GCSE 2009 Specification
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Edexcel GCSE English Literature
GCSE ENGLISH LIT POETRY CLASHES AND COLLISIONS The Exam Structure You will answer two questions on poetry. The exam will last one hour and forty-five minutes and is worth 25% of your total GCSE. The exam is divided into two sections: Section A: Unseen Poetry Section B: Anthology Poems • You will answer 1 question in 2 parts. • You will be presented with a • Each part is worth 15 MARKS poem you have not studied. • This section is worth 30 MARKS • You read through the poem and answer the questions set. • In part (a) you will be asked a question about a named poem from the anthology This section is worth 20 MARKS collection you have studied. • In part (b) you will answer one question from a choice of two in which you will be expected to link/compare two poems. GCSE POETRY: Section B CLASHES AND COLLISIONS Foundation Tier Mark Scheme Section B: Anthology Poems: Part (a) questions Band Mark AO2: Explain how language, structure and form contribute to writer’s presentation of ideas, themes and settings • Little explanation of how the writer conveys his thoughts & feelings. 1 1-3 • Little relevant connection made between the presentation of thoughts & feelings and the language used. • Little relevant textual reference to support response. • Limited explanation of how the writer conveys his thoughts & feelings to create effect. • Limited relevant connection made between the presentation of thoughts & feelings and 2 4-6 the language used. • Limited relevant textual reference to support response. • Some explanation of how the writer conveys his thoughts & feelings to create effect. -
Lyric Provinces in the English Renaissance
Lyric Provinces in the English Renaissance Harold Toliver LYRIC PROVINCES IN THE ENGLISH RENAISSANCE Harold Toliver Poets are by no means alone in being pre pared to see new places in settled ways and to describe them in received images. Outer regions will be assimilated into dynasties, never mind the hostility of the natives. The ancient wilderness of the Mediterranean and certain biblical expectations of what burning bushes, gods, and shepherds shall exist every where encroach upon the deserts of Utah and California. Those who travel there see them and other new landscapes in terms of old myths of place and descriptive topoi; and their descriptions take on the structure, to nality, and nomenclature of the past, their language as much recollection as greeting. In Professor Toliver's view, the concern of the literary historian is with, in part, that ever renewed past as it is introduced under the new conditions that poets confront, and is, therefore, with the parallel movement of liter ary and social history. Literature, he reminds us, is inseparable from the rest of discourse (as the study of signs in the past decade has made clearer), but is, nevertheless, distinct from social history in that poets look less to common discourse for their models than to specific literary predecessors. Careful observ ers of place, they seek to bring what is distinct and valuable in it within some sort of verbal compass and relationship with the speaker. They bring with them, however, formulas and tf > w if a loyalty to a cultural heritage that both com plicate and confound the lyric address to place. -
Poetry Library
