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June 4, 5 in 1991, Marchers Were Taunted, Personally Wants to Marry His Part Buffalo's Gay Pride Celebra Chased and Verbally Assaulted
Partnerships The Gay Alliance appreciates the continuing partnership of businesses within our community who support our mission and vision. Platinum: MorganStanley Smith Barney Gold: Met life Silver: Excenus+' lesbians in New York State." NIXON PEA BOOYt1r State representatives Like Buf The outdoor rally in Albany on May 9. Photo: Ove Overmyer. More photos on page 18. falo area Assembly member Sam Hoyt followed Bronson on stage, -f THE JW:HBLDR as well as Manhattan Sen. Tom ftOCHUUII.FORUM lltW tRC Marriage Equality and GENDA get equal billing Duane and Lieutenant Gover .-ew ..A..Ulli.LIItlletil nor Bob Duffy; former mayor of at Equality and Justice Day; marriage bill's Rochester. TOMPKINrS future in Senate is still unclear "Marriage equality is a basic issue of civ.il rights," Duffy told By Ove Overmyer Closet press time, it was unclear a cheering crowd. "Nobody in Bronze: Albany, N.Y. - On May 9, when or if Governor Cuomo chis scare should ever question nearly 1,200 LGBT advocates would introduce the bill in rhe or underestimate Governor Cuo and allies gathered in the Empire Republican-dominated Senate. mo's commitment to marriage equality. The vernorhas made Kodak State Plaza Convention Center He has scared char he will �? underneath the state house in not do so unless there are enough marriage equality one of his top le Albany for what Rochester area voces to pass the legislation. three zislacive issues chis/ear." 0ut�t.W. Assembly member Harry Bron On May 9, activists from Dutfy acknowledge the son called "a historic day." every corner of the state, from difficulties that a marriage bill Assembly member Danny Buffalo to Montauk Pc. -
Feminist Media Studies “She Is Not Acting, She
This article was downloaded by: [University of California, Berkeley] On: 06 January 2014, At: 10:16 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Feminist Media Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rfms20 “She Is Not Acting, She Is” Sabrina Strings & Long T. Bui Published online: 27 Aug 2013. To cite this article: Sabrina Strings & Long T. Bui , Feminist Media Studies (2013): “She Is Not Acting, She Is”, Feminist Media Studies, DOI: 10.1080/14680777.2013.829861 To link to this article: http://dx.doi.org/10.1080/14680777.2013.829861 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Are They Family?: Queer Parents and Queer Pasts In
ARE THEY FAMILY?: QUEER PARENTS AND QUEER PASTS IN CONTEMPORARY AMERICAN CULTURE BY MICHAEL SHETINA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Associate Professor Siobhan Somerville, Chair Professor Chantal Nadeau Associate Professor Julie Turnock Associate Professor Richard T. Rodríguez, University of California, Riverside ABSTRACT The early twenty-first century saw a marked increase in depictions of LGBTQ people and communities in American popular culture occurring alongside political activism that culminated in the repeal of the Pentagon's Don't Ask, Don't Tell policy (2010) and the Supreme Court's overturning of same-sex marriage bans in Obergefell v. Hodges (2015). Even as these events fueled a triumphant progressive narrative in which social and political representation moved LGBTQ people into a better future, a significant strain of LGBTQ-focused popular culture drew its attention to the past. My dissertation, Are They Family?: Queer Parents and Queer Pasts in Popular Culture, examines how American film, television, and literature between 2005 and 2016 construct relationships among LGBTQ people across recent history in generational and familial terms. These works queer the concept of the family by deploying parents and parental figures to examine the role of families in the transmission of queer knowledges, practices, and identities, countering notions of families as mere precursors to queer identity—“families of origin”—or as the agential creations of out LGBTQ people—“families of choice.” These works demonstrate how such dichotomous conceptions of family limit the people, experiences, and forms of affect that are legible within the category of LGBTQ history. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire Permalink https://escholarship.org/uc/item/0245q9h9 Author Schottmiller, Carl Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. -
Drag Queens in Cinema and Television
