DOCSLIB.ORG

Toyo Bunko Museum Special Exhibition "Qing Dynasty: the Last Glory of Imperial China" List of Display Term: January 25, 2020 ～ May 17, 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Toyo Bunko Museum Special Exhibition Toyo Bunko Museum Special Exhibition "Qing Dynasty: The Last Glory of Imperial China" List of Display Term: January 25, 2020 ～ May 17, 2020 Exhibition Room Title Title The Investiture of the Gods An Imperial Seal of the Kangxi Emperor (replica) Confucianism as Missionaries Saw It The History of Ming Dynasty Records of the Grand Historian (Biography of Yue Yi) The Battles of Coxinga The First Emperor of China A Nautical chart of the sea near Xiamen The Tale of Heike Chinese Dresses “Farewell My Concubine” from The Series of Chinese Opera Veritable Records of Kangxi Emperor Contention Between the Qin and Han Dynasties Veritable Record of Hong Taiji (manuscript) Book of the Later Han (Annals of Empress Yin Lihua) Twelve Illustrations of Wanderers Samkok (Thai translation of the Chinese novel Romance of the Three Geographical, Historical, Chronological, Political and Physical Descriptions Kingdoms) of the Empire of China and Chinese Tartary Orient Hall Mulan Three Year Travel from Moscow Overland to China "Chinese History Great Tang Records on the Western Regions, Xuanzang Account of Russian Discoveries between Asia and America through Distinguished People" Chinese Historiographical Text Record of Grand Lessons to Wake the Errant The An Shi Rebellion A Portrait of Qianlong Emperor (1) (replica) The Story of Yang Guifei The Victories of the Emperor Qianlong in Jungaria and Chinese Turkestan History of Liao Military Annals of Pacification of the Dzunghars One Hundred Guoxue Classics The Buddhist Scriptures Made of Jade The Secret History of the Mongols The Life and Customs of the Miao People Compendium of Chronicles Portrait of Chinese Emperor Qianlong Turandot Two Horses Notes on the Twenty-Two Dynastic Histories The Old Summer Palace (Yuan Ming Yuan) Collected Materials regarding the Great Expedition of Zheng He Document on the Title Granted by the Emperor Imperial Collection of Four Branches of Literature Records of Serving in the Palace as a Eunuch “Great Canon of Southern Tours” Metamorphosis from Civilized to Barbarian An Answer Paper of the Civil Servant Examination Orient Hall Replica of the Coguryeo Kingdom Monument Stone-print The Ancient Mirror of Western Clarity （Permanent Collection） Replica of the Large Map of Edo Dictionary of Manchu Language Special Exhibition Imperially Endorsed Dictionary of Languages "Qing Dynasty: The Last in the Western Territories Glory of Imperial China" Manchu Vocabulary Book Morrison's Stacks Exhibiting 10 artworks by George Chinnery drawn with pencil, pen and "Landscapes of China by Imperially Commissioned Complete Record on the Body George Chinnery" watercolor. A Chronicle of the Sayings and Doings of Confucius and his Disciples An Inquiry into the Nature and Causes of the Wealth of Nations Macartney Meeting Emperor Qianlong Gishiwajinden: Description of the Mysterious Yamatai State Collection of letters written by Macartney ◎Monzen Shicchu (Annotated Literary Selections) Manufacturing Process of Tea The Quran with Persian annotation Opium Smokers and Gamblers Ystoria Mongalorum Chinese Opium Smokers 〇Christian Doctrine in Romanized Japanese The Picture of the First Opium War The Chart of the Internal Organs Signing of the Treaty of Nanking Treasure of Toyo Bunko Recorded Memory: Board Game of Calculation, a New Edition Elements of International Law Elucidating World History Poetry Contest on Forty-two Themes The Bordered Red Banner Archives with Toyo Bunko The Letters of Willam Adams Portraits of Emperor Qianlong (replica) Forty-seven Ronin Board Game, a New Edition Illustrated Book of Imperial Ceremonial Objects Japanese Castaway to Russia, Detailed Illustrated Book of Rituals Relating to Sacred Space and Mausoleum Accounts of a Journey across Oceans Embroidery on an Official Robe (Mandarin square) Translated Anatomy Textbook （Encounter Vision） A Hat of Zong Shi Ontleedkundige Tafelen （Encounter Vision） A Short Sword of “Bannermen” Japanese Castaway to Russia（Digital Book） Long Pao of An Emperor of the Qing Dynasty Catalogue of oriental ceramic art（Digital Book） Laws and Precedents of the Great Qing The Punishments of China The Great Wall of China Illustrated Book of Chinese Signboards The Secret History of the Mongols Baochao (Paper Currency) Il Milione: The Travels of Marco Polo Original