Fondo Roberto Leydi
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Jazz Lines Publications Fall Catalog 2009
Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb. -
Billboard 1971-01-02
f JANUARY 2, 1971 $1.25 ÚÇ L NOV 7t FÑCRÁÌSDTUDÁÁZO b SEVENTY -SEVENTH YEAR TTUDDR SANDS OINT The International PRT WASHGTN NY 11050 Music- RecordTape Newsweekly CARTRIDGE TV PAGE 14 HOT 100 PAGE 44 Bill TOP LP's PAGES 38, 39 Rock Oratorio Makes Tape Crystal Ball for '71: Debut in New Picture By. MIKE Recovery, $ Rise GROSS Rebound, By BRUCE WEBER NEW YORK - The "film "reek symphony," "rock ballet" rock oratorio" is rock music's and "rock musical." LOS ANGELES -What can strong recovery prospects in the many companies are planning latest step into the arts. It fol- The "film rock oratorio" is a the tape industry look forward year ahead. major merchandising programs lows rock music's move into conception of movie producer - to in 1971? In brief, many see a possible earlier than usual. diverse culture areas with such director Jack O'Connell, who has To many, the seemingly end- profit rebound of about 20 to The tide of corporate costs designations as "rock opera," made rock an integral part of less stream of poor earnings 30 percent in 1971. (See sep- cutting is continuing into 1971 his new film, "Christa," by re- reports adds up to strong rea- arate story in music section.) even though economists are cording the album first and then sons for being ultra- cautious. Accordingly, tape companies, cautiously predicting better extracting it for the film score. To them, a draggy economy, both hardware and software, times. 'Dupe Giants Manfred Mann produced the al- tightfisted consumers, and over- are building programs after A dump of prerecorded bum and Derek Wadsworth was production are some of the "speculating on the renewed 8 -track and cassettes distorted the arranger. -
Traversing Boundaries in Gottschalk's the Banjo
Merrimack College Merrimack ScholarWorks Visual & Performing Arts Faculty Publications Visual & Performing Arts 5-2017 Porch and Playhouse, Parlor and Performance Hall: Traversing Boundaries in Gottschalk's The Banjo Laura Moore Pruett Merrimack College, [email protected] Follow this and additional works at: https://scholarworks.merrimack.edu/vpa_facpub Part of the Music Performance Commons This is a pre-publication author manuscript of the final, published article. Repository Citation Pruett, L. M. (2017). Porch and Playhouse, Parlor and Performance Hall: Traversing Boundaries in Gottschalk's The Banjo. Journal of the Society for American Music, 11(2), 155-183. Available at: https://scholarworks.merrimack.edu/vpa_facpub/5 This Article - Open Access is brought to you for free and open access by the Visual & Performing Arts at Merrimack ScholarWorks. It has been accepted for inclusion in Visual & Performing Arts Faculty Publications by an authorized administrator of Merrimack ScholarWorks. For more information, please contact [email protected]. Porch and Playhouse, Parlor and Performance Hall: Traversing Boundaries in Gottschalk’s The Banjo LAURA MOORE PRUETT ABSTRACT This article reconsiders the cultural significance and historical impact of the well-known virtuosic piano composition The Banjo by Louis Moreau Gottschalk. Throughout the early nineteenth century, the banjo and the piano inhabited very specific and highly contrasting performance circumstances: black folk entertainment and minstrel shows for the former, white -
Various Disney Classics Mp3, Flac, Wma
Various Disney Classics mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Children's / Stage & Screen Album: Disney Classics Country: US Released: 2013 Style: Soundtrack, Theme, Musical MP3 version RAR size: 1692 mb FLAC version RAR size: 1570 mb WMA version RAR size: 1324 mb Rating: 4.8 Votes: 145 Other Formats: WAV AU MMF VQF APE AIFF VOC Tracklist Timeless Classics –Mary Moder, Dorothy Who's Afraid Of The Big, Bad Wolf (From "Three 1-1 Compton, Pinto Colvig & Billy 3:06 Little Pigs") Bletcher Whistle While You Work (From "Snow White 1-2 –Adriana Caselotti 3:24 And The Seven Dwarfs") 1-3 –Cliff Edwards When You Wish Upon A Star (From "Pinocchio") 3:13 –Cliff Edwards, Jim 1-4 Carmichael & The Hall When I See An Elephant Fly (From "Dumbo") 1:48 