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Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
'The Mystery Cruise' Cast Bios Gail O'grady
‘THE MYSTERY CRUISE’ CAST BIOS GAIL O’GRADY (Alvirah Meehan) – Multiple Emmy® nominee Gail O'Grady has starred in every genre of entertainment, including feature films, television movies, miniseries and series television. Her most recent television credits include the CW series “Hellcats” as well as "Desperate Housewives" as a married woman having an affair with the teenaged son of Felicity Huffman's character. On "Boston Legal," her multi-episode arc as the sexy and beautiful Judge Gloria Weldon, James Spader's love interest and sometime nemesis, garnered much praise. Starring series roles include the Kevin Williamson/CW drama series "Hidden Palms," which starred O'Grady as Karen Miller, a woman tormented by guilt over her first husband's suicide and her son's subsequent turn to alcohol. Prior to that, she starred as Helen Pryor in the critically acclaimed NBC series "American Dreams." But O'Grady will always be remembered as the warm-hearted secretary Donna Abandando on the series "NYPD Blue," for which she received three Emmy Award nominations for Best Supporting Actress in a Dramatic Series. O'Grady has made guest appearances on some of television's most acclaimed series, including "Cheers," "Designing Women," "Ally McBeal" and "China Beach." She has also appeared in numerous television movies and miniseries including Hallmark Channel's "All I Want for Christmas" and “After the Fall” and Lifetime's "While Children Sleep" and "Sex and the Single Mom," which was so highly rated that it spawned a sequel in which she also starred. Other television credits include “Major Crimes,” “Castle,” “Hawaii Five-0,” “Necessary Roughness,” “Drop Dead Diva,” “Ghost Whisperer,” “Law & Order: SVU,” “CSI: Miami,” "The Mentalist," "Vegas," "CSI," "Two and a Half Men," "Monk," "Two of Hearts," "Nothing Lasts Forever" and "Billionaire Boys Club." In the feature film arena, O'Grady has worked with some of the industry's most respected directors, including John Landis, John Hughes and Carl Reiner and has starred with several acting legends. -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
Representations and Receptions of Genders and Sexualities in Showtime’S the L Word
GRAAT issue # 2 – June 2007 Queerer Than Thou: Representations and Receptions of Genders and Sexualities in Showtime’s The L Word Kimberly Campanello Florida Gulf Coast University I love the fact that Ilene does what she wants and doesn’t bother giving in to critics’ demands etc., whether the fan kind or otherwise. I think this is what has propelled the series to its successful status and has made it acceptable for it to deal with issues that most other series can’t or don’t get away with. Bittersweet on OurChart.com Do I think every character is representative of every lesbian that I know? Probably not, then most lesbians that I know work everyday, want a nice place to live, want a decent partner and just do about the same things that every heterosexual person does. This is a TV show. It's a soap opera, albeit a classy one. I, for one, will continue to watch, subscribe to Showtime, and post measured commentary on the site. Filmlover on OurChart.com I. Contexts I would like to provide some context for this paper on The L Word from recent news stories which directly relate to American culture’s continuing struggle with normative views of gender and sexuality. In February of 2007, Largo, Florida, city manager Steve Stanton, a 17-year veteran in his job was fired by a city council vote after coming out as a transgendered person. Sexual orientation and gender identity and expression are not protected from employment discrimination at the national level or in the state of Florida. -
B'klyn Book Fest September 22
