Ceilidh Folk Traditional Music & Song for Dancing & Listening

Total Page:16

File Type:pdf, Size:1020Kb

Ceilidh Folk Traditional Music & Song for Dancing & Listening Some past ceilidhs include those for: About Ceilidh Folk Ceilidh Folk is (usually) a three-piece Ceilidh CeilidhCeilidh FolkFolk Band comprising: • Churches, • Political Parties, Kevin Thompson: 6/12 string guitar, vocals, caller. Over 30 years experience of folk singing • Silver Weddings, and ceilidh band playing, also a very • Amnesty International, experienced teacher of Guitar, Mandolin and Traditional Ceilidh Dance. • Galas, Music • Town Twinning Celebrations Sylvia Thompson: Midi Accordion. Many years experience playing Scottish style music with • Weddings, & origins in the late Charles Duncan Accordion • Scouts, band (ex-British champions). Song • Animal Charities Jean Young: Fiddle/ double bass has played • RAF, and taught fiddle and bass and for many For years. • Bowling Clubs, Dancing • Schools, All play regularly with local Strathspey and Reel Societies in this country and abroad. • SSAFA , & • Lend-A-Hand Charity, Listening • Home Start Charity, Full details & further info from:- • There is Hope Charity, Kevin Thompson • BBC’s V.I.P. Ceilidh Folk 27 Craigkennochie Terrace Burntisland Fife KY 3 9 EN Tel 01592 874471 email [email protected] Ceilidh Dance Typical Programme What is it? • Gay Gordons • Canadian Barn Dance A chance to exercise in a fun way whilst • St. Bernard’s Waltz socialising with old and new friends. • Dashing White Sergeant • Waltz Country Dance • Circassian Circle Ceilidh Dancing has enjoyed a tremendous • Military Two Step upsurge in popularity in recent years, with • Pride of Erin Waltz dances taking place most weekends and • Brittania Two Step often mid-week too all over the country. • Virginia Reel Ceilidh Folk - Ceilidh Band is available for booking now to charities, individuals or • Highland Schottische These are run by institutions or individuals hotels, clubs and other organisations, for • Cumberland Square Eight as fund-raisers, or simply as social nights, playing at social events, exhibitions, • Lomond Waltz for weddings, birthdays, anniversaries; in conferences, galas.... In fact just about • Swedish Masquerade fact any event where people want to gather anywhere for anything! • Bridge Of Athlone together to enjoy themselves. • Dhoon Jig • Flying Scotsman The cost • Eva Three Step Most people find, that with a little prompting, This varies from event to event according to • Eightsome Reel they can remember the more common the cause and the length of playing time, but • Strip The Willow dances from school-days but the whole prices are very competitive (charities get a essence of the modern ceilidh is that it is a special rate and some are free!) . chance to learn new dances. Pipers and Highland Dancers can also be Programmes can be varied to suit the So much so, that a new member has been arranged for that special event if required. audience so some nights, slow dances may added to most modern ceilidh bands - the Why not combine these as a “Scots Night” prevail, whereas other nights, reels and jigs caller - a job description borrowed from with Folk song & Dancing, or use Kevin’s may be non-stop! Other dances such as American Square dances but one that fills a enthusiasm for Burns for a night of recitation, Duke of Perth, The Big Three, or The Postie’s vital rôle in today’s ceilidh scene. music and song? We can also do Irish nights Jig may also be used. and general Folk Club nights..
Recommended publications
  • Northwest Accordion News
    NORTHWEST ACCORDION NEWS Alpenfest! Holiday Polka Washington State Fair Bringing Structure to Abstract Chaos Accordion Social Reports from the Northwest Groups VOL. 23 NO. 4 Northwest Accordion Society Winter Quarter 2013 Northwest Accordion News NWAS News Deadlines NORTHWEST ACCORDION SOCIETY February 1, May 1, August 1, November 1 The Northwest Accordion News is a quarterly newsletter published by the Northwest Accordion Inquiries, questions, suggestions, etc. Society for and by its members. The purpose of Contact Doris Osgood, 3224 B St., the NWAS News is to unite the membership by Forest Grove, OR 97116. (503) 357-0417. providing news of its members, and articles that E-mail: [email protected] instruct, encourage, and promote the playing of the accordion. NWAS PUBLICATION PRIORITIES ♦ Advertising Mail letters & articles to: ♦ Original Compositions Northwest Accordion Society ♦ News from Our Members 5102 NE 121st Ave. #12, ♦ Instructive/Technical Articles Vancouver, WA 98682 ♦ Summaries from Regional Socials and Or e-mail to: [email protected] Events ♦ Coming Events ADVERTISING Articles will be printed if received prior to Full page $110.00 the publishing deadline. Should space be an Half page $55.00 issue, articles will be printed in the order in which Quarter $30.00 they are submitted. All decisions regarding Business card $10.00 publication will be made by the editors of the Prices are PER ISSUE. US Funds NWAS News. To submit articles for publication, mail Photo-ready Advertising (with accompanying check) them to the Vancouver, WA address listed. It is for this publication may be sent to: preferred that articles be submitted via e-mail as Northwest Accordion Society attached WORD documents or on a disc.
