Congressional Record-Sen Ate

Total Page:16

File Type:pdf, Size:1020Kb

Congressional Record-Sen Ate '2484 CONGRESSIONAL RECORD-SENATE. FEBRUARY 5,. 1340. By Mr. DABRO'V~ Petition of the Methodist EpisC<lpal BUREAU OF EFFICIENCY (S, DOC. NO. 211). Preachers' Meeting of Philadelphla and ·vicinity, urging enaet· ment of the Sims bill, House bill 262, stopping the interstate The VICE PRESIDENT laid before the Senate a commU.nica~ transmission of race-gambling information and odds; to the ti~n from the Secretary of the Treasury, transmitting a letter Committee on Interstate and Foreign Commerce. from the Chief of the Bureau o.f Efficiency, submitting a .sup.. plemental estimate of approp:tiati.ons in the sum of $20,000 re:­ 1341. By Mr. FOCHT: Evidence in support of House bill6701, quired by the Bureau of Efficiency in the fiseal year 1920, whi~ granting an increase of pension to Catharine McConaughy; to with the aceompm.ying paper, was referred to the Committee the Committee on Invalid. P~nsions. on Appropl'iations and ordered to be printed. 1342. By Mr. FULLER of Illinois: Petition of the Illinois Agricultural Associatio11, relati'\'e to certain legislation; to the MESSAGE FROM THE HOUSE. Committee on Interstate and Foreign Commerce. A message from the House o.f Representatives, by D. K. Hemp~ ~343. By 1\1r. GALLIVAN: Petition of the Whol~sale Coal stead, its enrolling clerk, announced that the House had passed Trade Association of New York, relative to certain legislation; a bill (H. R. 12046) making appropriations to supply deficiencies to the Committee on Interstate and Foreign Commerce. in appropriations for the fiscal year ending June 30, 1920, and 1344. By l\Ir. LEHLBACH: Petition of 4,500 citizens of prior fiscal years, and for other purpo.ses, in which it requested Massachusetts, urging p-assage of House bill 3149; to the Com­ the concurrence of the Senate. mittee on Refonn in the Civil Service. 1345. By Mr. 1\I.A.GEE; Petition of the citizens of the town of ENEOLLED BILLS SIGNED. Manlius, N. Y., in favor of the Sims .bill, House bill 262; to the The message also announced that the Speaker of the House Committee on Interstate and Foreign Commerce. had signed the following enrolled bills, and they were there­ 1346. By 1\Ir. HENRY T. RAL.~EY: Petition of 160 citizens of upon signed by the Vice President : Havana, ru., favoring the removal of the tax on drugs and · S. 3452. An act authorizing the city of Detroit, Mich., a medicines ; to the Committee on Ways and Means. municipal corporation, to construct, maintain, and operate a 1347. By Mr. RAKER: Petition of the Moore Shipbuilding Co., b-ridge across the American channel of the Detroit River to of Oakland, Calif., relative to certain railroad legislation now Belle Isl€; pending; to the Committee on Interstate and Foreign Commerce., H. R. 348. An aet to add certain lands to the Oehoco National 1348. ALso, petition of C. H. Edwards, of Weaverville, Calif., Forest, Oreg. ; protesting against the Federal reserve banks' policy of forcing H. R. 17'61. An act for the relief of the Farmers' National par exchang~; to the Committee on Banking and Curren~y. Bank of Wilkinson, Ind. ; 1349. Also, petition of the Santa Rosa Chamber of Commerce, H. R. 1812. An act making an appropriation to compensate indorsing appropriation of $10,000,000 providing for a naval base James M. 1\Ioore for damages sustained while in tl.le senice of on San Francisco Bay, etc.; to the Committee on Appropriations. the Government of the United States; 1350. Also, petition of the Taxpayers' League of Pasaden~ H. R. 2950. An act to authorize a preference right of entry the Wilson & Willard 1\Ianufacturing Co., of Los Angeles, and by certain Carey Ad .entrymen, and for other purposes ; the H. N. Cook Belting Co., of San Francisco, all in the State of H. R. 8028. An act to add to the Oregon, Siuslaw, and Crater California, relating to certain railroad legislation now pending; National Forests in Oregon certain lands that wer€ revested in to the Committee on Interstate and Foreign Commerce. the United States pursuant to the decision of the