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KONZERTHAUSORCHESTER BERLIN (Antigua Orquesta Sinfónica De Berlín) LOTHAR ZAGROSEK DIRECTOR SEVERIN VON ECKARDSTEIN PIANO

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KONZERTHAUSORCHESTER BERLIN (Antigua Orquesta Sinfónica De Berlín) LOTHAR ZAGROSEK DIRECTOR SEVERIN VON ECKARDSTEIN PIANO AUDITORIO PALACIO DE CONGRESOS ZARAGOZA XIVTEMPORADADE SALA MOZART •••••••••••••••••••••••••••••••••••••••••••••• GRANDESCONCIERTOSDE FEBRERO/MAYO 2008 lunes 11 de febrero • 20,15 horas KONZERTHAUSORCHESTER BERLIN (antigua Orquesta Sinfónica de Berlín) LOTHAR ZAGROSEK DIRECTOR SEVERIN VON ECKARDSTEIN PIANO KONZERTHAUSORCHESTER BERLIN En agosto de 2006, la Orquesta Sinfónica de Berlín cambió su nombre por el de Konzerthausorchester Berlin. El nuevo nombre refleja el estre- cho vínculo de la Orquesta con su sede: con más de cien conciertos cada temporada, la Orquesta deja su propia marca en la programación de la Konzerthaus. En tándem con su nuevo Director Titular, Lothar Zagrosek, la Konzerthausorchester Berlin continúa enriqueciendo la vida musical de la capital alemana con cautivadores programas y nuevos formatos de concierto. Fundada en 1952, la Konzerthausorchester Berlin (KOB) destacó signifi- cativamente bajo la dirección de su Director Titular Kurt Sanderling (entre 1960 y 1977), ganando un gran reconocimiento internacional. Numerosas estrellas de la escena musical como David Oistrach y Emil Giles han actuado regularmente con la Orquesta, pasado por diferentes ubicaciones. No obstante, el maestro Sanderling consiguió crear un fuer- te grupo de seguidores para sus conciertos de abono. En 1977, Günter Herbig fue nombrado Director Titular, seguido por Claus Peter Flor, que asumió este cargo en 1984. En este mismo año se reabrió el famoso Schauspielhaus de Karl Friedrich Schinkel, como sala de conciertos. La KOB tuvo así su primera sede permanente en la plaza más bonita de la ciudad, la Gendarmenmarkt. Flor llevó a la Orquesta a numerosas giras por todo el mundo. En 1988 realizaron una gira por el Reino Unido, EE. UU. y Japón durante siete semanas, y consolidó así la ya excelente reputación de la Orquesta también internacionalmente. Durante el período de Michael Schönwandt (1992/1998), la Orquesta se unió oficialmente a la Konzerthaus, convirtiéndola así en su sede. Des- de 2001, año del 50º aniversario de la Orquesta, Eliahu Inbal dirigió la KOB en su nueva etapa. En 2001 tuvo un gran éxito en su gira por Japón, tocando 15 conciertos en 13 ciudades. En 2004, Inbal y la Orquesta realizaron una gira de dos semanas en España, en 2005 en Chi- na, Japón y Corea del Sur y en 2006 la Orquesta volvió con Inbal a España. Con casi 16.000 suscriptores, la Konzerthausorchester Berlin está entre las orquestas con mayor número de abonados regulares de Alemania. En agosto de 2006, un nuevo nombre empezó a escribir otro capítulo en la historia de la Orquesta: Lothar Zagrosek, quien se ha propuesto ampliar de forma continuada el repertorio y el nivel estilístico de la Konzer- thausorchester con el fin de interpretar música desde Monteverdi hasta Lachenmann. LOTHAR ZAGROSEK DIRECTOR Empezó su carrera musical como miembro del Coro de la Catedral de Regensburg. De 1962 a 1967 estudió con Hans Swarovsky, Istvàn Ker- tész, Bruno Maderna y Herbert von