Johnson Choir* 1-5 –Disney Studio Chorus* Little April Shower (From "Bambi") 3:53 –Joaquin Garay, José Olivier & 1-6 Three Caballeros (From "The Three Caballeros") 2:09 Clarence Nash 1-7 –James Baskett Zip-A-Dee-Doo-Dah (From "Song Of The South") 2:18 Lavender Blue (Dilly Dilly) (From "So Dear To 1-8 –Burl Ives 1:02 My Heart") A Dream Is A Wish Your Heart Makes (From 1-9 –Ilene Woods 4:35 "Cinderella") –Disney Studio Chorus* & All In The Golden Afternoon (From "Alice In 1-10 2:41 Kathryn Beaumont Wonderland") –Kathryn Beaumont, Bobby You Can Fly! You Can Fly! You Can Fly! (From 1-11 Driscoll, Paul Collins , Tommy 4:23 "Peter Pan") Luske & Jud Conlon Chorus* What A Dog / He's A Tramp (From "Lady And 1-12 –Peggy Lee 2:25 The Tramp") 1-13 –Mary Costa & Bill Shirley Once Upon A Dream (From "Sleeping -
BORSALINO » 1970, De Jacques Deray, Avec Alain Delon, Jean-Paul 1 Belmondo
« BORSALINO » 1970, de Jacques Deray, avec Alain Delon, Jean-paul 1 Belmondo. Affiche de Ferracci. 60/90 « LA VACHE ET LE PRISONNIER » 1962, de Henri Verneuil, avec Fernandel 2 Affichette de M.Gourdon. 40/70 « DEMAIN EST UN AUTRE JOUR » 1951, de Leonide Moguy, avec Pier Angeli 3 Affichette de A.Ciriello. 40/70 « L’ARDENTE GITANE» 1956, de Nicholas Ray, avec Cornel Wilde, Jane Russel 4 Affiche de Bertrand -Columbia Films- 80/120 «UNE ESPECE DE GARCE » 1960, de Sidney Lumet, avec Sophia Loren, Tab Hunter. Affiche 5 de Roger Soubie 60/90 « DEUX OU TROIS CHOSES QUE JE SAIS D’ELLE» 1967, de Jean Luc Godard, avec Marina Vlady. Affichette de 6 Ferracci 120/160 «SANS PITIE» 1948, de Alberto Lattuada, avec Carla Del Poggio, John Kitzmille 7 Affiche de A.Ciriello - Lux Films- 80/120 « FERNANDEL » 1947, film de A.Toe Dessin de G.Eric 8 Les Films Roger Richebé 80/120 «LE RETOUR DE MONTE-CRISTO» 1946, de Henry Levin, avec Louis Hayward, Barbara Britton 9 Affiche de H.F. -Columbia Films- 140/180 «BOAT PEOPLE » (Passeport pour l’Enfer) 1982, de Ann Hui 10 Affichette de Roland Topor 60/90 «UN HOMME ET UNE FEMME» 1966, de Claude Lelouch, avec Anouk Aimée, Jean-Louis Trintignant 11 Affichette les Films13 80/120 «LE BOSSU DE ROME » 1960, de Carlo Lizzani, avec Gérard Blain, Pier Paolo Pasolini, Anna Maria Ferrero 12 Affiche de Grinsson 60/90 «LES CHEVALIERS TEUTONIQUES » 1961, de Alexandre Ford 13 Affiche de Jean Mascii -Athos Films- 40/70 «A TOUT CASSER» 1968, de John Berry, avec Eddie Constantine, Johnny Halliday, 14 Catherine Allegret. -
Radio TV Mirror
JANICE GILBERT The girl who gave away MIRRO $3,000,000! ARTHUR GODFREY BROOK BYRON BETTY LU ANN SIMMS ANN GROVE ! ^our new Lilt home permaTient will look , feel and stay like the loveliest naturally curly hair H.1 **r Does your wave look as soft and natural as the Lilt girl in our picture? No? Then think how much more beautiful you can be, when you change to Lilt with its superior ingredients. You'll be admired by men . envied by women ... a softer, more charming you. Because your Lilt will look, feel and stay like naturally curly hair. Watch admiring eyes light up, when you light up your life with a Lilt. $150 Choose the Lilt especially made for your type of hair! plus tax Procter £ Gambles new Wt guiJ. H Home Permanent tor hard-to-wave hair for normal hair for easy-to-wave hair for children's hair — . New, better way to reduce decay after eating sweets Always brush with ALL- NEW IPANA after eating ... as the Linders do . the way most dentists recommend. New Ipana with WD-9 destroys tooth-decay bacteria.' s -\V 77 If you eat sweet treats (like Stasia Linder of Massa- Follow Stasia Linder's lead and use new Ipana regularly pequa, N. Y., and her daughter Darryl), here's good news! after eatin g before decay bacteria can do their damage. You can do a far better job of preventing cavities by Even if you can't always brush after eating, no other brushing after eatin g . and using remarkable new Ipana tooth paste has ever been proved better for protecting Tooth Paste. -
96 Pagine Interne Layout 1 16/05/11 12:59 Pagina 3 96 Pagine Interne Layout 1 16/05/11 12:59 Pagina 4
