DOCSLIB.ORG

Effectiveness of "Selection of Duta Endek Denpasar City" Program As a Cultural Legal Conservation Effort

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Effectiveness of Advances in Social Science, Education and Humanities Research (ASSEHR), volume 282 International Conference on Business Law and Local Wisdom in Tourism (ICBLT 2018) Effectiveness of "Selection of Duta Endek Denpasar City" Program as a Cultural Legal Conservation Effort I Made Wimas Candranegara, I Wayan Mirta, I Dewa Gede Putra Sedana Faculty of Social and Political Science University of Warmadewa Denpasar, Indonesia [email protected] Abstract—One of culture entity in the city of Denpasar is the effectiveness. Efficiency implies a comparison between cost Endek cloth. There is a history of the development of Endek cloth and outcome, while effectiveness is directly linked to goal in Bali, this cloth has been handed down from generation to achievement. ancestor of Bali, every year to year this cloth always experience rapid development. Method used is qualitative descriptive Atmosoeprapto [1] States Effectiveness is doing the right research method. The results show that that the program thing, while efficiency is doing the right thing, or effectiveness "Elections Duta Endek Denpasar City" is very effectively is the extent to which we achieve goals and efficiency is how implemented every year as an effort to preserve local culture we mix all the resources carefully. Effectiveness has three with the tip of the spear is the younger generation. The levels as based on [2], among others: suggestion of this research is that it would be better if the Balinese people take care of and preserve the heritage of the A. Effectiveness of Individuals ancestors and introduce to the broad audiences, in the sense not only to the Balinese people, because in fact the Endek cloth can Individual effectiveness is based on an individual's view also be combined with other fabrics. that emphasizes the work of an employee or member of the organization. Keywords— culture; Endek handicraft; effectiveness B. Group effectiveness I. INTRODUCTION The view that individuals are actually working together in The city of Denpasar is one of the capital cities on the groups. So group effectiveness is the sum of the contributions island of Bali. The city is famous for its beauty, both nature of all members of his group. and the city, besides the solidarity of Hindu community is very thick. Culture in the city of Denpasar is very diverse. C. Effectiveness of the Organization Meanwhile, Sharma in Tangkilisan [3] provides criteria or One example of culture in the city of Denpasar is the Endek measures of organizational effectiveness regarding internal cloth. There is a history of the development of Endek cloth in organizational factors and external factors of the organization, Bali, this cloth has been handed down from generation to among others: ancestor of Bali, every year to year this cloth always experience rapid development. Endek began to develop since 1) Organization productivity or output 1985, namely during the reign of King Dalem Waturenggong 2) Effectiveness of the organization in the form of its in Gelgel Klungkung. Endek cloth is then developed around the success adjust to changes within and outside the organization area Klungkung. However, Endek began to grow rapidly after 3) There is no tension within the organization or the independence period. The development of Endek fabrics in constraints of conflict between parts of the organization. Sulang Village began in 1975 and then grew rapidly in 1985 until now. Can be seen in 1985-1995 Endek fabrics experience Meanwhile Steers in Tangkilisan [3] suggests five criteria in heyday due to the support of the government. the measurement of organizational effectiveness are: Productivity; Effectiveness is one of the achievements that an organization wants to achieve. To obtain the theory of Adaptability or flexibility; effectiveness researchers can use concepts in management and Job satisfaction; organizational theory especially related to the theory of effectiveness. Effectiveness cannot be equated with efficiency. Powering ability; Because both have different meanings, although in the various uses of the word efficiency is attached to the word Search for resources. Copyright © 2018, the Authors. Published by Atlantis Press. 180 This is an open access article under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/). Advances in Social Science, Education and Humanities Research (ASSEHR), volume 282 Tangkilisan [3] says different things that organizational a) Production: Production is the ability of the effectiveness can also be measured through: organization to produce the quantity and quality of output in accordance with environmental demand. The clarity of goals to be achieved b) Efficiency: The concept of efficiency is defined as the Clarity of achievement of goals strategy ratio of (ratio) between output and input. Measures of The process of analysis and the formulation of a solid efficiency should be expressed in comparison between profit policy and cost or with time or with output. The planning is mature c) Satisfaction: Satisfaction indicates to what extent the organization meets the needs of its employees and users. Preparation of the right program d) Adaptation: Adaptability is how far an organization Availability of facilities and infrastructure can respond to external and internal changes. A system of supervision and control that is educational. e) Development: Organizations must invest in the organization itself to expand its ability to live on in the long As for Handayaningrat [4] says that "Effectiveness is a term. measurement in the sense of achieving a predetermined goal or goal". So if the goal has been achieved, then it can be said