Middle Eastern Art While Also Demonstrating The
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gb agency 18 rue des 4 fils 75003 paris tel + 33 1 44 78 00 60 / email [email protected] / www.gbagency.fr — Parallel Forms January 11 - February 22, 2014 With works by Ji í Kovanda, Július Koller, Ana Jotta, Tamas St.Turba and Hassan Sharif. ř The idea of this exhibition started with a coincidence: the simultaneity of an exhibition of Hassan Sharif with a new project by Ji í Kovanda. Very soon, the parallel between the ř — performances realized by Hassan Sharif in the desert of Hatta and the actions of Ji í Kovanda in Prague became clear; this proximity between the two universes questioned howř art has simultaneously grown up at the fringes and at the center and so emphasized the way we look at and legitimate an artistic practice. If Hassan Sharif and Ji í Kovanda were aware of some influences, their geopolitical context has given to their work itsř peculiarity. We later discovered that the parallel has already been drawn by Paulina Kolczynska in a text entitled 'A Tale from the World of Parallel Thinking' highlighting the formal and conceptual interplays between the two artists. Be it in Prague or Dubai, they both turn their immediate environments into field experiments. The absence of audience in their performances (invisible gestures amongst the anonymous crowd by Ji í Kovanda and solitary walks in the desert by Hassan Sharif) does not have the same origin butř reveals a certain fragility. They both take the measure of their space, be it public or private, often urban, in order to redefine their world and position their work. -
Paths to the World, Paths Home (Print Version)
Universes in Universe / Nafas Art Magazine / Paths to the World, Paths Home Paths to the World, Paths Home Hassan Sharif: Semi-System Drawings and Performance Art, 1979-1985 By Paulina Kolczynska It began around 1981 when Hassan Sharif, a young fine arts student from Dubai, completed his foundation courses at the Warwick College and joined The Byam Shaw School of Art. From the beginning, Hassan expressed great interest in experimenting in art and showed heightened sensitivity and understanding of the avant-garde strategies and concepts that permutated the art community at that time. Once becoming acquainted with Kenneth Martin’s (1905-1984) Chance and Order theory, Sharif very quickly adopted it in his independent experimentations in drawings and Performance Art. The philosophical base for his art was, therefore, grounded in the British Constructivist movement, which focused strictly on inventing new means of generating forms. It is important to understand that Kenneth Martin, as the leading theorist of British Constructivism, devoted his life to defining the relationship between movement and construction as a means of generating a variety of sculptural structures. Martin’s most prominent student, Peter Lowe, also a sculptor, defined the scope of the research by focusing on the order of forms. These were also the times when Constructivism / Post-Constructivism was functioning rather as a component or an undercurrent of much larger and complex movement called Fluxus ("flow"). Fluxus, although having its origins in New York in the 1960’s, trickled down to Europe and Japan over the years and remained a vital framework for many artists for a period of at least two decades , in the 70’s and 80’s specifically. -
DUCTAC Dubai - UAE [email protected] 002 003 Mind Dubai Contemporary Contents
DUCTAC Dubai - UAE [email protected] www.ductac.org 002 003 MinD Dubai Contemporary Contents 010 Foreword Colette Mol / Joseph Fowler 014 Dubai Contemporary Mohammed Kazem 019 Visual Polyphony Cristiana de Marchi 035 Abdul Rahman Al Ma’aini 047 Corrina Celeste Mehiel 059 Cristiana de Marchi 071 Hassan Sharif 081 Jessica Mein 091 Joe Girandola 101 Layla Juma 117 Lujin Yoon 131 Mohammed Ahmed Ibrahim 143 Nelly Massera Foreword DUCTAC’s Gallery of Light collaborates with both local and international artists and curators to exhibit arts practice that is evolving and experimental. Now in its third year, the Gallery’s alternative art platform “MinD” (Made in Dubai) aims to function as a barometer, reflecting the state and mood of art in the