Rts Symphony Orchestra Conducted by Bojan Suđjić
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Kompositio-1-2010
1 / 2010 KOMPOSITIO Suomen Säveltäjät ry:n jäsenlehti Huhtikuu 2010 pääkiRjoiTuS KOMPOSITIO 1 / 2010 Suomen Säveltäjät ry:n jäsenlehti Julkaisija UUden pUHeenjoHtajan terveHdys Suomen Säveltäjät ry Runeberginkatu 15 A 11 00100 Helsinki loittaessani nyt toiminnan yhdistyksen puolesta eri roolissa kuin www.composers.fi ennen haluan ensiksi kiittää kaikkia jäseniä ennätyksellisestä vuosiko- Puh. 09 - 44 55 89 akousaktiivisuudesta. Halusin ymmärtää kokouksessa käytetyt puheen- Fax 09 - 44 01 81 vuorot mieluummin jonkun puolesta kuin jotakuta vastaan. Poliittisista vaa- leista poiketen kukaan meillä ei jää oppositioon, vaan hallituksessa kuuluu Päätoimittaja edelleen kaikkien ääni. Rakentavat keskustelut ennen ja jälkeen vaalien osoit- Annu Mikkonen tavat, että suurimmalla osalla jäsenkuntaa on yhteinen visio, jota voimme [email protected] ryhtyä Riikan ja uuden johtokunnan kanssa yhdessä toteuttamaan. Yhdistyk- Puh. 09 - 44 55 89 sen tulevaisuuden suunnittelussa tulee varmasti riittämään kaikille mukana- oleville niin paljon työtä, että vastuunkantajista kukaan ei varmasti ehdi tur- Suomen Säveltäjät ry:n hautumaan. Myös yhdistyksen jäseniä kuullaan siinä vaiheessa, kun uuden johtokunta strategian keskeiset kysymykset ja ongelmanasettelu on saatu valmiiksi. Tapio Tuomela ( puheenjohtaja) Entiselle puheenjohtajalle, Mikko Heiniölle, kuuluu suuri kiitos siitä, että Riikka Talvitie ( varapuheenjohtaja) yhdistys on säilynyt näin elinvoimaisena ja yhtenäisenä jäsenmäärän kasvus- Kimmo Hakola ta huolimatta. Veli-Matti Puumala Harri Suilamo -
Let Me Be Your Guide: 21St Century Choir Music in Flanders
Let me be your guide: 21st century choir music in Flanders Flanders has a rich tradition of choir music. But what about the 21st century? Meet the composers in this who's who. Alain De Ley Alain De Ley (° 1961) gained his first musical experience as a singer of the Antwerp Cathedral Choir, while he was still behind the school desks in the Sint-Jan Berchmans College in Antwerp. He got a taste for it and a few years later studied flute with Remy De Roeck and piano with Patrick De Hooghe, Freddy Van der Koelen, Hedwig Vanvaerenbergh and Urbain Boodts). In 1979 he continued his studies at the Royal Music Conservatory in Antwerp. Only later did he take private composition lessons with Alain Craens. Alain De Ley prefers to write music for choir and smaller ensembles. As the artistic director of the Flemish Radio Choir, he is familiar with the possibilities and limitations of a singing voice. Since 2003 Alain De Ley is composer in residence for Ensemble Polyfoon that premiered a great number of his compositions and recorded a CD dedicated to his music, conducted by Lieven Deroo He also received various commissions from choirs like Musa Horti and Amarylca, Kalliope and from the Flanders Festival. Alain De Ley’s music is mostly melodic, narrative, descriptive and reflective. Occasionally Alain De Ley combines the classical writing style with pop music. This is how the song Liquid Waltz was created in 2003 for choir, solo voice and pop group, sung by K’s Choice lead singer Sarah Bettens. He also regularly writes music for projects in which various art forms form a whole. -
Pan-March-2020.Pdf