Karajan. En 1982 fue nombrado Director Titular de la Orquesta Sinfónica de la Radio Austríaca de Viena, a continuación estuvo tres años de Director Musical de la Ópera de París (1986/1989), en cuyo período también fue Director Invitado de la Orquesta Sinfónica de la BBC. Entre 1990 y 1992, Lothar Zagrosek fue Director Musical General de la Ópera de Leipzig. Des- de 1995 estuvo vinculado a la Joven Deutsche Philharmonie como Primer Director Invitado y Asesor Artístico, y desde 1997 fue Director Musical de la Ópera de Stuttgart. Desde la pasada temporada es el nuevo Director Titular de la Orquesta Sinfónica de Berlín. Además de su labor como director de ópera, lo que le ha llevado a diri- gir, entre otras, las Óperas de Viena y Hamburgo, Deutsche Oper Berlin, Théâtre de la Monnaie de Bruselas, London Royal Opera House Covent Garden y en el Festival de Glyndebourne, Lothar Zagrosek ha colabora- do con muchas de las más importantes orquestas internacionales, como la Gewandhaus Orchestra Leipzig, la Orquesta Filarmónica de Berlín, Filarmónica de Múnich, las más importantes orquestas de radio alema- nas, Sinfónica de Viena, Filarmónica de Londres, Orquesta dell’Accade- mia di Santa Cecilia, Orquesta Nacional de Francia, Sinfónica de Mon- treal y la Orquesta Sinfónica NHK de Tokio. Asimismo, ha actuado en prestigiosos festivales como el Wiener Festwochen, Berliner Festwo- chen, Proms de Londres y el Festival de Ópera de Múnich. También es invitado habitual de los Festivales de Música Contemporánea de Donaueschingen, Berlín, Bruselas y París, y ha sido invitado repetida- mente al Festival de Salzburgo, por última vez en agosto de 2005. Como Director Musical de la Ópera de Stuttgart obtuvo cuatro veces el galardón de «Compañía de Ópera del Año», y él mismo fue nombrado en dos ocasiones «Director del Año». En 2005, la producción de Busoni «Doctor Fausto», dirigida por él, fue galardonada con el premio «Produc- ción del Año». Entre los numerosos CDs de Lothar Zagrosek hay que destacar como los más importantes «La Muerte de Dantons» de Gottfried von Einem, «San Francisco de Asís» de Olivier Messiaen (con Dietrich Fischer-Dieskau) y la grabación de la obra completa para coro y orquesta de Hindemith. Realizó una serie de grabaciones para la colección «Entartete Musik» con Decca, entre ellas «Jonny spielt auf» de Ernst Krenek, «El Emperador de Atlantis» de Victor Ullmann, la «Sinfonía alemana» de Hanns Eislers (todas ellas con la Gewandhausorchester de Leipzig), «Der Gewaltige Hahnrei» de Berthold Goldschmidt, «Die Vögel» de Walter Braunfels, así como el último lanzamiento, «Verlobung im Traume» de Hans Krasa. Algunos de estos discos han recibido importantes premios internacionales, incluido el Premio Edison, el Premio Reina Elisabeth y el Premio del Disco ale- mán. Algunos de ellos fueron nominados para un Grammy. © Pluim SEVERIN VON ECKARDSTEIN PIANO Severin von Eckardstein nació en 1978 en Düsseldorf (Alemania). Tomó sus primeras lecciones de piano cuando tenía 6 años. A los 12 fue acep- tado en la clase de jóvenes talentos de Barbara Szczepanska en la Escue- la de Música Robert Schumann de Düsseldorf. Durante sus años escola- res continuó sus estudios de Piano en Hannover y Salzburgo con Karl-Heinz Kammerling. Después de su graduación en la Escuela Supe- rior asistió a la Universidad de