Vanja Ødegård Drag Queens in Cinema and Television: The Influence of Mainstream Media on a Subversive Artform Master’s thesis in Film Studies Department of Art and Media Studies, NTNU Trondheim, 2016 I wish to give a big thanks to my advisor Aud Sissel Hoel for all her encouragement and patience, as well as a positive attitude and great advice along the way. Also a thank you to Inger Malene Nausthaug, who has always been most helpful during this long process. Thank you to my family, especially my parents who encouraged me to finish what I had started. Thank you to my two friends, Atli Bjarnasson and Mads Wølner Voss for helping me fine tune everything and keeping my spirits high when I was feeling low. Vanja Ødegård, Oslo, Desember 2016 2 Index: Introduction……………………………………………………………………………..…… 5 CHAPTER 1: Drag and queer theory…………………………………………………….…9 The history of queer theory and LGBT history and activism……………………..10 Queer representation in Film and Television……………………………….……..12 Definition of camp and different views of the term……………………………….16 Definition of drag………………………………………………………………….…19 The heteronormativity of queer culture………………………………………..…..23 Using the subversive nature of drag to cover conservative values………….….…24 The financial gain of queer film and television and marketing strategies…….….28 The social position of drag queens in the gay male culture………………………..30 CHAPTER 2: Reality TV as genre…………………………………………………………34 Subgenres…………………………………………………………………...………..39 Reality television as social experiments………………………………..…………..40 Narrative -
UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. -
12-080312.Compressed.Pdf
• )C?""···I':·~'"·_.Jwu" II - em ([)- ~ .'''\t'' \.<£) Featuring the exclusive. LAurenzo family recipe margarita \.ouO.Nlos Corpus Christi - Your Vacation Destination - ~Fun Dayti';'e Activities "And don't forget great nightlife, too! Friday and Saturday 8PM to 1:30AM - , :t.I z A. Ao. By Blue Jean Granny G000 Morninq G"% and G,", as good as fresh or frozen, but yes, I do use it quite often. It's another hot, but beautiful summer We really like mushrooms also, so I usually double morning. The sun is shining, people bustling around the amount of mushrooms. Another little hint, I going to work, a few kids headed to summer school usually buy my mushrooms at The Dollar Tree and the birds in the trees over my driveway happily store where I get a 10 ounce jar for a buck. This decorating my car. Boy, the car wash place sure is certainly not a paid advertisement, but for all you gets a lot of visits from me and my car. Thankfully, budget watchers out there, the secret is out! I buy my hubby buys me a season ticket. fancy mustards, sauces and a few other items that I have been busy around here, trying out new bread you can really get a good deal on there. recipes. I love, love, love homemade breads. Of But let us get on with the recipe ... course, I can never wait for it to cool before I grab a hunk and slather some butter on it. It is not only soul satisfying but brings back such wonderful Sausage and Pasta memories of by-gone days. -
RELIGIOUS “REALNESS” a Consideration of Disparate Subjectivity Via “Rupauline Drag” and the House of Labeija
Syracuse University SURFACE Theses - ALL May 2019 CATEGORY IS: RELIGIOUS “REALNESS” A Consideration of Disparate Subjectivity via “RuPauline Drag” and the House of LaBeija Joss Rae Willsbrough Syracuse University Follow this and additional works at: https://surface.syr.edu/thesis Part of the Arts and Humanities Commons Recommended Citation Willsbrough, Joss Rae, "CATEGORY IS: RELIGIOUS “REALNESS” A Consideration of Disparate Subjectivity via “RuPauline Drag” and the House of LaBeija" (2019). Theses - ALL. 330. https://surface.syr.edu/thesis/330 This Thesis is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Theses - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT The project considers the disparity between two case studies of “drag:” 1) “RuPauline drag” (RuPaul’s Drag Race, RuPaul, and affiliated properties), and 2) the House of LaBeija as a microcosm of ballroom drag, an international phenomenon comprised predominantly by queer and trans people of color (QTPOC) competing in self-hosted “balls.” These “cases” are assessed as ideal texts, that is, ideal types (heuristic and reductive) which are interpreted as texts (via hermeneutical methodology) in hopes of comparing the cases for the subjectivities they foster and the orientations they promulgate. This work begins with a comparison of the “cases” via the settings in which they occur, contrasting their relationship to and deployment of race, gender, class, and sex(uality), while the latter half examines their practices and professed values, via performance, ritual, kinship, and fantasy, for the orientations they create and sustain. Taken together, the comparison of these “cases” aims to resist the flat, cisgender-heterosexual-normative reading of “drag” as a homogenous practice and insists that the demarcation of certain subjects as “religious” further marginalizes and invalidates people and communities for whom drag holds an ultimate importance. -
Rosen Choconference 2K15-2
