Performers and Teachers 2015 South African
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UNSUNG: South African Jazz Musicians Under Apartheidunsung
UNSUNG: South African Jazz Musicians under Apartheid outh African jazz under apartheid has in recent years been the subject of numerous studies. The main focus, however, has hitherto been on the musicians who went into exile. Here, for the first time, those who stayed behind are allowed to tell their stories: the stories of musicians from across the colour spectrum who helped to keep their art alive in South Africa during the years of state oppression. CHATRADARI DEVROOP &CHRIS WALTON CHATRADARI Unsung South African Jazz Musicians under Apartheid EDITORS Chatradari Devroop & Chris Walton UNSUNG: South African Jazz Musicians under Apartheid Published by SUN PReSS, an imprint of AFRICAN SUN MeDIA (Pty) Ltd., Stellenbosch 7600 www.africansunmedia.co.za www.sun-e-shop.co.za All rights reserved. Copyright © 2007 Chatradari Devroop & Chris Walton No part of this book may be reproduced or transmitted in any form or by any electronic, photographic or mechanical means, including photocopying and recording on record, tape or laser disk, on microfilm, via the Internet, by e-mail, or by any other information storage and retrieval system, without prior written permission by the publisher. First edition 2007 ISBN: 978-1-920109-66-9 e-ISBN: 978-1-920109-67-7 DOI: 10.18820/9781920109677 Set in 11/13 Sylfaen Cover design by Ilse Roelofse Typesetting by SUN MeDIA Stellenbosch SUN PReSS is an imprint of AFRICAN SUN MeDIA (Pty) Ltd. Academic, professional and reference works are published under this imprint in print and electronic format. This publication may be ordered directly from www.sun-e-shop.co.za Printed and bound by ASM/USD, Ryneveld Street, Stellenbosch, 7600. -
FAT – Fabulous Austrian Trio
FAT – Fabulous Austrian Trio "Alex Machacek's music starts where other music ends" sagte John McLaughlin über Alex Machacek’s Album, auf dem neben Terry Bozzio auch erstmals FAT zu hören ist, auch wenn dies FAT damals noch nicht bewusst war. FAT, kurz für Fabulous Austrian Trio, formierte sich 2004, dem Jahr, in dem Europas „Guitar Newcomer 98“ von Wien nach Los Angeles auswanderte. Alex nutzte seine Europareisen als Lebenserhaltungsmaßnahme für die Band und 2010 veröffentlichten sie ihr erstes Album „FAT“. Bei den BMW World Jazz Awards 2015 staubten sie den 2. Platz ab und mit “Living the Dream” setzten Alex Machacek, Bassist Raphael Preuschl und Schlagzeuger Herbert Pirker noch eins drauf. Das Zusammentreffen der Band in LA 2016 wurde nicht nur zum Proben, Recorden und Tischtennis spielen genutzt, FAT konzertierte auch im legendären Baked Potato. Im letzten Sommer gastierten sie unter anderem beim OutreachFestival, dem Jazz Festival Leibnitz und dem Bayrischen Rundfunk. Das neue Album ist bereits mitten im Entstehungsprozess und im Februar verschlägt es FAT wieder über den Atlantik zur „Cruise to the Edge“. "Maybe it's the inevitable wisdom of age, with Machacek now in his early 40s, but as impressive as "Living the Dream" is, and as much as it fits comfortably in his overall discography, it's the album where, despite its many twists and turns, harmonic, melodic and rhythmic surprises, and the evolving chemistry of FAT, it's also the album where all three musicians come together with a sense of nothing left to prove. And it's that very comfort level with each other, and that very feeling of maturity that makes "Living the Dream" an even better record than the superb "FAT"...and one of the very best in Machacek's growing discography." John Kelman/AllAboutJazz "Alex Machacek's music starts where other music ends" John McLaughlin's reaction to "[sic]" Alex Europareisen wurden zur Lebenserhaltungsmaßnahme für das Trio und so reifte genug Material für das erste Album der Band “FAT” (2010). -
BMW Welt Jazz Award 2015 Finalists Announced FAT – Fabulous Austrian Trio and Manu Codjia Trio Nominated for Final Concert and Award Ceremony on April 18
