Scottsdale Philharmonic
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Pearls of Wisdom Book & Author Event
Presidents: Marcia Langer, Judy Levine Editor: Kathleen Witkin Co-Editor: Sara Leopold Layout/Graphics: Carolyn Sherris www.brandeisphoenix.org Instagram: bncphoenixchapter Twitter: @bncphx NOVEMBER 2019 www.facebook.com/brandeisphoenix 30th Anniversary! Pearls of Wisdom Book & Author Event Friday, February 21, 2020 The Westin Kierland Resort and Spa Presenting Our 2020 Fantastic Authors! Brad Taylor, Gabriel Bump Jeanine Cummins, Jamie Bernstein Tim Mason Moderator: Stanley Roberts A Bookmark Donor Cocktail Reception with the authors will be held on Thursday, February 20, 2020. For additional information, see page 4. NOVEMBER 2019 BNC PHOENIX CHAPTER PAGE 2 Co-Presidents’ Message Dear Fellow Brandeis Members, Thanksgiving is coming and our Phoenix BNC Chapter has so much to be thankful for. Our BNC Chapter contributed over $135,000 of the almost $1 million in donations raised during BNC's Magnify the Mind Campaign. The Campaign funds have been used to purchase and equip space for a high-speed two-photon microscope. This essential technology allows Brandeis researchers and science students the ability to observe brain activity in real time and will also help to keep Brandeis University at the forefront in research for neurodegenerative diseases. At our BNC Phoenix Fall Opening Event, we were fortunate to have as our guest speaker Joshua Trachtenberg. Dr. Trachtenberg graduated from Brandeis in 1990 and is a leader in studying the living brain in action by using advanced imaging technology. After establishing his research laboratory at UCLA, he founded a company named Neurolabware. It was their two-photon microscope that was purchased for use at Brandeis University. Our sincere thanks to our Program VPs Bonnie Clewans and Judy Krockey and the Programming Committee for creating an informative and enjoyable brunch. -
Scottsdale Philharmonic
SCOTTSDALE PHILHARMONIC Scottsdale Center for the Performing Arts Virginia G. Piper Theater ScottsdaleArts.org | 480-499-TKTS 1 Scottsdale Center for the Performing Arts Presents Ajay R. Patel, Resident Conductor John Masaro, Resident Conductor Sunday, June 27, 2021 4:00 p.m. Scottsdale Center for the Performing Arts Virginia G. Piper Theater 2 ScottsdaleArts.org | 480-499-TKTS ScottsdaleArts.org | 480-499-TKTS 3 CONCERT PROGRAM Ajay R. Patel, Resident Conductor John Massaro, Resident Conductor Dudley Buck Festive Overture (1839–1909) Derric Johnson Armed Services Medley (1932) John Philip Sousa Washington Post (1854–1932) Samuel A Ward American the Beautiful (1848–1903) arr. by Carmen Dragon Morton Gould American Salute (1913–1996) U.S. Navy Hymn Eternal Father Strong to Save Antonín Dvořák Largo New World Symphony (1841–1904) Hector Berlioz Rakoczy March (1803–1869) Irving Berlin God Bless America (1888–1989) John Philip Sousa Stars and Stripes (1854–1932) 4 ScottsdaleArts.org | 480-499-TKTS ORCHESTRA MEMBERS Ajay R. Patel, Resident Conductor John Massaro, Resident Conductor FLUTE HORN VIOLIN 2 Angela McCabe Daniel Atwood Kathryn Hart Anna Clermont PICCOLO TROMBONE Barbara Moss Karla Martin Frank Darmiento Bob Willers VIOLA CLARINET Carolyn Broe Heather Van Beck TUBA Jennifer Grubbs Tami Bruce Matt Wilkens CELLO 2 OBOE PERCUSSION Renee Rechlin Kristen Zhender Mary Anne Ames Kirsten Alexander Marcie Kneisley Kathy Jones BASS BASSOON VIOLIN 1 Byron Edgar Raimund Fromme Vickie Thai Dr. Leon Jin Carl Betty Carol TRUMPET Nancy Bruce Legge Bobby Pirtle ScottsdaleArts.org | 480-499-TKTS 5 MISSION JOHN MASSARO The mission of the Scottsdale Philharmonic is to provide the city of Scottsdale RESIDENT CONDUCTOR and surrounding communities with a professional symphony orchestra, John Massaro is the principal conductor for Phoenix Opera and the Southwest performing a series of traditional classical music concerts without charge to the Vocal Competition, where he has conducted main stage opera productions public and making classical music available to audiences of all ages. -
Carmengeorges BIZET
