Jazz Guitarists
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
2020 May June Newsletter
MAY / JUNE NEWSLETTER CLUB COMMITTEE 2020 CONTENT President Karl Herman 2304946 President Report - 1 Secretary Clare Atkinson 2159441 Photos - 2 Treasurer Nicola Fleming 2304604 Club Notices - 3 Tuitions Cheryl Cross 0275120144 Jokes - 3-4 Pub Relations Wendy Butler 0273797227 Fundraising - 4 Hall Mgr James Phillipson 021929916 Demos - 5 Editor/Cleaner Jeanette Hope - Johnstone Birthdays - 5 0276233253 New Members - 5 Demo Co-Ord Izaak Sanders 0278943522 Member Profile - 6 Committee: Pauline Rodan, Brent Shirley & Evelyn Sooalo Rock n Roll Personalities History - 7-14 Sale and wanted - 15 THE PRESIDENTS BOOGIE WOOGIE Hi guys, it seems forever that I have seen you all in one way or another, 70 days to be exact!! Bit scary and I would say a number of you may have to go through beginner lessons again and also wear name tags lol. On the 9th of May the national association had their AGM with a number of clubs from throughout New Zealand that were involved. First time ever we had to run the meeting through zoom so talking to 40 odd people from around the country was quite weird but it worked. A number of remits were discussed and voted on with a collection of changes mostly good but a few I didn’t agree with but you all can see it all on the association website if you are interested in looking . Also senior and junior nationals were voted on where they should be hosted and that is also advertised on their website. Juniors next year will be in Porirua and Seniors will be in Wanganui. -
El Jazz Europeu Dels ?Gypsy Swing Summit, Al Centre Cultural Terrassa
Cultura i mitjans | Redacció | Actualitzat el 21/03/2017 a les 11:00 El jazz europeu dels ?Gypsy Swing Summit, al Centre Cultural Terrassa El concert de dijous, que forma part de la programació del 36è Festival de Jazz de Terrassa, compta amb cinc magnífics de l'escena francesa actual i la col·laboració especial del màxim exponent del ?gypsy swing? a casa nostra, el mallorquí Biel Ballester Sébastien Giniaux. | CCT Els grans solistes del jazz manouche contemporani, Ludovic Beier, Costel Nitescu, Sébastien Giniaux, Biel Ballester, Antonio Licusati i Philippe "Doudou" Cuillerier, presenten una soirée gitane al Centre Cultural Terrassa. Una proposta de jazz d'origen francès conegut també com jazz manouche, creada als anys 20 per Django Reinhardt i Stéphane Grappelli del Hot Club de France. Acordió, guitarres, violí i contrabaix confereixen una sonoritat especial que agermana la música clàssica europea i el jazz de manera magistral i única. Sis solistes de ?jazz manouche Ludovic Beier està dotat d'una tècnica excepcional, ha portat l'acordió per nous camins, a més de treballar amb els grans noms de l'escola gypsy manouche com Angelo Debarre, Dorado Schmitt, Costel Nitescu o Florin Niculescu. Ha efectuat gires pels Estats Units on ha tingut l'ocasió de tocar amb músics com Paquito d'Rivera, Joe Lovano i James Carter, o de presentar-se al Carnegie Hall amb Toots Thielemans. El violinista d'origen romanès Costel Nitescu és un virtuós de formació clàssica i està considerat un dels millors violinistes de jazz en actiu. Deixeble declarat del llegendari -
Wk 18 – 1961 May 1 – USA Top 100