    [Show full text]
  • Contemporary Folk Dance Fusion Using Folk Dance in Secondary Schools
    Unlocking hidden treasures of England’s cultural heritage Explore | Discover | Take Part Contemporary Folk Dance Fusion Using folk dance in secondary schools By Kerry Fletcher, Katie Howson and Paul Scourfield Unlocking hidden treasures of England’s cultural heritage Explore | Discover | Take Part The Full English The Full English was a unique nationwide project unlocking hidden treasures of England’s cultural heritage by making over 58,000 original source documents from 12 major folk collectors available to the world via a ground-breaking nationwide digital archive and learning project. The project was led by the English Folk Dance and Song Society (EFDSS), funded by the Heritage Lottery Fund and in partnership with other cultural partners across England. The Full English digital archive (www.vwml.org) continues to provide access to thousands of records detailing traditional folk songs, music, dances, customs and traditions that were collected from across the country. Some of these are known widely, others have lain dormant in notebooks and files within archives for decades. The Full English learning programme worked across the country in 19 different schools including primary, secondary and special educational needs settings. It also worked with a range of cultural partners across England, organising community, family and adult learning events. Supported by the National Lottery through the Heritage Lottery Fund, the National Folk Music Fund and The Folklore Society. Produced by the English Folk Dance and Song Society (EFDSS), June 2014 Written by: Kerry Fletcher, Katie Howson and Paul Schofield Edited by: Frances Watt Copyright © English Folk Dance and Song Society, Kerry Fletcher, Katie Howson and Paul Schofield, 2014 Permission is granted to make copies of this material for non-commercial educational purposes.
    [Show full text]
  • Schottische Musik
    Masterprüfung Musik SCHOTTISCHE MUSIK Gestern und heute Reichmuth Fabienne Stoll Pierina SR 12 H16 Sach- und Begründungsanalyse Schottische Musik gestern und heute Abstract Die vorliegende Arbeit befasst sich mit schottischer Musik von früher und der Gegenwart als auch deren schulprak- tische Umsetzung auf der Sekundarstufe 1. In der Sach- und Begründungsanalyse werden Hintergrundinformatio- nen über typische schottische Instrumente und die Geschichte des Dudelsacks und der Scottish Folk Musik ge- sammelt. Es werden auch Merkmale der Scottish Folk Musik aufgeführt und thematisiert, inwiefern man diese musikalischen Merkmale in der heutigen schottischen Musik noch finden kann. Zudem wird der Cèilidh, eine typisch schottische Tanzveranstaltung, und die dazugehörige Tanzmusik kurz erläutert. Danach folgt die Begründungs- analyse, in welcher beschrieben wird, inwiefern die Thematik für die Lernenden von Bedeutung ist und welche Punkte des Lehrplans durch die Auseinandersetzung mit dem Thema Schottische Musik früher und heute abge- deckt werden können. Es folgen allgemeine Hinweise zur Umsetzung des Themas im Unterricht. Im Ideenpool werden weitere mögliche Anknüpfungspunkte zu den fünf Bereichen des Lehrplans 21 gesammelt. Im Hinblick auf die schulpraktische Umsetzung wurden exemplarische drei schottische Songs – The Ballad of John MacLean, This is the Life, und I’m Gonna Be (500 Miles) – gewählt. Zu den ersten beiden Songs wurde ein Lead- sheet, für den letzten ein Arrangement inklusive Spielhilfen für die Umsetzung im Klassenzimmer erstellt. Des Weiteren beinhaltet diese Arbeit eine Bewegungsanleitung für einen traditionellen Cèilidh zum Stück Virginia Reel. Zudem haben wir vier Arbeitsmaterialien zu den Themen Dudelsack, Edinburgh Military Tattoo, Cèilidhs und Schot- tische Instrumente erstellt. Zwei dieser Materialien und die Bewegungsanleitung lassen sich für den fächerüber- greifenden Unterricht in Kombination mit Englisch verwenden, was sich angesichts der Thematik offensichtlich anbietet.