96 pagine interne_Layout 1 16/05/11 12:59 Pagina 3 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 4 ASSOCIAZIONE NAZIONALE INDUSTRIE CINEMATOGRAFICHE AUDIOVISIVE E MULTIMEDIALI - LA PRODUZIONE ITALIANA 2010 LA PRODUZIONE ITALIANA 2010 THE ITALIAN PRODUCTION Edito da ANICA I film compresi nel catalogo sono Associazione Nazionale Industrie lungometraggi di produzione italiana forniti Cinematografiche Audiovisive e Multimediali di visto censura nell’anno 2010 In collaborazione con il cast e crediti non contrattuali Ministero per i Beni e le Attività Culturali Direzione Generale per il Cinema ANICA Viale Regina Margherita, 286 A cura dell’Ufficio Stampa ANICA 00198 Roma (Italia) Tel. +39 06 4425961 Coordinatore Editoriale Fax +39 06 4404128 Paolo Di Reda email: [email protected] Elaborazioni Informatiche Elenco Inserzionisti Gennaro Bruni Alberto Grimaldi Productions p. XVII con la collaborazione di Cinetecnica 73 Romina Coppolecchia Eurolab 74 Kodak 75 Redazione e reperimento dati Medusa 76 Claudia Bonomo Panalight XXI Antonio Dell’Erario Sound Art V Technicolor II-III Progetto Grafico e impaginazione Una vita per il cinema 72 Selegrafica‘80 s.r.l. Stampa Selegrafica‘80 s.r.l. - Guidonia (Rm) www.selegrafica.it [email protected] Concessionaria esclusiva della pubblicità Fotolito e impianti Via Tor dè Schiavi, 355 - 00171 Roma Composit s.r.l. - Guidonia (Roma) Tel. 06 89015166 - fax. 06 89015167 [email protected] [email protected] - www.apsadvertising.it Le schede complete della produzione italiana 2010 sono consultabili al sito www.anica.it IV 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 5 ità 7 g.it 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 6 ASSOCIAZIONE NAZIONALE INDUSTRIE CINEMATOGRAFICHE AUDIOVISIVE E MULTIMEDIALI - LA PRODUZIONE ITALIANA 2010 ELENCO REGISTI LIST OF DIRECTORS A D I Adriatico, Andrea pag. -
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
CANNON, CAREY JOSEPH, DMA Joseph Willcox Jenkins
CANNON, CAREY JOSEPH, D.M.A. Joseph Willcox Jenkins: Male Chorus Arrangements of Stephen Collins Foster Melodies. (2012) Directed by Dr. Welborn E. Young. 130 pp. During his tenure as the first arranger for the United States Army Chorus (1956– 1959), Joseph Willcox Jenkins composed and arranged a prolific amount of male choral music, much of which remains unpublished. Outside the circles of the U.S. Army Chorus and Duquesne University, where he was a professor for forty years, much of Jenkins’s music is relatively unknown. His works, however, reflect a commanding knowledge of the male chorus, unique since of style, and creative use of many compositional techniques. Throughout his brief time with the Army Chorus, Jenkins arranged at least 270 pieces and composed a handful of original works. Among these works are fourteen arrangements of Stephen Collins Foster melodies that remain prominent in the ensemble’s performing repertoire to this day. This document presents six performance editions of Jenkins’s fourteen arrangements of the Stephen Collins Foster melodies: “Beautiful Dreamer,” “Camptown Races,” “Nelly Bly,” “Oh Susanna,” “Ring Ring de Banjo,” and “Some Folks.” These arrangements will be compared to the original songs, placed in historical context, and ultimately expand the choices of male choral repertoire. The research undertaken here stimulates the historical research of American male choruses, namely the United States Army Chorus, and provides the possibility for further study of Jenkins’s musical works. Additionally, along with this document, the results of this study were presented in printed performance editions of the selected works and performed in a lecture recital featuring the arrangements. -
The Fire Child Free
FREE THE FIRE CHILD PDF S. K. Tremayne | 400 pages | 16 Jun 2016 | HarperCollins Publishers | 9780008105839 | English | London, United Kingdom The Children’s Fire - Mac Macartney It was cast aside a long time ago and the consequences of this careless dereliction of duty have cost us dearly. It also has the vision and power to create waves and inspire action. I was tense, alert, and mindful that every word, gesture, and glance was pregnant with significance. Even though I had no way of knowing the extent to which this brief encounter would influence my life, I experienced it as a tryst to which all roads had been leading even before I had learned how to walk. The Fire Child few hundred years ago, wise women and men, elders of a people who The Fire Child a few short decades would see their