Supreme 135L Also, petition of the Pacific American Steamship Associa· Cou-rt of the United States in the case of the Oregon & Cali· lion, of San Francisco, Calif., relative to certain legislation ; to fornia Railroad Co. against the United States, and for other the Committee on the Merchant 1\Iarine and Fisheries. purposes ; and 1352. By Mr. ROWAN: Petition of the Wholesale Coal Trade H. R. 8598. An act -restoring to Amy E. H-all her homestead Association of New York (Inc.), protesting against the continu· rights and providing that on any homestead entry made by her ance of the permit system governing the shipment of bituminous she shall be given credit for all compliance with the law -on coal to tidewater ports; to the Committee on Interstate and F,or­ her original homestea<t entry and for '3.11 payments made on eign Commerce. same. 1353. Also, petition of Jaburg Bros., of New York, opposing HOUSE BILL R.EFEimED. House bill 1187G, amending the food and drug act ; to the Com· mi ttee on Interstate and Foreign Commerce. H. R. 12046. An act making appropriations to supply de:ficie!ll' 1354 .. Also, petition of John F. Davidson, of Kingman, Ariz., ci.es in .appropriations for the fiscal year ending June 30, reg!lrding plans for financing reclamation, power-development 1920, and prior fiscal years, and for other purposes, was read plants, nnd good roads; to the Committee on Ways and Means. twice by its title and referred to the Committee on Appropria· - 1~55. Also, petition of Hugh Getty, of New York City, favoring tions. the antistrike provision in the railroad bill; to the Committee !~DIAN Al'PROPRIA.TIONS--cONFERENCE P..EPORT. on Interstate and Foreign Commerce. Mr. CURTIS. I submit· the conference report on House bill 1356. Also, petition of J. R. Kennedy~ of New York City, oppos· 11368, the Indian appropriation bill, and move that the Senate ing any further loans by the United States to the European proceed to its consideration. countries; to the Committee on Fo-reign Affairs. The VICE PRESIDENT. The report will be read. 1357. By l\1r. SCHALL: Petition of the city council of :Minne­ The report was read, .as follows : apolis, Jllinn., relative to certain legislation; to the Committee , on Water Power. The committee of conference on the disagreeing votes of the two Houses on the amen<i.rnJmts-of the Senate to the bill (H. R. 11368) making appropriations for the current and contingent SENATE. · expenses of the Bureau of Indian Affairs, for ful:fi.Iling treaty THURSDAY, February 5, 19BO. stipulations with various Indian tribes, and for other purposes, for the fiscal year ending June 30, 192~ having met, after full The Chaplain, Rev. Forrest j, Prettyman, D. D., offered the and free conference ha-ve agreed to recommend and do recom· following prayer: mend to their respective Houses as follows: Almighty God, the author of every good a.nd perfect gift, Thou That the Senate recede from its amendments numbered 24, 32, 'dost send the shadows as well as the sunshine, and in our indi­ 35, 47, 73, 74, 90, 121, and 125. vidual life Thou <lost permit us to pass through the s~·uggles That the House recede from its disagreement to the amend­ and dangers as well as Thou dost inspire within us the joys and ments of the Senate numbered 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 14, 15, hopes of life. 'Ve come to Thee, the author of every gift, and 16, 17, 18, 19, 21, 22, 23. 25, 26, 27' 28, 29, 30, 31, 33, 37, 38, 39, ask Thy blessing upon us, that we may be fitted and prepared for . 