Sheet1 Page 1 Title Author Publisher Date ISBN Cover Pages Specific Subject Geoffrey JEA 1943 Cockleshell Commandos 2002 9780850
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Museum Salutes James Bond and His Creators Critic Judith Crist Moderates Forum
The Museum of Modern Art % 50th Anniversary to MUSEUM SALUTES JAMES BOND AND HIS CREATORS CRITIC JUDITH CRIST MODERATES FORUM In any time capsule of the 20th century, there is sure to be a commentary on and, more than likely, a print of a James Bond movie. So great is the impact of Secret Agent 007, archetypical hero of the second half of this century, that it is estimated one out of three people throughout the world have at one time or another viewed one of his spy thrillers. The most popular Bond film so far, "The Spy Who Loved Me" reportedly has drawn one and a half billion viewers or over one eighth of the earth's population. Given these facts, the Department of Film of The Museum of Modern Art, considers the phenomenon of James Bond noteworthy and is rendering, at an appropriate time concurrent with the premiere of the new James Bond "Moonraker," an homage to the producer, Albert R. Broccoli and his colleagues. Recognizing that each of the Bond films is a collabora tive project, Larry Kardish, Associate Curator in the Department of Film, has included in this tribute Lewis Gilbert, the director, Ken Adam, production designer, and Maurice B inder, title creator and graphics artist. The James Bond program, organized by Mr. Kardish, opens on June 25, with a documentary titled "The Making Of James Bond." It takes the viewer behind the scenes of the production of "The Spy Who Loved Me." Produced by BBC, it consists of four half-hour films: the first deals 11 West 53 Street, New York, N.Y. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Legends of Screenwriting “Richard Maibaum” by Ray Morton
Legends of Screenwriting “Richard Maibaum” By Ray Morton Screenwriters are generally a cerebral lot and not usually thought of as men (or women) of action, but Richard Maibaum certainly was, especially when it comes to writing about the adventures of a certain British secret agent with a triple digit code name and a license to kill. Maibaum was born on May 26, 1909 in New York City. He attended New York University and the University of Iowa and then became an actor on Broadway. In 1930 he began writing plays, including 1932’s The Tree, 1933’s Birthright, 1935’s Sweet Mystery of Life (with Michael Wallach and George Haight) and 1939’s See My Lawyer (with Harry Clark). When MGM bought the rights to Sweet Mystery of Life to use as the basis for its 1936 film Gold Diggers of 1937 (screenplay by Warren Duff), the studio also signed Maibaum, who moved to Hollywood and began writing for the movies. Between 1936 and 1942 he wrote or co-wrote scripts for MGM, Columbia, Twentieth Century- Fox, and Paramount, including We Went to College (1936), The Bad Man of Brimstone (1937), The Lady and the Mob (1939), 20 Mule Team (1940), I Wanted Wings (1941), and Ten Gentlemen from West Point (1942). After the United States entered World War II, Richard spent several years in the Army’s Combat Film Division. Following the war, Maibaum became a writer/producer at Paramount, where he wrote his first spy movie— O.S.S. (1946), which was based on files and research provided by the actual Office of Strategic Services. -
Fifty Years of Bond, James Bond: the Greatest Film Franchise’S Biggest Birthday | Vanity Fair
6/4/2017 Fifty Years of Bond, James Bond: The Greatest Film Franchise’s Biggest Birthday | Vanity Fair The Birth of Bond Fifty years ago, at the dawn of the commercial-jet age, James Bond strode into movie history, to show audiences how stylish and thrilling life could be. But creating the cinematic Bond was fraught with peril, as best-selling author Ian Fleming discovered when he first tried to take his hero to the screen. David Kamp recalls the unlikely team—two small-time producers, a journeyman director, and a “rough diamond” of a star—behind 007’s film debut, Dr. No, the beginning of a $5 billion franchise. BY DAVID KAMP | OCTOBER 2012 BOND. JAMES BOND. Right, Sean Connery on the set of Dr. No, 1962. Left, in the Alps during the filming of Goldfinger, 1964., left, from photofest, digital colorization by lorna clark; right, © 1962 Danjaq, L.L.C., and the United Artists Corporation, all rights reserved. nter Sean Connery, dark hair slicked with pomade, eyes locking hungrily upon a beautiful greeneyed