to be f) Sustainability: Organizations must be able to live for effective. Still in the same book. This is reinforced by [4] that a long time. "effectiveness is the achievement of an explicit and implicit Based on several theories put forward by the experts above, target". The same thing is also put forward by Handayaningrat the researcher uses Emerson's theory in Handayaningrat [4] [4] "Effectiveness be define as the degree to which a social that "Effectiveness is a measurement in the sense of achieving system. Effectiveness must be distinguished from efficiency. a predetermined goal or goal". So if the goal has been Efficiency is primarily concerned with goal attainments", achieved, then it can be said to be effective. which means effectiveness is meant as the degree to which a social system achieves its objectives. Based on the fact, this study is made to identify and describe the effectiveness of election program of Endek in In addition to goal achievement, Winardi [5] explains Denpasar as an effort to preserve local culture. "Effectiveness is the result of a worker compared to other production results within a certain time period". If the II. METHOD researcher analyzes this quote, then the effectiveness is the result obtained by a worker and compared with the time spent The location of the research is related to the effectiveness to produce the goods/services. Effectiveness relates to the of the program "Selection of Endek Ambassadors of Denpasar" achievement of maximum performance in the sense of as an effort to preserve local culture carried out in the Denpasar achieving targets related to quality, quantity and time. So this City Environment, especially in the Denpasar Industry and effectiveness is more oriented to the output. While the problem Trade Agency and the Regional National Crafts Council of using input less is a major concern. (Dekranasda) Denpasar. Researchers used descriptive qualitative research methods. Research with qualitative method Tangkilisan [3] means that with the degree to which an refers to activities to gain knowledge, information about organization realizes its objectives, all these concepts only subject and social background of research. To present the data indicate the achievement of organizational goals. While how to obtained, the researchers then pour in the form of explanations achieve it is not discussed. Tangkilisan [3] which says or in other words using descriptive method. This method tries "Organizational effectiveness then is the optimal organization to give description, description about facts of phenomenon that of emphasis upon achieving object solving competence and happened in research subject. In this case the researchers used human energy utilization" or in other words organizational this method to find out how much the effectiveness of the effectiveness is the balance or approach optimally on Denpasar City Government program related to the activities of achievement goals, abilities and utilization of human labor. "Selection of Duta Endek Denpasar City" as an effort to Amirullah [6] effectiveness shows the ability of a company in preserve local culture. In this research, the key person who achieving the target that has been specified appropriately. The became informant is Denpasar City Government especially achievement of predetermined targets and the applicable employees at Denpasar Industry and Trade Agency, the standards and standards reflecting a company has taken into Chairman of the National Council of Local Handicraft consideration its operational effectiveness. (Dekranasda) Denpasar, the organizer of the program According to Gibson [2] concepts of effectiveness consist "Elections Duta Endek Denpasar City" and finalist Duta Endek of two approaches: Goal approach and system approach. The Kota Denpasar. two approaches are: The goal approach to determining and evaluating
Load more

Recommended publications
  • Hidden Bali Experiences Small-Group Tours That Touch the Heart of Bali
    Hidden Bali Experiences small-group tours that touch the heart of Bali Our Hidden Bali Experiences can be arranged at any time to grant you access to authentic culture that honors tradition and avoids commoditization. Building on more than 20 years of experience of leading culturally sensitive tours in Bali and based on deep relationships with local people and communities, these are intimate 3-day or 4-day tours arranged to fit your travel itineraries and led by expert guides for small groups of 2 to 6 guests. Each experience is themed around a specific aspect of Bali’s heritage, including the Textile Arts, the Festival Cycle, the Performing Arts, and the Natural World. For more information on these Experiences, please visit our website at http://www.threadsoflife.com The Textile Arts Experience The Indonesian archipelago was once the crossroads of the world. For over 3500 years, people have come here seeking fragrant spices, and textiles were the central barter objects in this story of trade, conquest and ancient tradition. An exploration of Bali’s textile art traditions grants us access to this story. Spice trade influences juxtapose with indigenous motifs throughout the archipelago: echoes of Indian trade cloths abound; imagery relates to defining aspects of the local environment; history and genealogy entwine. Uses range from traditional dress, to offerings, to the paraphernalia of marriages and funerals. Our gateway to this world is through the island of Bali, where we steep ourselves in the island’s rich traditions while based at the Umajati Retreat near Ubud. Here we will receive insightful introductions to the local culture, and visit several weavers with which Threads of Life is working to help women create high-quality textiles that balance their desires for sustainable incomes and cultural integrity.