Plate of Baochao (Paper Currency) Special Exhibition Chinese – Barbarian Dictionary Tianming coin and Tiancong coin "Qing Dynasty: The Last Glory of Imperial China" Military Annals of the Foundation of the August Qing A Portable Scale Manchu Veritable Records (replica) Customs & Matters of the Qing Dynasty A Portrait of Nurhaci (replica) Shengguan Tu (Table of Bureaucratic Promotion) Comprehensive History of the Eight Banners ◎ National Treasure ○ Important Cultural Property ※ Please be aware that the title of the works on display, explanation panel and sound commentary in the exhibition rooms are based on Toyo Bunko Museum's originality. ※You are not allowed to bring long objects including umbrellas inside the Museum. ※ Still photography is permitted for private. ※You are not allowed to consume food and drink including chewing gum or candy. Flash photography, video cameras, unipods tripods and selfie sticks cannot be used inside the Museum. Please put your drinks in your bag before entering the Museum. Also, do not take photographs of the exhibits with "No Photography" indication. ※Please refrain from talking on the phone..
Load more

Recommended publications
  • Traditional Chinese Clothing Information
    TRADITIONAL CHINESE CLOTHING INFORMATION Traditional Chinese clothes were an evolution of their long, loose, straight-cut jackets and pants or gowns. The Hanfu, Zhongshan suit (Mao suit), Tang suit, and cheongsam (qipao) are the four most distinctive types of traditional Chinese clothing. The Hanfu ('Han clothing' — the. After the establishment of the People's Republic of China, the suit became a symbol of proletarian unity and was regularly worn by Communist party cadres until the s when the Western business suit largely replaced it. The specific hat knob on one's hat determined one's rank,as there were twelve types of hat knobs representing the nine distinctive ranks of the civil or military position. Other Types Traditional Manchu Clothing: It is the traditional dress of the Manchu ethnic nationality, usually in the form of long gown and sometimes with a jacket or waistcoat outside. In the s, the cheongsam changed with the influence of Western styles. Hanfu The Hanfu 'Han clothing' — the majority of Chinese are of Han ethnicity is the oldest of China's traditional clothes. White was worn when mourning and red was worn to show joy and happiness. In later years, linen, cotton, and silk were the prominent materials. China has many ethnic groups with a long history while Han people dominate most periods in history. It is suitable for wearing all the year round for both young and elderly group. Adapted from Japanese student wear, this style of dress became known as the Zhongshan suit Zhongshan being one of Sun Yat-sen's given names in Chinese.
    [Show full text]
  • Tang Dynasty Clothing
    Tang dynasty clothing Continue Unified and prosperous China was founded in the Tang dynasty (618-907). In Chinese history, the Tang dynasty was a period when politics and the economy were well developed and culture and art flourished. The women's dress and the personal decorations of the Tang dynasty were excellent in Chinese history. The clothing materials were fine, the texture was natural, graceful and elegant, and the decorations were brilliant. Although the shapes of the garments were still a continuation of the Han dynasty (206BC-220AD) and the Sui dynasty (581-618), they were influenced by western cultures and arts. High Tang's national power in particular was strong. Trade and cultural exchanges with Korea, Vietnam, Japan, Persian and other countries gradually became more common, sending each other ambassadors and accepting students from other countries. In this way, a special open and romantic dress style and personal decorations were formed. Due to communication with the Western regions, the impact of the dress culture of other minorities on the Tang Court also reflected a change in ideas and concepts. Chinese women were severely constrained by the old Kungfutse or feudal ethical code throughout the ages. The social status of ancient women was very low: they often served under the nameJileren (music performer), Guanji (official performer), Gongji (palace performer) andJiaji (family performer), and were considered playful and goods that rich people can sell and buy. Some women had rebel spirit in the Tang dynasty, so they climbed or jumped over walls and went into the wild to watch beautiful scenes and/or go sightseeing in the spring riding horses with men.
