Customs of Ambrym (Textsj Songsj Games and Drawings)
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J. Collins Malay Dialect Research in Malysia: the Issue of Perspective
J. Collins Malay dialect research in Malysia: The issue of perspective In: Bijdragen tot de Taal-, Land- en Volkenkunde 145 (1989), no: 2/3, Leiden, 235-264 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/28/2021 12:15:07AM via free access JAMES T. COLLINS MALAY DIALECT RESEARCH IN MALAYSIA: THE ISSUE OF PERSPECTIVE1 Introduction When European travellers and adventurers began to explore the coasts and islands of Southeast Asia almost five hundred years ago, they found Malay spoken in many of the ports and entrepots of the region. Indeed, today Malay remains an important indigenous language in Malaysia, Indonesia, Brunei, Thailand and Singapore.2 It should not be a surprise, then, that such a widespread and ancient language is characterized by a wealth of diverse 1 Earlier versions of this paper were presented to the English Department of the National University of Singapore (July 22,1987) and to the Persatuan Linguistik Malaysia (July 23, 1987). I would like to thank those who attended those presentations and provided valuable insights that have contributed to improving the paper. I am especially grateful to Dr. Anne Pakir of Singapore and to Dr. Nik Safiah Karim of Malaysia, who invited me to present a paper. I am also grateful to Dr. Azhar M. Simin and En. Awang Sariyan, who considerably enlivened the presentation in Kuala Lumpur. Professor George Grace and Professor Albert Schiitz read earlier drafts of this paper. I thank them for their advice and encouragement. 2 Writing in 1881, Maxwell (1907:2) observed that: 'Malay is the language not of a nation, but of tribes and communities widely scattered in the East.. -
The Maracot Deep
The Maracot Deep By Arthur Conan Doyle Classic Literature Collection World Public Library.org Title: The Maracot Deep Author: Arthur Conan Doyle Language: English Subject: Fiction, Literature, Children's literature Publisher: World Public Library Association Copyright © 2008, All Rights Reserved Worldwide by World Public Library, www.WorldLibrary.net World Public Library The World Public Library, www.WorldLibrary.net is an effort to preserve and disseminate classic works of literature, serials, bibliographies, dictionaries, encyclopedias, and other reference works in a number of languages and countries around the world. Our mission is to serve the public, aid students and educators by providing public access to the world's most complete collection of electronic books on-line as well as offer a variety of services and resources that support and strengthen the instructional programs of education, elementary through post baccalaureate studies. This file was produced as part of the "eBook Campaign" to promote literacy, accessibility, and enhanced reading. Authors, publishers, libraries and technologists unite to expand reading with eBooks. Support online literacy by becoming a member of the World Public Library, http://www.WorldLibrary.net/Join.htm. Copyright © 2008, All Rights Reserved Worldwide by World Public Library, www.WorldLibrary.net www.worldlibrary.net *This eBook has certain copyright implications you should read.* This book is copyrighted by the World Public Library. With permission copies may be distributed so long as such copies (1) are for your or others personal use only, and (2) are not distributed or used commercially. Prohibited distribution includes any service that offers this file for download or commercial distribution in any form, (See complete disclaimer http://WorldLibrary.net/Copyrights.html). -
Summer 2019 Calendar of Events
summer 2019 Calendar of events Hans Christian Andersen Music and lyrics by Frank Loesser Book and additional lyrics by Timothy Allen McDonald Directed by Rives Collins In this issue July 13–28 Ethel M. Barber Theater 2 The next big things Machinal by Sophie Treadwell 14 Student comedians keep ’em laughing Directed by Joanie Schultz 20 Comedy in the curriculum October 25–November 10 Josephine Louis Theater 24 Our community 28 Faculty focus Fun Home Book and lyrics by Lisa Kron 32 Alumni achievements Music by Jeanine Tesori Directed by Roger Ellis 36 In memory November 8–24 37 Communicating gratitude Ethel M. Barber Theater Julius Caesar by William Shakespeare Directed by Danielle Roos January 31–February 9 Josephine Louis Theater Information and tickets at communication.northwestern.edu/wirtz