UAE. The initiative serves to advance the cultural dialogue in the UAE, to provoke public interest, input and debate around new artistic developments, encouraging fresh thinking and new ways of viewing and appreciating contemporary art. “MinD” is part of our ongoing initiative to provide a platform for UAE-based artists, in order to build a dynamic and vital foundation for visual arts in the Emirates. On behalf of the team at DUCTAC we would like to express our sincere gratitude to Mohammed Kazem, a leading figure in the development of contemporary art in the UAE, for his vision, discernment and dedication in curating this exhibition. We would also like to offer special thanks to the co-editor of this catalogue Cristiana de Marchi, for her insightful observations and words, and to Corrina Mehiel and Lujin Yoon for their contributions to both the catalogue and to the exhibition as a whole. -
For Immediate Release
FOR IMMEDIATE RELEASE IRANIAN ARTIST GOLNAZ FATHI TURNS CALLIGRAPHIC WRITING INTO ABSTRACT PAINTING, COMBINING ELEMENTS OF EAST AND WEST Exhibition dates: April 11 – May 11, 2013 Opening cocktail reception: Thursday, April 11, 6 - 8 pm Untitled, 2011, acrylic, pen and varnish on canvas, 70.9 x 88.6 inches New York, March 21, 2013—For her debut solo exhibition in New York, Iranian artist Golnaz Fathi—who divides her time between Tehran and Paris—presents recent works on canvas that draw on her long practice of traditional Iranian calligraphy. Fathi works in fine pen, mostly on varnished raw, rectangular, polyptych canvases, in a limited palette of white, black, red and yellow. She layers the surface of the canvas with thousands of minute marks that echo the curvilinear forms of calligraphic letters and words. These intricate lines coalesce into minimalist compositions that can be read in multiple ways—as landscapes, electronic transmissions or atmospheric phenomena. She refrains from titling her works, which allows the viewer free reign to assign his or her own interpretation. (continued) The basis of Fathi’s practice is siah-mashq, a traditional exercise in which the calligrapher writes large, cursive letters across the page in a dense, semi-abstract formation. The letters aren’t meant to form words or convey meaning, but rather strengthen the skill of the scribe. Fathi reinterprets this technique, drawing inspiration from various Western and Eastern sources, including American Abstract Expressionism, as well as the work of Iranian and Middle Eastern modernists who pioneered the use of the written word as a pictorial element in the late 1950s and early 1960s. -
Second Lahore Biennale: Between the Sun and the Moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists
For Immediate Release 6 January 2020 Second Lahore Biennale: between the sun and the moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists Installed Across Cultural and Heritage Sites Throughout Lahore, Pakistan, from 26 January to 29 February 2020 Lahore, Pakistan—6 January 2020—The Lahore Biennale Foundation today revealed a list of over 70 participating artists for the second edition of the Lahore Biennale (LB02), running from 26 January through 29 February 2020. Curated by Hoor Al Qasimi, Director of the Sharjah Art Foundation in Sharjah, United Arab Emirates, LB02: between the sun and the moon brings a plethora of artistic projects to cultural and heritage sites throughout the city of Lahore including more than 20 new commissions by artists from across the region and around the world, including Alia Farid, Diana Al-Hadid, Hassan Hajjaj, Haroon Mirza, Hajra Waheed and Simone Fattal, among many others. Other participating artists include Anwar Saeed, Rasheed Araeen and the late Madiha Aijaz. With a focus on the Global South, where ongoing social disaffection is being aggravated by climate change, LB02 responds to the cultural and ecological history of Lahore and aims to awaken awareness of humanity’s daunting contemporary predicament. Works presented in LB02 will explore human entanglement with the environment while revisiting traditional understandings of the self and their cosmological underpinnings. Inspiration for this thematic focus is drawn from intellectual and cultural exchange between South and West Asia. “For centuries, inhabitants of these regions oriented themselves with reference to the sun, the moon, and the constellations. -
