Addendum 1: Pinnacle College Administration and Faculty
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Concert Review: Symphony Help Breathe Life Into Video Games | Deseret News
11/23/2016 Concert review: Symphony help breathe life into video games | Deseret News Family Concert review: Symphony help breathe life into video games By Scott Iwasaki Published: March 29, 2008 12:00 a.m. "VIDEO GAMES LIVE!" Utah Symphony, Abravanel Hall, Friday, additional performance today, 355-2787 With strobe lights, a big video screen, mirror balls and an electric guitar, it was clear that "Video Games Live!" is not a typical symphony concert. And to have the Utah Symphony give two acts of video-game music life in a place other than the TV was nothing short of a rush. By the end of the show, the symphony did exactly what narrator and game composer and "Video Game Live!" co-founder Tommy Tallarico said it would do — "Show how culturally significant video games and video game music is in the world today." Conducted by video-game-music composer and "Video Game Live!" co-founder Jack Wall, the symphony, aided by the Snow College Choir, took the nearly sold-out audience on a journey from the early days of video gaming to the present. Kicking off the evening with the "blip-bleep" of "Pong" and ending with a rousing crescendo of "Final Fantasy VII," the concert brought old and young gamers together. With a symphonic suite, the concert highlighted pioneering games such as "Donkey Kong," "Dragon's Lair," "Tetris," "Frogger" and "Space Invaders," to name a few. In keeping with the "Space Invaders" theme, Tallarico chose a member from the audience to play a giant screen version of the game while the symphony performed the theme. -
Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural
Information Services & Systems Digital Course Packs Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural Expression. In: T.Rose, Black noise : rap music and black culture in contemporary America. Hanover, University Press of New England, 1994, pp. 99-145. 7AAYCC23 - Youth Subcultures Copyright notice This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Staff and students of King's College London are Licence are for use in connection with this Course of reminded that copyright subsists in this extract and the Study. You may retain such copies after the end of the work from which it was taken. This Digital Copy has course, but strictly for your own personal use. All copies been made under the terms of a CLA licence which (including electronic copies) shall include this Copyright allows you to: Notice and shall be destroyed and/or deleted if and when required by King's College London. access and download a copy print out a copy Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is Please note that this material is for use permitted without the consent of the copyright holder. ONLY by students registered on the course of study as stated in the section above. All The author (which term includes artists and other visual other staff and students are only entitled to creators) has moral rights in the work and neither staff browse the material and should not nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any download and/or print out a copy. -
Video Games Live
Sunday, November 17, 2019, 7pm Zellerbach Hall Video Games Live with the UC Berkeley Symphony Orchestra Tommy Tallarico, creator, executive producer, host, guitar Emmanuel Fratianni, conductor Jason Paige, soloist Chad Gorr, lighting director and production manager Derek Almstead, audio engineer Steve Miller, video operator Cal Performances’ 2019–20 season is sponsored by Wells Fargo. 15 PROGRAM NOTES Video Games Live™? is an immersive concert new friends as we celebrate a pastime that has event celebrating music from the most popular evolved to become an important part of our video games of all time. Created, produced, and culture. Even if you don’t play video games, we hosted by well-known game industry veteran promised that you’ve never heard or seen an and superstar Tommy Tallarico, it features orchestral per formance quite like this. orchestras from around the world performing to exclusive, synchronized video footage Achievements & Accomplishments and lighting, and with celebrity Internet solo Incorporated in 2002, Video Games Live is the performers, electronic percussion, live action, first and most successful video game touring and unique interactive segments, all creating concert in the world, having been performed an explosive, one-of-a-kind entertainment ex- over 500 times in 42 countries on five conti- per i ence. Special events surround the show, nents. Over 11,000 people were present for the including a pre-show costume contest and debut performance at the Hollywood Bowl with a post-show meet-and-greet with top game the Los Angeles Philharmonic and since then, composers. Pre- and post-show events are open over two million people have experienced the to all ticket holders. -
Label ARTIST Piece Tracks/Notes Format Quantity
Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes -
THE KILLING SEASON a Summer Inside an LAPD Homicide Division