    [Show full text]
  • 16Winter-NWAS.Pdf
    NORTHWEST ACCORDION NEWS Alpenfest Accordion on Broadway Jolly Accordion Man Polka Remembering Marjorie Rombauer 10 Things I Learned from Cruise Ship Musicians VOL. 26 NO. 4 Northwest Accordion Society Winter Quarter 2016 Northwest Accordion News NWAS News Deadlines NORTHWEST ACCORDION SOCIETY February 1, May 1, August 1, November 1 The Northwest Accordion News is a quarterly newsletter published by the Northwest Accordion Inquiries, questions, suggestions, etc. Society for and by its members. The purpose of Contact Doris Osgood, 3224 B St., the NWAS News is to unite the membership by Forest Grove, OR 97116. (503) 357-0417. providing news of its members, and articles that E-mail: [email protected] instruct, encourage, and promote the playing of the accordion. NWAS PUBLICATION PRIORITIES ♦ Advertising Mail letters & articles to: ♦ Original Compositions Northwest Accordion Society ♦ News from Our Members 5102 NE 121st Ave. #12, ♦ Instructive/Technical Articles Vancouver, WA 98682 ♦ Summaries from Regional Socials and Or e-mail to: [email protected] Events ♦ Coming Events ADVERTISING Articles will be printed if received prior to Full page $120.00 the publishing deadline. Should space be an Half page $65.00 issue, articles will be printed in the order in which Quarter $35.00 they are submitted. All decisions regarding Business card $15.00 publication will be made by the editors of the Prices are PER ISSUE. US Funds NWAS News. To submit articles for publication, mail Photo-ready Advertising (with accompanying check) them to the Vancouver, WA address listed. It is for this publication may be sent to: preferred that articles be submitted via e-mail as Northwest Accordion Society attached WORD documents or on a disc.
    [Show full text]
  • Accordion (Music Playing) Narrator: Along with the Argentinean Tango
    Accordion (Music playing) Narrator: Along with the Argentinean tango, French musettes, and German polkas, the accordion is one of the defining sounds of Central Texas conjunto bands, as well as Southeast Texas Cajun and zydeco music, country, and western swing. (Music playing) N: With its roots dating back to China thousands of years ago, the popularity of this instrument took off in the early nineteenth century in Europe. N: By the mid 1800s, immigrants had brought the accordion to Texas, where it became emblematic in the way different ethnic groups have shared their musical heritage and influences. (Music playing) N: Patented in 1829 by an Austrian named Cyrill Demian, the accordion spread quickly throughout Europe. N: From Ireland to Russia, versatility and sheer volume of this instrument attracted folk musicians who adapted it to their own style of music. N: However, it was the Germans, Czechs, and French who forever changed Texas music with their use of the accordion. (Music playing) N: German immigrants began moving to Central Texas in large numbers in the 1840s, settling in what became known as the “German Belt,”areas including New Braunfels, Fredericksburg, and Luckenbach. N: German folk songs, with the polka, waltz, and schottische dance steps, were a fundamental part of these immigrant communities, and the accordion was essential to their music. (Music playing) N: By the turn-of-the-century, German Texans and Tejanos were increasingly exchanging musical influences. N: Santiago Jiménez began playing the accordion in 1921 at the age of eight. N: His father, Patricio, had been a successful accordion player in Eagle Pass, Texas, and he encouraged his son to play.