PANJOURNAL OF THE BRITISH FLUTE SOCIETY MARCH 2020 “This is my Flute. There are many like it, but this one is mine” Juliette Hurel Maesta 18K - Forte Headjoint pearlflutes.eu Principal Flautist of the Rotterdam Philharmonic Orchestra contents The British Flute Society news & events 24 President 2 BFS NEWS William Bennett OBE 4 NOTES FROM THE CHAIR 6 NEWS Vice President 11 FLUTE CHOIR NEWS Wissam Boustany 13 TRADE NEWS 14 EVENTS LISTINGS Honorary Patrons 16 INTERNATIONAL EVENTS Sir James Galway 23 FLUTE CHOIR FOCUS: and Lady Jeanne Galway WOKING FLUTE CHOIR 32 Conductorless democracy in action. Vice Presidents Emeritus Atarah Ben-Tovim MBE features Sheena Gordon 24 ALEXANDER MURRAY: I’VE GONE ON LEARNING THE FLUTE ALL MY LIFE Secretary Cressida Godfrey examines an astonishing Rachel Shirley career seven decades long and counting. [email protected] 32 CASE FOR MOVEMENT EDUCATION Musicians move for a living. Kelly Mollnow 39 Membership Secretary Wilson shows them how to do it freely and [email protected] efficiently through Body Mapping. 39 WILLIAM BENNETT’S The British Flute Society is a HAPPY FLUTE FESTIVAL Charitable Incorporated Organisation Edward Blakeman describes some of the registered charity number 1178279 enticing treats on offer this summer in Wibb’s feel-good festival. Pan 40 GRADED EXAMS AND BEYOND: The Journal of the EXPLORING THE OPTIONS AVAILABLE 40 British Flute Society The range of exams can be daunting for Volume 39 Number 1 student and teacher alike. David Barton March 2020 gives a comprehensive review. 42 STEPHEN WESSEL: Editor A NATIONAL TREASURE Carla Rees Judith Hall gives a personal appreciation of [email protected] the flutemaker in the year of his retirement. -
Participating Artists
The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Festival Slovenskega Filma
festivalfestival slovenskegaslovenskega filmafilma FESTIVAL DEL CINEMA SLOVENO / FESTIVAL OF SLOVENIAN FILM 1 besedila texts producenti in/ali režiserji predstavljenih filmov / producers and/or directors of the presented films, Jelka Stergel, Miha Knific uredniški odbor editorial board Tjaša Smrekar, Jelka Stergel urednica editor Alenka Ropret oblikovanje design Blaž Krump, Pregib prevod translation Maja Ropret tisk print Collegium Graphicum naklada print run 700 september 2018 produkcija production Slovenski filmski center, javna agencija / Slovenian film center, public agency Nataša Bučar, direktorica / Managing Director Miklošičeva 38, Ljubljana fsf.si 3 festival slovenskega filma 10.–15. 9. 2018 PORTOROŽ PORTOROSE LJUBLJANA 4 5 URADNI TEKMOVALNI PROGRAM OFFICIAL COMPETITION PROGRAMME 32 Celovečerni filmi Feature Films 64 Manjšinske koprodukcije Minority Co-productions 70 Srednjemetražni filmi Medium-Length Films 76 Kratki filmi Short Films 93 Študijski filmi Student Films PREGLEDNI PROGRAM PANORAMA PROGRAMME 106 Celovečerni filmi Feature Films 114 Manjšinske koprodukcije Minority Co-productions 120 Srednjemetražni filmi Medium-Length Films 128 Kratki filmi Short Films 141 Študijski filmi Student Films 166 Strokovni program Industry Events 9 Uvodnik SPREMLJEVALNI PROGRAM 172 Indeks filmov Foreword SPECIAL PRESENTATIONS Film Index 152 Podmladek 14 Nagrada Metoda Badjure za življenjsko delo Youth Wing 174 Indeks producentov Metod Badjura Lifetime Achievement Award 158 Otroški animirani film Producer Index Children’s Animations 23 Festivalske -
An Overview of Slovenian-Croatian Relations
(business culture environment politics sports) January 09 ISSN 1854-0805 01 An overview of Slovenian-Croatian relations Energy crisis: Reliability of energy supply in Slovenia Slovenian woman of 2008: We are able to love even when we are three hundred years old Veronika Stabej con In Focus 6-9 Slovenian-Croatian relations Slovenia must persist in its demands on Croatia 14-17 Interview Dear readers, Neža Maurer this is the first edition of Sinfo in 2009 and the first with the new image. The Slovenian woman of 2008 issue we place before you has not only received a graphic makeover, but more importantly a change in editorial policy. We really want to bring you more information primarily from every field of Slovenian knowledge and expertise, and show you interesting people, places