    [Show full text]
  • Pergub DIY Tentang Penggunaan Pakaian Adat Jawa Bagi
    SALINAN GUBERNUR DAERAH ISTIMEWA YOGYAKARTA PERATURAN GUBERNUR DAERAH ISTIMEWA YOGYAKARTA NOMOR 87 TAHUN 2014 TENTANG PENGGUNAAN PAKAIAN TRADISIONAL JAWA YOGYAKARTA BAGI PEGAWAI PADA HARI TERTENTU DI DAERAH ISTIMEWA YOGYAKARTA DENGAN RAHMAT TUHAN YANG MAHA ESA GUBERNUR DAERAH ISTIMEWA YOGYAKARTA, Menimbang : a. bahwa salah satu keistimewaan Daerah Istimewa Yogyakarta sebagaimana ditetapkan dalam Pasal 7 ayat (2) Undang-undang Nomor 13 Tahun 2012 tentang Keistimewaan Daerah Istimewa Yogyakarta adalah urusan kebudayaan yang perlu dilestarikan, dipromosikan antara lain dengan penggunaan Pakaian Tradisional Jawa Yogyakarta; b. bahwa dalam rangka melestarikan, mempromosikan dan mengembangkan kebudayaan salah satunya melalui penggunaan busana tradisional Jawa Yogyakarta, maka perlu mengatur penggunaan Pakaian Tradisional pada hari tertentu di Lingkungan Pemerintah Daerah Daerah Istimewa Yogyakarta; c. bahwa berdasarkan pertimbangan sebagaimana dimaksud dalam huruf a, huruf dan b perlu menetapkan Peraturan Gubernur tentang Penggunaan Pakaian Tradisional Jawa Yogyakarta Bagi Pegawai Pada Hari Tertentu Di Daerah Istimewa Yogyakarta; Mengingat : 1. Pasal 18 ayat (6) Undang-Undang Dasar Negara Republik Indonesia 1945; 2. Undang-Undang Nomor 3 Tahun 1950 tentang Pembentukan Daerah Istimewa Jogjakarta (Berita Negara Republik Indonesia Tahun 1950, Nomor 3) sebagaimana telah diubah terakhir dengan Undang-Undang Nomor 9 Tahun 1955 tentang Perubahan Undang-Undang Nomor 3 Tahun 1950 jo Nomor 19 Tahun 1950 tentang Pembentukan Daerah Istimewa Jogjakarta (Lembaran Negara Republik Indonesia Tahun 1955, Nomor 43, Tambahan Lembaran Negara Republik Indonesia Nomor 827); 3. Undang-Undang Nomor 13 Tahun 2012 tentang Keistimewaan Daerah Istimewa Yogyakarta (Lembaran Negara Republik Indonesia Tahun 2012, Nomor 170, Tambahan Lembaran Negara Republik Indonesia Nomor 5339); 4. Undang-Undang Nomor 5 Tahun 2014 tentang Aparatur Sipil Negara (Lembaran Negara Republik Indonesia Tahun 2014 Nomor 6, Tambahan Lembaran Negara Republik Indonesia Nomor 5494); 5.
