Amanemu Experiences
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
1 to the Leaders and People of G7 Member States: Proposals For
To the Leaders and People of G7 Member States: Proposals for Pursuit of Genuine Prosperity through River Basin Thinking We the undersigned are members of citizens’ groups in the Tokai area, host to the Ise-Shima Summit. Despite our various standpoints, we have united to advocate for the “Ise Bay Initiative,” aiming to realize a sustainable and productive future based on river basin (bio-regional) thinking. Presenting the following experience and good practices, we propose to the leaders and the people of G7 member states to share the idea of Ise Bay Initiative and work together for a better future. “River basin thinking” means viewing the entire area of rivers flowing into the Ise Bay as one bio-region, and addressing issues within that region not on a reactive piecemeal basis but with the vision of integrated local development to enrichen the ecological value of the entire river basin area. Ise Bay basin communities have kept ideal relationship with nature and maintained their livelihood by utilizing the natural resources in co-existence with abundant forests, large and fertile plains, and rich and clear rivers like Kiso, Nagara, and Ibi rivers. However, as seen in the example of Yokkaichi Air Pollution which occurred after the post-war high economic growth period, air and water pollution that contaminated air and waters in the area severely affected human health and damaged fishery resources and as the result threatened people’s livelihoods. The pollution caused by Yokkaichi Petrochemical Complex built in northwest coast of Ise Bay deprived many people of their right to a healthy and safe living environment. -
Etiquette Inside the Jingu Precinct How to Worship Kami Naiku Is The
Kodenchi (Site of the previous sanctuary) 古殿地 Main sanctuary A divine palace of Amaterasu-Omikami stands here. The Holy Mirror (a symbol of Amaterasu-Omikami) is enshrined inside the main sacred palace at the innermost courtyard of the main sanctuary and the main palace is enclosed with four rows of Naiku is the most venerable sanctuary in Japan. Here is a jinja (Shinto shrine) wooden fences. Pilgrims usually worship the enshrined kami in dedicated to Amaterasu-Omikami, the ancestral kami (Shinto deity) of the Imperial front of the gate of the third row of the fence. family. She was enshrined in Naiku about 2,000 years ago and has been revered as a guardian of Japan. Aramatsuri-no-miya There are 14 superior affiliated jinja which are revered next to the main sanctuaries of Naiku and Geku in Jingu. This jinja occupies the highest rank among them and is dedicated to a vigorous spirit of Geheiden Amaterasu-Omikami. (outer treasury) One of the auxiliary jinja of Naiku to store harvested rice for 外幣殿 offering to kami in rituals. An architectural style of this jinja is similar to that of the main palace of the main sanctuary but smaller in size. It is said that the style of jinja in Jingu derived from rice granary Jingu is a sanctuary to pray for public of ancient Japan. happiness. If someone have personal wish, he or she can dedicate a prayer by offering kagura (ceremonial music Kazahinomi-no-miya Rest house for Pilgrims. and dance) to kami of Jingu. Amulets Souvenirs and drink vending One of the superior affiliated jinja dedicated to a couple of Jingu can be obtained here. -
9789401437578.Pdf
CONTENTS 6 Introduction 10 About 12 About this book 15 Locations (+ overview recipes) 15 Tokyo 16 Osaka 18 Fukuoka 19 ...and beyond! TOM'S STORY 21 Mission ramen 44 Izakaya in Kyoto 62 Team-building Japan 75 Fukuoka – The home of tonkotsu 84 Ramen noodle bar 114 On the road 137 Eat ’till you drop 180 Tokyo food crawl 192 A chef’s table TOMOKO AND MIHO 24 Good food and lots of laughter 33 Miso 100 Bento 107 Sake and shochu 133 Okonomiyaki: Hiroshima-Yaki and Osaka-Yaki 142 The shopping street Tenjinbashisuji Shotengai 164 Izakaya and tachinomiya THE BASICS 196 Dashi 198 Cooked rice 199 Sushi rice and katsuobushi salt 200 Chicken stock and vegetarian ramen stock 202 Eggs in soy sauce, marinated bamboo shoots and gyoza dipping sauce 203 Marinated braised pork, shiitake-seaweed butter and tonkatsu sauce 204 