page 13. Iran Inside Out opened yesterday Art Sawa: My Home Land and Creative Palestinian Art. This year, the roster of at DIFC’s The Farjam Collection and showcases works Call +971 43408660 or visit www.artsawa.com by 56 Contemporary Iranian artists. Dubai is the galleries is inspiring and 11 APRIL - 12 JUNE 2010 Ayyam Gallery: Moustafa Fathi. exhibition’s second stop after it debuted at New York’s eclectic.” Call +971 43236242 or visit www.ayyamgallery.com Chelsea Art Museum last year. Cuadro Fine Art Gallery BAHRAIN NATIONAL MUSEUM at DIFC also opened UAE Art Books, a double bonanza MANAMA, KINGDOM OF BAHRAIN For a FULL schedule of events and further details please pick up your featuring works by four Contemporary Emirati artists, Kashya Hildebrand, founder of copy of the fair guide at the Art Dubai information desk or log on to as well as a bilingual tome on them and their work. www.artdubai.ae For a complete listing of shows in Dubai, visit the Galerie Kashya Hildebrand, Canvas Booth (D39) to pick up a copy of Canvas Guide or visit www. In fact, Cuadro is going all out during Art Dubai week canvasonline.com/images/pdf/atc.pdf with four shows opening on consecutive nights. Last Booth B21. RashidAlKhalifa.com Art Dubai will be open to the public from 18-20 March. Tickets can night also saw the opening of Art Dubai’s fringe fair, To read a full profile of the gallery, pick up the latest be purchased for AED 50 through TimeOutTickets or at the door. For Bastakiya Art Fair, which also celebrates its fourth issue of Canvas from Booth D39. more information call +971 4323 3434 or email [email protected] edition. These and more are just a sample of the 02 16 MARCH 2010 I canvas DAILY I ISSUE 1 I art DUBAI EDITION MEET THE ARTISTS As Art Dubai welcomes artists, collectors, curators and art lovers from all over the world, Canvas Daily asks leading HG HK NT KH artists from the Middle East for their thoughts on Dubai, its Contemporary art scene and what’s next for it as a centre LE MF FA of the region’s cultural renaissance. We interviewed Farhad Ahrarnia (FA), Halim Al-Karim (HK), Lalla Essaydi (LE), Monir Farmanfarmaian (MF), Hakim Ghazali (HG), Khaled Hafez Back, left to right: Hakim Ghazali, Halim Al-Karim, Nazif Topçuoglu, Khaled Hafez (KH) and Nazif Topçuoglu (NT). Front, left to right: Lalla Essaydi, Monir Farmanfarmaian, Farhad Ahrarnia Q: What is your opinion of Dubai as to art practices. Each gallery brings to the table its Q: And following on from that, what do you an artistic and cultural venue? own research and propositions, and this is leading feel about the label ‘Middle Eastern artist’ HG: What Dubai has achieved so far is incredible. It’s to the writing of a proper art history of the region, - is it valid or more of a distraction? the only Middle Eastern city that has really been able something our part of the world has been deprived of. MF: It’s as valid as any other label I guess, but to put the region’s art scene onto the global stage. LE: Although the rationale of fairs is solely as artists of real quality soon leave their labels HK: Dubai is like a laboratory, filled with economic venues – unlike museums and biennials, behind. They become truly international, so artistic experimentation. It’s a real focal point, where art is put into a much richer and deeper it doesn’t matter where they’re from. with many people looking at it to see what’s context – they do give both artists and audiences HG: Such labels are definitely a distraction. I happening art-wise in the Middle East. the chance to encounter a greater variety of don’t think of myself or my work as ‘Moroccan’ or MF: The Dubai art scene is constantly improving and contemporary work than they may otherwise see. even ‘Middle Eastern'. I find it quite a degrading I find everything very intelligently done here. Why term actually, as if we’re not considered good haven’t other Middle Eastern countries done the same? Q: Has the economic downturn affected you enough yet to be ‘international’ artists. NT: I’ve only been here once before and it was and the way you approach your work? FA: Labels always come with expectations, pouring with rain! I was also rather wary of HK: Yes, but only in a positive way. Dubai may have and I like to play with expectations. how my work would be received, but I found seen the disappearance of a lot of its commercial HK: I don’t believe in classifying artists by their the audience very open-minded. They know art, but the serious collectors and art-lovers have nationality or choice of place in which to live their stuff, and take their art very seriously. remained, which has helped refine the scene here. and work. I feel like an international citizen. HG: Actually, it’s been very positive for my However, the term ‘Middle Eastern artist’ has Q: What do you think Dubai has to work in the sense that it’s enabled me to push been an effective tool in marketing the great offer artists in particular? my limits further in terms of what I do. I think creativity taking place in the region right now. LE: Dubai’s inspiring and encouraging response to art downturns are times when artists are able to LE: Labels make me feel very uncomfortable. I feel gives artists the all-important knowledge that they focus more closely on their artistic practices. caged in just thinking of them. Art has no boundaries, are supported by a wider community. And from my NT: Overall I think it’s been good for art.