    [Show full text]
  • Downloaded for Personal Non‐Commercial Research Or Study, Without Prior Permission Or Charge
    Pullen, Lesley S. (2017) Representation of textiles on classical Javanese sculpture. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/26680 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Representation of Textiles on Classical Javanese Sculpture Volume 2 Appendices Lesley S Pullen Thesis submitted for the degree of PhD 2017 Department of the History of Art and Archaeology SOAS University of London 1 Table of Contents Appendix 1……………………………………………………………………………………..………….4 Catalogue of images and drawings textile patterns Appendix 2……………………………………………………………………..…………………………86 Plates of Drawings and textile patterns Appendix 3………………………………………………………………………………….…………….97 Plates of Comparative Textiles Appendix 4……………………………………….........................................................107 Maps 2 List of Figures Appendix 1……………………………………………………………………………………..………….4
    [Show full text]
  • The Aichhorn Collection
    SAMMLUNG AICHHORN THE AICHHORN COLLECTION BAND 1 VOLUME 1 IKAT Impressum Imprint Bibliograische Information der Deutschen Nationalbibliothek IKAT – The Aichhorn Collection is listed in the Die Deutsche Nationalbibliothek verzeichnet diese Publikation German National Bibliography; detailed bibliographic in der Deutschen Nationalbibliograie; detaillierte bibliograische Daten data can be viewed at http://dnb.d-nb.de. sind im Internet über http://dnb.d-nb.de abrufbar. ©2016 Verlag Anton Pustet ©2016 Verlag Anton Pustet 5020 Salzburg, Bergstrasse 12 5020 Salzburg, Bergstraße 12 All rights reserved. Sämtliche Rechte vorbehalten. Photographs: Ferdinand Aichhorn Fotos: Ferdinand Aichhorn Translation: Gail Schamberger Graik, Satz und Produktion: Tanja Kühnel Production: Tanja Kühnel Lektorat: Anja Zachhuber, Tanja Kühnel Proofreading: Anja Zachhuber Druck: Druckerei Samson, St. Margarethen Printing: Druckerei Samson, St. Margarethen Gedruckt in Österreich Printed in Austria 5 4 3 2 1 5 4 3 2 1 20 19 18 17 16 20 19 18 17 16 ISBN 978-3-7025-0826-5 ISBN 978-3-7025-0826-5 www.pustet.at www.pustet.at Inhaltsverzeichnis Table of Contents 6 Vorwort 6 Preface 8 Indonesien 8 Indonesia 11 Bali 11 Bali 15 Sumatra 15 Sumatra 17 Flores 17 Flores 33 Sumba 33 Sumba 43 Sulawesi 43 Sulawesi 46 Indien 46 India 48 Gujarat 48 Gujarat 59 Andhra Pradesh 59 Andhra Pradesh 81 Odisha 81 Odisha 116 Kambodscha 116 Cambodia 126 Thailand 126 Thailand 132 Burma 132 Burma 146 Iran/Usbekistan 146 Iran/Uzbekistan 166 Glossar 166 Glossary 166 Literaturverzeichnis 166 Bibliography VORWORT Meine Leidenschaft für asiatische Textilien begann 1977 mit Inseln zu besuchen. Dann hörte ich, dass auch in Indien, ins- dem Geringsing.
    [Show full text]
  • Caadfutures- Pebryani-Kleiss Edit5
    Ethno-Computation: Culturally Specific Design Application of Geringsing Textile Patterns Nyoman Dewi Pebryani 1, Michael C.B. Kleiss 2 1 Clemson University [email protected] 1 Indonesia Institute of The Arts (ISI) Denpasar [email protected] 2 Clemson University [email protected] Abstract. This study focuses on (1) understanding the indigenous algorithm of specific material culture named Geringsing textile patterns, and then (2) transforming the indigenous algorithm into an application that best serves local artisans and younger generation as a design tool and educational tool. Patterns design, which is created in textile as a material culture from a specific area, has a unique design grammar. Geringsing textile is unique to this part of the world because it is produced with double-ikat weaving technique, and this technique is only used in three places in the world. This material culture passes from generation to generation as an oral tradition. To safeguard, document, and digitize this knowledge, a sequential research methodology of ethnography and computation is employed in this study to understand the indigenous algorithm of Geringsing textile patterns, and then to translate the algorithm with computer simulation. This culturally specific design application then is tested by two local artisans and two aspiring artists from the younger generations in the village to see whether this application can serve as a design and educational tool. Keywords: Ethno-Computation, Culturally specific, Indigenous algorithm, Geringsing. 1 Introduction Material culture refers to the physical objects, resources, and spaces that people use to define their culture, therefore material culture is produced based on the cultural knowledge owned by the local people in a specific area.