Two Sections w Facebook.com/ Twitter.com Volume 59, No. 95 FRIDAY, AUGUST 23, 2013 BrooklynEagle.com BrooklynEagle @BklynEagle 50¢ BROOKLYN Ratner To Sell Off TODAY AUG. 23 Part of Unfinished Good morning. Today is the 235th day of the year. The Atlantic Yards? Brooklyn Daily Eagle of Aug. According to The New 23, 1902, contained an ad for York Times, Bruce Ratner, “Malt Creamlet Cocoa.” This executive chairman of product, similar to hot choco- Forest City Ratner, is late, consisted of squares that seeking an investor to buy were meant to be put into hot as much as 80 percent of water or hot milk, where they the rest of the $5 billion would dissolve. Later that year, Atlantic Yards develop- after a complaint from a New ment, which is slated to York City resident, the state De- partment of Health concluded eventually include 14 res- that the product contained very idential buildings. little cocoa, but lots of sugar and The Barclays Center, fat. Nevertheless, the state deter- the centerpiece of the de- mined that it was harmless and velopment, was finished could still be sold. last year. The Times says Rat- Well-known people who ner’s company could reap were born today include basket- as much as $800 million ball player Kobe Bryant, Hall of from the sale of 50 to 80 Fame football player Sonny Jur- gensen, actress Barbara Eden percent of the remaining (“I Dream of Jeannie”), actor project. However, the Scott Caan (“Hawaii Five-0”) company would remain in and comedian Mark Russell. control and continue to Preparing for MTV Awards at Barclays develop the property. -
Jennifer Beals Letter
Hello, I am very proud to announce the publication of my friend and colleague Jennifer Beals’ photographic memoir of her experience on a show that we both were on for six years, The L Word. Jennifer has kindly decided to donate the proceeds from the book to charity. Among the recipients, I Live Here. Jennifer is a talented photographer and has a unique and terribly intimate view that has never been seen before. The book contains interviews with the cast and carefully preserved ephemera that she saved over the years. I hope you all will proudly support Jennifer’s very first book that documents years of working on a show that has meaning for so many around the world. Check out the book on line: http://lwordbook.com/ Hugs, Mia Kirshner A NOTE FROM JENNIFER BEALS Somewhere in the first season of The L Word, the show became synonymous not only with representation, sexuality and fashion but also with giving. We, as a cast, were invited to take part in numerous fundraisers for the gay community. The L Word was a catalyst for giving and we were happy to take part. Now that the show is over, I wanted this book to continue the tradition of giving that had become such a significant part of The L Word. I wanted to benefit ILH because like The L Word at its best, ILH is about the transformative nature of community and of art, or self-expression. Though the communities I Live Here supports may be eons away from the small community that was our L Word cast, we are still joined in our shared need to express ourselves and strengthened by the clarity and purpose that comes from doing so. -
Volume 1, Issue 1
Volume 1, Issue 1 An Irish audience negotiates lesbian visibility in The L Word: “But it’s not a perfect world and not everyone looks like that” Deirdre Moore April 2009 University of Limerick Department of Sociology Available at http://www.ul.ie/sociology/socheolas/vol1/1 ISSN 2009-3144 The Department of Sociology, University of Limerick, welcomes applications for post-graduate study • MA in Sociology (Applied Social Research): http://www.ul.ie/sociology/ma.html • MA in Sociology (Youth, Community and Social Regeneration): http://www.ul.ie/sociology/ycsr.html • MA in Gender Culture and Society: http://www.ul.ie/sociology/gcs.html • PhD by research: http://www.ul.ie/sociology/researchdegrees.html http://www.ul.ie/sociology Socheolas: Limerick Student Journal of Sociology . Vol. 1(1), April 2009 An Irish audience negotiates lesbian visibility in The L Word: “But it’s not a perfect world and not everyone looks like that” 1 Deirdre Moore MA in Sociology (Applied Social Research) Background The L Word is a drama series revolving around the lives and loves of a group of lesbian and bisexual women in LA, executively produced by Irene Chaiken with filming locations in West Hollywood, California, and Vancouver 2. The season one cast comprises of Bette (Jennifer Beals) a museum director; Tina (Laurel Holoman) a social worker, Jenny (Mia Kirshner) a writer, Shane (Katherine Moenning) a hairstylist, Alice (Leisha Hailey) journalist, Dana (Erin Daniels) a professional Tennis player, Marina (Karina Lombard) owner of the Planet Cafe, Kit (Pam Grier) a musician/club owner. Of the eight member season one cast Leisha Hailey (Alice) is the only out lesbian. -