Poetry Library All your ‘Poems of the Week’ in one collection w/c 14.05.20 Atlas by U.A Fanthorpe There is a kind of love called maintenance Which stores the WD40 and knows when to use it; Which checks the insurance, and doesn’t forget The milkman; which remembers to plant bulbs; Which answers letters; which knows the way The money goes; which deals with dentists And Road Fund Tax and meeting trains, And postcards to the lonely; which upholds The permanently ricketty elaborate Structures of living, which is Atlas. And maintenance is the sensible side of love, Which knows what time and weather are doing To my brickwork; insulates my faulty wiring; Laughs at my dryrotten jokes; remembers My need for gloss and grouting; which keeps My suspect edifice upright in air, As Atlas did the sky. w/c 21.05.20 This week we've chosen a couple of poems written by Dorset HealthCare colleagues. The first is by Suzie Thomas after undergoing an operation and she'd like to dedicate it to all the frontline staff who are putting themselves in harms way for the rest of us. The second is by Adele Sales, imagining the world on the other side of the pandemic. Walking Angels (NHS) by Suzie Thomas, E-procurement Co-ordinator If only there were people who toiled and cared for everyone out there? If only there were people who at our darkest moments of turmoil and fear were there to care? People who would tuck you in bed with love and compassion Even though they’d been dashing to another, even though they themselves are crashing. -
The Elements of Poet :Y
CHAPTER 3 The Elements of Poet :y A Poetry Review Types of Poems 1, Lyric: subjective, reflective poetry with regular rhyme scheme and meter which reveals the poet’s thoughts and feelings to create a single, unique impres- sion. Matthew Arnold, "Dover Beach" William Blake, "The Lamb," "The Tiger" Emily Dickinson, "Because I Could Not Stop for Death" Langston Hughes, "Dream Deferred" Andrew Marvell, "To His Coy Mistress" Walt Whitman, "Out of the Cradle Endlessly Rocking" 2. Narrative: nondramatic, objective verse with regular rhyme scheme and meter which relates a story or narrative. Samuel Taylor Coleridge, "Kubla Khan" T. S. Eliot, "Journey of the Magi" Gerard Manley Hopkins, "The Wreck of the Deutschland" Alfred, Lord Tennyson, "Ulysses" 3. Sonnet: a rigid 14-line verse form, with variable structure and rhyme scheme according to type: a. Shakespearean (English)--three quatrains and concluding couplet in iambic pentameter, rhyming abab cdcd efe___~f gg or abba cddc effe gg. The Spenserian sonnet is a specialized form with linking rhyme abab bcbc cdcd ee. R-~bert Lowell, "Salem" William Shakespeare, "Shall I Compare Thee?" b. Italian (Petrarchan)--an octave and sestet, between which a break in thought occurs. The traditional rhyme scheme is abba abba cde cde (or, in the sestet, any variation of c, d, e). Elizabeth Barrett Browning, "How Do I Love Thee?" John Milton, "On His Blindness" John Donne, "Death, Be Not Proud" 4. Ode: elaborate lyric verse which deals seriously with a dignified theme. John Keats, "Ode on a Grecian Urn" Percy Bysshe Shelley, "Ode to the West Wind" William Wordsworth, "Ode: Intimations of Immortality" Blank Verse: unrhymed lines of iambic pentameter. -
CEA 5Th Edition.Indb
Dallas, Texas Copyright © 1998-2012 by Michael Degen, Ph.D. No portions of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission from the publisher. Fifth Edition First Printing 2012 Telemachos Publishing PO Box 460387 Garland, TX 75046-0387 www.telemachospublishing.com Library of Congress Catalog Card Number: 2012935699 ISBN: 978-0-9853849-0-6 For my teacher and friend Sarah Greer Bush who not only taught me how to write, to examine language, and to admire well-crafted prose, but also taught me how to teach students—working with young writers individually, showing them how to improve sentences, paragraphs, and papers. Each time I meet with a student I remember Sarah’s gift— hours at her kitchen table and office desk explaining, guiding, and shaping my knowledge of prose. TABLE OF CONTENTS FOREWORD TO TEACHERS: ARGUMENTS AND APPROACHES Definition of Expository Argument ................................................................................................9 Quick Overview: What This Book Is About ....................................................................................9 Four Key Teaching Concepts ........................................................................................................10 Teaching Expository Argument ....................................................................................................10 Teacher’s Role ................................................................................................................................11 -