    [Show full text]
  • The Fiber of Our Lives: a Conceptual Framework for Looking at Textilesâ
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2010 The Fiber of Our Lives: A Conceptual Framework for Looking at Textiles’ Meanings Beverly Gordon University of Wisconsin - Madison, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Gordon, Beverly, "The Fiber of Our Lives: A Conceptual Framework for Looking at Textiles’ Meanings" (2010). Textile Society of America Symposium Proceedings. 18. https://digitalcommons.unl.edu/tsaconf/18 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE FIBER OF OUR LIVES: A CONCEPTUAL FRAMEWORK FOR LOOKING AT TEXTILES’ MEANINGS BEVERLY GORDON [email protected] I have been fascinated for decades with all of the meanings that fiber and cloth can hold—they are a universal part of human life, and fill an almost endless number of roles in our practical, personal, emotional, social, communicative, economic, aesthetic and spiritual lives. I have worked at finding meaningful ways to both explain textiles’ importance, and organize and synthesize the many disparate ideas that are part of this phenomenon. The following is the holistic framework or conceptual model I have developed that can be used to articulate and compare the meanings of textiles of any given culture or historic period. It is designed to be as inclusive as possible—to allow us to think about textiles and the roles they play in human consciousness and through the full range of human activities and concerns.
    [Show full text]
  • Les Textiles Patola De Patan ( Inde), Xviie Et Xxie Siècles : Techniques, Patrimoine, Mémoire Manisha Iyer
    Les textiles patola de Patan ( Inde), XVIIe et XXIe siècles : techniques, patrimoine, mémoire Manisha Iyer To cite this version: Manisha Iyer. Les textiles patola de Patan ( Inde), XVIIe et XXIe siècles : techniques, patrimoine, mémoire. Histoire. Université Panthéon-Sorbonne - Paris I, 2015. Français. NNT : 2015PA010653. tel-02494004 HAL Id: tel-02494004 https://tel.archives-ouvertes.fr/tel-02494004 Submitted on 28 Feb 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Université Paris 1 Panthéon-Sorbonne Ecole doctorale d’histoire (ED113) Centre d’histoire des techniques (IHMC « Institut d’histoire moderne et contemporaine) Doctorat en histoire moderne Manisha Iyer Les textiles patola de Patan (Inde), XVIIe et XXIe siècles: techniques, patrimoine, mémoire Thèse dirigée par Madame Anne-Françoise Garçon, professeur Université Paris 1 Panthéon-Sorbonne Date de soutenance : le 2 décembre 2015 Pré-rapporteurs : Filipe Themudo Barata, professeur, Université d’Evora Pierre Lamard, professeur des Universités (72ème section de CNU) Membres du jury : Sophie Desrosiers, Maître de conférences, EHESS Michel Cotte, professeur émérite, Université de Nantes Lotika Varadarajan, Tagore Fellow, National Museum de New Delhi Anne-Françoise Garçon, professeur des Universités, Université de Paris1 Panthéon Sorbonne REMERCIEMENTS En premier lieu, je souhaite remercier chaleureusement Prof.
    [Show full text]
  • Textiles in the Exhibition - Ikat
    Textiles in the Exhibition - ikat Search this site Home Exhibition Abstract Textiles in the Textiles in the Exhibition Exhibition What is Ikat? <Previous Exhibit Listing Next> How is Ikat Made? Patola Dyes, Controversies North India, traded to Indonesian islands Gender, Exchange Silk, natural dyes, double ikat Healing Textiles Circa 1790s Ikat as Fashion Gift of Anne and John Summerfield Anne and John Summerfield Textile Study Collection Ikat at NGOs Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross 2012 Fieldwork 2006.05.01 Transnational Ikat Exhibition A circa 1790s silk, double ikat patola trade cloth (a study piece, with several holes). This shimmering cloth was originally made in north India and was probably conveyed to the Indonesian islands by Indian merchants, who came to that area in search of spices, aromatic resins and other tropical forest products, and precious metals. Or, the patola could have been brought to the Indonesian islands by Dutch traders in search of the same products. There was a sharp hunger for patola textiles among wealthy royal families in places like coastal Sumatra and Borneo at the height of the patola trade with India, from the 1400s http://sites.holycross.edu/ikat/textiles-in-the-exhibition/exhibitiontextile001[9/27/2017 1:13:29 PM] Textiles in the Exhibition - ikat C.E. and extending for several centuries. The lustrous quality of the silk, the vibrant reds and golds, and especially the sharpness of the motifs in the center fields of these special double ikats entranced local nobles. They displayed their new patola as banners and wrappings for altars and houses, at ceremonial times.