Word Search 'Crisis on Infinite Earths'
Visit Our Showroom To Find The Perfect Lift Bed For You! December 6 - 12, 2019 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 V A H W Q A R C F E B M R A L Your Key 2 x 3" ad O R F E I G L F I M O E W L E N A B K N F Y R L E T A T N O To Buying S G Y E V I J I M A Y N E T X and Selling! 2 x 3.5" ad U I H T A N G E L E S G O B E P S Y T O L O N Y W A L F Z A T O B R P E S D A H L E S E R E N S G L Y U S H A N E T B O M X R T E R F H V I K T A F N Z A M O E N N I G L F M Y R I E J Y B L A V P H E L I E T S G F M O Y E V S E Y J C B Z T A R U N R O R E D V I A E A H U V O I L A T T R L O H Z R A A R F Y I M L E A B X I P O M “The L Word: Generation Q” on Showtime Bargain Box (Words in parentheses not in puzzle) Bette (Porter) (Jennifer) Beals Revival Place your classified ‘Crisis on Infinite Earths’ Classified Merchandise Specials Solution on page 13 Shane (McCutcheon) (Katherine) Moennig (Ten Years) Later ad in the Waxahachie Daily Light, Midlothian Mirror and Ellis Merchandise High-End 2 x 3" ad Alice (Pieszecki) (Leisha) Hailey (Los) Angeles 1 x 4" ad (Sarah) Finley (Jacqueline) Toboni Mayoral (Campaign) County Trading Post! brings back past versions of superheroes Deal Merchandise Word Search Micah (Lee) (Leo) Sheng Friendships Call (972) 937-3310 Run a single item Run a single item Brandon Routh stars in The CW’s crossover saga priced at $50-$300 priced at $301-$600 “Crisis on Infinite Earths,” which starts Sunday on “Supergirl.” for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid. -
Fear the Walking Dead from Wikipedia, the Free Encyclopedia
Fear the Walking Dead From Wikipedia, the free encyclopedia Fear the Walking Dead is an American horror drama television series created by Robert Kirkman and Dave Erickson[1] that premiered on AMC on August 23, 2015.[2] It is a companion series and prequel to The Walking Dead,[3] which is based Fear the Walking Dead on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard. The first season, consisting of six episodes, aired in 2015. Its second season will comprise 15 episodes and debut on April 10, 2016.[4][5][6] Set in Los Angeles, California, the series follows a dysfunctional family composed of high school guidance counselor Madison Clark, her English teacher boyfriend Travis Manawa, her daughter Alicia, her drug-addicted son Nick, and Travis' son from a previous marriage, Chris, at the onset of the zombie apocalypse.[7][8] They must either revamp themselves or cling to their deep flaws as they come to terms with the impending collapse of civilization.[9] Genre Horror Contents Drama Created by Robert Kirkman 1 Cast and characters Dave Erickson Based on The Walking Dead 1.1 Main cast by Robert Kirkman Tony Moore 1.2 Recurring cast Charlie Adlard 2 Series overview Starring Kim Dickens 3 Production Cliff Curtis Frank Dillane 3.1 Development Alycia Debnam- Carey 3.2 Casting Elizabeth Rodriguez 3.3 Filming Mercedes Mason Lorenzo James 4 Broadcast 5 Reception Henrie Rubén Blades 5.1 Critical response Colman Domingo 5.1.1 Season 1 Theme music Atticus Ross composer 5.2 Ratings Composer(s) Paul Haslinger 5.3 Awards and nominations Country of United States origin 6 Home media Original English 7 References language(s) No. -
Representations of Bisexual Women in Twenty-First Century Popular Culture
Straddling (In)Visibility: Representations of Bisexual Women in Twenty-First Century Popular Culture Sasha Cocarla A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate of Philosophy in Women's Studies Institute of Feminist and Gender Studies Faculty of Social Sciences University of Ottawa © Sasha Cocarla, Ottawa, Canada 2016 Abstract Throughout the first decade of the 2000s, LGBTQ+ visibility has steadily increased in North American popular culture, allowing for not only more LGBTQ+ characters/figures to surface, but also establishing more diverse and nuanced representations and storylines. Bisexuality, while being part of the increasingly popular phrase of inclusivity (LGBTQ+), however, is one sexuality that not only continues to be overlooked within popular culture but that also continues to be represented in limited ways. In this doctoral thesis I examine how bisexual women are represented