Gcse English Literature (8702)
GCSE ENGLISH LITERATURE (8702) Past and present: poetry anthology For exams from 2017 Version 1.0 June 2015 AQA_EngLit_GCSE_v08.indd 1 31/07/2015 22:14 AQA GCSE English Literature Past and present: poetry anthology All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing on any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the publisher, except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of the licence issued by the Copyright Licensing Agency. Notice to teachers: It is illegal to reproduce any part of this work in material form (including photocopying and electronic storage) except under the following circumstances: i) where you are abiding by a licence granted to your school or institution by the Copyright Licensing Agency; ii) where no such licence exists, or where you wish to exceed the terms of a licence, and you have gained the written permission of The Publishers Licensing Society; iii) where you are allowed to reproduce without permission under the provisions of Chapter 3 of the Copyright, Designs and Patents Act 1988. Photo permissions 5 kieferpix / Getty Images, 6 Georgios Kollidas/Fotolia, 8 Georgios Kollidas/Fotolia, 9 Georgios Kollidas/Fotolia, 11 Georgios Kollidas/Fotolia, 12 Photos.com/Thinkstock, 13 Stuart Clarke/REX, 16 culture-images/Lebrecht, 16,© Pictorial Press Ltd/Alamy, 17 Topfoto.co.uk, 18 Schiffer-Fuchs/ullstein -
Robert Browning (1812–1889) Robert Browning Was a Romantic Poet in Great Effect When Disclosing a Macabre Or Every Sense of the Word
THE GREAT Robert POETS Browning POETRY Read by David Timson and Patience Tomlinson NA192212D 1 How They Brought the Good News from Ghent to Aix 3:49 2 Life in a Love 1:11 3 A Light Woman 3:42 4 The Statue and the Bust 15:16 5 My Last Duchess 3:53 6 The Confessional 4:59 7 A Grammarian’s Funeral 8:09 8 The Pied Piper of Hamelin 7:24 9 ‘You should have heard the Hamelin people…’ 8:22 10 The Lost Leader 2:24 11 Soliloquy of the Spanish Cloister 3:55 12 The Laboratory 3:40 13 Porphyria’s Lover 3:47 14 Evelyn Hope 3:49 15 Home Thoughts from Abroad 1:19 16 Pippa’s Song 0:32 Total time: 76:20 = David Timson = Patience Tomlinson 2 Robert Browning (1812–1889) Robert Browning was a romantic poet in great effect when disclosing a macabre or every sense of the word. He was an ardent evil narrative, as in The Laboratory, or The lover who wooed the poet Elizabeth Confessional or Porphyria’s Lover. Barrett despite fierce opposition from Sometimes Browning uses this matter- her tyrannical father, while as a poet – of-fact approach to reduce a momentous inheriting the mantle of Wordsworth, occasion to the colloquial – in The Keats and Shelley – he sought to show, Grammarian’s Funeral, for instance, in in the Romantic tradition, man’s struggle which a scholar has spent his life pursuing with his own nature and the will of God. knowledge at the expense of actually But Browning was no mere imitator of enjoying life itself. -
EDEXCEL INTERNATIONAL GCSE (9 –1) Student Book
2017 ©Pearson part. in or whole in Shaun Gamble, Peter Inson,Robert Taylor O’Brien, Pam Shaun Gamble,Peter JamesChristie, David Farnell, FleurFrederick, Samantha Brunner, Greg Bevan, Student Book ENGLISH LITERATURE GCSE(9 INTERNATIONAL EDEXCEL included eBook distribution or circulation resale, for Not discretion. publisher at change to subject content all –1) proof, Uncorrected 2017 ©Pearson part. in or whole EDEXCEL INTERNATIONAL GCSE (9–1) in distribution or ENGLISH LITERATURE Student Book circulation resale, Greg Bevan for Not Samantha Brunner James Christie discretion. David Farnell Fleur Frederick publisher Shaun Gamble at Peter Inson change Robert O'Brien to Pam Taylor subject content