girl. Her return glance leaves no doubt—the feeling is mutual. His slouch and casual banter exude languor and nonchalance, but there’s an undercurrent of coiled menace to this man, as though E he might, at any moment, spring into tableoverturning, crockeryshattering action. Except nothing of the sort happens. Instead, the other fellow in the scene cuts the tension by taking out his fiddle and favoring the room with a jaunty tune learned, he says in a stagy brogue, “in the old ruins on the top of Knocknasheega!” http://www.vanityfair.com/culture/2012/10/fiftyyearsofjamesbond 1/14 6/4/2017 Fifty Years of Bond, James Bond: The Greatest Film Franchise’s Biggest Birthday | Vanity Fair This isn’t a James Bond picture. -
The Royal Marines 1956-84 Introduction
Published in 1984 by Author's Note: Osprey Publishing Ltd Member company of the George Philip Group My thanks to the Royal Marines PR Office in 12-14 Long Acre, London WC2E 9LP Whitehall; the Commando Forces News Team, © Copyright 1984 Osprey Publishing Ltd Plymouth; the Royal Marines Museum, Eastney; the Ministry of Defence; and the Royal United Services This book is copyrighted under the Berne Convention. Institute. I am grateful to James Ladd, who All rights reserved. Apart from any fair dealing for the introduced me to the Corps in 1982, and whose book purpose of private study, research, criticism or review, The Royal Marines 1919-1980 is an excellent authorised as permitted under the Copyright Act, 1956, no part history; and to Les Scriver, for access to his unique of this publication may be reproduced, stored in a photographic record of today's Corps. Thanks to the retrieval system or transmitted in any form or by any many men of the Royal Marines, especially in 3 means, electronic, electrical, chemical, mechanical, Commando Brigade RM, who gave me their time optical, photocopying, recording or otherwise, without and patience in some testing and trying places. the prior permission of the copyright owner. Enquiries This book is dedicated to VH and SP, to whom I should be addressed to the Publishers. will always be a 'Percy Pongo'. British Library Cataloguing in Publication Data Fowler, William, The Royal Marines 1956-84—(Men at Arms series; 156) 1. Great Britain. Royal Marines—History—20th century 1. Title II. Series 359.9'6'0941 VE57 ISBN 0-85045-568-5 Filmset in Great Britain Printed in Hong Kong The Royal Marines 1956-84 Marines and their supporting Commando-trained Introduction arms are unique. -
Sunday Morning Grid 11/6/11 Latimes.Com/Tv Times
SUNDAY MORNING GRID 11/6/11 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face/Nation The NFL Today (N) Å Football New York Jets at Buffalo Bills. (N) Å 4 NBC News Å Meet the Press (N) Å Conference George House House Running New York City Marathon. From New York. 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week-Amanpour News (N) Å News (N) Å ABC7 Presents Eye on L.A. Health 9 KCAL Tomorrow’s Kingdom K. Shook Joel Osteen Ministries Mike Webb Paid Best Deals Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday FOX NFL Sunday (N) Football 49ers at Washington Redskins. From FedEx Field in Landover, Md. (N) 13 MyNet Paid Program Best of L.A. Paid Program Day Parents Ran Away 18 KSCI Paid Program Church Paid Program Hecho en Guatemala Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Cuisine Cook’s Kitchen Sweet Life 28 KCET Cons. Wubbulous Busytown Peep Pancakes Pufnstuf Lidsville Place, Own Roadtrip Chefs Field Pépin Venetia 30 ION Turning Pnt. Discovery In Touch Paid Beyond Paid McMahon Inspiration Ministry Campmeeting 34 KMEX Paid Program Muchachitas Como Tu Al Punto (N) República Deportiva 40 KTBN Fall Praise-A-Thon (6) Fall Praise-A-Thon 46 KFTR Paid Tu Estilo Patrulla La Vida An P. -
Robert Hartford-Davis and British Exploitation Cinema of the 1960S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Corrupted, Tormented and Damned: Reframing British Exploitation Cinema and The films of Robert Hartford-Davis This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Michael Ahmed, M.A., B.A. PhD University of East Anglia Faculty of Film and Television Studies January 2013 Abstract The American exploitation film functioned as an alternative to mainstream Hollywood cinema, and served as a way of introducing to audiences shocking, controversial themes, as well as narratives that major American studios were reluctant to explore. Whereas American exploitation cinema developed in parallel to mainstream