Sam Rosen December 14, 2015 An Act of Violence: Transfemininity and the Media When I began my research on transgender representation in the media, I took to the shelves of the Sarah Lawrence College library. There I found that the section of the library focused on gender studies was squeezed between literature on lesbian/gay studies and fetishes/kinks, the latter then leading into the topic of sex work. Though I found this arrangement frustrating, in that it was somewhat dehumanizing, I was not at all surprised by it. It is my opinion that the placement of these subjects was no accident as it very accurately parallels the stream of thought the general uninformed public tends to have when thinking about trans people, especially trans women: when first introduced to the disruption of heteronormativity, one tends to exoticize queerness, lumping both gender non-conformity and sex into the same concept of perversion. From here, the American Capitalist will often ask the question, “how does this phenomenon apply to me and how can I capitalize on it?” thus linking these concepts to prostitution. We exist in a culture that emphasizes the individual, and for that reason, we are raised with a subconscious sense that the world revolves around the single self. The American Capitalist feels entitled to understand, be involved with, and benefit from everything around them, and because the transgender identity/image differs from the conventional, it becomes a spectacle instead of a privately lived experience. Within the last decade, the visibility of transgender people has increased exponentially. However, despite their recent prevalence in the media, the community itself is estimated to make up only 0.3% of the U.S. -
Drag Artist Interviews, 2019
Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview Participants Amie Vanité .......................................................................................................................................1 -
Problematizing Transgender Visibility in Talk Show Interviews Ace J
Teaching Media Quarterly Volume 3 | Issue 2 Article 2 2015 Problematizing Transgender Visibility in Talk Show Interviews Ace J. Eckstein University of Colorado-Boulder, [email protected] Follow this and additional works at: http://pubs.lib.umn.edu/tmq Recommended Citation Eckstein, Ace J.. "Problematizing Transgender Visibility in Talk Show Interviews." Teaching Media Quarterly 3, no. 2 (2015). http://pubs.lib.umn.edu/tmq/vol3/iss2/2 Teaching Media Quarterly is published by the University of Minnesota Libraries Publishing. Eckstein: Problematizing Transgender Visibility in Talk Show Interviews Teaching Media Quarterly Volume 3, Edition 2 (Spring 2015): Queer Media Problematizing Transgender Visibility in Talk Show Interviews Overview and Rationale Recent years have seen a dramatic increase in transgender visibility in mainstream media. In a review of transgender highlights in 2014, Rolling Stone identified several milestones in transgender media visibility including Amazon’s new show Transparent joining Netflix’s Orange is the New Black as internet-based television shows featuring transgender characters, Laverne Cox gracing the cover of Time magazine featuring the headline “The Transgender Tipping Point,” and Janet Mock’s “putting Piers Morgan in his place” during her interview on Piers Morgan Tonight. Without a doubt, this increase in mainstream visibility marks an important time for the transgender community. That being said, as the last example of Piers Morgan’s interview of Janet Mock suggests, this representation is not always positive, productive, and responsible. This lesson is designed to foster critical engagement with mainstream media transgender representation, specifically talk show interviews with transgender guests. Talk show interviews are particularly interesting media to engage with on these topics for several reasons. -
Gender Pop Culture Thesis Paper-1
The Ohio State University The Transgender Talk Show Phenomenon: How Our Society Has Failed Transgender Individuals in Public Conversations Clayton Boor WGSST 2230: Gender Pop Culture Professor Robert Cremins December 10th, 2020 In a broad sense, gender has been one of the main focuses of the twenty-first century. Women’s issues have been focused on in completely new ways, from the gender wage gap and workplace harassment to reproductive rights. However, only very recently has the public eye turned so fully toward discussions about transgender issues. As Time magazine so rightly put it, we have reached “The Transgender Tipping Point – America’s next civil rights frontier” (Time cover, June 9th, 2014). Even in recent years, certain battles have been fought and won for the community. In 2019, the World Health Organization, or WHO, ended the classification of being transgender as a mental illness. In 2020, the Supreme Court clarified their interpretation of the wording in Titles VII and IX, allowing certain legal protections for trans individuals in employment, education, health care, housing, and more. While transgender issues aren’t new, they’ve never had quite this much visibility or traction. Being that the issues are new to the mainstream, we’re recognizing a certain clumsiness around the discussions taking place in our media. This clumsiness alludes to the unequal power dynamic between cisgender and transgender individuals, and the fact that we’re able to see and call out this faux pas is a great testament to how our views are changing and evolving. The platform where we see this most recognizably is that of talk show interviews between cisgender interviewers and transgender interviewees.