    [Show full text]
  • October 1997 the UNIVERSITY of HULL BATIK CLOTHS FROM
    THE UNIVERSITY OF HULL BATIK CLOTHS FROM JAMBI, SUMATRA being a Thesis submitted for the Degree of PhD in South-East Asian Studies in the University of Hull by Fiona Gordon Kerlogue, B.A., M.A. October 1997 Table of Contents Acknow ledgements I Introduction 1 ,II Iambi History 26 III The fieldwork setting (Olak Kemang village & Seberang) 48 IV Textiles in Use 65 V The Blue batiks 87 VI Characteristics of the blue cloths 102 VII Motifs in the blue cloths 118 VIII The Red Batiks 141 IX The red cloths: use, designs and motifs 169 X The calligraphy batik of Jambi 183 XI [ambi batik in context 205 Glossary References Acknowledgements I would like to thank the following people for their help, inspiration, and support: At the Centre for South East Asia Studies at the University of Hull, I would like to thank my supervisor, Lewis Hill for his guidance, good cheer, and unfailing support. Thanks are also due to Professor Michael Hitchcock for his encouragement throughout this endeavour and to Daniel Patty for his good company and his help with all things Indonesian. I extend special thanks to Judith Doyle for her patient help. In Olak Kemang, I would like to thank the family of the late Ibu Asmah, especially her daughter Ibu Azmiah who allowed me to stay in her house, as well .as Ibu Asiah, Pak Edy and Upik. Their patience in answering my constant questions is much appreciated. Special thanks are due to Supik Hassan who treated me like a daughter and helped me in my search to find examples of Jambi batik.
    [Show full text]
  • University of Malaya Kuala Lumpur
    COMMERCIAL HAND DRAWN BATIK APPAREL AND ITS MARKET POTENTIAL WITH YOUNG MALAYSIANS PEGAH JAHANGIRI CULTURAL CENTRE UniversityUNIVERSITY OF of MALAYA Malaya KUALA LUMPUR 2017 COMMERCIAL HAND DRAWN BATIK APPAREL AND ITS MARKET POTENTIAL WITH YOUNG MALAYSIANS PEGAH JAHANGIRI THESIS SUBMITED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR University of Malaya 2017 UNIVERSITI MALAYA ORIGINAL LITERARY WORK DECLARATION Name of Candidate: Pegah Jahangiri Registration/Matric No: RHA090001 Name of Degree: Doctor of Philosophy Title of Project Paper/Research Report/Dissertation/Thesis (“this Work”): “Commercial Hand Drawn Batik Apparel and Its Market Potential with Young Malaysians” Field of Study: Visual Arts I do solemnly and sincerely declare that: (1) I am the sole author/writer of this Work; (2) This Work is original; (3) Any use of any work in which copyright exists was done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledged in this Work; (4) I do not have any actual knowledge nor do I ought reasonably to know that the making of this work constitutes an infringement of any copyright work; (5) I hereby assign all and every rights in the copyright to this Work to the University of Malaya (“UM”), who henceforth shall be owner of the copyright in this Work and that any reproduction or use in any form or by any means whatsoever is prohibited without the written consent of UM having been first had and obtained; (6) I am fully aware that if in the course of making this Work I have infringed any copyright whether intentionally or otherwise, I may be subject to legal action or any other action as may be determined by UM.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Download Article (PDF)
    Advances in Economics, Business and Management Research, Volume 158 Proceedings of the 5th International Conference on Tourism, Economics, Accounting, Management and Social Science (TEAMS 2020) Development of a Model for Empowering Women Craftsmen Through a Partnership Pattern in Buleleng Regency, Bali Ni Luh Wayan Sayang Telagawathi1,* Ni Nyoman Yulianthini2, Ni Made Suci3. 1,2,3 Management Department, Faculty of Economic Universitas Pendidikan Ganesha, Singaraja, Bali *Corresponding author. Email: [email protected] ABSTRACT This article aims to develop an empowerment model for the small cepuk woven cloth industry that involves the participation of the government, companies/private sector, and tourism industry players. The entrepreneurial potential of the weaving handicraft household business is actually very promising, but the development of the business always faces various obstacles. One of the classic problems of empowering a household business is business development. That is why this applied research explores the potential for social and economic capital of the weaving handicraft business to partner with the government, private sector and tourism actors. This research tries to find potential partnership patterns to be developed in accordance with the existing context in Buleleng Regency, Bali. Empowerment of women craftsmen is chosen on the basis that it is the role of women that drives this business until now. This large potential is still constrained due to the isolation of this household business. In addition, finding innovations for business development by establishing relationships with potential parties is almost never done. So, what happens is a very potential effort to drive the household economy to become undeveloped. That is why universities have a very important role in deciphering the complexity of the problem, and then trying to find alternative partnership models for future development.
    [Show full text]