Wk 18 – 1961 May 1 – USA Top 100 1 1 9 RUNAWAY Del Shannon 2 3 6 MOTHER-IN-LAW Ernie K-Doe 3 7 8 I'VE TOLD EVERY LITTLE STAR Linda Scott 4 6 7 A HUNDRED POUNDS OF CLAY Gene McDaniels 5 2 9 BLUE MOON Marcels 6 4 11 BUT I DO Clarence Frogman Henry 7 9 8 TAKE GOOD CARE OF HER Adam Wade 8 10 9 ONE MINT JULEP Ray Charles 9 8 6 YOU CAN DEPEND ON ME Brenda Lee 10 5 9 ON THE REBOUND Floyd Cramer 11 17 9 PORTRAIT OF MY LOVE Steve Lawrence 12 14 9 BABY BLUE Echoes 13 16 8 TONIGHT MY LOVE TONIGHT Paul Anka 14 11 15 APACHE Jorgen Ingmann 15 20 6 DADDY'S HOME Shep & The Limelites 16 21 3 BREAKIN' IN A BRAND NEW BROKEN HEART Connie Francis 17 28 9 TONIGHT I FELL IN LOVE Tokens 18 42 3 MAMA SAID Shirelles 19 34 3 FLAMING STAR Elvis Presley 20 12 10 PLEASE LOVE ME FOREVER Cathy Jean & The Roommates 21 15 11 ASIA MINOR Kokomo 22 18 14 DON'T WORRY Marty Robbins 23 26 8 JUST FOR OLD TIME'S SAKE McGuire Sisters 24 38 4 RUNNING SCARED Roy Orbison 25 19 11 SURRENDER Elvis Presley 26 33 6 BUMBLE BOOGIE B. Bumble & The Stingers 27 13 19 DEDICATED TO THE ONE I LOVE Shirelles 28 79 2 MESS AROUND Chubby Checker 29 30 6 FUNNY Maxine Brown 30 23 15 PONY TIME Chubby Checker 31 39 5 WHAT'D I SAY Jerry Lee Lewis 32 35 4 FROGG Brothers Four 33 58 5 BONANZA Al Caiola 34 71 2 TRAVELLIN' MAN Ricky Nelson 35 31 6 TENDERLY Bert Kaempfert 36 55 3 GIRL OF MY BEST FRIEND Ral Donner & The Starfires 37 47 5 THE CONTINENTAL WALK Hank Ballard 38 54 4 SAVED LaVern Baker 39 62 4 FOUR WALLS Faron Young 40 44 7 SOME KIND OF WONDERFUL Drifters 41 51 6 I'M IN THE MOOD FOR LOVE Chimes -
JUKEBOX JAZZ by Ian Muldoon* ______
JUKEBOX JAZZ by Ian Muldoon* ____________________________________________________ n 1955 Bill Haley’s Rock Around the Clock was the first rock and roll record to become number one on the hit parade. It had made a stunning introduction in I the opening moments to a film called Blackboard Jungle. But at that time my favourite record was one by Lionel Hampton. I was not alone. Me and my three jazz loving friends couldn’t be bothered spending hard-earned cash on rock and roll records. Our quartet consisted of clarinet, drums, bass and vocal. Robert (nickname Orgy) was learning clarinet; Malcolm (Slim) was going to learn drums (which in due course he did under the guidance of Gordon LeCornu, a percussionist and drummer in the days when Sydney still had a thriving show scene); Dave (Bebop) loved the bass; and I was the vocalist a la Joe (Bebop) Lane. We were four of 120 RAAF apprentices undergoing three years boarding school training at Wagga Wagga RAAF Base from 1955-1957. Of course, we never performed together but we dreamt of doing so and luckily, dreaming was not contrary to RAAF regulations. Wearing an official RAAF beret in the style of Thelonious Monk or Dizzy Gillespie, however, was. Thelonious Monk wearing his beret the way Dave (Bebop) wore his… PHOTO CREDIT WILLIAM P GOTTLIEB _________________________________________________________ *Ian Muldoon has been a jazz enthusiast since, as a child, he heard his aunt play Fats Waller and Duke Ellington on the household piano. At around ten years of age he was given a windup record player and a modest supply of steel needles, on which he played his record collection, consisting of two 78s, one featuring Dizzy Gillespie and the other Fats Waller. -
Musica Jazz Autore Titolo Ubicazione
MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
FAT – Fabulous Austrian Trio