Recommended publications
  • For Immediate Release
    FOR IMMEDIATE RELEASE IRANIAN ARTIST GOLNAZ FATHI TURNS CALLIGRAPHIC WRITING INTO ABSTRACT PAINTING, COMBINING ELEMENTS OF EAST AND WEST Exhibition dates: April 11 – May 11, 2013 Opening cocktail reception: Thursday, April 11, 6 - 8 pm Untitled, 2011, acrylic, pen and varnish on canvas, 70.9 x 88.6 inches New York, March 21, 2013—For her debut solo exhibition in New York, Iranian artist Golnaz Fathi—who divides her time between Tehran and Paris—presents recent works on canvas that draw on her long practice of traditional Iranian calligraphy. Fathi works in fine pen, mostly on varnished raw, rectangular, polyptych canvases, in a limited palette of white, black, red and yellow. She layers the surface of the canvas with thousands of minute marks that echo the curvilinear forms of calligraphic letters and words. These intricate lines coalesce into minimalist compositions that can be read in multiple ways—as landscapes, electronic transmissions or atmospheric phenomena. She refrains from titling her works, which allows the viewer free reign to assign his or her own interpretation. (continued) The basis of Fathi’s practice is siah-mashq, a traditional exercise in which the calligrapher writes large, cursive letters across the page in a dense, semi-abstract formation. The letters aren’t meant to form words or convey meaning, but rather strengthen the skill of the scribe. Fathi reinterprets this technique, drawing inspiration from various Western and Eastern sources, including American Abstract Expressionism, as well as the work of Iranian and Middle Eastern modernists who pioneered the use of the written word as a pictorial element in the late 1950s and early 1960s.