Freer|Sackler Gallery Is Open Every Day Between: 10 Am–5:30 Pm
Symbolic Cities The Work of Ahmed Mater AHMED MATER EXHIBITION IN U.S. CAPITOL EXPLORES URBAN TRANSFORMATION IN THE KINGDOM OF SAUDI ARABIA • Leading Middle Eastern Artist, Ahmed Mater, to Present First U.S. Solo Exhibition at The Sackler Gallery, Smithsonian Institute, Washington D.C. 13 March, 2016 Remounted Saudi artist, Ahmed Mater, will present his first U.S. solo exhibition at the Smithsonian Institute in Washington D.C. ‘Symbolic Cities’ is being presented in collaboration with Culturunners in partnership with Art Jameel, a Community Jameel initiative, and Saudi Arabian Society for Culture and Arts (SASCA), and will be on view at the Smithsonian’s Arthur M. Sackler Gallery March 19–Sept. 18, 2016. The exhibition will be accompanied by an immersive program of dialogues and discussions across Washington D.C. including: • March 16, 9:30am–12pm: a dedicated exhibition press tour (by invitation only) with artist, Ahmed Mater, chief curator at Freer|Sackler, Massumeh Farhad, & assistant curator of contemporary Asian art at Freer|Sackler, Carol Huh; • March 17, 6:30pm: exhibition preview and reception (by invitation only) with remarks by Carol Huh, assistant curator of contemporary Asian art; • 19-20 March: further artist/curator exhibition tours; • March 22, 12-1:30pm: panel discussion: New Voices, New Visions: The Impact of the Arts in Saudi Arabia at the Carnegie Endowment for International Peace. Hosted by the Middle East Institute in partnership with Art Jameel and featuring artist Ahmed Mater, in conversation with U.S. based journalist/expert on Saudi Arabia. Moderated by MEI Sr. Vice President Kate Seelye; • March 22, 6:30pm-8pm: artist’s talk Documenting Unofficial Histories: A Conversation with Saudi Artist Ahmed Mater at the Corcoran School of the Arts and Design at George Washington University; Organised by the Middle East Institute in partnership with Art Jameel and featuring Ahmed Mater and Sackler associate curator Carole Huh. -
Sharjah Retrospective Sheds New Light on Hassan Sharif Legacy
22 November 19, 2017 Culture Sharjah retrospective sheds new light on Hassan Sharif legacy N.P. Krishna Kumar been recreated in a gallery called “Hassan’s Atelier” exactly the way he had left it along with the last Sharjah pieces he was working on and the jumble of raw material that he used. landmark retrospective Sheikha Hoor took the “I Am the titled “Hassan Sharif: I Single Work Artist” title from Sha- Am the Single Work Art- rif’s writings referring to “his con- ist” at the Sharjah Art ceptual exploration of duration and Foundation (SAF) cel- repetition.” ebratesA the life and work of the late The works are organised into nar- Emirati artist, a pioneer who liber- rative chapters, each with its own ated a nascent art practice in the space. The chapters’ titles were also United Arab Emirates of the early inspired by Sharif’s own words, col- 1970s. lected from recorded conversations. Curated by SAF President Sheikha The show is arranged as a visual nar- Hoor al-Qasimi, the exhibition in- rative that unfolds Sharif’s journey, cludes approximately 300 works in six other chapters: “…so I created spanning the foundation’s spaces in a semi system,” “My little tiny box,” the Al Mareija Square area and Bait “I’m loyal to colour,” “Performance Al Serkal in the Arts Square. is good,” “I’m an object maker” and “The show has been in the mak- “Things in my room.” ing for a number of years with the Born in 1951, Sharif lived and Avant-garde vision. Late Emirati artist Hassan Sharif. -
PR Golnaz Fathi AB43 DE