Hollywood, exploitation cinema in Britain has no such historical equivalent. Furthermore, the definition of exploitation, in terms of the British industry, is currently used to describe (according to the Encyclopedia of British Film) either poor quality sex comedies from the 1970s, a handful of horror films, or as a loosely fixed generic description dependent upon prevailing critical or academic orthodoxies. However, exploitation was a term used by the British industry in the 1960s to describe a wide-ranging and eclectic variety of films – these films included, ―kitchen-sink dramas‖, comedies, musicals, westerns, as well as many films from Continental Europe and Scandinavia. Therefore, the current description of an exploitation film in Britain has changed a great deal from its original meaning. -
Seamore: Sharing the Newest National Collection Project Outline
SeaMore | Sharing the Newest National Collection SeaMore: Sharing the Newest National Collection Project Outline | 1 | SeaMore | Sharing the Newest National Collection Executive Summary 1.0 Our Project 4.0 Our Plans 1.1 Introduction 4.1 The Centre for Discovery 1.2 Our Story 4.2 The Centre for Discovery: Building Plans 1.3 Our Museum 4.3 The Centre for Discovery: Concepts by Area 1.4 Our Project 4.4 The New Royal Marines Museum 1.5 Our Project Objectives 4.5 The New Royal Marines Museum: Building Plans 1.6 Our Project Impacts 4.6 The New Royal Marines Museum: Concepts by Area 2.0 Our Collections 5.0 Our Museums and Portsmouth Historic Dockyard 2.1 Our Collections 5.1 Portsmouth Historic Dockyard: Now 2.2 Our Collections at risk 5.2 Portsmouth Historic Dockyard: Future 2.3 Our Collections in the Future 5.3 Our Project and Portsmouth Historic Dockyard 2.4 Our Collections and Virtual Access 6.0 Appendix 1: Our Supporting Documents 2.5 Our Affiliate and Partner Collections 3.0 Our Audiences 3.1 Knowledge Audit and Audience Profiles 3.2 Defining Target Audiences 3.3 Audience Interests and Motivations 3.4 Barriers for our Audiences | 2 | SeaMore | Sharing the Newest National Collection Executive Summary SeaMore is a project rooted in the epic story of the Royal Navy, a story of People, Purpose, Power and Progress; a story of muddle and failure as well as triumph and achievement. The project unites the tangible heritage of a national collection with the experience of the intangible ethos of the Royal Marines; it unites the NMRN’s collections which are dispersed and at risk at: the Fleet Air Arm Museum, the Royal Marines Museum, the Royal Navy Submarine Museum, ‘Explosion!’ and the former Royal Naval Museum, to create the newest national collection. -
The Cockleshell Heroes and the Most Courageous Raid of World War 2 Download Free Book
A BRILLIANT LITTLE OPERATION: THE COCKLESHELL HEROES AND THE MOST COURAGEOUS RAID OF WORLD WAR 2 DOWNLOAD FREE BOOK Paddy Ashdown | 416 pages | 02 May 2013 | Aurum Press Ltd | 9781781311257 | English | London, United Kingdom User Reviews Cockleshell Raid. It was a desperately hazardous mission from the start - dropped by submarine to canoe some hundred miles up the Gironde into the heart of Vichy France, surviving terrifying tidal races, only to face the biggest challenge of all: escaping across the Pyrenees. The London Gazette Supplement. The emphasis is on sneakiness here as the marines must go in quietly to avoid getting captured; I won't spoil what happens, only to say it treads the fine line between documentary-style realism and excitement. None whatsoever. That said, it is a great action movie, see it for that alone, then read the history, the movie will let you visualize the action better and appreciate the bravery of "Our Boys". They had planted all their mines and left the harbour with the ebb tide at hours. A further — fatal — irony emerges from London: while the operation was being dreamt up by Hasler and the staff of Combined Operations, the Special Operations Executive was planning its own raid on the same targets, using agents already in Bordeaux. The five remaining canoes were disembarked at hours 7 December. Date 7—12 December View other formats and editions. Under its terms any combatants captured away from conflict zones and deemed by their captors to be "gangsters" would be summarily executed. A parachutist lands in cow manure, a hitchhiker gets a ride with a ridiculous fast-talking matron, the near-naked men run past a group of nuns. -
A Brilliant Little Operation, by Paddy Ashdown, the Aurum Press, 2012 420 Pp