and events. Sports 38-39 As we say on the cover, we’ll be bringing you business news from Slovenia, in Primož Kozmus and this issue presenting two successful and excellent companies, each from a slightly Sara Isakovič different angle. The Slovenian sportsman and sportswoman We will focus even more on culture in the broadest sense of the word; the next of 2008 thematic issue will be entirely dedicated to this topic. This issue has news from the arts, presenting a successful young musician, and with special stress on the culinary arts, with some specialties from one part of Slovenia. 8-31 Porcelain Catbryur The Catbriyur trademark is an extraordinary idea put into practice. People We talked to the Slovenian Woman of 2008, who is convinced that we can love 40-43 even if we are thee hundred years old. -
Slovenski Gledališki Letopis ( SLOVENE THEATRE ANNUAL
K JOLBKQBL)BKOÄLPWB LJLPNFOUBSKFVWBKB pa NikaŠvabinJuvanovaMaia, PUFNQPSPÀBKPH,MFNFOJOHPTQB#FSDF LBKVTQFMPKFOBPESJIJOLBKQBÀOF v teatrihinnavseslovenskisceni; QBLBKWTFÄUFWLJIWTFQPNFOJ LBNLEPÄFMOBHPTUPWBOKF kdo jekjedobilpriznanje, PWFMJLJI UVEJNBMJI pa ševseofestivalih, še predenjenaodrušlozares; BMJCJMÇFQSFKQPTWPKFWNFT pel, plesalalilestatiral, ,EPWTFWUFBUSVKFJHSBM SFÇJSBM do v se SLOEV NSGKI EL DEALIŠKI L TOPIS 18_19 SLOEV NHE T EART NE A NUAL oSl venski gledališki letopis ( 20 SLOEV NHE T EART NE A NUAL ) 18_ 20 19 Slovenski gledališki letopis 2 SLOVENE THEATRE ANNUAL ( 0 ) 18_2 0 19 Sestavil in uredil ŠTEFAN VEVAR Spremna beseda: Melita Forstnerič Hajnšek (dramsko in postdramsko gledališče) Nataša Berce (balet in ples) Maia Juvanc (operno gledališče) Nika Švab (lutkovno gledališče) Klemen Markovčič (radijska igra) Sodelavci za posamezna gledališča: Tatjana Ažman (SNG Opera in balet Ljubljana), Barbara Briščik (SSG Trst), Darja Čižek (Opera in balet SNG Maribor), Lidija Franjić (Lutkovno gledališče Ljubljana), Oriana Girotto (Mini teater), Alen Jelen (ŠKUC gledališče), Robert Kavčič (Prešernovo gledališče Kranj), Srečko Kermavner (Šentjakobsko gledališče), Alenka Klabus Vesel (Mestno gledališče ljubljansko), Mojca Kranjc (SNG Drama Ljubljana), Tina Kren Mihajlović (Lutkovno gledališče Maribor), Tina Malič (Slovensko mladinsko gledališče), Staša Mihelčič (Cankarjev dom), Martina Mrhar (SNG Nova Gorica), Anja Pirnat (Gledališče Glej), Sandra Požun (Drama SNG Maribor), Mitja Sočič (Anton Podbevšek teater), Katja Somrak (Plesni teater Ljubljana), -
English Prgram
Biennale Team Director of the Arts Center Maestro Sherif Mohie Eldin Deputy Director of the Arts Center Dr. Azza Madian Curator of Biennale Sherif El Razzaz Compiling & Editiing Biennale's Booklet Dr. Nahla Mattar Executive Assistant Iman Hosny Reem Kassem Budget Officer Rasha Eid Graphic Designer Asmaa Haggag Head of Technical Unit Eng. Mohamed Taha Specialist Mostafa Saad Stage Manager Mayada Saeed Technicians Ahmed Aly Ahmed Ezzat Atef Sabry Essam Fathy Hamada Elkomi Mohamed Farrag Remon Kadry Aly Mahmoud Saeed Mohamed Documentary Film-maker Ahmed Nabil PR Officer Yasmin Aly Special thanks to: Mr. Yahia Mansour- Head of Finance and Administration Sector The mission of the Alexandrina Contemporary Music Biennale is consistent with the mission of the Bibliotheca to be “the window of the world on Egypt, and the window of Egypt on the world.” This Biennale is another addition to the Arts Center unique international activities. Without doubt, the founding of the Alexandrina Contemporary Music Ensemble is a real contribution to the musical life in Egypt, as well as an attempt to connect the present with the future and at the same time connect to the past. We hope it would prove successful and become a permanent event in our calendar. Dr. Ismail Serageldin Director Bibliothca Alexandrina It has always been a source of pleasure to be part of the support process devoted to the contemporary arts in our Arts Center. In the field of Theater, we did establish “The Creative Forum for Independent Theater Groups”, to make sure that a fair chance is given to the experimental and contemporary theatrical groups. -