41, 42, 43, 44, 48, 49, 50, 51, 52, 53, 54, 55, 56, 58, 59, 60, 61, 62, the solemn and high responsibilities of this place. For Christ's 63, 64, 65, 66, 67, 69, 70, 71, 72, 75; 76, 77, 80, 81, 82, 83, 84, 85, sake. Amen. 86,87, 88,89, 9~, 93, 95,96, 97,98,90,10~ 102,103, 10~ 105, lOG, 108, 109, 110, 111, 112, 113, 114, 115, 11G; 117, 118, 119, 120, 122, On request of Mr. Cunns, and by unanimous consent, the read· 123, 124, 126, 127, 128, 129, 130, 131, 132, and 133, and agree to ing of the Journal of yesterday's proceedings was dispensed with the same. and the J" ournal was approved. That the House recede from its disagreement to the amend­ PUBLIC HE.AI.TH SERVICE (S, DOC. NO. 212), ment of the Senate numbered 9 and agree to the same with an The VICE PRESIDENT laid before the Senate a communica­ amendment as follows : In lieu of the sum .proposed by the tion from the Secretary of the Treasury, transmitting a supple­ Senate amendment insert "$350,000"; and the Senate agree to mental estimate of appropriation in the sum of $250,000 required the same. by the Public Health Service for preventing the spread of epi· That the House recede from its disagreement to the amend· demics, which, with the accompanying paper, was referred to the ment of the Senate numbered 12, and agree to the same with Ooll!mittee on Appropriations and 9rdered to be printed. an amendment as follows: In lieu of the matter proposed TPY • 1920. - CONGRESSION.A_IJ RECORD-SENATE. 2485 the Senate amendment insert " forty-five "; and the Senate agree That the House recede from its disagreement to the amend­ to the same.
Recommended publications
  • THE LOG of a SEA-GOING PIONEER by ALFRED BENNETT ILES 1855
    THE LOG OF A SEA-GOING PIONEER By ALFRED BENNETT ILES 1855-1942 Contents Chapter I. Ancestors. The trip alone to Scotland at seven. Rossie Priory and life at the castle. A stone-cutter’s apprentice. II. A boy’s life in London. Bandits on the Queen’s highway. The crossing sweeper. The allure of the docks. Intimate side-lights among the crowned heads. III. I join Queen Victoria’s Navy. Life on the “Boscawen.” “All hands witness punishment!” Teaching the Big Guns. A midshipman on the “Excellent.” The duel. IV. The loss of the “Captain.” V. Crossing the Line. Baptized by King Neptune. VI. Ho! For the diamond fields! The trap. Punishment at the mast. The cat o’n- ine tails. VII. A banquet with the Sultan of Zanzibar. With Henry Norton Stanley on his expedition to find Livingston. Flogging spies. VIII. Chasing Arab slave dhows on the East Coast of Africa. The capture. IX. The island of Johanna. Visit with the Sultan. Exploring the pirate strong- hold. The capture of Black Jeffreys by the Rattlesnake. X. Fire in the coalbunker chutes. Jettisoning the coal. The race with sharks in the Mozambique Channel. XI. The Queen of Madagascar. A Bombay “suttee.” The python in Ceylon. XII. Falling from the ship in Hugli. Calcutta. The visit of Lord Mayo to Anda- man Island. The tragedy. The white squall. Washed over the side and back in a gun port. XIII. Overboard in the Red Sea. An ocean of milk. Homeward bound. Back to Portsmouth. XIV. Arrival in America. The trip across country to Colorado.
    [Show full text]
  • The Myth of the Hero
    The Myth of the Hero by Bill Butler Revision: 20 July 2013 ONE On every beach there is a ninety-seven-pound weakling. He crouches where the The hero, then, is generated by the needs of ordinary mortals. He is the answer tides recede, glaring at the retreating backs of his girlfriend and the bully who to our prayers and will do those things which we are completely incapable of has just kicked sand in his face. What is he to do? Who will help him recover doing for ourselves. The genesis of literature and myth in which there are heroes his girl and his manhood? is in human need. At one end of the spectrum there are such figures as the Revenger, the Avenger, the Destroyer, Mike Hammer and Travis McGee. At the The headlines are a disaster. The economic situation is worsening with the other are Maitreya Buddha, Jesus Christ, and the Messiah of the Jews. All share rats of right and left deserting the ship as fast as they can. If inflation and a common genesis in human need for a good guy to ride in out of the sunset. unemployment continue to rise, the result has to be a political crisis leading to What he will do when he has dismounted depends on the situation. The anarchy or a dictatorship. We need a leader. Revengers will all solve their (and our) equations with bloodbaths, providing answers which are similar to Alexander’s when confronted with the problem Up to her elbows in the dirty dishwater of seven strange men, Snow White sighs of the Gordian Knot.