    [Show full text]
  • Catholic Missionaries in Early Modern Asia
    in Early Religious Cultures in the Early Modern World Catholic Missionaries Modern Asia Patterns of Localization Amsler, Andreea Badea, The Renaissance Ethics of Music Edited by Nadine Singing, Contemplation and Musica Humana Heyberger, and Hyun-Ah Kim Bernard Christian Windler Calvinism, Reform and the Absolutist State in Elizabethan Ireland Mark A. Hutchinson Indulgences after Luther Pa�dons in Counter-Reformation France, 1520-1720 Elizabeth C Tingle Conversion to Catholicism in Early Modern Italy Peter A. Mazur Missionary Strategies in the New World, 1610-1690 An Intellectual History Catherine Balleriaux F?�d and Religious Identities in Spain, 1400-1600 J1ll1an Williams John �wen and the Civil War Apocalypse Preachmg, Prophecy and Politics Martyn Calvin Cowan Medicine and Religion in the Life of an Ottoman Sheikh Al-Damanhuri's "Clear Statement" on Anatomy Ahmed Ragab Catholic Missionaries in Early Modern Asia Patterns of Localization Nadine Amsler, Andreea Badea, Bernard Heyberger and Christian Windler ,� !?io�!!!�f{!up For ore informat on about this series, please visit: www.routledge.com/ _ � � LONDON AND NEW YORK Rehg10us-Cultures-m-the-Early-Moderri-World/book-series/RCEMW 0 r First published 2020 Contents by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OXl 4 4 RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2020 selection and editorial matter, Nadine Amsler, Andreea Badea, Bern�rd Heyberger and Christian Windler; individual chapters, the contnbutors The right of Nadine Am ler, A dreea Badea, Bernard Heyberger and _ _ � r: Chnstian Wmdler to be 1dent1fied as the authors of the editorial material, and of the authors for their individual chapters, has been _ asserted m accordance with sections 77 and 78 of the Copyright, _ viii Designs and Patents Act 1988.
    [Show full text]
  • Sicilian Chinese Art Collections and Chinoiserie
    ARCHITETTURA, ARTI E PIANIFICAZIONE DIPARTIMENTO DI ARCHITETTURA L-ART 04 – MUSEOLOGIA E CRITICA ARTISTICA E DEL RESTAURO SICILIAN CHINESE ART COLLECTIONS AND CHINOISERIE IL DOTTORE IL COORDINATORE Mei Xiaoxue Prof. Marco Rosario Nobile IL TUTOR CO TUTOR Prof. Pierfrancesco Palazzotto Dr. Alexander Auf der Heyde CICLO XXX 2018 ABSTRACT L'Europa ha creato uno stile unico di design decorativo nei secoli XVII-XVIII che è stato profondamente ispirato allo stile orientale di Cina, Giappone e India. Lo stile europeo è rimasto sconosciuto alla Cina in quel momento, ed è anche raramente menzionato nella storia dell'arte moderna e del design cinese. Tuttavia, la Chinoiserie ha rappresentato un tema ricorrente all'interno degli stili artistici europei, che non si presenta come una moda regionale, ma bensì come un movimento d'arte complesso e variabile in tutta Europa. La significativa ricerca sul design Chinoiserie è stata intrapresa nei XX-XXI secoli, con centinaia di monografie e articoli pubblicati in inglese, francese, tedesco e italiano, discutendo direttamente e indirettamente della Chinoiserie. La Sicilia, la più grande isola del Mediterraneo, ha un brillante patrimonio storico e culturale. Nella prima metà del XIX secolo, la Sicilia e il Regno di Napoli furono uniti nel Regno delle Due Sicilie dalla Casa di Borbone. La Chinoiserie fu introdotta in Sicilia un po' più tardi come stile decorativo ben sviluppato dopo essere stato influenzato in un certo grado negli altri paesi europei. Nonostante il numero limitato di prodotti orientali in Sicilia, le opere d'arte uniche qui sono encomiabili. Questa tesi interpreta la Chinoiserie Siciliana in quattro aspetti principali: le opere d‘arte tradizionali della Cina, i prodotti cinesi di esportazione, i prodotti mimetici dell‘Europa e la Chinoiserie siciliana all'interno del movimento d'arte europeo.