NATIONAL BESTSELLER "Remarkable—great journalism, social commentary, and writing rolled into a fascinating, gripping, and at times heartwrenching story."—Michael Connelly, rwiTiTT^ Author of The Poet and TVunk Music KILLING SEASON \ A SUMMER Ilmdeanlafd homicide division MILE C O RW I N THE KILLING SEASON A Summer Inside an LAPD Homicide Division Miles Corwin FAWCETT CREST • NEW YORK Sale of this book without a front cover may be unauthorized. If this book is coverless, it may have been reportedto the publisheras "un sold or destroyed" and neither the author nor the publisher may have received payment for it. A Fawcett Crest Book Published by The Ballantine Publishing Group Copyright © 1997 by Miles Corwin All rights reservedunder International and Pan-American Copyright Conventions. Published in the United States by The Ballantine Pub lishingGroup,a division of Random House. Inc., NewYork, and dis tributed in Canada by Random House of Canada Limited,Toronto. The photographs on insert pages 2-7 and cover photograph by Gary Friedman/Las Angeles Times http://www.randomhouse.com Library of Congress Catalog Card Number: 97-97106 ISBN 0-449-00291-8 This edition published by arrangement with Simon & Schuster, Inc. Manufactured in the United States ofAmerica First Ballantine Books Edition: May 1998 10 9 8 7 6 5 In memoryofmyfather, Lloyd Corwin Introduction The genesisof this book was a summer night that I spent with a homicide detective in South-Central Los Angeles. I was the crime reporterfor the LosAngeles Times, and I followed the detective in order to write about the changing nature of homi cide in the city. -
Game Music Como Produto Cultural Autônomo: Como Ela Ultrapassa Os Limites Do Jogo E Se Insere Em Outras Mídias∗
Game music como produto cultural autônomo: como ela ultrapassa os limites do jogo e se insere em outras mídias∗ Camila Schäfery Índice cada vez mais visível também fora do uni- verso dos videogames. A partir desses estu- Introdução1 dos, da análise dos processos de autonomiza- 1 Game Music: Importância e Funções2 ção, concluiu-se que a game music, além de 2 Processos de Autonomização3 sua importância para os jogos, constitui-se Conclusão 12 num novo fenômeno midiático que a cada Bibliografia 13 dia cresce e contagia mais pessoas ao redor do mundo. Resumo Palavras-chave: game music, música, jo- gos eletrônicos. A música, nos jogos eletrônicos, além de servir como fundo, também é utilizada como forma de potencializar a experiência Introdução de imersão e interatividade do jogador. Con- siderando seu papel no game como de ex- UALQUER estudo na área de trema importância, este artigo procura ana- Q videogames é um desafio. Mesmo lisar como a música de videogames se tornou fazendo parte de nossas vidas há décadas, um produto cultural autônomo. Depois de essa mídia de entretenimento sempre foi realizada a pesquisa bibliográfica, foi ana- vista como brinquedo de criança e apenas lisado o movimento de autonomização da hoje ela ganha contornos mais sérios. A game music para identificar em quais mídias música, por outro lado, que é uma forma de esse tipo de música se insere atualmente e arte, sempre refletiu modismos e caracterís- como ela está se tornando uma manifestação ticas da sociedade de cada época. Agora, com a evolução tecnológica dos séculos XX ∗Artigo originalmente publicado na Revista Fron- e XXI, o impacto dela tem se expandido em teiras, v.13, n. -
The Music of Relationality in the Cinema of Claire Denis
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections. -
Adolescent Pedagogy As Seen Through the Theological Lens of Latino Spirituality
La Salle University La Salle University Digital Commons Th.D. Dissertations Scholarship 5-2020 Entregado a los Estudiantes: Adolescent Pedagogy As Seen Through the Theological Lens of Latino Spirituality Christian Arellano La Salle University, [email protected] Follow this and additional works at: https://digitalcommons.lasalle.edu/religion_thd Recommended Citation Arellano, Christian, "Entregado a los Estudiantes: Adolescent Pedagogy As Seen Through the Theological Lens of Latino Spirituality" (2020). Th.D. Dissertations. 12. https://digitalcommons.lasalle.edu/religion_thd/12 This Dissertation is brought to you for free and open access by the Scholarship at La Salle University Digital Commons. It has been accepted for inclusion in Th.D. Dissertations by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. La Salle University School of Arts and Sciences Graduate Program in Theology and Ministry Dissertation Entregado a los Estudiantes: Adolescent Pedagogy as seen through the Theological Lens of Latino Spirituality By Christian Arellano (B.A., La Salle University, 2003, Religion/ Secondary Education M.A, Saint Charles Borromeo Seminary, Theology) Submitted in partial fulfillment of the Requirements for the degree of Doctor of Theology 2020 WE, THE UNDERSIGNED MEMBERS OF THE COMMITTEE, HAVE APPROVED THIS THESIS Entregado a los Estudiantes: Adolescent Pedagogy as seen through the Theological Lens of Latino Spirituality By Christian Arellano COMMITTEE MEMBERS _____Bro. John Crawford, F.S.C. – signed electronically _________________________________________________________________________ Bro. John Crawford, F.S.C., Ph.D. (Mentor) La Salle University ____Fr.. Kenneth Hallahan, Ph.D. – signed electronically __________________________________________________________________________ Fr. Kenneth Hallahan, Ph.D. (1st Reader) La Salle University _______Fr. -
Catalogue R1 Marcia and Betsy Edits