    [Show full text]
  • PR Golnaz Fathi AB43 DE
    PRESSETEXT, 28. Juli 2017 «Traces of Yesterday» – Solo-Ausstellung mit GOLNAZ FATHI AB43 CONTEMPORARY, Orangerie, Im Park 2, Thalwil/Zürich Öffentliche Vernissage: Samstag, 2. September 2017, 13.00 – 16.00 Uhr Ausstellungsdauer: 2. September – 7. Oktober 2017 Artist Talk: Samstag, 2. September 2017, 16.00 – 17.00 Uhr im Kulturraum Thalwil (Bahnhofstrasse 24, 8800 Thalwil) Das Gespräch führt Axel Langer, Kurator für die Kunst des Nahen Ostens am Museum Rietberg, Zürich (in englischer Sprache). AB43 CONTEMPORARY freut sich, neue Werke der iranischen Künstlerin GOLNAZ FATHI in einer Solo-Ausstellung zu zeigen. Fathi gilt als eine der erfolgreichsten Künstlerinnen, die Kalligrafie auf sehr moderne, zeitgenössische Art umsetzt – hat weltweite Ausstellungen und Sammler. Kunstwerk von Golnaz Fathi – Untitled, Acrylic on canvas, 2017, 170x142cm GOLNAZ FATHI (1972 in Teheran, Iran) ist eine international gefeierte Künstlerin, die es geschafft hat, die Kluft zwischen traditioneller und zeitgenössischer Kultur sowie zwischen östlichen und westlichen Lebensweisen zu überbrücken. Als ausgebildete Kalligraphin besitzt sie die Fähigkeit, Sprache geschickt in malerische Kompositionen zu verwandeln. Im Park 2 – 6 CH-8800 Thalwil/Zurich Switzerland Phone +41 41 982 08 80 [email protected] www.ab43contemporary.com Während sie Grafik Design an der Azad Universität, Tehran studierte, entdeckte sie die Kalligraphie. Ihr Können vertiefte sie daraufhin über sechs Jahre an der Kalligraphie-Vereinigung Irans. Fathi war die erste Frau, die eine Auszeichnung für Ketabat, einem speziellen Genre der Kalligraphie, gewann. Von den Regeln und Vorschriften dieser Disziplin der Kalligraphie ermattet, schuf sie in ihren Bildern eine neue Form des Ausdrucks: eine imaginäre Sprache, die tief in der persischen Tradition verwurzelt ist und gleichzeitig auf eine soziale Renaissance hindeutet.
    [Show full text]
  • CURATED by AMIRALI GHASEMI Participating Artists Samira Abbassy
    CURATED BY AMIRALI GHASEMI Participating Artists Samira Abbassy . Iman Afsarian . AKSbazi Shirin Aliabadi . Samira Alikhanzadeh Afruz Amighi . Mojtaba Amini Nazgol Ansarinia . Kamrooz Aram THE ELEPHANT IN THE DARK Reza Aramesh . Mehraneh Atashi January 25-May 30, 2012 Shoja Azari . Mahmoud Bakhshi Commissioned and Published by Gohar Dashti . Alireza Dayani . Ala Ebtekar Devi Art Foundation, New Delhi, 2012 Shirin Fakhim . Golnaz Fathi Parastou Forouhar . Shadi Ghadirian Assistant Curator Amirali Ghasemi . Bita Ghezelayagh Reha Sodhi Barbad Golshiri . Amirali Golriz Ramin Haerizadeh . Rokni Haerizadeh Catalogue Design Elham Doost Haghighi Neelima Rao, Reha Sodhi Khosrow Hassanzadeh . Ghazaleh Hedayat Peyman Hooshmandzadeh Light Design Shirazeh Houshiary . Katayoun Karami Lyle Lopez Shahram Karimi . Simin Keramati Abbas Kowsari . Farideh Lashai Printed at Amir Mobed . Masoumeh Mozaffari Archana Pendar Nabipour . Timo Nasseri www.archanapress.com Farah Ossouli . Leila Pazooki . Sara Rahbar Mohsen Rastani . Shirin Sabahi Printed on Hamed Sahihi . Zeinab Shahidi Marnani Rendezvous Natural White Behnoush Sharifi . Jinoos Taghizadeh Newsha Tavakolian . Sadegh Tirafkan ISBN and Ali Zanjani 978-81-921393-2-6 Contributors Daria Kirsanova, Amirali Ghasemi © 2012 Devi Art Foundation, Devi Art Foundation extends its thanks to the artists and authors following for assistance with photography: all artists, Aaran Art Gallery, Agastaya Thapa, No part of this publication may be Assar Art Gallery, Azad Art Gallery, Galerie reproduced, stored in a retrieval system or Sfeir-Semler, Gallery Isabelle Van Den Eynde, transmitted by any form or by any means, Green Cardamom, Isak Berbic, Leila Heller electronic, mechanical, photo copying, Gallery, Mah Art Gallery, Reha Sodhi, Rose recording or otherwise without the prior Issa Projects, Shovan Gandhi, Silk Road written permission of the publisher.