    [Show full text]
  • Schuyler V. R. Cammann Papers 1146 Finding Aid Prepared by L
    Schuyler V. R. Cammann papers 1146 Finding aid prepared by L. Rosen. Last updated on March 02, 2017. University of Pennsylvania, Penn Museum Archives 7/2009 Schuyler V. R. Cammann papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Published Articles.......................................................................................................................................... 6 Collection Inventory.................................................................................................................................... 12 Correspondence......................................................................................................................................12 Personal.................................................................................................................................................
    [Show full text]
  • Mandarin Squares As a Form of Rank Badge and Decoration of Chinese Robes
    KKatarzynaatarzyna ZZapolskaapolska Polish Institute of World Art Studies MANDARIN SQUARES AS A FORM OF RANK BADGE AND DECORATION OF CHINESE ROBES umerous museums in Poland and abroad as well as private collections include a great number of items called mandarin squares1). These are Nwoven or embroidered badges2) used as rank badges on robes belonging to civil officials, advisers and other dignitaries in the courts of the Chinese emperors. They were used from the beginning of the Ming dynasty (1368 – 1644) to the end of the Qing dynasty (1644 – 1911)3). A rigorous examination system was the way to receive a suitable civil or military rank. It was only after passing the examination that one could wear a given badge. The highest of them was the first rank and the lowest – the ninth4). Young boys started training at the age of three. Some men spent their whole lives trying to qualify for a mandarin badge, which was a symbol of great devotion. Mandarin squares are more than the symbol of a certain difficult-to-obtain status5). They depict the Chinese universe – the earth, the sea and the sky, represented by rocks, waves, clouds and animals or birds, used as the symbols of particular ranks6). Civil officials received badges with the images of birds and military officials – with the images 1) Th e squares were named mandarin by the Portuguese in the 16t century (Sanskrit mantrin – an adviser). 2) Dusenberry, Bier, Foresman (2004: 126); Vollmer (2002: 147). 3) Jayne (1932: 25 – 26); Cammann (1952: 71); Zhongshu (1992: 149). 4) Priest, Simmons (1934: 62); Dickinson, Wrigglesworth (2000: 52).
    [Show full text]
  • Intellectual Property Center, 28 Upper Mckinley Rd. Mckinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel
    Intellectual Property Center, 28 Upper McKinley Rd. McKinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel. No. 238-6300 Website: http://www.ipophil.gov.ph e-mail: [email protected] Publication Date: 27 April 2021 1 ALLOWED MARKS PUBLISHED FOR OPPOSITION .................................................................................................... 2 1.1 ALLOWED NATIONAL MARKS ............................................................................................................................................. 2 Intellectual Property Center, 28 Upper McKinley Rd. McKinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel. No. 238-6300 Website: http://www.ipophil.gov.ph e-mail: [email protected] Publication Date: 27 April 2021 1 ALLOWED MARKS PUBLISHED FOR OPPOSITION 1.1 Allowed national marks Application Filing No. Mark Applicant Nice class(es) Number Date 2 October Microban Products Company 1 4/1920/00514387 MICROBAN 24 HOUR 5 2020 [US] 19 January Bevi Beauty Elements 2 4/2018/00001166 WTR 32 2018 Ventures, Inc. [PH] 7 June 3 4/2018/00009677 OZARK TRAIL Walmart Apollo, LLC [US] 18 2018 14 Star Eye Specs Corporation 4 4/2018/00505726 November OMOTESANDO 9 [PH] 2018 21 January 5 4/2019/00001068 MANTRA BAR Danabel M. Lizen [PH] 29 2019 27 May 6 4/2019/00008812 SHURE Shure Incorporated [US] 9; 35; 37 and41 2019 SERIOUS SCIENCE 4 July 7 4/2019/00011600 BEHIND EVERY Fresco Enterprises LLC [US] 3 and5 2019 SMILE 30 July BSE Tri Axis International 8 4/2019/00013485 I-KLEEN 3 and5 2019 Corp. [PH] 20 August DUGONG ALAY 9 4/2019/00014662 Napoleon Marilag [PH] 44 2019 DUGTONG BUHAY 29 August 10 4/2019/00015247 HI PANDA Zhang Jiang Peng [PH] 25 2019 29 October 11 4/2019/00018920 TISOLMI Johnson & Johnson [US] 5 2019 30 October 12 4/2019/00019046 AVBREMI Johnson & Johnson [US] 5 2019 22 Suzhou Greenleaf Daily 13 4/2019/00020321 November MARVISIA 35 Commodity Co., Ltd.