UNIVERZA V MARIBORU PEDAGOŠKA FAKULTETA Oddelek Za Predšolsko Vzgojo
UNIVERZA V MARIBORU PEDAGOŠKA FAKULTETA Oddelek za predšolsko vzgojo DIPLOMSKO DELO Nataša Medved Ljubljana, 2010 UNIVERZA V MARIBORU PEDAGOŠKA FAKULTETA Oddelek za predšolsko vzgojo Diplomsko delo GLASBENE VSEBINE V SERIJSKIH PUBLIKACIJAH CICIBAN IN CICIDO TER NJIHOVA UPORABA V PRAKSI Mentorica: Kandidatka: izr. prof. dr. Olga Denac Nataša Medved Ljubljana, 2010 Lektorica: Damjana Kern, prof. slovenščine Prevajalka: Ana Pavec, dipl. prevajalka nem. in ang. ZAHVALA Zahvaljujem se izr. prof. dr. Olgi Denac za kakovostno vodenje in svetovanje pri pisanju diplomske naloge. Prav tako se zahvaljujem vsem, ki ste na kakršen koli način pripomogli k uspešni izdelavi mojega diplomskega dela. IZJAVA Podpisani-a Nataša Medved, roj. 24. 1. 1979 v Ljubljani, študentka Pedagoške fakultete Univerze v Mariboru, smer predšolska vzgoja, izjavljam, da je diplomsko delo z naslovom Glasbene vsebine v serijski publikaciji in njihova uporaba v praksi pri mentorci prof. Olgi Denac avtorsko delo. V diplomskem delu so uporabljeni viri in literatura korektno navedeni; teksti niso prepisani brez navedbe avtorjev. _________________________ (podpis študentke) Maribor, 7. junij 2010 POVZETEK: Najprej so bili samo zvoki, ki jih je človek izvajal z udarjanjem na trde, zveneče predmete in jih spremljal s svojim glasom. Prvotni glasbeni izraz je bilo bolj kakor petje vpitje in oponašanje zvokov iz narave. Pri tem je človeka najbolj prevzel ritem. Z njim je povezal tudi gibanje telesa. Tako so se rodili ples, petje in igranje na zveneče predmete (les, kamen, kost). Nastanek piščali je prinesel nov glasbeni izraz – melodijo, ki pa predstavlja višji glasbeni razvoj. Sprva se je glasba ustno prenašala iz roda v rod. Ko pa so se pojavili posebni znaki za pisanje not, se je tudi glasba začela spreminjati. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Knjizica 2021
Bosna i Hercegovina / Bosnia and Herzegovina Republika Srpska / Republic of Srpska Istočno Sarajevo / East Sarajevo AKORDEON ART plus 2021 11th INTERNATIONAL ACCORDION FESTIVAL (Online) 2nd INTERNATIONAL PIANO COMPETITION (Online) AKORDEON ART plus 2021 Sadržaj/Contents ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD ............................................................................................................ 3 PROGRAM FESTIVALA / FESTIVAL PROGRAM ................................ 4 ČLANOVI ŽIRIJA / JURY MEMBERS .................................................... 6 PARTNERI FESTIVALA / FESTIVAL PARTNERS ............................ 59 PROPOZICIJE ............................................................................................. 64 NAGRADNI FOND/PRIZE FUND ........................................................... 74 TAKMIČENJE HARMONIKA / ACCORDION COMPETITION ...... 75 TAKMIČENJE KLAVIR/PIANO COMPETITION ................................ 98 ŽIRI HARMONIKA, KLAVIR/ JURY ACCORDION, PIANO ........... 115 2 AKORDEON ART plus 2021 ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD 1. Prof. mr Maja Žuža - dekan MA UIS*/Dean, AM UES** 2. Prof. mr Sandra Ivanović - prorektor UIS / Vice Rector UES 3. prof. mr Biljana Štaka - prodekan MA UIS / Vice dean AM, UES 4. Prof. mr Dušan Erak - prodekan MA UIS / Vice dean AM, UES 5. Prof. mr Danijela Gazdić - rukovodilac Katedre za harmoniku/ Head of the Accordion Department 6. Prof. mr Dražan Kosorić 7. Prof. mr Vladimir Blagojević 8. Prof. dr Miradet Zulić 9.