Corporate Communications Media Information March 24, 2015 BMW Welt Jazz Award 2015 finalists announced FAT – Fabulous Austrian Trio and Manu Codjia Trio nominated for final concert and award ceremony on April 18 Munich. The Austrian trio FAT – Fabulous Austrian Trio and the French trio around Manu Codjia are the two finalists of the BMW Welt Jazz Award 2015. A panel of expert jurors nominated both ensembles for the grand finale on April 18, 2015, held at the auditorium of BMW Welt. After the final concert, the winning trio will receive a prize of 10,000 Euro while the runner-up will receive 5,000 Euro. In addition, the audience award will be presented. Following this year’s motto “Playing my Guitar”, six renowned jazz ensembles presented their talents to a full house during the Sunday-morning matinees between January and March. With this year, the international competition has entered its seventh season. The Finalists FAT – Fabulous Austrian Trio (Austria) Guitarist Alex Machacek has been living in the USA for more than ten years. Born in Vienna, this 42 year old continues to cultivate his Austrian heritage as part of the “Fabulous Austrian Trio”. With bassist Raphael Preuschl and drummer Herbert Pirker the trio’s work centres on Jazz-Rock inspired by World Music. Machacek began playing classical guitar at age eight before venturing into the world of rock and jazz. At 16, he began studying jazz guitar at the conservatory of Vienna and continued his studies at the Berklee College of Music in Boston. In addition to John Scofield and Allan Holdsworth, Machacek cites Frank Zappa as his most important source of inspiration. -
The Bad Ass Pulse by Martin Longley
December 2010 | No. 104 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com The THE Bad Ass bad Pulse PLUS Mulgrew Miller • Microscopic Septet • Origin • Event Calendar Many people have spoken to us over the years about the methodology we use in putting someone on our cover. We at AllAboutJazz-New York consider that to be New York@Night prime real estate, if you excuse the expression, and use it for celebrating those 4 musicians who have that elusive combination of significance and longevity (our Interview: Mulgrew Miller Hall of Fame, if you will). We are proud of those who have graced our front page, lamented those legends who have since passed and occasionally even fêted 6 by Laurel Gross someone long deceased who deserved another moment in the spotlight. Artist Feature: Microscopic Septet But as our issue count grows and seminal players are fewer and fewer, we must expand our notion of significance. Part of that, not only in the jazz world, has by Ken Dryden 7 been controversy, those players or groups that make people question their strict On The Cover: The Bad Plus rules about what is or what is not whatever. Who better to foment that kind of 9 by Martin Longley discussion than this month’s On The Cover, The Bad Plus, only the third time in our history that we have featured a group. This tradition-upending trio is at Encore: Lest We Forget: Village Vanguard from the end of December into the first days of January. 10 Bill Smith Johnny Griffin Another band that has pushed the boundaries of jazz, first during the ‘80s but now with an acclaimed reunion, is the Microscopic Septet (Artist Feature). -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Western Cape Jazz Legends