The Waa-Mu Show is vying for global design domination. The set design for the 88th annual production, For the Record, called for a massive 11-foot-diameter rotating globe suspended above the stage and wrapped in the masthead of the show’s fictional newspaper, the Chicago Offering. Northwestern’s set, scenery, and paint shops are located in the Virginia Wadsworth Wirtz Center for the Performing Arts, but Waa-Mu is performed in Cahn Auditorium. How to pull off such a planetary transplant? By deflating Earth. The globe began as a plain white (albeit custom-built) inflatable balloon, but after its initial multisection muslin wrap was created (to determine shrinkage), it was deflated, rigged, reinflated, motorized, map-designed, taped for a paint mask, primed, painted, and unpeeled to reveal computer-generated, to-scale continents. -
Materials Challenged in Oregon 1979
Materials Challenged in Oregon 1979 - July 2015 Based on published reports from the American Library Association, the Oregon Intellectual Freedom Clearinghouse (OIFC) and other news sources L e v e Author/ Other Title & Publisher Date, Reason & Outcome Description of Material l This rap album was the first music work to be prosecuted under obscenity law. The Broward County (Florida) District Court decision was As Nasty as They overturned & the album was Wanna Be, Luke Challenged at the Multnomah ruled not to be obscene in 1992 Skywalker County Library in 1995. Reason: by the 11th Circuit Court of 2 Live Crew Records(recording) obscene and vulgar lyrics Retained. Appeals. A Challenged in 2011 in a public library by an individual. Reason: Secrets of Boys, The promotes sexual activity, smoking, and all other titles by drinking, taking drugs & other this author; Harper high risk behavior for teens. Hailey Abbott writes romance Abbott, Hailey Collins Requested removal; retained. novels for teenagers. YA Parents challenged the use of this program in a 12th grade class in Growing Up in the Age Redmond 1994. Reason: does not A news program on AIDS and ABC News of AIDS emphasize abstinence AIDS education A In this graphic novel, the Lone Wolves are Space Marines from the Space Wolf chapter. No one knows where they Challenged at the Multnomah come from or where they go, County Library in 2005. Reason: but when the soldiers of the concern that the content would Slovak Regiment of the Lone Wolves, Games contribute to hate, bad feelings and Imperial Guard need them Abnett, Dan Workshop. -
An Original Documentary About Lesbian Visibility to Launch $100,000 Indiegogo Campaign to Fund First Phase of Production!
The Official INDIEGOGO Press Kit: October 2nd- Nov 5th INDIEGOGO LINK: IGG.ME/AT/GIRLONGIRLMOV IE “It’s about defending our identity in the face of skepticism.” –Jodi Savitz director/producer Email: [email protected] Facebook.com/girlongirlmovie Vimeo Channel: vimeo.com/channels/girlongirlmovie Tweet @girlongirlmovie Pinterest.com/girlongirlmovie www.girlongirlmovie.com Contact: Jodi Savitz Phone: 954-415-1736 Email: [email protected] PRESS RELEASE Girl on Girl: an original documentary about lesbian visibility to launch $100,000 Indiegogo Campaign to fund first phase of production! [BROOKLYN NY—OCTOBER 2ND, 2013] After garnering over 12,000 fans on Facebook, Girl on Girl director, Jodi Savitz, is reaching out to the public for support. Beginning October 2nd, Savitz will launch a 35-day crowdfunding campaign on the popular fundraising site, Indiegogo, with the goal of raising $100,000 to fund the first phase of production. So far, Girl on Girl has proven its worth through its growing international fan base, and its sponsorship from New York Foundation for the Arts (NYFA) and Curve Magazine. Unlike any documentary film to date, Girl on Girl focuses its lens on the lives of feminine lesbians, and invites the audience to discover what life is like for women whose identity is incessantly trivialized and stigmatized, both outside of and within queer spaces. Girl on Girl challenges assumptions of what society imagines a lesbian to look like and, for the first time, addresses the issue of feminine lesbians feeling invisible even after coming out. The independently produced film features such ‘celesbians’ as Lauren Bedford Russell (The Real L Word: Season 3) and Huffington Post columnist and award-winning lesbian porn producer, Jincey Lumpkin (JuicyPinkBox.com), along with several other women from around the country, including New York, Florida, Utah, and North Carolina. -