Shiodare, Misodare, Basildare and Tantandare 206 Sweetened adzuki beans 208 The Japanese language 210 Addresses 214 Index 5 INTRODUCTION Street food in Japan: you don’t immediately Ask any chef in the world about his favourite think of streets and squares full of food carts country for eating out and nine times out of ten or pavements decked with tables and chairs... the answer will be “Japan”. Japanese cuisine has The country with the most Michelin stars in the its own unique identity as well as many external world is associated mainly with sushi and sashimi influences. The most significant influence, as is and seldom, if ever, with street food. But this is the case in the rest of Asia, comes from Chinese wrong because sushi used to be street food; it cuisine: ramen noodles are originally Chinese. -
Garden Court Cafe MENU
LUNCH Garden Court Cafe MENU DIM SUM SMALL PLATES ENTRÉES DESSERTS STEAMED EDAMAME 14 GARDEN COURT SALAD 14 MISO MAPLE GLAZED SALMON 26 COCOA COTTON SOFT 12 furikake salt hand-sheared greens, pumpkin seeds, jasmine rice, crispy brussel sprouts CHEESE CAKE vegan, gluten-free sake poached pear, red-miso vinaigrette black tea anglaise sauce vegan PANDAN CHICKEN BREAST 24 SHRIMP DUMPLINGS 14 jasmine rice, coconut braised EXOTIC LIME MOUSSE 12 black vinegar-soy dipping sauce CRAB CAKE 16 kabocha squash meringue tuile, tequila mango puree, yuzu, frisée, ume dip gluten-free VEGETABLE DUMPLINGS 12 pineapple chutney black vinegar-soy dipping sauce KABOCHA SQUASH GNOCCHI 15 PHO GA 22 ASSORTED COOKIES 10 ricotta, candlenut, thai basil pesto* rice noodle, poached chicken, chicken broth, SAMOSA 8 vegetarian bean sprouts, thai basil & PETITS FOURS* peas, potato, cilantro chutney gluten-free chef’s selection cegan SOUP OF THE DAY BOWL 10 BENTO BOX MP ICE CREAM 10 CUP 8 Chef’s Choice of Main & Sides vanilla & green tea SEASONAL FRUIT 8 SIDES *Contains Nuts JASMINE RICE 6 **These items are served raw or undercooked, vegan, gluten-free or contain (may contain) raw or undercooked Ingredients. Consuming raw or undercooked meats, TOASTED NAAN 6 poultry, seafood, shellfish or eggs may increase vegetarian your risk of foodborne illness. MASOOR DAL 9 spiced lentils vegan, gluten-free JAPAN Map of CHINA DASHI BLACK VINEGAR KOREA A Japanese broth made most commonly by A vinegar made from rice and KOCHUJANG steeping Kombu (a type of kelp) and katsuobushi EASTERN CUISINE sorghum popularized in the southern Also known as Gochujang, it is a Korean (flakes of dried and fermented fish) in water. -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Miso Soup Yield: 4
Miso Soup Yield: 4 The base of a good miso soup begins with the dashi and is characterized by the different types of miso used. Miso is a thick paste produced from fermenting, rice, soybeans or barley. Miso can range in varying complexities and saltiness and is commonly identified by their colors from the less salty and sweet white (shiro) miso to red (mugi or sendai) to dark (hatcho). Dashi is Japanese stock made using the konbu or kombu, dried giant kelp and katsuobushi – wispy paper thin flakes from dried bonito fish. Dashi stock can be simmered once, and is called ichiban dashi or first dashi and is used for clear simple soups. This same dashi can be simmered again to make niban dashi or second dashi to give the soup a fuller flavor. Niban dashi is used for miso soup. Homemade Dashi Yield: 4 cups or 1 quart 4 cups cold water water 2 pieces 4-inch premium konbu or kombu ( dried kelp) 1/3 cup katsuobushi shaved dried bonito flakes 1. Make the first dash (ichiban dashi): Fill a saucepan with cold water and soak the konbu. Heat until steam is rising off the pot. Do not allow the water to boil as it will turn the dashi bitter. Just before the dashi begins to boil, turn off the heat and take the konbu out and set it aside. 2. Add the katsuobushi flakes and simmer for a couple of minutes. Take it off heat and strain to remove the katsuobushi flakes. This is your first dashi and at this stage can be used to make clear simple soups. -
The Story of IZUMO KAGURA What Is Kagura? Distinguishing Features of Izumo Kagura