all proof, Uncorrected A01_ENGL_SB_2588_FM_CS5.indd 1 30/09/2016 10:24 iv COURSE STruCTURE 2017 2 READING 32 WRITING 60 PAPER 1 SKILLS SKILLS ©Pearson 4 TEXT ANALYSIS 34 VOCABULARY 62 READING POETRY part. 4 ◼ SKIMMING AND SCANNING 34 ◼ CHOOSING THE RIGHT 62 ◼ INTRODUCTION TO POETRY in VOCABULARY or 6 ◼ EXPLICIT AND IMPLICIT 64 ◼ MAKING SENSE OF POETRY IDEAS 36 ◼ VOCABULARY FOR EFFECT 66 ◼ FIGURATIVE LANGUAGE whole 8 ◼ POINT-EVIDENCE-EXPLAIN 38 ◼ LANGUAGE FOR DIFFERENT in (P-E-E) EFFECTS 68 ◼ CREATING MOOD, ATMOSPHERE AND EMOTION 10 ◼ EVALUATING A TEXT 70 ◼ FORM, RHYTHM AND METRE 40 SENTENCES distribution 72 ◼ UNSEEN POEMS or 12 USE OF LANGUAGE 40 ◼ SENTENCE TYPES 80 ◼ COMPARING AND LINKING 12 ◼ WORD CLASSES 42 ◼ OPENING SENTENCES POEMS 14 ◼ CONNOTATIONS 44 ◼ SENTENCES FOR EFFECTS circulation 16 ◼ DIFFERENT SENTENCE 84 POETRY ANTHOLOGY TYPES resale, 46 STruCTURE 84 ◼ ‘If–’, RUDYARD KIPLING for 20 ◼ SENTENCES FOR EFFECTS 46 ◼ PRINCIPLES OF 87 ◼ ‘PRAYER BEFORE BIRTH’, Not STRUCTURE LOUIS MACNEICE 22 FICTION TEXTS 48 ◼ PARAGRAPHING FOR 90 ◼ ‘BLESSING’, EFFECT IMITIAZ DHARKER 22 ◼ FIGURATIVE LANGUAGE discretion. -
The Representations of Trauma and Trauma Coping Strategies in Grace Nichols’S Poetry
Hacettepe University Graduate School of Social Sciences Department of English Language and Literature English Language and Literature THE REPRESENTATIONS OF TRAUMA AND TRAUMA COPING STRATEGIES IN GRACE NICHOLS’S POETRY Merve SARIKAYA-ŞEN Ph.D. Thesis Ankara, 2016 THE REPRESENTATIONS OF TRAUMA AND TRAUMA COPING STRATEGIES IN GRACE NICHOLS’S POETRY Merve SARIKAYA-ŞEN Ph.D. Thesis Ankara, 2016 iii ACKNOWLEDGMENTS I would like to express my deepest gratitude to Prof Dr Huriye REİS for her invaluable comments, attentive re-reading, tremendous support, and generous criticism she has given me throughout this study. Her keen interest, willingness to share suggestions, and faith in me have greatly contributed to the completion of this dissertation. It is owing to her that I have learned how to be a hardworking and meticulous academician. One day, I hope to become as good a supervisor as she has been to me. I also would like to express my gratitude to Prof Dr Burçin EROL for her endless support and faith in me throughout my graduate studies at Hacettepe University. With her grace, energy, and endless expertise, she has always been one of the most important figures in my life—both academic and otherwise. I am also indebted to Prof Dr Susana ONEGA for her kind permission to carry out research work at Zaragoza University, Spain. She has always been willing to read and discuss this study. I would like to thank her warmly for her inspiring suggestions, feedback, and generosity throughout. Prof Dr Burçin EROL, Assoc. Prof Dr Hande SEBER, Assoc. Prof Dr Nurten BİRLİK, and Assist. -
Mack, S. 2010.Pdf
Family Album (a collection of poetry), and lA Drift of Many-Hued Poppies in the Pale Wheatfield of British Publishing': Black British Women Poets 1978 - 2008 Sheree Mack A thesis submitted in partial fulfilment of the requirements of Newcastle University for the degree of Doctor of Philosophy February 2010 NEWCASTLE UNIVERSITY LIBRARY ---------------------------- 208 30279 h Contents Abstract Acknowledgements Family Album, a collection of poetry 1 The Voice of the Draft 49 Dissertation: 'A Drift of Many-Hued Poppies in the Pale Wheatfield of 54 British Publishing': Black British Women Poets 1978 - 2008 Introduction 55 Linking Piece: 'she tries her tongue' 1 72 Chapter One: Introducing Black Women Writers to Britain 76 Linking Piece: 'she tries her tongue' 2 102 Chapter Two: Black Women Insist On Their Own Space 105 Linking Piece: 'she tries her tongue' 3 148 Chapter Three: Medusa Black, Red, White and Blue 151 The Voice of the Tradition 183 Chapter Four: Conclusion 189 Linking Piece: 'she tries her tongue' 4 194 Select Bibliography 197 Abstract The thesis comprises a collection of poems, a dissertation and a series of linking pieces. Family Album is a portfolio of poems concerning the themes of genealogy, history and family. It also explores the use of devices such as voice, the visual, the body and place as an exploration of identity. Family Album includes family elegies, narrative poems and commissioned work. The dissertation represents the first study of length about black women's poetry in Britain. Dealing with a historical tradition dating back to the eighteenth century, this thesis focuses on a recent selection of black women poets since the late 1970s. -