Carmen GEORGES BIZET THEATER 15/16 Five Hundred Twenty-Second Program of the 2015-16 Season _______________________ Indiana University Opera Theater presents as its 447th production Carmen Opéra Comique in Four Acts Music by Georges Bizet Libretto by Henri Meilhac and Lucovic Halévy Based on the novel by Prosper Mérimée David Effron, Conductor Jeffrey Buchman, Stage Director Robert O’Hearn, Set and Costume Designer Dana Tzvetkov, Costumer Patrick Mero, Lighting Designer Walter Huff, Chorus Master Brent Gault, Children’s Chorus Master Rosa Mercedes, Dance Choreographer Matt Herndon, Fight Choreographer Gary Arvin, Diction Coach Daniela Siena, Supertitles Author _________________ Musical Arts Center Friday Evening, February Twenty-Sixth Saturday Evening, February Twenty-Seventh Friday Evening, March Fourth Saturday Evening, March Fifth Seven-Thirty O’Clock music.indiana.edu Cast of Characters Friday, February 26 Saturday, February 27 Saturday, March 5 Friday, March 4 Don José . Trey Smagur Justin Stolz Carmen . Courtney Bray Patricia Illera Micaëla . Yuji Bae Claire Lopatka Escamillo . Ross Coughanour Jianan Huang Zuniga . Andrew Richardson Jeremy Gussin Moralès . Mark Billy Teofil Munteanu Frasquita . Emma Donahue Madeline Ley Mercédès . Marianthi Hatzis Chelsea DeLorenz Le Dancaïre . Benjamin Seiwert Andres Acosta Le Remendado . Max Zander Darian Clonts Supernumeraries . Zach Decker, Kara Dual-Fowler, Norm Holy Antonio Houck, Moses Mayabilo, Ben Monticue Jim Nelson, Andrew Nine, Tod Wicks Opera Chorus Walter Huff, Chorus Master Women Women -
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TOSCA Composer: Giacomo Puccini Act I — Rome, June 1800;The Church of Sant’Andrea della Valle. Napoleon Bonaparte is advancing with his army. Bonaparte is the political enemy of Scarpia and the hero of Cavaradossi and Angelotti. Angelotti, an escaped political prisoner, takes refuge in a side chapel of the church of Sant’Andrea della Valle in Rome. An elderly sacristan comes to tidy up, followed by Cavaradossi, a painter, who is at work on a portrait of the Madonna. Cavaradossi compares his Madonna’s blonde-haired, blue-eyed charm with the dark beauty of his lover, the famous singer Floria Tosca (“Recondita armonia”). Angelotti emerges from hiding to find Cavaradossi, his political ally,who promises to help his friend escape from Rome. Angelotti hides again at the sound of Tosca’s voice from outside. Tosca jealously demands to know why the door was locked. Cavaradossi reassures her, and they join in a passionate duet (“Non la sospiri”). Once Tosca has gone, Angelotti reappears and he and Cavaradossi plan his flight. A cannon shot from the Castel Sant’Angelo announces the discovery of Angelotti’s escape. They exit. The sacristan enters followed by clerics and choir boys, all excited by rumors of Bonaparte’s defeat (“Tutta qui la cantoria”). Baron Scarpia, the chief of police, arrives with his henchman Spoletta in search of the escaped prisoner. Tosca returns, and Scarpia plays upon Tosca’s jealousy in hopes of discovering Angelotti’s whereabouts (“Tosca divina”). When she leaves to seek her lover, Scarpia has her followed. As the crowd intones the “Te Deum,” Scarpia vows to bring Cavaradossi to the gallows and Tosca into his arms (“Va, Tosca! Nel tuo cuor s’annida Scarpia”). -
The University Musical Society of the University of Michigan
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN GEORGE FRIDERIC HANDEL THE UNIVERSITY CHORAL UNION DONALD BRYANT, Conductor KATHRYN BOULEYN DAY, Soprano CARROLL FREEMAN, Tenor GAIL DUBINBAUM, Mezzo-soprano STEPHEN BRYANT, Bass-baritone NANCY HODGE, Harpsichordist MARILYN VAN DER VELDE, Organist MEMBERS OF THE ANN ARBOR SYMPHONY ORCHESTRA SATURDAY EVENING, DECEMBER 2, 1989, AT 8:00 SUNDAY AFTERNOON, DECEMBER 3, 1989, AT 2:00 HILL AUDITORIUM, ANN ARBOR, MICHIGAN Messiah A Sacred Oratorio George Frideric Handel was born in the German city of Halle on February 23, 1685, and died in London on April 14, 1759. He traveled widely as a young man and, after a sojourn in Italy in his twenties, began writing Italian operas. He settled in London at the age of 26 to write more of them, but when the popularity of Italian opera began to decline, he turned his efforts to writing oratorios, which were, in essence, operas without stage action. Most of Handel's oratorios were on Biblical subjects, chosen from the Old Testament, but not in any true sense sacred works. Messiah, his only oratorio based on the New Testament, was something different. It is not a dramatic work like the oratorios before and after it, but a contemplative one, which Handel called "A Sacred Oratorio." Messiah is in three parts. The first celebrates the birth of Jesus, from eager anticipation and prophecy to jubilant fulfillment and thanksgiving. The second part deals with the Passion and its redemptive significance, culminating in the magnificent "Hallelujah" chorus, and the third is a great affirmation of faith, growing from quiet profundity to the ringing jubilation of the chorus "Worthy Is the Lamb" and the final grand "Amen." The University Musical Society appreciates Great Lakes Bancorp 's grant in support of these Messiah concerts.