The Story of IZUMO KAGURA What is Kagura? Distinguishing Features of Izumo Kagura This ritual dance is performed to purify the kagura site, with the performer carrying a Since ancient times, people in Japan have believed torimono (prop) while remaining unmasked. Various props are carried while the dance is that gods inhabit everything in nature such as rocks and History of Izumo Kagura Shichiza performed without wearing any masks. The name shichiza is said to derive from the seven trees. Human beings embodied spirits that resonated The Shimane Prefecture is a region which boasts performance steps that comprise it, but these steps vary by region. and sympathized with nature, thus treasured its a flourishing, nationally renowned kagura scene, aesthetic beauty. with over 200 kagura groups currently active in the The word kagura is believed to refer to festive prefecture. Within Shimane Prefecture, the regions of rituals carried out at kamikura (the seats of gods), Izumo, Iwami, and Oki have their own unique style of and its meaning suggests a “place for calling out and kagura. calming of the gods.” The theory posits that the word Kagura of the Izumo region, known as Izumo kamikuragoto (activity for the seats of gods) was Kagura, is best characterized by three parts: shichiza, shortened to kankura, which subsequently became shikisanba, and shinno. kagura. Shihoken Salt—signifying cleanliness—is used In the first stage, four dancers hold bells and hei (staffs with Shiokiyome paper streamers), followed by swords in the second stage of Sada Shinno (a UNESCO Intangible Cultural (Salt Purification) to purify the site and the attendees. -
Ise-Shima National Park Lies on the Shima Peninsula, Located in the Center of Mie Prefecture in Western Japan
A scared landscape featuring the historical site of Ise Jingu Grand Shrine, as well as a picturesque coastal route and bountiful seascape 12 Ise-Shima Ise-Shima National Park lies on the Shima Peninsula, located in the center of Mie prefecture in Western Japan. Ise-Shima National Park includes the municipalities of Ise, Toba, Shima, and Minami-Ise, occupying a vast area of National Park nearly 60,000 hectares. The park is broadly divided into two areas: the inland area which is home to Ise Jingu and its surrounding forests; and the coastal area which is characterized by an archipelagic landscape with intricate ria coasts. The interaction between people and nature is very profound in the region, and the essence of this relationship can be observed in the ancient tradition of ama, female diver, fishing, among other traditional cultural practices that have developed around Ise Jingu over the millennia. The wisdom to enjoy the bounties of nature in a sustainable manner is figured prominently in Ise Jinguʼs Shikinen Sengu, a ritual held once every 20 years whereby the shrine is rebuilt in its entirety. The region has a long history of providing seafood to the Imperial Court and Ise Jingu, and the Manyoshu (Japanʼs oldest poetry compilation) refers to the region as Miketsu Kuni or the "land of divine off erings". Thus, the region boasts a rich marine environment home to diverse aquatic life, including Japanese spiny lobster, abalones, turban shells, oysters, tunas, red sea breams, and various types of seaweed. The Kuroshio sea current has blessed the region with a warm climate, which has led to the development of Ise Jinguʼs lush forest and dense evergreen forests that cling to the foothills of the mountainous regions. -
Examining Japan's Kagura Dance Form
International Journal of Cultural and Digital Tourism Volume 5, Spring 2018 Copyright © IACUDIT ISSN (Online): 2241-9705 ISSN (Print): 2241-973X Traditional Performing Arts as a Regional Resource: Examining Japan’s Kagura Dance Form Kenta Yamamoto 1* 1* Kokugakuin University, Japan Abstract This article focuses on Kagura, a traditional Japanese dance form mainly practiced in rural Japan. This article throws light on how each community in the peripheral regions of Japan views this dance form. By doing so, we also focus on how regional cultural resources contribute to regional sustainability in these areas. Regional cultural resources are often viewed as tourism resources—that is, they are used to boost tourism. However, some of the cases considered in this paper show that regional cultural resources can be used in other manners. In other words, these cases