    [Show full text]
  • What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
    ★ What is the best way to begin learning about fashion, trends, and fashion designers? Edit I know a bit, but not much. What are some ways to educate myself when it comes to fashion? Edit Comment • Share (1) • Options Follow Question Promote Question Related Questions • Fashion and Style : Apart from attending formal classes, what are some of the ways for someone interested in fashion designing to learn it as ... (continue) • Fashion and Style : How did the fashion trend of wearing white shoes/sneakers begin? • What's the best way of learning about the business behind the fashion industry? • Fashion and Style : What are the best ways for a new fashion designer to attract customers? • What are good ways to learn more about the fashion industry? More Related Questions Share Question Twitter Facebook LinkedIn Question Stats • Latest activity 11 Mar • This question has 1 monitor with 351833 topic followers. 4627 people have viewed this question. • 39 people are following this question. • 11 Answers Ask to Answer Yolanda Paez Charneco Add Bio • Make Anonymous Add your answer, or answer later. Kathryn Finney, "Oprah of the Internet" . One of the ... (more) 4 votes by Francisco Ceruti, Marie Stein, Unsah Malik, and Natasha Kazachenko Actually celebrities are usually the sign that a trend is nearing it's end and by the time most trends hit magazine like Vogue, they're on the way out. The best way to discover and follow fashion trends is to do one of three things: 1. Order a Subscription to Women's Wear Daily. This is the industry trade paper and has a lot of details on what's happen in fashion from both a trend and business level.
    [Show full text]
  • An Indian's Attempt to Understand China
    www.samarthbharat.com leFkZ Hkkjr An Indian’s Attempt to Understand China Anil Chawla August 2017 www.samarthbharat.com Preface A few weeks back, there was a group discussion about Global Political Scenario. The discussion soon turned to China. A friend, who has travelled to China a couple of times, remarked that the Chinese people have internalized communism and the resulting dictatorial regime. As per him even in private conversations Chinese people do not complain about lack of democratic freedoms; they accept state authority as a fact of life and do not wish to raise a voice against it. He felt that Mao Tse-tung’s espousal of power lives on in the hearts of Chinese people as a belief system. This was new to me. Nevertheless, I told him that probably the mindset of Chinese people accepting dictatorial regimes predates Mao Tse-tung. He agreed that the possibility could not be rejected. The conversation made me realize my ignorance about Chinese history or for that matter about China in general. I decided to learn Chinese history. As I started reading, I was fascinated. Every country in the world has problems. But, one keeps building myths around countries. This has happened more in the case of China because of ignorance about China. Indians tend to build in their minds a larger-than-life image of China. I was no exception. My study helped me build a closer-to-life image of China. As I learnt about China, I wanted to share my knowledge with my friends and countrymen. The original idea was to write a short article on the subject.
    [Show full text]
  • Compilation 20 June Thesis Kristin Scheel Lunde
    Lunde, Kristin Scheel (2018) 13th ‐ 14th century Yuan and Mongol silk‐gold textiles: transcultural consumption, meaning and reception in the Mongol empire and in Europe. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/30322 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. 13th – 14th Century Yuan and Mongol Silk-Gold Textiles: Transcultural Consumption, meaning and reception in the Mongol Empire and in Europe Kristin Scheel Lunde A thesis submitted for the degree of MPhil 2017 Department of the History of Arts and Archaeology SOAS, London University 1 Abstract This thesis examines the material and visual characteristics of silk-gold textiles produced in the Mongol empire during the 13th and 14th century. Their consumption and reception both within and beyond the Mongol empire is a central theme. Beginning with a discussion of the various consumption patterns of gold textiles and their multiple uses among the members of the Mongol elite, I then examine the eclectic gold designs and ornaments of the textiles and their symbolic representations in relation to aesthetics, cosmology and identity.