    [Show full text]
  • 101 Films for Filmmakers
    101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers.
    [Show full text]
  • The Necronomicon
    Dedication On the One Hundredth anniversary of the Nativity of the Poet ALEISTER CROWLEY 1875-1975 Ad Meiomrum Cthulhi Gloriam ACKNOWLEDGEMENTS THE EDITOR would like to thank all of the people whose cooperation and dedication to unspeakable horrors has made this book possible. First, our thanks go to that nameless monk who presented us with the originals., who has since disappeared. Second, to that ever-changing staff of translators who performed a most distasteful and oft'times unsatisfying task: to Ms. I. Celms, Ms. N. Papaspyrou, Mr. Peter Levenda, Mr. X. and Mr. Y. Third, to Ms. J. McNally, whose thorough knowledge and understanding of Craft folklore aided the Editor in assuming a proper perspective towards this Work. Fourth, to Mr. J. Birnbaum who aided in some of the preliminary practical research concerning the powers of the Book, and its dangers. Fifth, to Mr. L. K. Barnes, who dared to tempt the awesome wrath of the Ancient Ones, rising unspeakable eldritch horrors, in supporting the publication of this arcane treatise. Sixth, to all those patient Pagans and Friends of the Craft who waited, and waited for the eventual publication of this tome with baited breath . and something on the stove. Seventh, and perhaps most importantly, to Herman Slater of the Magickal Childe (nee Warlock Shop), whose constant encouragement and eternal kvetching was material to the completion of this Work. And, finally, to the Demon PERDURABO, without whose help the presentation of this Book would have been impossible. Blessed Be! TABLE OF CONTENTS INTRODUCTION
    [Show full text]
  • A Tribute to Michael Curtiz 1973
    Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema.
    [Show full text]
  • The Dawn of Day by Friedrich Wilhelm Nietzsche
    The Project Gutenberg EBook of The Dawn of Day by Friedrich Wilhelm Nietzsche This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Dawn of Day Author: Friedrich Wilhelm Nietzsche Release Date: June 9, 2012 [Ebook 39955] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE DAWN OF DAY*** Friedrich Nietzsche The Dawn of Day Translated by John McFarland Kennedy Author of “The Quintessence of Nietzsche”, “Religions and Philosophers of the East” There are many dawns which have yet to shed their light.—RIG-VEDA. New York The MacMillan Company 1911 Contents Introduction. .2 Author's Preface. .8 Book I. 15 Book II. 86 Book III. 138 Book IV. 188 Book V. 267 Footnotes . 347 [v] Introduction. When Nietzsche called his book The Dawn of Day, he was far from giving it a merely fanciful title to attract the attention of that large section of the public which judges books by their titles rather than by their contents. The Dawn of Day represents, figuratively, the dawn of Nietzsche's own philosophy. Hitherto he had been considerably influenced in his outlook, if not in his actual thoughts, by Schopenhauer, Wagner, and perhaps also Comte. Human, all-too-Human, belongs to a period of transition. After his rupture with Bayreuth, Nietzsche is, in both parts of that work, trying to stand on his own legs, and to regain his spiritual freedom; he is feeling his way to his own philosophy.