Western Cape Jazz Legends Foreword The Western Cape Jazz legends which unveiled on 17 March 2011 pays homage to the rich jazz heritage of the Western Cape. The publishing of the Western Cape Jazz Legends Booklet gives a wider audience access to an appreciation of the contribution of these musicians who often plied their trade under the most difficult circumstances and with very little material reward. The short biographies are informed by existing literature and interviews conducted with family members. The list is by no means comprehensive but it does indicate our resolve to give homage, to acknowledge, to preserve and to promote the rich musical heritage of the Western Cape. Documenting our musical history not only ensures that the impact of the role of these legends on the musical landscape of the Western Cape is captured for posterity, but also that their stories serve as a source of inspiration to aspiring musicians. This booklet represents an important step towards the building of a socially inclusive Western Cape. These Jazz Legends united us around our common love for music and the unique sounds of Cape Town Jazz. Let’s celebrate their achievement and resolve that we will continue to build on this initiative to acknowledge our musicians who created musical melodies which filled us with joy, often leaving us in awe of their amazing talent and with a deep sense of self-worth and cultural warmth. Dr IH Meyer Minister of Cultural Affairs and Sport Western cape Government. Western Cape Jazz Legends 1 2 Western Cape Jazz Legends IntroductIon The Department of Cultural Affairs and Sport has embedded in its vision, “… A socially cohesive and creative Western Cape.” The arts and culture component of the department has embraced this vision and the Western Cape Jazz Legends project is reflective thereof. -
Robby Valentine Topper Tobt Epica Gothic Met Goddelijke Tik
TIJDSCHRIFT OVER PROGRESSIEVE ROCKMUZIEK verschijnt 7 keer per jaar, 12e jaargang december 2007, losse exemplaren 5 io pa g e s 7 7 RITUAL EN KAIPA PATRIK LUNDSTRÖM ZINGT ROBBY VALENTINE TOPPER TOBT EPICA GOTHIC MET GODDELIJKE TIK ‘REMSLAAP’ ONTWAAKT RIVERSIDE VERDER: NOVEMBRE, ISOPODA, KRAMER, RUSH 'IN CONCERT' COLOFON 3 UITGEVER Stichting iO Postbus 67 Paradoxale slaap 2678 ZH De Lier (tevens adres abonnementen administratie) fax: 0174-511213 e-mail: [email protected] website: www.iopages.nl ABONNEMENTEN Iedereen kent tijdens de slaap Lundström tot het schrijven van Een jaarabonnement kost per nacht gemiddeld vier of het prachtige nieuwe album The 31,00 binnen Nederland, resp. 39,00 voor de rest van Europa en vijf zogenoemde ‘remperiodes’. Die Hemulic Voluntary Band. De Zweed 49,50 buiten Europa. duren ongeveer twintig minuten per keer is zowel in de formatie Ritual als Kaipa het Nieuwe abonnees ontvangen de en het zijn de tijden dat je meestal behoor- gezicht van de band. Sprookjesachtige prog- uitgave van de maand volgend lijk droomt. ‘Rem’ staat voor Rapid Eye gy folkrock zoals we dat graag horen. Deze op de maand van aanmelding. Movement (snelle oogbeweging) en wordt klanken stimuleren tot wegdromen, even Adreswijzigingen dienen 4 weken ook wel paradoxale slaap genoemd. Die uit de heksenketel van het dagelijkse leven. tevoren te worden doorgegeven. (naar bovenstaand adres van uit- schijnbare tegenstelling heeft te maken met Tegelijkertijd zijn er diepere boodschappen gever of via e-mail). Vermeld altijd een grote hersenactiviteit en een maximale verborgen. Doet het toch weer een beroep je volledige naam en adres. ontspanning van de spieren. -
Music to Move the Masses: Protest Music Of
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Music to Move the Masses: Protest Music of the 1980s as a Facilitator for Social Change in South Africa. Town Cape of Claudia Mohr University Dissertation submitted in partial fulfilment of the requirements for the degree of Masters of Music, University of Cape Town. P a g e | 1 A project such as this is a singular undertaking, not for the faint hearted, and would surely not be achieved without help. Having said this I must express my sincere gratitude to those that have helped me. To the University of Cape Town and the National Research Foundation, as Benjamin Franklin would say ‘time is money’, and indeed I would not have been able to spend the time writing this had I not been able to pay for it, so thank you for your contribution. To my supervisor, Sylvia Bruinders. Thank you for your patience and guidance, without which I would not have been able to curb my lyrical writing style into the semblance of academic writing. To Dr. Michael Drewett and Dr. Ingrid Byerly: although I haven’t met you personally, your work has served as an inspiration to me, and ITown thank you. -