FAT – Fabulous Austrian Trio "Alex Machacek's music starts where other music ends" sagte John McLaughlin über Alex Machacek’s Album, auf dem neben Terry Bozzio auch erstmals FAT zu hören ist, auch wenn dies FAT damals noch nicht bewusst war. FAT, kurz für Fabulous Austrian Trio, formierte sich 2004, dem Jahr, in dem Europas „Guitar Newcomer 98“ von Wien nach Los Angeles auswanderte. Alex nutzte seine Europareisen als Lebenserhaltungsmaßnahme für die Band und 2010 veröffentlichten sie ihr erstes Album „FAT“. Bei den BMW World Jazz Awards 2015 staubten sie den 2. Platz ab und mit “Living the Dream” setzten Alex Machacek, Bassist Raphael Preuschl und Schlagzeuger Herbert Pirker noch eins drauf. Das Zusammentreffen der Band in LA 2016 wurde nicht nur zum Proben, Recorden und Tischtennis spielen genutzt, FAT konzertierte auch im legendären Baked Potato. Im letzten Sommer gastierten sie unter anderem beim OutreachFestival, dem Jazz Festival Leibnitz und dem Bayrischen Rundfunk. Das neue Album ist bereits mitten im Entstehungsprozess und im Februar verschlägt es FAT wieder über den Atlantik zur „Cruise to the Edge“. "Maybe it's the inevitable wisdom of age, with Machacek now in his early 40s, but as impressive as "Living the Dream" is, and as much as it fits comfortably in his overall discography, it's the album where, despite its many twists and turns, harmonic, melodic and rhythmic surprises, and the evolving chemistry of FAT, it's also the album where all three musicians come together with a sense of nothing left to prove. And it's that very comfort level with each other, and that very feeling of maturity that makes "Living the Dream" an even better record than the superb "FAT"...and one of the very best in Machacek's growing discography." John Kelman/AllAboutJazz "Alex Machacek's music starts where other music ends" John McLaughlin's reaction to "[sic]" Alex Europareisen wurden zur Lebenserhaltungsmaßnahme für das Trio und so reifte genug Material für das erste Album der Band “FAT” (2010). -
NEW ALBUM RELEASE - SIX & SIX | Swing to Bop
NEW ALBUM RELEASE - SIX & SIX | Swing to Bop In 2019 RÊVE BOHÈME released their sixth album on the Norwegian Gypsy Jazz label Hot Club Records. As the album title refers to, RÊVE BOHÈME has picked SIX lesser-known swing compositions from their hero DJANGO REINHARDT and matched them with SIX bebop standards that Django loved to play! All the songs on the album have the characteristic acoustic sound of RÊVE BOHÈME and with their modern and dynamic interpretation of these classic songs RÊVE BOHÈME makes an exiting contribution to the contemporary Gypsy Jazz-scene today. SIX & SIX | Swing to Bop was recorded in one studio session with RÊVE BOHÈME having fun and playing live, choosing mostly “first takes” of the recorded material – so this album is a must for all Django-enthusiasts and Gypsy Jazz lovers! Line-up: Jens Fuglsang (lead guitar), Finn Poulsen (harmonica) Robert Pilgaard (rhythm guitar), Jesper Riis (double bass) The band / The story - www.reve.dk Rêve Bohème is from Denmark but played their first concert at the gypsy jazz restaurant Bistro d'Eustache in Paris, 1998. Since then they have been touring and playing clubs and festivals in Norway, Sweden, Finland, France, England, Germany, Holland, Greece and Poland. The band have played and performed with international gypsy jazz artists such as Dorado Schmidt, Robin Nolan, Andreas Öberg, Jon Larsen & HCN, Gustav Lundgren, Basily, Paulus Schäfer, Angelo Debarre, Gary Potter, Biel Ballester, Mozes Rosenberg - and many others. Over the years Rêve Bohème have recorded in different line-ups and musical settings. Their fusion between the Nordic and South- European traditions have always created a unique musical universe which can be heard on their five previous albums: Django goes North 2012 (Calibrated), Café Django 2009 (Calibrated), Best of Rêve Bohème 2007 (Hot Club Records), Django’s Dream 2005 (Calibrated) and Django Jalousie 2002 (Cope). -
Louis Jordan Let the Good Times Roll