A Brilliant Little Operation, by Paddy Ashdown, The Aurum Press, 2012 420 pp. Jeremy John Durham Ashdown, Baron Ashdown of Norton-sub-Hamdon GCMG, KBE, PC, known to most of us as Paddy Ashdown has shown in this book that there is another, newly discovered, side to him not previously recognised. This is after being an MP and becoming the leader of the Liberal Democrats and being the high representative for Bosnia- Herzegovina, 2002–2007, not to mention the UNICEF UK president. Before that he, himself, was a member of the Royal Marines elite Special Boat Squadron formed as a consequence of Frankton, followed by a stint with the SIS. Any one of these would be enough for most folk! We now discover for ourselves from this book that he is also a first-class writer (he doesn’t waste a word) and researcher. Paddy, it appears, has always been fascinated by this classic story of bravery and ingenuity – as a young man even unknowingly meeting his hero, Hasler, once on a train journey to Portsmouth. Now, after researching previously unseen archives and tracing surviving witnesses, he has written what may well be the definitive account of the raid. The real truth, we learn, is an appalling story of Whitehall rivalry and breakdowns in communication. Under the circumstances this makes the achievements of the Cockleshell Heroes all the more heroic. It is the story of a remarkable canoe raid on German ships in Bordeaux Harbour, the preparation for the raid and the appalling aftermath. In 1942, before El Alamein turned the tide of war in Britain’s favour, the German merchant fleet was resupplying desperately needed raw materials from the Far East to its war machine, with impunity. -
Full Book PDF Download
TNWA01 16/11/06 11:23 AM Page i The naval war film TNWA01 16/11/06 11:23 AM Page ii TNWA01 16/11/06 11:23 AM Page iii The naval war film GENRE, HISTORY, NATIONAL CINEMA Jonathan Rayner Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave TNWA01 16/11/06 11:23 AM Page iv Copyright © Jonathan Rayner 2007 The right of Jonathan Rayner to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk Distributed exclusively in the USA by Palgrave, 175 Fifth Avenue, New York, NY 10010, USA Distributed exclusively in Canada by UBC Press, University of British Columbia, 2029 West Mall, Vancouver, BC, Canada V6T 1Z2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 7098 8 hardback EAN 978 0 7190 7098 3 First published 2007 16 15 14 13 12 11 10 09 08 07 10 9 8 7 6 5 4 3 2 1 Typeset in 10.5/12.5pt Sabon by Graphicraft Limited, Hong Kong Printed in Great Britain by CPI, Bath TNWA01 16/11/06 11:23 AM Page v For Sarah, who after fourteen years knows a pagoda mast when she sees one, and for Jake and Sam, who have Hearts of Oak but haven’t got to grips with Spanish Ladies. -
Latest Patron Capital Greatness Lecture Tells the Story of the Cockleshell Heroes Ahead of Recreation of Operation Frankton
25 October 2017 Latest Patron Capital Greatness Lecture tells the story of the Cockleshell Heroes ahead of recreation of Operation Frankton Patron Capital, the pan-European institutional investor focused on property-backed investments, held the latest in its Greatness Lecture series last night, welcoming writer and military historian, Dr Tom Keene who recounted the story of Operation Frankton to a packed room at Patron Capital’s Vine Street offices. The talk comes ahead of a recreation of Operation Frankton set to take place in December, marking the 75th anniversary of one of World War II’s most daring raids. Raising funds and awareness for disabled war veterans and The Royal Marines Charity, Managing Director, Keith Breslauer will join a group of retired and serving Royal Marines and injured personnel from Hasler Company in a recreation of the raid, which includes an 85-mile paddle and a 100-mile run. On 7 December 1942, ten Royal Marines canoed through the night from the Gironde estuary to Bordeaux, attacked docked German cargo ships with limpet mines and escaped overland to rendezvous with the French Resistance in Ruffec. Only two men returned but the courageous operation taught lessons about communication and teamwork that would prove invaluable for the D-Day landings and the men’s story was immortalised in the 1995 film ‘The Cockleshell Heroes’. Keith Breslauer, Managing Director of Patron Capital, said: “I would like to thank Dr Tom Keene for depicting the thrilling story of Operation Frankton, which he describes as having gone on to redefine the war ethic of today’s Royal Marine commandos.