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We'll Have a Gay Ol'time: Trangressive Sexulaity and Sexual Taboo In
We’ll have a gay ol’ time: transgressive sexuality and sexual taboo in adult television animation By Adam de Beer Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in Film Studies in the Faculty of Humanities and the Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN UniversityFebruary of 2014Cape Town Supervisor: Associate Professor Martin P. Botha The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of Cape Town. It has not been submitted before for any other degree or examination at any other university. Adam de Beer February 2014 ii Abstract This thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. -
Representations of Bisexual Women in Twenty-First Century Popular Culture
Straddling (In)Visibility: Representations of Bisexual Women in Twenty-First Century Popular Culture Sasha Cocarla A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate of Philosophy in Women's Studies Institute of Feminist and Gender Studies Faculty of Social Sciences University of Ottawa © Sasha Cocarla, Ottawa, Canada 2016 Abstract Throughout the first decade of the 2000s, LGBTQ+ visibility has steadily increased in North American popular culture, allowing for not only more LGBTQ+ characters/figures to surface, but also establishing more diverse and nuanced representations and storylines. Bisexuality, while being part of the increasingly popular phrase of inclusivity (LGBTQ+), however, is one sexuality that not only continues to be overlooked within popular culture but that also continues to be represented in limited ways. In this doctoral thesis I examine how bisexual women are represented within mainstream popular culture, in particular on American television, focusing on two, popular programs (The L Word and the Shot At Love series). These texts have been chosen for popularity and visibility in mainstream media and culture, as well as for how bisexual women are unprecedentedly made central to many of the storylines (The L Word) and the series as a whole (Shot At Love). This analysis provides not only a detailed historical account of bisexual visibility but also discusses bisexuality thematically, highlighting commonalities across bisexual representations as well as shared themes between and with other identities. By examining key examples of bisexuality in popular culture from the first decade of the twenty- first century, my research investigates how representations of bisexuality are often portrayed in conversation with hegemonic understandings of gender and sexuality, specifically highlighting the mainstream "gay rights" movement's narrative of "normality" and "just like you" politics. -
A Study of English Borrowing in Patani-Malay
A STUDY OF ENGLISH BORROWING IN PATANI-MALAY NOORHAYATEE BENJASMITHMalaya of FACULTY OF LANGUAGES AND LINGUISTICS UniversityUNIVERSITY OF MALAYA KUALA LUMPUR 2016 A STUDY OF ENGLISH BORROWING IN PATANI-MALAY NOORHAYATEE BENJASMITH DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF LINGUISTICS FACULTY OF LANGUAGES AND LINGUISTICS UNIVERSITY OF MALAYA UniversityKUALA LUMPUR of Malaya 2016 UNIVERSITI MALAYA ORIGINAL LITERARY WORK DECLARATION Name of Candidate: Noorhayatee Benjasmith Registration/Matric No: TGC090013 Name of Degree: Master of Linguistics Title of Project Paper/Research Report/ Dissertation/Thesis (“this Work”): A STUDY OF ENGLISH BORROWING IN PATANI-MALAY Field of Study: Sociolinguistics I do solemnly and sincerely declare that: (1) I am the sole author/writer of this Work; (2) This Work is original; Any use of any work in which copyright exists was done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledged in this Work; (3) Any use of any work in which copyright exists wasMalaya done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledgedof in this Work; (4) I do not have any actual knowledge nor -
The L Word and Narrating Biographies