    [Show full text]
  • Meditation (1896)
    ~ran/f_emenfs ~ €. S. MORRISON 1S THE JOHN CHURCH COMPANY Cincinnati. Chicago. New York. Leipsic, London . 3 Meditation. C. S. MORRISON. Op. 90. * , I ~ I I Tl ,_ ------ ... - L- ' ... v ---- ~ - " .... ..... n I'""- ,,, I ,. v " L - , , " :J - -::I - ~ .. - ----- - - ._,- I I '~~· " ~ u .,- ~- I - .... PP. <·rn;c. dim. p ~ qTI - b~ =======:-- - ~ dim. ppatrmpo. 'f rit ] - ~ ;J .J 14,..J J d. ~ .. • L.q~ L,_ q~~ ~ w , i- .... ,, ...... Tl ,_ - - I ,_ ... ... - - - - - ~ .. v -- -- • v Tl .... .. .. ' v . * Copyright MDCCCXCrI by The John Church Company. Ufi89-3-T International Copyright. 4 }Joderato.cM.M.J= ia2 ) - 1-------.,-,- 2--f.\-.--1 Larg~ ~- * ~- * ~- '5!~ . ••rw. 'fw. Allegro. <M.M. J =100) 8-------------------------------------- H5R9-3-T 5 8---------------------------------- --------------------------------------------------------------------------------------------------------- 8---------------------------------------------- ---------------------------------------------- ------------------------------------------ .................. ,...,...,....,... '1 I I ________ ,_ / ~~~~~·~~········ .... -.ca.r.m;.i:-..m,.11111..a..,... ---... - - - ,...- ,... ,... ,... ,... _ ,... .... "· .... ,... ,...,...,_.,_.,... r- ,_. - - - ·- ~ '- --------- - ----------------- - - - " -- - ,_ - I " ,_v -- " , " ..... - ---- I ~ -------- -------- -- dim. ~ p === === === f f t .t I: ! ~ ! <.. ..... .... - -- - - - - - - / .... - - II" ~ \ . - - - " .. ..- '11 '11 ~. * ~. * ~. * 8-------------------------------------------------------------------------------------------------------------------------------------------
    [Show full text]
  • Bellows & Bows: Historic Recordings of Traditional Fiddle & Accordion
    Bellows & Bows: Historic Recordings of Traditional Fiddle & Accordion Music from across Canada Disc 1: Newfoundland and Labrador 1. I'se the B'y – Lillian Collins 2. Mrs. Belle's Cotillion – Mrs. Belle Fennelly 3. Young Man You Kissed Me Daughter – Gerald Quinton 4. O My Pretty Dear, Won’t You Come and Rub Me? – Dorman Ralph 5. French Reel – Ivan White 6. Golden Slippers – Tom Uvloriak 7. Inosiga – Tom and Sybilla Uvloriak Nova Scotia 8. La John Muise – Muriel Saulnier (née Muise) 9. La Bastringue – Stella Burridge 10. Marion Waltz / Caledonian Jig / Trip to Windsor – Johnny Mooring 11. Cape Blomindon Reel – Jack Greenough 12. Welcome to Your Feet Again / The Bonny Lass of Fisherrow/ The Bird’s Nest – Winston “Scotty” Fitzgerald 13. Calum Crùbach (Crippled Malcom) / Alex Currie’s Reel / Am Muileann Dubh (The Black Snuffmill) / Sandy Duff’s – Alex Currie 14. The Athole Highlanders Farewell to Loch Katrine / A Trip to Mabou Ridge – Theresa MacLellan Prince Edward Island 15. Princess Reel – Stephen Toole 16. Lad O’Beirne / Dublin Porter – Kenny Chaisson 17. Money Musk – Delphine Arsenault 18. La Marmotteuse – Eddy Arsenault New Brunswick 19. La tune à grand-père – Éloi Leblanc 20. La parenté – Yvon Babin 21. Loggieville Two-step – Matilda Murdoch 22. Zip Coon – Curtis Hicks 23. Sussex Avenue Fiddlers Two-step – The Sussex Avenue Fiddlers Quebec 24. La Ronfleuse – Arthur-Joseph Boulay 25. Reel de Sherbrooke – Les Montagnards Laurentiens 26. Le Brandy des Vaillaincourt – Louis “Pitou” Boudreault 27. Le Quadrille des Lanciers, 1e partie: “La Rencontre des Dames” – Jules Verret 28. La belle époque – Marcel Messervier 29.