    [Show full text]
  • 2015 Multi-Artist Exhibition 8Th to 15Th February 2015 Summerhall Gallery, Edinburgh
    2015 multi-artist exhibition 8th to 15th February 2015 Summerhall gallery, Edinburgh 1 W: www.ediranfest.co.uk E : a r t @ediranfest.co.uk charity no. S C 0 4 4 7 9 5 About the Exhibition Artists from around the world were invited, through a call for artists, to respond to the title of Perception in categories such as video, installation, multi-media, painting, textile, drawing, photography, and sculpture. Artworks must have been created by an Iranian artist or inspired by Iran. The Selection Process Our invited judges made their selections from over 200 submissions and the works with the most votes will be exhibited at Summerhall gallery, Edinburgh, during the festival week. There will be a jury prizewinner for most promising submission. Judges Janet Rady Based between London and the United Arab Emirates, gallery director and curator Ms Rady is a specialist in contemporary art from the Middle East, with over twenty five years’ experience of the international art market including leading auction houses and major commercial galleries. She holds a masters degree in Islamic Art History from the University of Melbourne, and is the hons lectures secretary for the Iran Society and a nominator for the Jameel Prize. She is a member of the Arab British Chamber of Commerce and sits on the Advisory Council of Caravan Arts. http://www.janetradyfineart.com/ Morteza Nematollahi Mr Nematollahi is a leading figure in contemporary art within Iran. Born in Isfahan, Iran, he studied sculpture at the School of Fine Arts in Isfahan and the University of Fine Arts in Tehran.
    [Show full text]
  • The Middle East Modern and Contemporary Auction
    The Middle East Modern and Contemporary Auction Saturday, 11 March 2017 Le Yacht Club Gallery Zaituna Bay Beirut - 1 - The Middle East Modern and Contemporary Auction Viewing Thursday 9 March 11:00-9:00 p.m. Friday 10 March 11:00-8:00 p.m. Saturday 11 March 11:00 onwards Auction Saturday, 11 March 2017 4:00 p.m. Le Yacht Club Gallery, Zaituna Bay, Beirut Phone: +961 (0)1 762 800 View catalogue online at artscoops.com Auctioneer Edward RISING Curators May MAMARBACHI Janet RADY Contact Raya MAMARBACHI Phone: +961 (0)3 127 069 Untitled, 2013 Korosh Ghazimorad, (front cover) Email: [email protected] Bassam Kyrillos, Holiday Inn, 2015 (back cover) Jamil Molaeb, Untitled (inside front cover) May MAMARBACHI Tagreed Darghouth, Untitled, 2013 (inside back cover) Phone: +961 (0)3 429 800 Email: [email protected] Janet RADY Printed & Bound by Express International Phone: +44 (0)7957 284370 www.expressinternational.com Email: [email protected] - 2 - - 3 - 02 ELIAS ZAYYAT Couple in a Seductive Scene, 1969 Ink on paper 32 x 44 cm Signed in English and Arabic; dated in English (lower left) Property from a private collection, Beirut Estimate: US$ 3,000 - 5,000 01 TAGREED DARGHOUTH Untitled, 2013 Acrylic on canvas The pieces (lot 2 and 4) featured in and appeared in an exhibition there 100 x 70 cm the auction date back to the early at that time. This work depicts Signed and dated in English (lower right) 1970s, when Zayat was teaching an olive tree, alongside a square a restoration course in Budapest, and Zayat’s signature bird motif.