The L Life: The L Word and Narrating Biographies Leah Barbara Caluzzi Submitted in total fulfillment of the requirements of the degree of Masters of Arts (Screen Studies) July 2015 Department of Culture and Communication, Faculty of Arts University of Melbourne Produced on archival quality paper 1 Abstract This thesis examines the reception of the television series The L Word by young adult lesbians in Melbourne. It shows the influence of the series as a media object that is significant to three aspects of these women’s lesbian lifestyle construction: coming out, lifestyle development, and integration into the lesbian community. This thesis argues that, as a media object, the series helps these lesbians narrate their own biographies as they negotiate their life transitions into adulthood. 2 Declaration This is to certify that: i. this thesis comprises only my original work towards the Masters ii. due acknowledgement has been made in the text to all other material used iii. this thesis is less than 40,000 words in length, exclusive of tables, maps, bibliographies and appendices Leah Barbara Caluzzi Date: 9-11-15 3 Acknowledgements I would like to take the opportunities to acknowledge the many people who have helped to make this project possible. Firstly I would like to thank my primary supervisor, Assoc. Professor Audrey Yue for her tireless guidance and direction across the length of this project. I would also like to thank my secondary supervisor Dr. Fran Martin for all her assistance and support. Thanks must also go to the School of Culture and Communication Research Support staff, whom I have called upon many times throughout this process. -
Ura: a Disappearing Language of Southern Vanuatu
Ura: A disappearing language ofsouthern Vanuatu Crowley, T. Ura: A Disappearing Language of Southern Vanuatu. C-156, x + 226 pages. Pacific Linguistics, The Australian National University, 1999. DOI:10.15144/PL-C156.cover ©1999 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PACIFIC LINGUISTICS FOUNDlNG EDITOR: Stephen A. Wurm EDITORIAL BOARD: Malcolm D. Ross and Darrell T. Tryon (Managing Editors), John Bowden, Thomas E. Dutton, Andrew K. Pawley Pacific Linguistics is a publisher specialising in linguistic descriptions, dictionaries, atlases and other material on languages of the Pacific, the Philippines, Indonesia and Southeast Asia. The authors and editors of Pacific Linguistics publications are drawn from a wide range of institutions around the world. Pacific Linguistics is associated with the Research School of Pacific and Asian Studies at The Australian National University. Pacific Linguistics was established in 1963 through an initial grant from the Hunter Douglas Fund. It is a non-profit-making body financed largely from the sales of its books to libraries and individuals throughout the world, with some assistance fromthe School. The Editorial Board of Pacific Linguistics is made up of the academic staff of the School's Department of Linguistics. The Board also appoints a body of editorial advisors drawn from the international community of linguists. Publications in Series A, B and C and textbooks in Series D are refereed by scholars with relevant expertise who are normally not members of the editorial board. To date Pacific Linguistics has published over 400 volumes in four series: • Series A: Occasional Papers; collections of shorter papers, usually on a single topic or area. -
[.35 **Natural Language Processing Class Here Computational Linguistics See Manual at 006.35 Vs
006 006 006 DeweyiDecimaliClassification006 006 [.35 **Natural language processing Class here computational linguistics See Manual at 006.35 vs. 410.285 *Use notation 019 from Table 1 as modified at 004.019 400 DeweyiDecimaliClassification 400 400 DeweyiDecimali400Classification Language 400 [400 [400 *‡Language Class here interdisciplinary works on language and literature For literature, see 800; for rhetoric, see 808. For the language of a specific discipline or subject, see the discipline or subject, plus notation 014 from Table 1, e.g., language of science 501.4 (Option A: To give local emphasis or a shorter number to a specific language, class in 410, where full instructions appear (Option B: To give local emphasis or a shorter number to a specific language, place before 420 through use of a letter or other symbol. Full instructions appear under 420–490) 400 DeweyiDecimali400Classification Language 400 SUMMARY [401–409 Standard subdivisions and bilingualism [410 Linguistics [420 English and Old English (Anglo-Saxon) [430 German and related languages [440 French and related Romance languages [450 Italian, Dalmatian, Romanian, Rhaetian, Sardinian, Corsican [460 Spanish, Portuguese, Galician [470 Latin and related Italic languages [480 Classical Greek and related Hellenic languages [490 Other languages 401 DeweyiDecimali401Classification Language 401 [401 *‡Philosophy and theory See Manual at 401 vs. 121.68, 149.94, 410.1 401 DeweyiDecimali401Classification Language 401 [.3 *‡International languages Class here universal languages; general