    [Show full text]
  • The Thistle 053 October 1972
    Issued by the Thistle Club President: Dr. Norman MacKenzie, C.M.G., M.M. 8 Bar, Q.C., LL.D. No. 53 October 1972 OUR DANCES NO. 7”: The highland schottische Couple—dances are sometimes looked down on by your true-blue country—dancer (though, oddly enough, not by highland dancers). And sometimes, indeed, they are of little traditional interest or choreographic worth. The highland schottische is, however, an exception. It is in quite a different category from, say, the Gay Gordons, being considerably older, and having a definite Scottish character——¢he Gay Gordons is a 20th-century novelty dance, and the steps in it could occur in a dance originating any— where from Russia to the U.S.A. (the "picture-frame" hand— hold used being particularly popular in German folk-dances of the Rheinlander type, in American versions of the Var— souvienne, and in some styles of Hopak kolom in the Ukraine). The highland schottische has a very definite place in the Scottish traditional repertoire. Some ten or fifteen years ago it was quite common to find in Canada elderly people who had emigrated from the West Highlands and whose repertoire consisted of precisely two dances: the foursome reel and the highland schottische. These they would cheerfully dance several times each in the course of a ceilidh. Sometime after the polka had become popular in Western Europe, a slower version of the dance arose, known under vari— ous names, but most often as the "schottisch". This word is the German for "Scottish"; the dance may or may not have originated in Germany; it did not originate in Scotland.
    [Show full text]
  • Simple Session Tunes from England, Wales, Scotland and Ireland. All in the Key of G and Within the Compass of the Melodeon
    Simple session tunes from England, Wales, Scotland and Ireland. All in the key of G and within the compass of the melodeon, concertina, flute, fiddle, mandolin, penny whistle & banjo and of course shakers & bodhrans. 1 Index WALTZES South Wind Irish. Attributed to Turlough O’Carolan 1670-1738 4 Michael Turners Waltz Sussex, England - derived in 1788 from Mozart, (Austrian Dances KV 536 No. 2) 4 The Man in the Moon Everybody’s Song Book (1858) – used as a dance tune by Scan Tester, Sussex 4 Nutley Waltz Generally attributed to Scan Tester (Concertina) 1882-1972 5 Stow Fair English - can’t trace origin – known by DS for >50 years 5 Waltz Vienna Scan Tester, Sussex ~1972 5 JIGS Cock of the North 17-18thc. Scottish bagpipe tune, also known irreverently as ‘Auntie Mary had a canary’ 6 Blaydon Races Music hall song by Georgie Ridley 1862. 6 Oscar Woods jig Oscar Woods, Benham Green, Saxmundham d.1988. (also known as Tiger Smiths jig) 6 Fakenham Fair The Bullen family, Norfolk – early 20th cent. Song noted by Peter Bellamy 7 Oyster Girl John Mason (aged 72), Stow in the Wold workhouse 1927. Noted by Cecil Sharp. 7 Happy Clown John Walsh – Complete Dancing Master Vol 4 1740 7 POLKAS Jack Robinson William Tilbury of Pitch Place,Surrey, from Fiddler Hammond d.1870 8 Three around three English / Irish dance tune – traditionally used as a polka 8 Hunt the squirrel English Polka, learned from John Kirkpatrick 9 Sussex Breast Knot Polka – from Sussex? 9 Shepton Mallet H’pipe Claimed to be an Irish tune? Can be played as a hornpipe – we’ll play it as a polka.
    [Show full text]
  • I .I:I BANJO~ GUITAR~}! , ~ ~
    yY'.fV\.. 'VVV\J\. "\A," .. VVVV\.VVVV\. 0:~ ---------- · c: i ' ~ -' ii,·~ ~ lll IJI 8.8. 8TEWART'8 !· 11 I ~ ' 'I ~ /' / . ~ I[ ~ ~ ·,' • 5 JVJr !,, vi,(_~, ~ l 5 i .i:i BANJO~ GUITAR~}! , ~ ~ . " ii> ·~ / ~ - ~ ~ ,. "· . { ~. ~ JGtUJRNALo·, '-, OCTOBER, 1887. I ' ~ Price, 10 Cents. ~ I ~ 5 I ~ ~ >, C 5 ~ , i: ~ ,r ,. i> PHILADELPHIA, PENN'A. · . i;' "'J'\/VV'\.."\j\f \.l\.l"\.··,..r,.t.... i\/'\. ~~~~~~~~a "~ .= . - ~~~~ ) ~ - 'V'JVV\.,'\f'J\,"Vl.,'V'.IVV\, ~ .,-v-.., "•,s . ¾ . , VVVV\.'V'.IVV\, . ~v ', ~~. These Cuts represent the $100.00 Banjo, Front and Back Vie_w. DESCRIPTION . • German-silver Rim 11 Yz inches in diameter, 2 ¼ inches de_ep, Nickel~plated and Chased, Nickel-plated Band or Hoop with Turned Edge, 30 Gold-plated Brack­ ets and Hooks, Hexagon Nuts, etc . .. Neck, 19 inches in Length (Finger-board), with several Colored Veneers, and Ebony Top Strip for Fin­ ger-board. Neck Handsomely Carved at Bas~ and at Scroll-head. Elaborately Pearl Inlaid ·with best Cut Shells, all .work being done in my own factory· inclusive of sawing and making pearl inlayings. Pegs of Carved Ivory, or Inlaid Celluloid, as may be desired, Capped on Ends with Gold and Inlaid with Garnets. Handsomely Finished Carved Ivory Tail­ piece, and all work of the best throughout. Tone Warranted, Price. $100.00. A Fine Leather Case is included with this Banjo. N. B.-Such Elaborately Inlaid Finger-boards are recommended as best made with RAISED FRETS, but will be furnished in other styles of fretting when so ordered, as this style Banjo is furnished only to order. BACK VIEW, FACE VIEW. S. S. STEWART, Sole Manufacturer, Philad'a, Pa.