    [Show full text]
  • Entrance to Word Into Art, Artists of the Modern Middle East with Iranian Artist Parviz Tanavoli Heech in a Cage, 2006, Bronze in Foreground Right
    Entrance to Word into Art, Artists of the Modern Middle East with Iranian artist Parviz Tanavoli Heech in a Cage, 2006, bronze in foreground right Published online arteeast.org July 2006 WORD INTO ART: ARTISTS OF THE MODERN MIDDLE EAST AT THE BRITISH MUSEUM (MAY 18 – SEPTEMBER 2, 2006) is a major contribution to our perceptions of contemporary art in the Middle East. I attribute its engaging nature to a combination of aesthetic seduction, clear organization, and compelling subject matter. “Word into Art” is based on the premise of the vibrancy of the traditional art of Arabic calligraphy in the context of a sacred script, as well as the transformations of the script by individual artists as they intersect with international contemporary art trends, politics, and their own regional traditions. Word into Art consists primarily of contemporary works on paper and ceramics, as well as a few paintings, most of it collected by the British Museum since the 1980s. The show attracted a huge grant from Dubai Holding, enabling the museum to have an entire summer of Middle Eastern Programming, as well as an opening symposium that included artists and art historians from Palestine, Iran, Iraq, France, the Netherlands, the United Kingdom and the United States. (1) Because of this funding the museum also commissioned major art works as part of the exhibition, including Blessed Tigris by Iraqi artist Dia al Azzawi, a towering sculpture in the entry of the Great Court of the Museum. The tower is inscribed with a painfully lyrical poem by Iraqi poet and journalist Muhammad Mahdi al Jawahiri who died in 1997.
    [Show full text]
  • The Young Collectors Auction Art from the Middle East
    Auction No. 12 The Young Collectors Auction Art from the Middle East Viewing: January 9 - 16, 2012, 10:00 AM to 8:00 PM Auction: Tuesday, January 17, 2012 7:00 PM Auction No. 12 The Young Collectors Auction Art from the Middle East Viewing: January 9 - 16, 2012, 10:00 AM to 8:00 PM Auction: Tuesday, January 17, 2012 7:00 PM Auction No. 12 The Young Collectors Auction Art from the Middle East Viewing: January 9 - 16, 2012, 10:00 AM to 8:00 PM Auction: Tuesday, January 17, 2012 7:00 PM Head of Session & Auctioneer Hisham Samawi For all enquiries please contact our team: Khaled Samawi Dubai + 971 4 323 6242, [email protected] Hisham Samawi Dubai + 971 4 323 6242, [email protected] Fadi Mamlouk Dubai + 971 4 323 6242, [email protected] Myriam Jakiche Dubai + 971 4 323 6242, [email protected] Katia de Rham Dubai + 971 4 323 6242, [email protected] General Information [email protected] ayyam auctions 3rd Interchange, Al Serkal Complex, Al Quoz 1, Street 8, PO Box 283174 Dubai, UAE Phone + 971 4 323 6242, Fax + 971 4 323 6243, [email protected], www.ayyamgallery.com Mohannad ORABI Born 1977 - Lot 001 Signed, Dated 100 X 90 cm. Acrylic on Canvas 2011 Estimate (US$ 6,000 - 7,000) Mohannad Orabi’s whimsical self portraits exemplify what has made Syrian art so successful over the last sixty years. Born in Damascus in 1977, Orabi graduated from the Faculty of Fine Arts in 2000. Noteworthy among his peers he has exhibited in venues across the region, and has participated in collective shows and festivals in North America, Europe and Asia, including Art Palm Beach, Miami International Art Fair, SCOPE Art Fair (Basel).
    [Show full text]
  • The Disquieting Art of Khosrow Hassanzadeh Shatanawi, M
    The Disquieting Art of Khosrow Hassanzadeh Shatanawi, M. Citation Shatanawi, M. (2006). The Disquieting Art of Khosrow Hassanzadeh. Isim Review, 18(1), 54-55. Retrieved from https://hdl.handle.net/1887/17092 Version: Not Applicable (or Unknown) License: Leiden University Non-exclusive license Downloaded https://hdl.handle.net/1887/17092 from: Note: To cite this publication please use the final published version (if applicable). Arts The Disquieting Art of Khosrow Hassanzadeh MIRJAM SHATANAWI “This series is the result of two years of Khosrow Hassanzadeh is one of Iran’s leading texts reveal that Hassanzadeh addresses thought, research and travel. It is a re- contemporary artists. During his artistic career contemporary Western perceptions in flection of a world where the word ‘ter- his work became increasingly concerned with which Islam is heedlessly associated rorist’ is thrown about thoughtlessly. Islam as a factor in the interplay between East with terrorism. His “terrorists” are Mus- What is a terrorist? What are the origins and West. This article discusses his recent lim terrorists, and at the same time, or- of a terrorist and in an international con- series of works Terrorist to analyse the artist’s dinary believers who are under scrutiny text who defines ‘terrorism’? The West, efforts to simultaneously criticize the accusing because of their faith. with its personal definition of terrorism, gaze of the West and reclaim the right of self- gives itself the right to take over a coun- representation. Discovering Islam try, while in the Middle East the West is The emphasis on Islam in the Terror- clearly accused of being a full-fledged terrorist.