PRESSETEXT, 28. Juli 2017 «Traces of Yesterday» – Solo-Ausstellung mit GOLNAZ FATHI AB43 CONTEMPORARY, Orangerie, Im Park 2, Thalwil/Zürich Öffentliche Vernissage: Samstag, 2. September 2017, 13.00 – 16.00 Uhr Ausstellungsdauer: 2. September – 7. Oktober 2017 Artist Talk: Samstag, 2. September 2017, 16.00 – 17.00 Uhr im Kulturraum Thalwil (Bahnhofstrasse 24, 8800 Thalwil) Das Gespräch führt Axel Langer, Kurator für die Kunst des Nahen Ostens am Museum Rietberg, Zürich (in englischer Sprache). AB43 CONTEMPORARY freut sich, neue Werke der iranischen Künstlerin GOLNAZ FATHI in einer Solo-Ausstellung zu zeigen. Fathi gilt als eine der erfolgreichsten Künstlerinnen, die Kalligrafie auf sehr moderne, zeitgenössische Art umsetzt – hat weltweite Ausstellungen und Sammler. Kunstwerk von Golnaz Fathi – Untitled, Acrylic on canvas, 2017, 170x142cm GOLNAZ FATHI (1972 in Teheran, Iran) ist eine international gefeierte Künstlerin, die es geschafft hat, die Kluft zwischen traditioneller und zeitgenössischer Kultur sowie zwischen östlichen und westlichen Lebensweisen zu überbrücken. Als ausgebildete Kalligraphin besitzt sie die Fähigkeit, Sprache geschickt in malerische Kompositionen zu verwandeln. Im Park 2 – 6 CH-8800 Thalwil/Zurich Switzerland Phone +41 41 982 08 80 [email protected] www.ab43contemporary.com Während sie Grafik Design an der Azad Universität, Tehran studierte, entdeckte sie die Kalligraphie. Ihr Können vertiefte sie daraufhin über sechs Jahre an der Kalligraphie-Vereinigung Irans. Fathi war die erste Frau, die eine Auszeichnung für Ketabat, einem speziellen Genre der Kalligraphie, gewann. Von den Regeln und Vorschriften dieser Disziplin der Kalligraphie ermattet, schuf sie in ihren Bildern eine neue Form des Ausdrucks: eine imaginäre Sprache, die tief in der persischen Tradition verwurzelt ist und gleichzeitig auf eine soziale Renaissance hindeutet. -
CURATED by AMIRALI GHASEMI Participating Artists Samira Abbassy
CURATED BY AMIRALI GHASEMI Participating Artists Samira Abbassy . Iman Afsarian . AKSbazi Shirin Aliabadi . Samira Alikhanzadeh Afruz Amighi . Mojtaba Amini Nazgol Ansarinia . Kamrooz Aram THE ELEPHANT IN THE DARK Reza Aramesh . Mehraneh Atashi January 25-May 30, 2012 Shoja Azari . Mahmoud Bakhshi Commissioned and Published by Gohar Dashti . Alireza Dayani . Ala Ebtekar Devi Art Foundation, New Delhi, 2012 Shirin Fakhim . Golnaz Fathi Parastou Forouhar . Shadi Ghadirian Assistant Curator Amirali Ghasemi . Bita Ghezelayagh Reha Sodhi Barbad Golshiri . Amirali Golriz Ramin Haerizadeh . Rokni Haerizadeh Catalogue Design Elham Doost Haghighi Neelima Rao, Reha Sodhi Khosrow Hassanzadeh . Ghazaleh Hedayat Peyman Hooshmandzadeh Light Design Shirazeh Houshiary . Katayoun Karami Lyle Lopez Shahram Karimi . Simin Keramati Abbas Kowsari . Farideh Lashai Printed at Amir Mobed . Masoumeh Mozaffari Archana Pendar Nabipour . Timo Nasseri www.archanapress.com Farah Ossouli . Leila Pazooki . Sara Rahbar Mohsen Rastani . Shirin Sabahi Printed on Hamed Sahihi . Zeinab Shahidi Marnani Rendezvous Natural White Behnoush Sharifi . Jinoos Taghizadeh Newsha Tavakolian . Sadegh Tirafkan ISBN and Ali Zanjani 978-81-921393-2-6 Contributors Daria Kirsanova, Amirali Ghasemi © 2012 Devi Art Foundation, Devi Art Foundation extends its thanks to the artists and authors following for assistance with photography: all artists, Aaran Art Gallery, Agastaya Thapa, No part of this publication may be Assar Art Gallery, Azad Art Gallery, Galerie reproduced, stored in a retrieval system or Sfeir-Semler, Gallery Isabelle Van Den Eynde, transmitted by any form or by any means, Green Cardamom, Isak Berbic, Leila Heller electronic, mechanical, photo copying, Gallery, Mah Art Gallery, Reha Sodhi, Rose recording or otherwise without the prior Issa Projects, Shovan Gandhi, Silk Road written permission of the publisher. -
Art Dubai Pays Tribute to the Late Hassan Sharif the Original Provocateur Revolutionised the UAE’S Art Scene
Art Dubai 2017 UNITED ARAB EMIRATES, ART DUBAI 2017 Art Dubai pays tribute to the late Hassan Sharif The original provocateur revolutionised the UAE’s art scene. by GARETH HARRIS When Hassan Sharif died in September last year, his Dubai- based gallery, Isabelle van den Eynde, paid tribute to the Emirati artist’s maverick spirit. “Sharif didn’t put stock in conventions of age, identity or the need for comfort. Only art and the restless making of art grasped his attention,” said a statement, highlighting the achievements of the Dubai-born polymath dubbed the godfather of conceptual art in the Gulf. At Art Dubai, a ra of special events and exhibitions explores why Sharif matters. e life Sharif’s career began in the late 1970s as a satirical caricaturist, drawing cartoons for the Akhbar Dubai