Subject Guidance for Accessing Remote Learning
Subject Guidance for Accessing Remote Learning ACE Continue with your GPQ (Goffs Project Qualification) You should ensure you have the following steps completed: 1. Question (that focuses closely on a specific topic) 2. A clear plan of how you will break the question down in order to answer it fully 3. A selection of reliable sources of information 4. Begin to write! Attempt one of the two questions on the ACE programme remote learning sheet. Should you like to write your own question, please run it by Mr Ashdown. Below are a selection of enquiry questions you may choose to research and answer. These tasks are designed to CHALLENGE you and to help you develop important transferrable skills as you research relevant, reliable sources to present your opinion and evaluate the facts. • Could we live with dinosaurs if they existed now? • Are we the only life form in the universe? Students may also continue with their GPQ (Goffs Project Qualification). Structure • You must present your work with a RANGE of relevant research - do not just look at the first website on Google! • Ensure your work is supported by facts, not unfounded opinions. You can include opinions from reputable websites to back up your own ideas • Use a PEEL (point>evidence>explanation>link) structure to ensure your points are relevant and well substantiated • You should reference any websites you use at the bottom of your work, using footnotes. For example: o We want our students to grow as individuals with ambition, resilience and courage (1). Reference 1. https://www.goffs.herts.sch.uk/251/school-vision-and-ethos -
Reporter Sanibel and Captiva, Florid
2b 1 01 SUN 1 00/00/00 MARCH 12, 1993 SANIBEL LIBRARY VOLUME 22 LIBRARY WAY NUMBER 11 3 SECTIONS, 52 PAGES SANIBEL FL 33957 REPORTER SANIBEL AND CAPTIVA, FLORID Diver dies Man suffered heart attack after surfacing LIVE SHELL EXHIBIT : By MaryJeanne McAward Staff Writer An experienced diver died 8 1/2 miles off Sanibel Wednesday evening, March 10 during a pleasure dive with friends. Yesterday morn- ing, the Lee County Medical Examiner said the man drowned after suffering a heart attack. Bob Davis, 62, of North Fort Myers, was diving the Jaycees Reef with friends Ron Croteau and Frank Cassidy when the trio sur- faced after a half-hour recreational dive Cas- sidy termed "non-strenuous." "We had a great dive, and surfaced at 7:20 p.m.," Cassidy said, adding at the time there were no signs Davis was in trouble. The divers were in the water, getting ready for another dive at 7:25 p.m. when Cassidy and Croteau saw Davis was in trouble. He was floating in the water with his flota- One of the most popular aspects of the Shell Fair, shell exhibit, drew a constant crowd. For inter- tion vest inflated. a Sanibel Elementary fifth grade student live views with some award winners, see page IB, • please see page 4A Insulating 'hot' wires may be too costly? Co-op says By MaryJeanne McAward neering department to look into Staff Writer this," Reno said. "It could be very Non-insulated, so-called "hot" expensive, though. There's 5,000 wires on utility poles have been miles of line out there." killing island birds, according to It is unclear whether Reno re- John Kubisz, executive director ferred to Insulating all electric and veterinarian at Care and Re- wires, or the short, jumper wire habilitation of Wildlife (CROW).