show that tourism is not the only way to sustain regional cultures. The findings presented in this article pertain to the broader question of how to properly implement a culture- based sustainable regional development plan. The findings and suggestions presented in this article can be applied to other contexts also. Keywords: tradition, the tourists’ gaze, Japan, rural areas, cultural resources, community JEL Classification: P25, R11 1. Introduction This article throws light on the ways in which Japan’s declining birth rate and growing elderly population impact the cultural resources of its peripheral regions. This article also focuses on the broader question of how to properly implement a culture-based sustainable regional development plan to develop regional resources and revitalize and preserve traditional communities. Following the Second World War, Japan experienced a steady wave of urbanization. -
Mdia Tour (Kumamoto)
Media tour (Kumamoto) 【Reservation】 Mail: [email protected] ( JTB Corp. Mr. Nakamura ) Outline Tour Name Kumamoto Nightlife Tour Area Kumamoto City Tour date and time 5 October(Saturday) Brief Introduction of Tour Enjoy Kumamoto nightlife the way locals do after work. Apply by The day before the tour date ①Show your official media accreditation pass when participating.Have travel insurance. ②The itinerary is subject to change by weather condition or other circumstances. ③You shall apply for an insurance (covering medical bills, personal liability) in advance. Conditions to participate ④Participant shall read and agree with JTBʼs Statement of Travel Terms and Conditions before sending application email. (https://www.japanican.com/~/media/misc/pdf/tour/01_conditions.pdf) ⑤You shall post your feedback at least 1 time on the Twitter or Facebook or Instagram of your companyʼs account or own account. Maximum/minimum No. of participants 1 person to 8 person Tour course introduction Start Time Place 18:00 In front of Kumamoto City Hall Meeting Place Stroll Down the Kamitori & Shimotori Stroll down both the Kamitori and Shimotori Shopping Arcades, https://kumamoto- Shopping Arcades Kumamotoʼs premier shopping district. guide.jp/en/spots/detail/107 21:00 In front of Kumamoto City Hall Ending Point Media tour (Kumamoto) 【Reservation】 Mail: [email protected] ( JTB Corp. Mr. Nakamura ) Outline Tour Name Feel the Earth's Heartbeat Tour Area Aso City Tour date and time 8 October(Tuesday) This tour lets you experience the heartbeat of the earth created by the one of the largest volcanoes in Japan as well as enjoy the magnificence of nature Brief Introduction of Tour created through past eruptions. -
Fujimae-Higata
An important tidal fl at reserved for shorebirds at a bay of a major city Fujimae-higata Estuarine Tidal Flat Geographical Coordinates: 35°04’N, 136°50’E / Altitude: -4.0-0.8m / Area: 323ha / Major Type of Wetland: Estuarine tidal fl at / Designation: Special Protection Area of National Wildlife Protection Area / Municipality Involved: Nagoya City and Tobishima Village, Aichi Prefecture / Ramsar Designation: November 2002 / Ramsar Criteria: 2, 4, 5 / EAAFP Flyway Network Site Bar-tailed Godwit Fujimae-higata at low tide Siberia and winter in Oceania. It is said that the tidal fl at regularly supports more than 20,000 waterbirds. [Dunlin Calidris alpina] This is a shore- bird approximately 21cm in length with a somewhat long beak, short neck, and stooped posture. As it has white wing bars, a beautiful contrasting color of white fl ashes when they turn their direc- tion while fl ying in fl ocks. [Bar-tailed Godwit Limosa lapponica] Many species of shorebirds have long beaks to insert into holes in tidal fl ats to catch crabs. For example, the Black-tailed Godwit has a straight beak, the Curlew has a down-turned beak, and the Bar-tailed Aerial view of Fujimae-higata from the south Godwit has a slightly upturned beak. Contact Information: Nagoya City Offi ce General Overview: and Fujimae-higata was designated as a http://www.city.nagoya.jp/ Located at the head of Ise Bay facing Ramsar site in 2001. Tobishima Village Offi ce the Pacifi c Ocean is Nagoya City, Japan’s The Tidal Flat and Waste Management Is- http://www.vill.tobishima.aichi.jp/ third largest city, next to Tokyo and Osaka.