    [Show full text]
  • New Vogue Dancing Part 2
    New Vogue Dancing Part 2 Peter Ellis It will now be revealed how popular the old time dance revival was and that this provided a footing for the ballroom profession to gradually introduce the new sequence dances at first under the guise of old time, then modernised old time, and finally as new vogue. These new dances certainly created interest. This account illustrates a real old time dance and because of a Scottish link, inclusion of three country dances. Cairns Post Sat. 22nd Oct. 1932 At Stratford Tonight Cairns and District Pipe Band are holding another of their popular dances when their Scotch night takes place tonight at Tully's Hall Stratford. E. Hill's old time band is playing special music for the old time dances, which are mostly the old favorites - Mazurkas, Lancers, Jolly Miller, Alberts etc. The Pipe Band, under Pipe Major Gow are rendering some of the famous airs in front of Tully's Stratford Hotel, before the dance, and also assisting with the dance music. Willie Paul will be M.C., introducing all the old Scotch dances, including Rory-o'-More, Eightsome Reel, Strip the Willow. Highland Schottische etc. There will be novelties, refreshments. Free bus leaves Tropical Theatre 8 p.m. If patrons want to meet old and make new friends go to Stratford tonight. The young people knew nothing of the old dances or even how to waltz, so simple instruction booklets appeared. But also note mention of the new Pride of Erin and that no instructions could be supplied. The Mercury (Hobart) Sat.
    [Show full text]
  • Fiddle Syllabus
    © 2014 Royal Conservatoire of Scotland FIDDLE GRADE 1 1. PERFORMANCE: you have a maximum of 4 ½ minutes to play: One air: Title Composer Time- Type Source Sig A1 Come By the Hills Traditional 3/4 Waltz Ref. 2 A2 Morag of Dunvegan Traditional 3/4 Waltz Ref. 8/9 A3 The Nameless Lassie Alex Mackenzie 4/4 Air Ref.8/9 A4 The Yellow Haired Laddie Traditional 4/4 Air Ref. 24 A5 Tuireadh Iain Ruaidh Traditional 6/8 Air Ref. 6/7 A6 Will Ye No Come Back Again Traditional 4/4 Air Ref. 3 One dance tune: Title Composer Time-Sig Type Source B1 Aitken Drum Traditional 4/4 March/Reel Ref. 2 B2 Fear a’ Phige Traditional 4/4 Schottische Ref. 3 B3 Alasdair an Duin A. MacDonnachaidh 4/4 Reel Ref. 25 B4 Marie’s Wedding Traditional 4/4 March Ref. 2 B5 Oliver Jack Traditional 4/4 Shetland Reel Ref. 26 B6 The Corner House Jig Andrew Rankine 6/8 Jig Ref. 3 B7 The Green Hills of Tyrol PM J. MacLeod 3/4 March Ref. 2 One recently-composed tune: Title Composer Time-Sig Type Source C1 Rocking the Baby Traditional 6/8 Jig Ref. 26 C2 Sunset Over Foula Ronnie Cooper 3/4 Waltz Ref. 27 C3 The Highlander’s Revenge Bruce MacGregor 4/4 March Ref. 28 C4 The Seven Step Polka Traditional 4/4 Polka Ref. 29 C5 The Stronsay Wedding John Mason 2/4 Reel Ref. 2 2. TECHNICAL WORK: played from memory from among the following keys and ranges: G major (two octaves) A, D, (one octave) Any standard fingering is acceptable.
    [Show full text]