Mannenberg": Notes on the Making of an Icon and Anthem1
African Studies Quarterly | Volume 9, Issue 4 | Fall 2007 "Mannenberg": Notes on the Making of an Icon and Anthem1 JOHN EDWIN MASON Abstract: Abdullah Ibrahim's [Dollar Brand] composition "Mannenberg" was an instant hit, when it was released on the 1974 album, Mannenberg is Where It's Happening. This paper shows that the song is a product of Ibrahim's efforts to find an authentically South African mode of expression within the jazz tradition, blending South African musical forms -- marabi, mbaqanga, and langarm--with American jazz-rock fusion. It quickly became an icon of South African jazz, defining the genre both within the country and overseas. At the same time, the South African coloured community invested the song with their own meaning, transforming it into an an icon of their culture and of themselves. In the 1980s, "Mannenberg" had a second life as an anthem of the struggle against apartheid. Some called it South Africa's "unofficial national anthem." Once again, the song acquired a new meaning, this time through the efforts of musicians, especially Basil Coetzee and Robbie Jansen, who made it the musical centerpiece of countless anti- apartheid rallies and concerts. As the paper traces this narrative, it is constantly aware of the profound influence of African-American culture and political thought on Ibrahim and the coloured community as a whole. Introduction On a winter's day in 1974, a group of musicians led by Abdullah Ibrahim (or Dollar Brand, as most still knew him) entered a recording studio on Bloem Street, in the heart of Cape Town, and emerged, hours later, having changed South African music, forever. -
Documentaires Adultes
1/19 Comité Musique - Hiver 2010 Jazz Ayalqem tedengo ; Jawa jawa ; Kokob... [etc] / Akale Wube - Clapson, 2010 [1.3 AKA 71] Jazz groove éthiopien - France Akalé Wubé (ma jolie en Amahrique) est un groupe parisien, né en 2009, qui explore les trésors du jazz-groove éthiopien des années 60/70. Il ne vous propose pas un ersatz d’ethio-jazz mais fait fi des clichés. Avec beaucoup de sincérité et en mélangeant tradition éthiopienne et idiomes afro, Akalé prend le risque d’inventer l’ethio-parisian-jazz et y réussit parfaitement. > Accéder à la notice The way of the world / Mose Allison - Anti, 2010 [1.3 ALL 4] Jazz vocal - USA Après 8 ans d'absence, Mose Allison revient avec un album synonyme d'une nouvelle jeunesse. Entouré de nouveaux musiciens, il vient ajouter à son song-writing habituel, des harmonies enrichies de saxophone et de guitare comme jamais auparavant. Il retrouve tout ce qui faisait l’essence de sa musique: l’esprit, l’humour, la candeur, le Blues, et puis un jeu de piano un peu foutraque entre Bud Powell et Thelonious Monk… > Accéder à la notice Suite for Tina Modotti / Francesco Bearzatti Tinissima quartet - Parco Della Musica, 2010 [1.3 BEA 62] Quartet – Saxophone – Trompette – Clarinette - Italie Francesco Bearzatti (sax, cla) écrit une biographie musicale de Tina Modotti (1896-1940). Comédienne, photographe et militante politique révolutionnaire ; femme fatale aventurière, femme-monument au sang chaud, passionaria et muse. Sa vie foisonnante a inspiré le quartet dont le son est excessivement cohérent, brut et riche. Cette suite résolument chronologique où chaque morceau fait écho à une période-phare de la vie de l’artiste. -
Guitar Instruction & Technique
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Downbeat.Com January 2016 U.K. £3.50
JANUARY 2016 U.K. £3.50 DOWNBEAT.COM DOWNBEAT LIZZ WRIGHT • CHARLES LLOYD • KIRK KNUFFKE • BEST ALBUMS OF 2015 • JAZZ SCHOOL JANUARY 2016 january 2016 VOLUME 83 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: