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Scottsdale Philharmonic
SCOTTSDALE PHILHARMONIC Scottsdale Center for the Performing Arts Virginia G. Piper Theater ScottsdaleArts.org | 480-499-TKTS 1 Scottsdale Center for the Performing Arts Presents Ajay R. Patel, Resident Conductor John Masaro, Resident Conductor Sunday, June 27, 2021 4:00 p.m. Scottsdale Center for the Performing Arts Virginia G. Piper Theater 2 ScottsdaleArts.org | 480-499-TKTS ScottsdaleArts.org | 480-499-TKTS 3 CONCERT PROGRAM Ajay R. Patel, Resident Conductor John Massaro, Resident Conductor Dudley Buck Festive Overture (1839–1909) Derric Johnson Armed Services Medley (1932) John Philip Sousa Washington Post (1854–1932) Samuel A Ward American the Beautiful (1848–1903) arr. by Carmen Dragon Morton Gould American Salute (1913–1996) U.S. Navy Hymn Eternal Father Strong to Save Antonín Dvořák Largo New World Symphony (1841–1904) Hector Berlioz Rakoczy March (1803–1869) Irving Berlin God Bless America (1888–1989) John Philip Sousa Stars and Stripes (1854–1932) 4 ScottsdaleArts.org | 480-499-TKTS ORCHESTRA MEMBERS Ajay R. Patel, Resident Conductor John Massaro, Resident Conductor FLUTE HORN VIOLIN 2 Angela McCabe Daniel Atwood Kathryn Hart Anna Clermont PICCOLO TROMBONE Barbara Moss Karla Martin Frank Darmiento Bob Willers VIOLA CLARINET Carolyn Broe Heather Van Beck TUBA Jennifer Grubbs Tami Bruce Matt Wilkens CELLO 2 OBOE PERCUSSION Renee Rechlin Kristen Zhender Mary Anne Ames Kirsten Alexander Marcie Kneisley Kathy Jones BASS BASSOON VIOLIN 1 Byron Edgar Raimund Fromme Vickie Thai Dr. Leon Jin Carl Betty Carol TRUMPET Nancy Bruce Legge Bobby Pirtle ScottsdaleArts.org | 480-499-TKTS 5 MISSION JOHN MASSARO The mission of the Scottsdale Philharmonic is to provide the city of Scottsdale RESIDENT CONDUCTOR and surrounding communities with a professional symphony orchestra, John Massaro is the principal conductor for Phoenix Opera and the Southwest performing a series of traditional classical music concerts without charge to the Vocal Competition, where he has conducted main stage opera productions public and making classical music available to audiences of all ages. -
Copyright 2010, Michigan Opera Theatre 132Ndseasonums 10111
Copyright 2010, Michigan Opera Theatre 132ndseasonums 10111 Renee Fleming soprano Hartmut Hall piano Sun, Jan 16 I 4 PM HILL AUDITORIUM • ANN ARBOR One of the most beloved and celebrated musical ambassadors of our time, soprano Renee Fleming captivates audiences with her sumptuous voice, consummate artistry, and compelling stage presence. This great American soprano returns to VMS after her 1997 recital and her 2005 appearance in a concert version of R!chard Strauss's Daphne. MEDIA PARTNER W,GTE 91.3 FM. Liebeslieder Waltzes: Songs and Waltzes of Love Genia Kuhmeier soprano Bernarda Fink mezzo-soprano Michael Schade tenor Thomas Quasthoff bass-baritone Malcolm Martineau piano Justus Zeyen piano Sat, Apr 23 I 8 PM HILL AUDITORIUM • ANN ARBOR PROGRAM Schumann Spanische Liebeslieder, Op . 138 (1849) Brahms Liebeslieder Waltzes, Op. 52 (1868- 69) Brahms Four Songs from Quartets for Four Voices and Pianos, Ops. 64 & 92 (1862- 84) Brahms Neue Liebeslieder Waltzes, Op. 65 (1874) MEDIA PARTNER WGTE 91.3 FM . .::i\-J£RS'r)- Call or click for tickets! ~ ums 734.764.2538 I www.ums.org 6'::=::;:;.ti;.. ~ (' ... -f( SOC \ ~'\ HOURS: MONCopyright- FRI : 9 AM TO2010, 5 PM Michigan SAT: 10 AM Opera TO 1 TheatrePM . ='"'- CONTENTS Fall 2010 Th e Official MagaZine WELCPME of the Detroit Opera Hous e L ETTER FROM D AVID DICHIERA ................ ..... .... ... ... .. .. .. ..... 4 BRAVO is a Michigan Opera Theatre publication. ON STAGE Rebekah Johnson, Editor Mitch Carter, Contributing Editor T HE MIKADO ... .... .... .... .. .... .. ..... .. ..... ... ............ ...... ... ...... ... 5 THE DYNA MIC Duo: Two MEN WHO CH ANG ED ENG LI SH OPERA ...... .... 7 Contributors Fred Buchalter Mitch Can er l-A B OHEME .. -
Carmengeorges BIZET
Carmen GEORGES BIZET THEATER 15/16 Five Hundred Twenty-Second Program of the 2015-16 Season _______________________ Indiana University Opera Theater presents as its 447th production Carmen Opéra Comique in Four Acts Music by Georges Bizet Libretto by Henri Meilhac and Lucovic Halévy Based on the novel by Prosper Mérimée David Effron, Conductor Jeffrey Buchman, Stage Director Robert O’Hearn, Set and Costume Designer Dana Tzvetkov, Costumer Patrick Mero, Lighting Designer Walter Huff, Chorus Master Brent Gault, Children’s Chorus Master Rosa Mercedes, Dance Choreographer Matt Herndon, Fight Choreographer Gary Arvin, Diction Coach Daniela Siena, Supertitles Author _________________ Musical Arts Center Friday Evening, February Twenty-Sixth Saturday Evening, February Twenty-Seventh Friday Evening, March Fourth Saturday Evening, March Fifth Seven-Thirty O’Clock music.indiana.edu Cast of Characters Friday, February 26 Saturday, February 27 Saturday, March 5 Friday, March 4 Don José . Trey Smagur Justin Stolz Carmen . Courtney Bray Patricia Illera Micaëla . Yuji Bae Claire Lopatka Escamillo . Ross Coughanour Jianan Huang Zuniga . Andrew Richardson Jeremy Gussin Moralès . Mark Billy Teofil Munteanu Frasquita . Emma Donahue Madeline Ley Mercédès . Marianthi Hatzis Chelsea DeLorenz Le Dancaïre . Benjamin Seiwert Andres Acosta Le Remendado . Max Zander Darian Clonts Supernumeraries . Zach Decker, Kara Dual-Fowler, Norm Holy Antonio Houck, Moses Mayabilo, Ben Monticue Jim Nelson, Andrew Nine, Tod Wicks Opera Chorus Walter Huff, Chorus Master Women Women -
Download the Playbill
TOSCA Composer: Giacomo Puccini Act I — Rome, June 1800;The Church of Sant’Andrea della Valle. Napoleon Bonaparte is advancing with his army. Bonaparte is the political enemy of Scarpia and the hero of Cavaradossi and Angelotti. Angelotti, an escaped political prisoner, takes refuge in a side chapel of the church of Sant’Andrea della Valle in Rome. An elderly sacristan comes to tidy up, followed by Cavaradossi, a painter, who is at work on a portrait of the Madonna. Cavaradossi compares his Madonna’s blonde-haired, blue-eyed charm with the dark beauty of his lover, the famous singer Floria Tosca (“Recondita armonia”). Angelotti emerges from hiding to find Cavaradossi, his political ally,who promises to help his friend escape from Rome. Angelotti hides again at the sound of Tosca’s voice from outside. Tosca jealously demands to know why the door was locked. Cavaradossi reassures her, and they join in a passionate duet (“Non la sospiri”). Once Tosca has gone, Angelotti reappears and he and Cavaradossi plan his flight. A cannon shot from the Castel Sant’Angelo announces the discovery of Angelotti’s escape. They exit. The sacristan enters followed by clerics and choir boys, all excited by rumors of Bonaparte’s defeat (“Tutta qui la cantoria”). Baron Scarpia, the chief of police, arrives with his henchman Spoletta in search of the escaped prisoner. Tosca returns, and Scarpia plays upon Tosca’s jealousy in hopes of discovering Angelotti’s whereabouts (“Tosca divina”). When she leaves to seek her lover, Scarpia has her followed. As the crowd intones the “Te Deum,” Scarpia vows to bring Cavaradossi to the gallows and Tosca into his arms (“Va, Tosca! Nel tuo cuor s’annida Scarpia”). -
La Traviata GIUSEPPE VERDI (1813-1901) Libretto by Francesco Maria Piave
FEB. 20, 22, 25 classical series SEGERSTROM CENTER FOR THE ARTS Renée and Henry Segerstrom Concert Hall concerts begin at 8 p.m. Preview talk with alan chapman begins at 7 p.m. presents 2013-2014 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES CARL ST.CLAIR • conductor | A. SCOTT PARRY • director PACIFIC CHORALE: JOHN ALEXANDER • artistic director ROBERT M. ISTAD • assistant conductor and chorusmaster MEMBERS OF THE CSUF UNIVERSITY SINGERS: ROBERT M. ISTAD • director La Traviata giusePPe verdi (1813-1901) libretto by Francesco maria Piave act i: violetta’s country house near Paris act ii, scene i: the salon in violetta’s house intermission act ii, scene ii: galleria in Flora’s Palazzo act iii: violetta’s bedroom CAST TECHNICAL TEAM Violetta valéryn Elizabeth caballero, soprano lisa naugle, choreographer for the Matador Dance Alfredo germont Rolando sanz, tenor Barry Steele, lighting and scenic designer Giorgio germont Mark delavan, baritone Katie Wilson, costume coordinator Flora bervoix Jamie van eyck, mezzo-soprano annina Diana tash, mezzo-oprano ora Jewell-busche, hair and make-up designer gastone John matthew myers, tenor William Pruett, prop master Baron douphol Jamie offenbach, bass-baritone Marquis d’obigny Andrew gray, bass-baritone supertitles by chadwick creative arts Doctor grenvil Michael gallup, bass-baritone Giuseppe/servant Kevin gino, tenor Commissioner/servant Andrei bratkovski, bass Violetta study cover Chelsea chaves, soprano Matador dancers Christine gerena Steve Rosa PACIFIC SYMPHONY PROUDLY RECOGNIZES ITS OFFICIAL PARTNERS Official Airline Official Television Station the saturday, Feb. 22, performance is being recorded for broadcast on sunday, march 23, 2014, at 7 p.m. on Kusc, the official classical radio station of Pacific Symphony. -
Koncert Fortepianowy A-Moll Szybki Finał W Formie Ronda, Można Z Tym Słynnym Dziełem Kulminacyjnego Koncertu, Ojczyzny
fot. Krzysztof Bieliński 11.11 godz. 20:00 Teatr Wielki – Opera Narodowa pl. Teatralny 1 Warszawa 122 123 100 na 100. Muzyczne dekady wolności Warszawa repertuar Henryk Mikołaj Górecki Ignacy Jan Paderewski Krzysztof Penderecki (1933–2010) (1860–1941) (*1933) Beatus vir op. 38* Koncert fortepianowy Te Deum a-moll op. 17 1. Allegro 2. Romanza. Andante 3. Allegro molto vivace *** wykonawcy Iwona Hossa (sopran)** Garrick Ohlsson (fortepian) Karolina Sikora (mezzosopran) Jacek Kaspszyk (dyrygent) Arnold Rutkowski (tenor) Chór Teatru Wielkiego – Opery Narodowej Mariusz Godlewski (baryton)* Orkiestra Teatru Wielkiego – Opery Narodowej ** biogram s. 36 Tomasz Konieczny (bas-baryton) 124 125 100 na 100. Muzyczne dekady wolności Warszawa komentarz Joanna Miklaszewska Jana Paderewskiego, światowej pierwszy, marszowy temat Allegra, kardynała na papieża, powstała sławy pianisty i wybitnego z charakterystyczną motywiką „Solidarność”, zaś zaledwie kompozytora, którego drugą opartą na skoku kwarty, cechuje kilka lat później kraj wyzwolił pasją – obok muzyki – była polityka. się również ludowym kolorytem. się z komunistycznego reżimu. Paderewski swą działalnością Utrzymana w trójfazowej formie „Na tak ważkie świadectwo tego dyplomatyczną znacząco środkowa część wolna – Romanza. czasu zdobyła się kultura polska przyczynił się do odzyskania Andante – emanująca nastrojem tylko w muzyce” – zauważył przez Polskę niepodległości, pogodnego spokoju, zawiera Andrzej Chłopecki, pisząc w 1919 roku był sygnatariuszem pełen zadumy, liryczny temat, o okolicznościach w jakich traktatu wersalskiego, objął także wprowadzony przez fortepian. powstało Polskie Requiem urząd premiera i ministra spraw Trzecia część koncertu, Allegro Pendereckiego, utwór również zagranicznych wyzwolonego kraju. molto vivace, to porywający, z tego okresu. Te Deum porównać Pierwszym utworem w programie pielgrzymki polskiego papieża do wysłuchaj modlitwę moją), Koncert fortepianowy a-moll szybki finał w formie ronda, można z tym słynnym dziełem kulminacyjnego koncertu, Ojczyzny. -
View PDF of Aria
90683_Boheme:B 1/18/10 1:31 PM Page 1 By Giacomo Puccini February 26, 28, & March 2, 2010 Always NEAL S. BLAISDELL CONCERT HALL HAWAII OPERA T HEATRE 091224_Aria_Ad_Flanders.pdf 1/4/2010 2:40:01 PM Timeless design with a New Cast C M Y CM MY CY CMY K philpotts.net 808 523 6771 90683_Boheme:B 1/13/10 12:07 PM Page 3 HOT Founders Alexander & Baldwin Mr. & Mrs. John V. Higgins Mrs. Ruth Ballard Bruce & Pegge Hopper Bank of Hawaii Mrs. Cecily F. Johnston Mr. & Mrs. Robert E. Black Dr. Arthur & Libbie Kamisugi Mr. & Mrs. Robert Brilliande Mr. & Mrs. Peter A. Lee Anniversary Message Mr. & Mrs. Elliott H. Brilliant Galen & Didi Leong from the Board President Mr. & Mrs. Robert B. Bunn Dr. & Mrs. Michael J. Meagher Cades, Schutte, Fleming & Wright Mr. & Mrs. T. Clifford Melim, Jr. by Jim McCoy Mr. & Mrs. J. Russell Cades Mr. & Mrs. James F. Morgan Mr. & Mrs. Donn W. Carlsmith Mr. & Mrs. Arthur Murray Dr. & Mrs. Percival Chee Dr. & Mrs. Nobuyuki Nakasone It is my great pleasure to welcome you to Hawaii Opera Mr. & Mrs. Henry B. Clark, Jr. Mr. & Mrs. Edward A. O’Neill Theatre’s 50th Anniversary Season. It’s incredible to think Mr. & Mrs. Hal Connable Orthopedic Associates of Hawaii, Inc. that 50 years ago a fledgling opera company was gearing Mr. & Mrs. Conrad G. Conrad III Mrs. Arthur E. Orvis up for the first performance in its history, Madama Mr. & Mrs. Richard A. Cooke, Jr. Mr. & Mrs. Elmer Patman Butterfly at McKinley High School. A lot has changed Mr. -
Jewish News of Greater Phoenix
ArtsCulture & Cultural introductions ............S12 Valuable resource ...................S13 The shows must go on ...........S16 Jewish News of Greater Phoenix S12 – Arts & Culture/JEWISH NEWS OF GREATER PHOENIX — August 5, 2011 Cultural introductions Valley offers many options for children’s theater f you want to introduce your children to theater, there are plenty of options in the Valley. Below is a Iselected list of theater companies and their upcom- ing performances by and for children. Some feature professional adults performing for children while others feature youth performers. Age-appropriateness of certain performances is included when provided by the theater company. Arizona Jewish Theatre Childsplay is a professional theater Company-Curtain Call company for young audiences and John Paul Theatre at Phoenix College families. 1202 W. Thomas Road, Phoenix Tickets: $25 adult; $20 children, seniors 602-264-0402 and students; $12 preview shows. azjewishtheatre.org Discounts for play passes (eight or more Curtain Call, AJTC’s youth theater, puts tickets). on two shows each year. ‘Lilly’s Purple Plastic Purse’: Sept. 17- Tickets: $12 adults, $8 youth Oct. 16 (Age 4 and up) ‘Fiddler on the Roof, Jr.’: Dec. 10-11 ‘The Sun Serpent’: Oct. 29-Nov. 13 (Age Second show in the spring TBD. 8 and up) Arizona Jewish Theatre Company’s Curtain Call, AJTC’s youth theater ‘Lyle the Crocodile’: Nov. 19-Dec. 24 company, will bring back “Fiddler on the Roof, Jr.” Dec. 10-11. This photo (Age 4 and up) Broadway Palm Dinner is from a 2004 dress rehearsal of the same play. Photo by Mark Gluckman Theatre-Children’s Theatre ‘With Two Wings’: Jan. -
The University Musical Society of the University of Michigan
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN GEORGE FRIDERIC HANDEL THE UNIVERSITY CHORAL UNION DONALD BRYANT, Conductor KATHRYN BOULEYN DAY, Soprano CARROLL FREEMAN, Tenor GAIL DUBINBAUM, Mezzo-soprano STEPHEN BRYANT, Bass-baritone NANCY HODGE, Harpsichordist MARILYN VAN DER VELDE, Organist MEMBERS OF THE ANN ARBOR SYMPHONY ORCHESTRA SATURDAY EVENING, DECEMBER 2, 1989, AT 8:00 SUNDAY AFTERNOON, DECEMBER 3, 1989, AT 2:00 HILL AUDITORIUM, ANN ARBOR, MICHIGAN Messiah A Sacred Oratorio George Frideric Handel was born in the German city of Halle on February 23, 1685, and died in London on April 14, 1759. He traveled widely as a young man and, after a sojourn in Italy in his twenties, began writing Italian operas. He settled in London at the age of 26 to write more of them, but when the popularity of Italian opera began to decline, he turned his efforts to writing oratorios, which were, in essence, operas without stage action. Most of Handel's oratorios were on Biblical subjects, chosen from the Old Testament, but not in any true sense sacred works. Messiah, his only oratorio based on the New Testament, was something different. It is not a dramatic work like the oratorios before and after it, but a contemplative one, which Handel called "A Sacred Oratorio." Messiah is in three parts. The first celebrates the birth of Jesus, from eager anticipation and prophecy to jubilant fulfillment and thanksgiving. The second part deals with the Passion and its redemptive significance, culminating in the magnificent "Hallelujah" chorus, and the third is a great affirmation of faith, growing from quiet profundity to the ringing jubilation of the chorus "Worthy Is the Lamb" and the final grand "Amen." The University Musical Society appreciates Great Lakes Bancorp 's grant in support of these Messiah concerts. -
La Bohème PRESS KIT PRESENTS La Bohème
PUCCINI'S La bohème PRESS KIT PRESENTS La bohème Opera in four acts Music by Giacomo Puccini Libretto by Luigi Illica and Giuseppe Giacosa First performed February 1, 1896 at the Teatro Regio in Turin Italy. Sung in Italian with English supertitles. Supported, in part, by grants from the San José Office of Cultural Affairs and Applied Materials. Costume Sponsor Mary & Clinton Gilliland PRESS CONTACT Bryan Ferraro Communications Manager Office (408) 437-2229 Mobile (408) 316-2008 [email protected] operasj.org For additional information go to https://www.operasj.org/about-us/press-room/ CAST ARTISTIC TEAM IN ORDER OF APPEARANCE CONDUCTOR CHORUS MASTER Joseph Marcheso Andrew Whitfield RODOLFO Andrew Whitfield 4/28, 4/30 MUSIC STAFF Kirk Dougherty STAGE DIRECTOR Veronika Agranov-Dafoe MARCELLO Michael Shell Victoria Lington Matthew Hanscom SET DESIGN SUPERTITLE CUEING COLLINE Kim A. Tolman Victoria Lington Colin Ramsey COSTUME DESIGN SCHAUNARD Alina Bokovikova Brian James Myer COSTUME DIRECTOR BENOIT Alyssa Oania Carl King LIGHTING DESIGN MIMÌ Pamila Z. Gray Sylvia Lee 4/15, 4/20, 4/30 WIG AND MAKEUP DESIGN Julie Adams 4/16, 4/23, 4/28 Christina Martin PARPIGNOL PROPERTIES MASTER Yungbae Yang Lori Scheper-Kesel MUSETTA TECHNICAL DIRECTOR Vanessa Becerra John Draginoff ALCINDORO ASSISTANT STAGE DIRECTOR Vagarsh Martirosyan Hannah Hudgins PRODUCTION STAGE MANAGER Allie Bailey 4 Opera San José La bohème Press Kit 5 ORCHESTRA 1ST VIOLIN ENGLISH HORN Cynthia Baehr, Concertmaster Pamela Hakl Alice Talbot, Asst. Concertmaster CLARINET Matthew Szemela Mark Brandenburg, Principal Valerie Tisdel Ann Lavin Chinh Le Virginia Smedberg BASS CLARINET Debra Fong Mara Plotkin Michael Grossman BASSOON 2ND VIOLIN Deborah Kramer, Principal Claudia Bloom, Principal Carolyn Lockhart Sally Dalke, Asst. -
Scottsdale Philharmonic
SCOTTSDALE PHILHARMONIC Scottsdale Center for the Performing Arts Virginia G. Piper Theater ScottsdaleArts.org | 480-499-TKTS 1 Scottsdale Center for the Performing Arts Presents SCOTTSDALE PHILHARMONIC Ajay R. Patel, Resident Conductor John Masaro, Resident Conductor Sunday, May 2, 2021 4:00 p.m. Scottsdale Center for the Performing Arts Virginia G. Piper Theater 2 ScottsdaleArts.org | 480-499-TKTS CONCERT PROGRAM Thomaso Albinoni—Adagio in G Minor Benjamin Britten—The Simple Symphony op. 4 Samuel Barber—Adagio for Strings Wolfgang Amadeus Mozart—Eine kleine Nachmusik ORCHESTRA MEMBERS Ajay R. Patel, Resident Conductor John Massaro, Resident Conductor Violin I Violin II Viola Cello Bass Vickie Thai, Concertmaster Holly Brown Carolyn Broe Kirsten Alexander Byron Edgar Sandy Henriguez Anna Clermont Petra Frome Brandy Bivins Deborah Exner Seogim Moon Kathryn Hardt Jennifer Grubbs Charlie Bullen Mary Kelly Carl Reiter Barbara Moss Joy Partridge JoAnne Cleland Jason Ormiston Nancy Reiter Amy Schroader George Smith Richard Martin Adrianna Pretorius Betty Carol Singer Sharon Stolper Janet Millard Neil Vanwie Renee Rechlin Jim Stanley Barbara Stratford Dennis Yee ScottsdaleArts.org | 480-499-TKTS 3 ABOUT Mission Vision The mission of the Scottsdale Philharmonic is to provide the city of Scottsdale Our vision is to enhance the cultural environment of Scottsdale with an and surrounding communities with a professional symphony orchestra, orchestra of professional musicians where everyone can attend classical performing a series of traditional classical music concerts without charge to the symphony concerts. Founded in 2012, the Scottsdale Philharmonic is a public and making classical music available to audiences of all ages. nonprofit corporation that is funded by contributions from the general public and business community. -
65Th Annual Conference January 8-11, 2020 Hilton Cleveland Downtown Cleveland, Ohio
Photo by DJ Johnson on Unsplash 65th Annual Conference January 8-11, 2020 Hilton Cleveland Downtown Cleveland, Ohio 65th ANNUAL CONFERENCE Cleveland, Ohio Hilton Cleveland Downtown January 8-11, 2020 Paul Houghtaling, President Benjamin Brecher, President-Elect Lisa Dawson, Vice President for Conferences Dawn Neely, Vice President for Regions Reginald Pittman, Past President Robert Hansen, Executive Director Scott Skiba, Baldwin-Wallace Conservatory, Conference Chair Collaborative Pianists Kevin Chance, Amanda Johnston, Louise Lofquist, Kristen Roach, Kirk Severtson, Kumiko Shimizu Wednesday, January 8, 2020 2:00-5:30 PM Board of Directors Meeting Center Street A 6:00-9:00 PM Pre-Conference Mixer Elliott Bar (ticketed event) Thursday, January 9, 2020 8:00 AM-5:00 PM Registration Lakeside Foyer 9:00 AM Exhibit Area Open Hope B Foyer 9:00-9:50 AM Conductors and Pianists Collaborative Center Street A Initiative Gathering 9:00-9:50 AM Breakout Sessions Politics and Opera: “Popratics” Center Street D Reimaging Offenbach’s La Périchole in the 21st Century Christopher Goeke, presenter Politics and Opera: “Poperatics” – Reimaging Offenbach’s La Périchole in the 21st Century. Can an 1868 opera tell the story of 2018 American politics and culture? There is an uncanny similarity in Offenbach’s satire and the political milieu of the last two decades. This presentation will investigate how a modern production of La Périchole can honor Offenbach’s charming music and wry humor, maintaining rhyme-scheme and story line, while simultaneously engaging in relevant contemporary political and social discussion. Audio and visual examples included. CANCELED: Reuse/Recycle/Repurpose: Hope Ballroom A Creative Op Shop on a Shoestring Budget and Hacks for a one-person production team Jen Stephenson and Anne Foradori, presenters Small academic opera programs are often challenged by limited resources to produce theatrically credible, artistically satisfying performances of scenes, one-act, or full-length operas.