las Artes de Berlín con el profesor Klaus Hellwig, y tras obtener su diploma continuó sus estudios en la Acade- mia Internacional de Piano Lago Como (Italia). Von Eckardstein ha ganado numerosos concursos, tanto nacionales como internacionales. Entre ellos destacan el Concurso Steinway en Hamburgo (Primer Premio en 1990), el Encuentro Internacional de Jóve- nes Pianistas en Italia (Primer Premio en 1991), el Concurso Arthur Schnabel en Berlín (Primer Premio en 1998), Concurso Feruccio-Busoni en Bozen (1998) y el Concurso ARD de Múnich (Segundo Premio en 1998). En el año 2000 recibió el Tercer Premio y el Premio Especial a la «Mejor Interpretación de Música Contemporánea» en el Concurso Inter- nacional de Piano de Leeds, en el que tuvo el privilegio y la oportuni- dad de tocar con la Orquesta Sinfónica de la Ciudad de Birmingham, dirigida por Sir Simon Rattle. La mayoría de críticos musicales que estu- vieron presentes escogieron unánimemente a Severin von Eckardstein como su ganador. En junio de 2003 ganó el Primer Premio en el prestigioso Concurso Internacional Reina Elisabeth de Bruselas, ya que en la última ronda del Concurso realizó una actuación extraordinaria con obras de Beethoven y Prokofiev. Esta combinación muestra ciertamente la asombrosa versa- tilidad de este joven gran pianista. Entretanto, ha tocado en muchos de los grandes escenarios del mundo. Ha ofrecido conciertos junto a famosas orquestas como la Sinfónica de Berlín, English Chamber, BBC Philharmonic o la Academia de St. Mar- tins in the Fields. Ha sido invitado por prestigiosos festivales como el Klavier Festival Ruhr, Aldeburgh Festival, La Roque d’Anthéron o el Fes- tival Chopin, y en 2005 deleitó a la audiencia en el famoso Gilmore Fes- tival en Michigan (EE. UU.). En la última temporada, Severin von Eckardstein ofreció un recital en la prestigiosa «Master Pianists Series» en el Concertgebouw de Ámsterdam, donde un crítico lo calificó como «el nuevo Horowitz». Su reciente debut en «Piano Hayes Series» en el Kennedy Center de Washington tuvo un éxito arrollador. En enero de 2006, Severin von Eckardstein ha sido invitado a su segun- da importante gira por Japón. En la próxima temporada tocará entre otros el «Concierto para piano n.º 4» de Beethoven con la Orquesta Filar- mónica de Róterdam, dirigida por Valery Gergiev. A principios de 2007 se le pudo escuchar de nuevo en el famoso «Master Pianists Series» en el Concertgebouw. COMPONENTES PRIMEROS VIOLINES Gerhard Riedel CLARINETES Michael Erxleben Ulrich Helmholtz Michael Simm Michail Sekler Dorothee Dargel Alexandra Kehrle Thomas Böttcher Uwe Emmrich Tino Plener Ulrike Petersen Susanne Ellemunter Teresa Kammerer Katja Plagens FAGOTES David Bestehorn Felix Korinth Michael von Schönermark Bernd Niedermayr Johannes Sykora Franziska Haußig Gyula Halmai Andrea Mai VIOLONCELLOS TROMPAS Detlef Rayß Friedemann Ludwig Dmitri Babanov Ines Galle Andreas Timm Hanno Westphal Christiane Neuhaus Taneli Turunen Elke Benz Markolf Ehrig Waltraud Hentschel Timo Steininger Adriana Condriuc Nerina Mancini Jae won Song Melanie Richter TROMPETAS Alexander Kahl Marta Murvai Sören Linke Nayon Han Uwe Saegebarth Andreas Kipp SEGUNDOS VIOLINES Tobias Winbeck Panu Sundquist Andreas Finsterbusch Johannes Jahnel TROMBONES CONTRABAJOS
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