    [Show full text]
  • Discover “Asia Abstract” with Opera Gallery the Art Exhibition Launches 28 Sept – 31 Oct, 2018
    Discover “Asia Abstract” with Opera Gallery The Art Exhibition Launches 28 Sept – 31 Oct, 2018 (Left to right – Afjehee Nasrollah - Untitled, Chu The-Chun - 26 Mars, Shiraga Kazuo – Untitled) (Hong Kong – 21st August 2018) Opera Gallery will unveil a new group exhibition end September that celebrates the history and heritage of Asian art. Through abstract art, the exhibition will launch a dialogue that interlinks the past and present, traditional and modern designs, and Eastern and Western influences. Created through time-honored practices of traditional Asian art, each piece will reflect the artist’s diverse cultural background and experiences abroad. With specialized skills in ancient Middle Eastern calligraphy, traditional Chinese ink wash painting, and Korean scroll painting and papermaking, the exhibition will showcase artwork that have been crafted using painstaking attention, effort and time. “Asia Abstract” will boast a collection that fuses traditional methods with modern techniques. Conceptualized by the innovative artists, modern techniques reflect the artists’ state of mind and effectively address the themes of national identity, nature and humanity. Exhibition Highlights: Featured Chinese-French artists, Zao Wou-Ki (b. 1920), Chu Teh-Chun (b. 1920) and Feng Xiao-Min (b. 1959) are known for their modernist approach in integrating traditional Chinese brush-and-ink technique with Western abstract art. Over the course of their artistic career in France, the artists have acquired techniques passed on by European masters and have adopted manners of abstract expressionism and lyrical abstraction. The rhythmic nuances demonstrated in their bold sweeping strokes of colours are reminiscent of Chinese landscape paintings. While the message of the artwork may be elusive, viewers are left to bask in the immense beauty and strong emotional impact derived from the artwork’s depth, poetry and musicality.
    [Show full text]
  • Middle Eastern Art While Also Demonstrating The
    AR T TEFAF ART BASEL HONG KONG ARMORY WeeK NORMAN LEWIS + A UCTION THE INTERNATIONAL MAGAZINE FOR ART COLLECTORS MARCH 2015 MIDDLE EASteRN ART: INSIDER PICKS WORLDWIDE EXCLUSIVE FOCUS ON THE MIDDLE FOCUS KAZUO SHIRAGA’s GUTAI SCRAPBOOK Ea ST AT HOME WITH COLLECTOR CHRISTOPHER TSAI MULTIPLES MARKET BLOUIN MUSHROOMS A RTIN F O.CO ANDREW SENDOR M MA RCH 201 5 SHIFTING SAND23 MODERN AND CONTEMPORARY ARTISTS FROM THE MIDDLES EAST WHO TRANSCEND BORDERS WHILE TACKLING SUCH THEMES AS IDENTITY AND EXILE 78 BY TRENT MORSE he topics of wealth and conflict are running March 5 through June 5, participants come from all seemingly unavoidable in discussions of around the world, but curator Eungie Joo is privileging artists the Islamic world. When it comes to active in or with ties to the region. Further down the road, the region’s art scenes, headlines focus when the 56th Venice Biennale opens in May, the group shows on either the investment in world- in the pavilions of Iraq (curated by Philippe Van Cauteren, class museums and the establishment artistic director of s.m.a.k., the Museum of Contemporary Art of auction-house outposts in the in Ghent) and the United Arab Emirates (curated by Sheikha Gulf states, or the looting and the loss Hoor bint Sultan Al Qasimi, president and director of the of cultural heritage elsewhere in the Sharjah Art Foundation) will be augmented by “In the Eye greater Middle East and North of the Thunderstorm,” an official collateral exhibition of art of Africa (mena). What’s overlooked in the Middle East commissioned by Omar Donia, founder of this dyad is the artists from the Contemporary Practices art journal.