    [Show full text]
  • Necronomicon Ye Book of the Laws of the Dead As Recorded by Abdul Al
    Necronomicon Ye Book of the Laws of the Dead As recorded by Abdul Al-Hazred, the Mad Arab Translated from the Latin of Olaus Wormius -by- Dr. John Dee London The Year of Our Lord One Thousand Five Hundred and Sixty Two THE TESTIMONY OF THE MAD ARAB THIS is the testimony of all that I have seen, and all that I have learned, in those years that I have possessed the Three Seals of THE BLACK CITY. I have seen One Thousand-and-One moons, and surely this is enough for the span of a man's life, though it is said the Prophets lived much longer. I am weak, and ill, and bear a great tiredness and exhaustion, and a sigh hangs in my breast like a dark lantern. I am old. This is the book of the laws and practices of the sleeping dead, written by myself, Abd Al-Hazred - the great sorcerer and poet. With the secrets in this book I have spoken with dark spirits, who have furnished me with many riches, both in the form of money and knowledge, I have even learned the unlearnable knowledge of the divine ones, such is the power of what I learned. I have also learned of the Old Spirits, who lived before man, and still live dreaming, and they are very terrible. It was a face of one of these very spirits that initiated me into this powerful magic. The wolves carry my name in their midnight speeches, and that quiet, subtle Voice is summoning me from afar.
    [Show full text]
  • Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
    Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is
    [Show full text]
  • Film Music and Film Genre
    Film Music and Film Genre Mark Brownrigg A thesis submitted for the degree of Doctor of Philosophy University of Stirling April 2003 FILM MUSIC AND FILM GENRE CONTENTS Page Abstract Acknowledgments 11 Chapter One: IntroductionIntroduction, Literature Review and Methodology 1 LiteratureFilm Review Music and Genre 3 MethodologyGenre and Film Music 15 10 Chapter Two: Film Music: Form and Function TheIntroduction Link with Romanticism 22 24 The Silent Film and Beyond 26 FilmTheConclusion Function Music of Film Form Music 3733 29 Chapter Three: IntroductionFilm Music and Film Genre 38 FilmProblems and of Genre Classification Theory 4341 FilmAltman Music and Genre and GenreTheory 4945 ConclusionOpening Titles and Generic Location 61 52 Chapter Four: IntroductionMusic and the Western 62 The Western and American Identity: the Influence of Aaron Copland 63 Folk Music, Religious Music and Popular Song 66 The SingingWest Cowboy, the Guitar and other Instruments 73 Evocative of the "Indian""Westering" Music 7977 CavalryNative and American Civil War WesternsMusic 84 86 PastoralDown andMexico Family Westerns Way 89 90 Chapter Four contd.: The Spaghetti Western 95 "Revisionist" Westerns 99 The "Post - Western" 103 "Modern-Day" Westerns 107 Impact on Films in other Genres 110 Conclusion 111 Chapter Five: Music and the Horror Film Introduction 112 Tonality/Atonality 115 An Assault on Pitch 118 Regular Use of Discord 119 Fragmentation 121 Chromaticism 122 The A voidance of Melody 123 Tessitura in extremis and Unorthodox Playing Techniques 124 Pedal Point
    [Show full text]
  • Demons and Monsters in the Mesopotamian Textual and Artistic Tradition
    They are Seven: Demons and Monsters in the Mesopotamian Textual and Artistic Tradition by Gina V. Konstantopoulos A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Near Eastern Studies) in the University of Michigan 2015 Doctoral Committee: Professor Piotr A. Michalowski, Chair Professor Gary M. Beckman Associate Professor Ian S. Moyer Associate Professor Ellen Muehlberger Professor Daniel Schwemer, Julius Maximilians Universität Würzburg © Gina V. Konstantopoulos 2015 Acknowledgements I owe debts of gratitude (as well as the existence of this dissertation as anything resembling a complete – perhaps even coherent – form) to many different people. First and foremost, my thanks go to my dissertation committee. I am deeply grateful to have worked with Piotr Michalowski as my advisor from the beginning of my time at Michigan, and to have had the great privilege of so much time studying under his Sumerological wing. I am thankful to Gary Beckman for years of careful instruction and equally dedicated care to this dissertation. Ian Moyer agreed to join on as my cognate member and committed his careful attention to the project. Ellen Muehlberger tirelessly read drafts, fielded questions, and was endlessly patient with letting me know when I had gone too far afield or otherwise off-book. Daniel Schwemer kindly agreed to sign onto the committee while I was studying with him at Würzburg, and applied his meticulous attention to it. I was able to spend the 2012-2013 academic year at the University of Würzburg thanks to a fellowship from the Deutscher Akademischer Austausch Dienst, and I could not have been more fortunate to spend my first full year of research and writing in such a supportive department.