08 Somebody Done Changed The Lock On My Door 23 Don’t Worry ‘Bout That Mule (Wild Bill Davis, 02 Saturday Night Fish Fry (Louis Jordan, Ellis Walsh) 5:24 LOUIS JORDAN (Casey Bill Weldon) 3:13 Duke Groaner, Fleecy Moore, Charlie Stewart) 2:06 09 Hungry Man (Bobby Troup) 3:05 11 What’s The Use Of Gettin’ Sober (Busby Meyers) 2:46 New York, 18 luglio 1945 New York, 9 agosto 1949 LET THE GOOD TIMES ROLL 12 I’m Gonna Leave You On The Outskirts Of Town Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), Aaron Izenhall, Bob Mitchell, Harold Mitchell (tr.), Louis Jordan (alto, (Louis Jordan) 2:53 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins voc.), Josh Jackson (ten.), Bill Doggett (p.), James «Ham» Jackson 13 Five Guys Named Moe (Jerry Bresler, Larry Wynn) 2:56 (cb.), Eddie Byrd (batt.). (chit.), Billy Hadnott (cb.), Christopher Columbus (batt.). 21 It’s A Low-Down Dirty Shame (Ollie Shepard) 2:46 Chicago, 21 luglio 1942 16 Ain’t That Just Like A Woman (Claude Demetrius, 17 Fat Sam From Birmingham (Robert E. Dade, Eddie Roane (tr., voc.), Louis Jordan (alto, ten. voc.), Arnold Thomas Fleecy Moore) 2:50 George Williams) 2:58 (p.), Dallas Bartley (cb.), Walter Martin (batt.). 25 Beware (Dick Adams, Morry Lasco, Fleecy Moore) 2.49 New York, 5 giugno 1951 26 Choo Choo Ch’Boogie (Denver Darling, Milt Gabler, Aaron Izenhall, Emmett Perry, Bob Mitchell (tr.), Leon Comegys, Bob 01 Deacon Jones (Hy Heath, Johnny Lange, Richard Loring) 2:55 Vaughn Horton) 2:42 Burgess (trne), Louis Jordan (alto, voc.), Oliver Nelson (alto), Josh 03 Is You Is Or Is You Ain’t My Baby? (Bill Austin, New York, 23 gennaio 1946 Jackson, Reuben Phillips (ten.), Marty Flax (bar.), Jimmy Peterson Louis Jordan) 2:45 Aaron Izenhall (tr.), Louis Jordan (alto, voc.), Josh Jackson (ten.), (p.), Bill Jennings (chit.), Wild Bill Davis (org.), Bob Bushnell (cb.), Los Angeles, 4 ottobre 1943 Wild Bill Davis (p., arr.), Carl Hogan (chit.), Jesse «Po» Simpkins Christopher Columbus (batt.). -
Performers and Teachers 2015 South African
PERFORMERS AND TEACHERS 2015 SOUTH AFRICAN Keenan Ahrends (Guitar) studied jazz guitar at the University of Cape Town and the Norwegian Academy of Music. He was selected for the National Youth Jazz Band in 2006 and has collaborated with established musicians such as Andile Yenana, Afrika Mkhize, Buddy Wells and Kevin Gibson amongst others. Ahrends is a regular performer on the Cape Town music scene and has been commissioned to compose works for the Goema Orchestra and regularly per- forms original compositions with his own Trio and Quartet. www.soundcloud.com/keenan-ahrends Alistair Andrews (Bass) lectured Music Technology at UCT, and is involved in the Music Education and Apple Mac and Music Technology department at Paul Bothner Music. As a Warwick-endorsed bass player, he has been a regular on the Cape Town and South African jazz scene for almost 30 years, performing with many of South Africa’s top musi- cians in numerous settings. www.alistair.co.za www.myspace.com/alistairandrews Kelly Bell (Trombone) was selected for the National Youth Big Band in 2002 and 2003. She teaches Music at Sans Souci in Cape Town, where she conducts the Jazz Band. Justin Bellairs (Sax) was selected for the National Schools’ Jazz Band in 2007 and National Youth Jazz Band in 2009 and 2012. He studied jazz at the UCT College of Music, spent a year at The Norwegian Academy of Music in Oslo and obtained a Masters degree in music performance from Rhodes University. He now performs professionally in a variety of musical productions and shows including the Cape Philharmonic Orchestra, Mike Campbell Big Band, Kesivan & The Lights and The Shane Cooper Quintet. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black