within mainstream popular culture, in particular on American television, focusing on two, popular programs (The L Word and the Shot At Love series). These texts have been chosen for popularity and visibility in mainstream media and culture, as well as for how bisexual women are unprecedentedly made central to many of the storylines (The L Word) and the series as a whole (Shot At Love). This analysis provides not only a detailed historical account of bisexual visibility but also discusses bisexuality thematically, highlighting commonalities across bisexual representations as well as shared themes between and with other identities. By examining key examples of bisexuality in popular culture from the first decade of the twenty- first century, my research investigates how representations of bisexuality are often portrayed in conversation with hegemonic understandings of gender and sexuality, specifically highlighting the mainstream "gay rights" movement's narrative of "normality" and "just like you" politics. -
Press™ Kit 01 Contents
NO SAFE HARBOUR ™ SEASON TWO ® ® PRESS™ KIT 01 CONTENTS 03 SYNOPSIS 04 CAST & CHARACTERS 23 PRODUCTION BIOGRAPHIES 28 INTERVIEW: DAVE ERICKSON EXECUTIVE PRODUCER & SHOWRUNNER 31 PRODUCTION CREDITS ® ™ SYNOPSIS Last season, Fear the Walking Dead explored a blended family who watched a burning, dead city as they traversed a devastated Los Angeles. In season two, the group aboard the ‘Abigail’ is unaware of the true breadth and depth of the apocalypse that surrounds them; they assume there is still a chance that some city, state, or nation might be unaffected - some place that the Infection has not reached. But as Operation Cobalt goes into full effect, the military bombs the Southland to cleanse it of the Infected, driving the Dead toward the sea. As Madison, Travis, Daniel, and their grieving families head for ports unknown, they will discover that the water may be no safer than land. ® ™ 03 CAST & CHARACTERS ® ™ 04 MADISON CLARK In many ways, the Madison of season two is the same woman we met in the pilot - a leader, a moral compass - but in a whole new devastated, apocalyptic world. As the season plays out, Madison will be faced with a world that often has no room for empathy or compassion. Forced to navigate a deceptive and manipulative chart of personalities, Madison’s success in this new world is predicated on understanding that, at the end of the world, lending a helping hand can often endanger those you love. She may maintain her maternal ferocity, but the apocalypse will force her to make decisions and sacrifices that could break even the strongest people. -
The L Word and Narrating Biographies
The L Life: The L Word and Narrating Biographies Leah Barbara Caluzzi Submitted in total fulfillment of the requirements of the degree of Masters of Arts (Screen Studies) July 2015 Department of Culture and Communication, Faculty of Arts University of Melbourne Produced on archival quality paper 1 Abstract This thesis examines the reception of the television series The L Word by young adult lesbians in Melbourne. It shows the influence of the series as a media object that is significant to three aspects of these women’s lesbian lifestyle construction: coming out, lifestyle development, and integration into the lesbian community. This thesis argues that, as a media object, the series helps these lesbians narrate their own biographies as they negotiate their life transitions into adulthood. 2 Declaration This is to certify that: i. this thesis comprises only my original work towards the Masters ii. due acknowledgement has been made in the text to all other material used iii. this thesis is less than 40,000 words in length, exclusive of tables, maps, bibliographies and appendices Leah Barbara Caluzzi Date: 9-11-15 3 Acknowledgements I would like to take the opportunities to acknowledge the many people who have helped to make this project possible. Firstly I would like to thank my primary supervisor, Assoc. Professor Audrey Yue for her tireless guidance and direction across the length of this project. I would also like to thank my secondary supervisor Dr. Fran Martin for all her assistance and support. Thanks must also go to the School of Culture and Communication Research Support staff, whom I have called upon many times throughout this process.