    [Show full text]
  • Hollywood on the Danube: Hungarian Filmmakers in a Transnational
    Page 1 of 6 Portuges, Catherine. ―Hollywood on the Danube: Hungarian Filmmakers in a Transnational Context.‖ AHEA: E-journal of the American Hungarian Educators Association, Volume 5 (2012): http://ahea.net/e-journal/volume-5-2012 Hollywood on the Danube: Hungarian Filmmakers in a Transnational Context Catherine Portuges. University of Massachusetts Amherst Abstract: Exile, emigration and displacement have marked the trajectories of Hungarian filmmakers over the past century. Michael Curtiz, the Korda brothers—Alexander, Vincent and Zoltán—André de Toth, Emeric Pressburger, Vilmos Zsigmond, Miklós Rózsa, Peter Lorre, Géza von Radvány and other talented artists have crossed borders, cultures and languages, creating such classics as Casablanca, Somewhere in Europe, The Red Shoes and The Lost One. The legendary sign posted in Hollywood studios read: "It is not enough to be Hungarian, you have to have talent, too!" Accompanied by film extracts, rare footage, personal interviews, archive photographs, and documentary materials, my presentation explores the transnational odysseys of these Hungarian directors, producers, cinematographers, composers, actors and screenwriters whose artistic contributions became an indispensable part of international cinema, suggesting that the challenges of emigration may also offer opportunities for critique, self-examination and artistic creativity. Keywords: Hungary, exile, Hollywood, filmmakers Biography: Catherine Portuges is Director of the Interdepartmental Program in Film Studies, Professor of Comparative Literature, and Curator, Massachusetts Multicultural Film Festival, University of Massachusetts Amherst where she received the Chancellor's Medal for Distinguished Teaching (2010). She was awarded the Pro Cultura Hungarica Medal (Republic of Hungary, 2009) for her contributions to Hungarian cinema, and a National Endowment for the Humanities Fellowship (2007) for her project on Jewish identities in Hungarian filmmaking.
    [Show full text]
  • Selective Bibliography and Filmography Praeger, 1971
    Furhammer, Leif, and Folke Isaksson. Politics and Film. New York: How Politics, Profits & Propaganda Shaped WWII Movies. New Selective Bibliography and Filmography Praeger, 1971. York: Free Press, 1987. Fyne, Robert. The Hollywood Propaganda of World War II. Metuchen, Lingeman, Richard R. Don’t You Know There’s a War On: The American NJ: Scarecrow Press, 1994. Home Front, 1941-1945. New York: Putnam, 1970. Gabler, Neal. An Empire of Their Own: How the Jews Invented Mast, Gerald. The Movies in Our Midst: Documents in the Cultural History Hollywood. New York: Crown Publishers, Inc., 1989. of Film in America. Chicago: University of Chicago Press, 1982. Gledhill, Donald, ed. Press Clipping File on the Senate Subcommittee Moser, John E. “‘Gigantic Engines of Propaganda’: The 1941 Senate War Film Hearings Volume 1. August 1 though October 15, 1941. Investigation of Hollywood.” The Historian 63:4 (2001). Hollywood: The Academy Press, 1941. Nash, Gerald D. The American West Transformed: The Impact of the BIBLIOGRAPHY Colgan, Christine Ann. “Warner Brothers’ Crusade against the Third Gomery, Douglas, ed. The Will Hays Papers. Bethesda, MA: Second World War. Bloomington: Indiana University Press, 1985. Reich: A Study of Anti-Nazi Activism and Film Production, LexisNexis, Cinema History Microfilm Series. Nelson, Richard Alan. A Chronology and Glossary of Propaganda in the Bassinger, Jeanine. The World War II Combat Film: Anatomy of a Genre. 1933 to 1941.” 2 vols. diss. University of Southern California, Hanson, Patricia King, and Alan Gevinson. The American Film United States. Westport, CT: Greenwood, 1996. New York: Columbia University Press, 1986. 1985. Institute Catalogue. Feature Films, 1931-1940, 3 vols.
    [Show full text]