newspaper, but his vision and practice were transformed aer studying at the Byam Shaw School of Art in London from 1979 to 1984. He returned to the UAE with the aim of building an audience for contemporary art in the Gulf. “Sharif was probably the greatest artist from the UAE and was active at a time when the fledgling [UAE] federation was seeking an identity. Sharif, to a large degree, helped de ne that identity,” says Sultan Sooud Al- Qassemi, the founder of the Barjeel Art Foundation, which includes several works by the artist. His bold, Fluxus-like performance pieces made waves, especially in the conservative UAE. “For his earliest experimental work of the 1980s, Sharif brought friends to the edges of Dubai and they were the audience for his performances – jumping in the desert, tying rope between rocks – using apparently simple gestures to pointedly question ideals of technical skill, mastery and accomplishment,” says a spokeswoman for Gallery Isabelle van den Eynde. -
Landmark Hassan Sharif Retrospective to Be Presented By
Landmark Hassan Sharif Retrospective to be Presented by Sharjah Art Foundation in November 2017 Featuring a Complete Installation of the Artist’s Studio and Never-Before-Seen Late Works, Comprehensive Survey Traces His Experimental Practice and Enduring Influence on Contemporary Art in the United Arab Emirates Sharjah, UAE – 28 September 2017 – This November, Sharjah Art Foundation presents a landmark retrospective of pioneering conceptual artist Hassan Sharif, marking the largest and most comprehensive survey of the artist’s work to date. Hassan Sharif: I Am The Single Work Artist traces nearly five decades of the artist’s multimedia practice, including painting, sculpture, assemblage, drawing, installation, and photography, as well as never-before-seen late works by the artist. The entirety of Sharif’s studio— recently donated to Sharjah Art Foundation by the artist’s estate—will also be on view for the first time, providing new perspective on the artist’s practice. Curated by Sharjah Art Foundation President and Director Hoor Al Qasimi, I Am The Single Work Artist is the culmination of the artist’s lifelong role as an advocate and pioneer for the development of contemporary art and thought in the United Arab Emirates and in Sharjah, where he first began staging interventions and exhibitions of contemporary art, and exhibited at the first Sharjah Biennial in 1993. On view from 4 November 2017 to 3 February 2018, the exhibition will span all of Sharjah Art Foundation’s spaces in the Al Mureijah Square area and Bait Al Serkal in Arts Square. Admission is free and open to the public. -
Catalogue Design Yusef Alahmad Yusefalahmad.Com
SAUDI CONTEMPORARY ART IN DEARBORN, MI الفــــــن السعـــودي المعاصـــــر في مدينـــة ديربــورن Organizer Museum partner Epicenter X Exhibition _ Dates Opening: Saturday, July 8, 2017 Community Program: Sunday, July 9, 2017 Exhibition: July 8–October 1, 2017 _ Curator Devon Akmon _ Museum partner Arab American National Museum 13624 Michigan Ave., Dearborn, MI 48126 arabamericanmuseum.org _ Organiser King Abdulaziz Center for World Culture Ring Rd, Gharb Al Dhahran, Dhahran 34461, Saudi Arabia kingabdulazizcenter.com _ Producer Culturunners Director: Stephen Stapleton culturunners.com _ Catalogue design Yusef Alahmad yusefalahmad.com Cover art Yusef Alahmad & Josh Higgins 10 72 76 Curatorial Statement Safia Ahmed Masameer _ _ _ مساميــــــــر صفيــة أحمـــد كلمــــة قيــــم المعـــرض 14 78 Saudi Artists’ Tour Salehah Yahya Alalmaiy Telfaz 11 _ _ _ تلفـــاز ١١ صالحــــه يحــــيى العلـــــمي جولة الفنانين السعوديين 16 82 King Abdulaziz Center for World Culture Amira Al–Almai Acknowledgements المحـتـــــوى CONTENTS _ _ _ شكـــــــــر و تقديـــــــــر أميــــرة العلمــــــي مركــــــز المــلك عبـدالعزيــز الثقافــي العالـــــمي 18 Arab American National Museum Nala Ali _ _ نـاال علــي المتحـــــــف العـــــــــربي االمريكـــــــــي Salha Mohammed Al–Qahtani _ صالحــــــة محمــــــد القحطانـــــــي 24 Qamar Abdulmalik Salehah Abdulzeaz Alraqde _ _ صالحــــــة عبدالعزيـــــز الرقــدي قمـــــــر عبدالمـــــالك 26 Yusef Alahmad & Josh Higgins Zaina Al–Shahrani _ _ زينـــــــة الشهرانـــــــي يوســف األحمــد و جــوش هيچيــــنز 28 Musaed Al Hulis