    [Show full text]
  • Fortune Embroidered La Fortuna Bordada
    LA FORTUNA BORDADA INDUMENTARIA TAIWANESA DEL MUSEO NACIONAL DE HISTORIA, TAIPEI, TAIWÁN FORTUNE EMBROIDERED HISTORICAL TAIWANESE EMBROIDERY FROM THE NATIONAL MUSEUM OF HISTORY COLLECTION LA FORTUNA BORDADA INDUMENTARIA TAIWANESA DEL MUSEO NACIONAL DE HISTORIA, TAIPEI, TAIWÁN FORTUNE EMBROIDERED HISTORICAL TAIWANESE EMBROIDERY FROM THE NATIONAL MUSEUM OF HISTORY COLLECTION EXPOSICIÓN Organizada por: Ministerio de Educación, Cultura y Deporte Museo Nacional de Artes Decorativas Museo Nacional de Historia, Taipei, Taiwán Comisarias: Tzu-an Chang y Genoveva Hui-miao Kuo Imagen y diseño: Petrichor Design & Interior Deco. Traducción de textos: Jen-yi Lai (inglés), Ramón Santos (castellano) Redactor de textos: Mark Rawson (inglés) Museografía y montaje: Museo Nacional de Historia, Taipei, Taiwán Museo Nacional de Artes Decorativas Instituciones colaboradoras: Safety Packing & Transport Co., Ltd. South China Insurance Co., Ltd. CATÁLOGO Diseño: Pei-en Lian Traducción de textos: Jen-yi Lai (inglés), Ramón Santos (castellano) Fotografía: Museo Nacional de Historia, Taipei, Taiwán Edición: Tzu-an Chang y Genoveva Hui-miao Kuo Impresión: Suhai Design & Production NIPO: 030-17-002-5 Introducción Introduction El bordado es el arte del diseño ornamental elaborado con aguja sobre Embroidery is the art of needle-working ornamental designs on silk, cotton seda, algodón u otros materiales. Los bordados como arte combinan la or other fabric. Embroidery as an art form combines the composition of composición de motivos decorativos, la mezcla de hilos de colores y las decorative motifs, the matching of colors of threads, and the techniques técnicas de costura. Flores, frutas, pájaros y bestias son los motivos más of stitching. Flowers, fruits, birds, and beasts are the most commonly used comunes en los ornamentos de los bordados chinos de trajes tradicionales, motifs in Chinese embroidery ornaments on traditional attire because of tanto por su aspecto decorativo como por sus connotaciones de buena both their decorative appeal and their auspicious connotations.
    [Show full text]
  • New Publications Textiles Snuff Bottles Latest Acquisitions
    HANSHAN TANG BOOKS • LIST 193 NEW PUBLICATIONS TEXTILES SNUFF BOTTLES LATEST ACQUISITIONS H ANSHAN TANG BOOKS LTD Unit 3, Ashburton Centre 276 Cortis Road London SW15 3AY UK Tel (020) 8788 4464 Fax (020) 8780 1565 Int’l (+44 20) [email protected] www.hanshan.com CONTENTS N EW & RECENT PUBLICATIONS / 3 T EXTILES / 12 S NUFF BOTTLES / 24 F ROM OUR STOCK / 27 S UBJECT INDEX / 64 T ERMS The books advertised in this list are antiquarian, second-hand or new publications. All books listed are in mint or good condition unless otherwise stated. If an out-of-print book listed here has already been sold, we will keep a record of your order and, when we acquire another copy, we will offer it to you. If a book is in print but not immediately available, it will be sent when new stock arrives. We will inform you when a book is not available. Prices take account of condition; they are net and exclude postage. Please note that we have occasional problems with publishers increasing the prices of books on the actual date of publication or supply. For secondhand items, we set the prices in this list. However, for new books we must reluctantly reserve the right to alter our advertised prices in line with any suppliers’ increases. P OSTAL CHARGES & DISPATCH United Kingdom: For books weighing over 700 grams, minimum postage within the UK is GB £12.00. If books are lighter and we are able to charge less for delivery, we will do so. Dispatch is usually by a trackable three working day courier service.
    [Show full text]