WELCOME TO SPRING THING! We’re excited to celebrate Bronx Science and our children with you at the Parents’ Association’s 2017 Spring Auction & Dinner! Your support of the auction allows the PA to fund countless initiatives that enrich our children’s lives, and for that, we are truly grateful. The dollars we raise will help pay for much-needed items, including technology in our classrooms, materials for science labs, funding for our college office, software loved by parents and students alike, expenses for extra-curricular activities, uniforms for our sports teams, and much, much more! Our 2017 online auction raised a record-breaking $19,000 (50% higher than 2016), so let’s keep the momentum going and beat last year’s live event by 50% as well. Together, let’s do our “Spring Thing” and bid high and bid often! A big thank you to our Auction Chair Dawn Tolan Schmall and her team of dedicated parent volunteers who have given countless hours of their time to pull together our Spring Thing Auction. We are also incredibly appreciative of the efforts of our dedicated principal Dr. Jean Donahue, our fabulous parent coordinator Cindy Golan, and the entire Bronx Science faculty and staff for creating a stimulating learning environment and fostering parent partnerships which help all of our children excel. An extra special acknowledgement to Linda DeSabato and VALLO Transportation LTD., who generously underwrote a large part of this event and whose drivers safely transport many of our students to the best high school in the world! And last, but certainly not least, thanks to all of you for soliciting and donating items, bidding generously, and joining us on the Upper West Side in support of Bronx Science! Remember, your dollars go straight to the PA and directly benefit our children. -
'Stuys' up for Second Year
THE OLDEST CONTINUALLY PUBLISHED STUDENT THE NEWSPAPER TranscripT IN THE COUNTRY Thursday, Sept. 19, 2013 Volume 151, No. 2 Class of 2017 OWU ‘Stuys’ up for second year most diverse in university history By Brian Cook Transcript Reporter No matter what the class of 2017 ends up achieving, it has already made history at Ohio Wesleyan. According to Rebecca Eckstein, vice-president of Enroll- ment and Strategic Communication, this year’s incoming class is more diverse than any of its predecessors. “We are proud that this freshman class has the highest per- centage of ethnic domestic diversity in the history of the uni- versity and we have increased our international enrollment over last year,” Eckstein said. “However, to us, diversity ex- tends beyond race.” Eckstein said the freshman class ranks near the previous class academically, although one statistic for evaluating an incoming class was not provided due to its decreasing popu- larity among high schools. “Since the majority of high schools no longer rank its stu- dents, GPA is a better measurement,” Eckstein said. “This class average is a 3.4 while the previous class average was a 3.5, while the average ACT of 25 remained unchanged.” In the Sept. 16 faculty meeting, University President Rock Jones said the current freshman class’s academic profile is less competitive overall than that of the current sophomore class. In addition to a lower average GPA, the former has a lower average SAT score than the latter. In terms of enrollment, Eckstein said OWU has set itself up well for the future financially and educationally. -
"What Is an MC If He Can't Rap?"
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2019 "What Is An MC If He Can't Rap?" Dominique Jimmerson California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Ethnomusicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Jimmerson, Dominique, ""What Is An MC If He Can't Rap?"" (2019). Capstone Projects and Master's Theses. 569. https://digitalcommons.csumb.edu/caps_thes_all/569 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Dominique Jimmerson Capstone Sammons 5-18 -19 “What Is an MC if He Can’t Rap?” Hip hop is a genre that has seen much attention in mainstream media in recent years. It is becoming one of the most dominant genres in the world and influencing popular culture more and more as the years go on. One of the main things that makes hip hop unique from other genres is the emphasis on the lyricist. While many other genres will have a drummer, guitarist, bassist, or keyboardist, hip hop is different because most songs are not crafted in the traditional way of a band putting music together. Because of this, the genre tends to focus on the lyrics. -
Drug Narratives and Differences in Ideological Content Across Varying Economic Models of Television
DRUG NARRATIVES AND DIFFERENCES IN IDEOLOGICAL CONTENT ACROSS VARYING ECONOMIC MODELS OF TELEVISION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Katrina L. Flener May 2014 Examining Committee Members: Dr. Carolyn Kitch, Advisory Chair, Department of Journalism Dr. Jan Fernback, Department of Media Studies and Production Dr. Kathleen Auerhahn, Department of Criminal Justice Dr. Dustin Kidd, External Member, Temple, Department of Sociology ii © Copyright 2014 by Katrina Flener All Rights Reserved iii ABSTRACT This dissertation critically examines televised narratives that depict illicit drug use, the drug trade, and the war on drugs across three different economic models of television. The commercial television industry in the United States has historically relied on an audience commodity, airing programs that primarily serve as the “free lunch” to entice viewers to watch advertisements (Smythe, 1977/1997). However, premium subscription cable networks such as HBO produce programming in order to sell the programming itself, and hence rely on content as the commodity. The dissertation compares the ideological content of the illicit drug-related narratives found on three platforms of American television: broadcast television; premium subscription cable; and basic cable, with channels that rely on a hybrid audience/content commodity (with a dual revenue stream from advertisers and per-subscriber fees). Relying on critical cultural perspectives, narrative and critical discourse analysis, and a sample of roughly 400 hours of television programming, the research demonstrates how drug-related depictions and narratives on television most commonly support and occasionally challenge dominant ideological assumptions about drug use and the moral appropriateness of drug prohibition policies.