    [Show full text]
  • CATA-IRAN-HEARTBEAT-WEB.Pdf
    Hessam KHALATBARI & Yassi METGHALCHI ont le plaisir de vous convier au vernissage de Exposition du 26 novembre au 20 janvier 2016 JEUDI 26 NOVEMBRE 2015 À PARTIR DE 18H30 216 rue Saint Martin 75003 Paris, France T. +33 1 42 71 87 83 - [email protected] www.galerienicolasflamel.com Ghodratollah Agheli I Abdi Asbaghi I Reza Derakhshani I Kambiz Derambakhsh Golnaz Fathi I Parastou Forouhar I Behruz Heschmat I Bozorgmehr Hosseinpour Manouchehr Niazi I Mojtaba Ramzi I Hamed Rashtian I Kambiz Sabri Behjat Sadr I Mina Talaee I Parviz Tanavoli PREFACE TIMELESS EXCHANGES Exhibitions are one of the major means for artists to express themselves to As a lover of the arts, and a particular supporter of Iranian modern and the public. contemporary art and artists, I have never felt as excited at the developing prospects surrounding cultural interchange between Iran and the world today. Lifting of sanctions against Iran was one of the major reasons for choosing the title of our upcoming exhibition. I have always been a strong believer that where politics often fails, art and culture stand a stronger chance for winning the hearts and minds in Our gallery, in its principle role, acts as the bridge between talented Iranian differing societies, allowing for more open intellectual discourse and deeper artists and international art lovers. We have decided to seize the moment understanding, above and beyond any ideological, political or geographic offered by the international community to represent Iran as a major player confines. Today, politics aside, I am particularly enthused by the prospect in economic and political life.
    [Show full text]
  • THE LINE of MARCH Pouran Jinchi September 13 – October 21, 2017
    THE LINE OF MARCH Pouran Jinchi September 13 – October 21, 2017 The Third Line is proud to present The Line of March, a solo exhibition by New York-based artist Pouran Jinchi. With her new body of work, Pouran returns to a fundamental preoccupation—the parallels between art and language as modes of communication—while extending her artistic expression in new directions. Pouran Jinchi, J as Juliet, 2017, Enamel on MDF panels, 76 x 137 cm The artist quietly inventories the unspoken traces of endless wars, perpetual conflict, and pervasive militarism. For months, she has been pouring over documents on the visual apparatus of military power, noting the discreet ways these tonalities seep into culture. From Morse code and phonetic alphabets to military insignia and medals, from war paint to camouflage, Pouran takes stock of a pervasive military aesthetic. Her research extends to the ways military jargon permeates our common language, jotting notes in her notebooks—deployed, regimented, cypher, war of words, occupied. All of it becomes source material for her artworks. The title of the exhibition is borrowed from a painting by the 18th century French artist Jean-Antoine Watteau, who depicted the lives of common soldiers in times of war. Pouran studied photographs of the German city of Koblenz, where architectural fragments that remain from the destruction of WWII have been integrated into modern architecture. She unearthed a black and white photograph from 1920s Leningrad showing Soviet chess masters playing the game on a massive chessboard at the Palace Square using soldiers from the Red Army as the black pieces and sailors from the navy for the white pieces.
    [Show full text]