former way of life disappear forever, enquired deeply into questions concerning life, living, dying, relationship and meaning. Tongues of flame, burnt red, liquid gold and orange leapt at the lowering sky, the only sound the crackling of branches as they blistered and shook, shaking free The Fire Child ancient sunlight so long held and disguised as dead wood. The elders would sit together in council and many questions important to the wellbeing of the people were discussed. A recurring question that concerned the nature of leadership and the wielding The Fire Child power was this. One of the great challenges which the elders considered was the complex relationship between the short and long term. This naturally led them to understand the necessity of ensuring that their leaders always sought to secure a safe and prosperous future by testing every major decision against the future wellbeing of the children. -
Artistes De France
ARTISTES DE FRANCE VENUS DES QUATRE COINS DU MONDE DU 18 MARS AU 31 DÉCEMBRE 2017 L’art, sous toutes ses formes, est il semble essentiel de parler d’union, véritablement au cœur des pro- de cohésion et de partage à un grammes de France Télévi sions. moment où l’actualité du pays peut Avec des rendez-vous réguliers, être parfois difficile. Cette série parle mais également des programma- de diversité, de fraternité, de culture tions événementielles sur toutes et d’artistes venus des quatre coins ses chaînes et sur tous ses écrans, du monde qui ont choisi la France France Télévisions s’attache à mettre pour exprimer leur talent. en lumière les différentes facettes de l’art. La série Artistes de France est Le groupe France Télévisions, qui un projet qui se devait d’être porté a obtenu en 2014 le label Diversité, par le service public. s’est engagé avec tous ses colla- borateurs à promouvoir une image Premier partenaire du 7 e art et plus respectueuse de la diversité soutien essentiel de la musique, le qui fait la richesse et la force de la groupe ouvre aussi ses antennes France. Une démarche qu’illustre aux spectacles vivants, aux arts la trilogie de formats courts com- plastiques, à la poésie... La pla- posée des séries Frères d’armes teforme Culturebox témoigne de (2014-2015), Champions de France l’engagement de France Télé- (2015-2016) et, cette année, Artistes visions en faveur de la création de France. Pendant un an, 42 por- artistique, en proposant chaque traits seront diffusés au fil des jour une sélection de l’actualité semaines sur toutes les chaînes culturelle, ainsi que des collec- et tous les écrans du groupe : en tions et des formats spécifique- deux minutes, une personnalité ment pensés pour le numérique. -
Réponses Du Questionnaire Cinéma
Réponses du questionnaire Cinéma 1 Dans quel film de Jacques Tati ne figure pas M. Hulot ? Jour de fête (1948) 2 "Chabadabada, chabadabada...". Qui sont l'homme et la femme du film de Lelouch, en 1966 ? Jean-Louis Trintignant et Anouk Aimée 3 Depuis la création des Césars, un seul film a réussi "le grand chelem" : meilleur film, meilleur acteur, meilleure actrice, meilleur réalisateur. C'était... Le dernier métro (1981) 4 Dans lequel de ces films (je crois que ça parle de flic...) ne figure pas Alain Delon ? Les flics 5 Dans "la guerre des boutons" d'Yves Robert, quelle réplique devenue célèbre est prononcée par Petit Gibus ? Si j'aurais su, j'aurai pas venu 6 Dans ""Marius" une célèbre partie de cartes oppose César, Escartefigue, Panisse et M. Brun. Mais au fait, à quoi jouent-ils ? A la manille 7 Dans "les visiteurs", quel est le cri de guerre de la famille de Montmirail ? Montjoie-Saint Denis, que trépasse si je faiblis 8 Comment s'appelle Louis de Funès dans "le corniaud" Monsieur Saroyan 9 Et quel est le nom du diamant caché dans le klaxon de la voiture ? Le Youcouncoun 10 Quelles sont les profession de Bourvil et de Louis de Funès dans "la grande vadrouille" ? Peintre et chef d'orchestre 11 Occasionnellement, quelle est la particularité de la bourgeoise interprétée par Catherine Deneuve dans "belle de jour" de Luis Buñuel (1967) Elle se prostitue 12 Où habite l'assassin ? Au 21 13 En quelle année fut tourné "l'arroseur arrosé", de Louis Lumière ? 1895 14 Qui est "la dentellière", dans le film du même nom ? Isabelle Huppert 15 Que