Don Juan CANTOÛ III Gordon, Lord Byron Annotations by Peter Gallagher¤ April, 2015 You can find the free audio-book of Canto 1 of Don Juan on the iBooks Store Û ¤
[email protected] Canto 3 I Hail Muse ] Finally, at the start of Canto III, Byron gets around to invoking the Muse: the traditional way to start an Epic poem HAIL, Muse! et cetera.—We left Juan sleeping, and, briefly, to foreshadow its subject. But Byron’s invocation is no Pillowed upon a fair and happy breast, more than a sardonic nod to the idea; a sort of poetic blasphemy. Compare, for example, Homer’s Iliad (first seven lines), or Odyssey And watched by eyes that never yet knew weeping, (first ten lines) or Virgil’s Æneid (first eleven lines). Or, again, And loved by a young heart, too deeply blest Paradise Lost, where Milton’s invocation to his “Heavn’ly Muse” occupies the first twenty-six, breathless, lines. To feel the poison through her spirit creeping, Byron’s first draft of Canto III, before he split it into two Can- Or know who rested there, a foe to rest, tos, began with a nine-verse attack on Wellington; later moved Had soiled the current of her sinless years, to Canto IX. This verse, in that earlier draft, began: “Now to my Epic. ” And turned her pure heart’s purest blood to tears! A foe to rest ] The “foe to rest” refers to the “who” of the previous sentence. It is “Love”, addressed in the next verse, that II rests in her heart and has “soiled the current of [Haidee’s] sinless years.