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It Should Never Be Forgotten for a Single Moment That
a s t u d y o n t he holy guardian angel a study on the holy guardian angel Content CHAPTER 1: A SHORT INTRODUCTION 2 CHAPTER 2: AMONG THE CHALDEAN 7 1. Introduction 7 2. Chaldean Demonology 8 3. Personal spirit relations among the Chaldeans 12 4. Summary 16 5. Selected Literature 17 CHAPTER 3: AMONG THE ZOROASTRIAN 18 1. Preamble 18 2. Introduction 19 3. Mazdian Demonology 22 4. The Constitution of Man 28 5. The Fravashis 32 6. The Ritual Practice 36 7. Selected Literature 40 CHAPTER 4: AMONG THE ANCIENT GREEK 42 1. Introduction 42 2. Plato’s Elements of the Soul - Logos, Eros and Thumos 43 3. The Nous - the Ancient Higher Self 47 4. The early Greek idea of the Daimon 53 5. The Socratic Daimonion 56 6. Deification of Man 59 7. The Evil Daimon 63 8. Selected Literature 70 © Copyright © 2013 by Frater Acher | www.theomagica.com All rights reserved. This eBook can be shared and distributed freely in its complete PDF format. However, no portion or quotes taken out of context may be reproduced or used in any manner whatsoever without the expressed written permission of the publisher except for the use of brief quotations in a book review. ii CHAPTER 1 a study on the holy guardian angel a short introduction I. OUTER PERSPECTIVE Few topics in Western Occultism gained as much attention and dedication by practitioners in recent decades as the Holy Guardian Angel. Since the teachings of the sage Abramelin - written down by Abraham of Worms - were published in 1725, for many attaining knowledge and conversation with one's personal guardian angel rose to become the epiphany of the magical Arte. -
Estate of Dr. Leo Louis Martello Wear to Edges, Tanning, Dr
Martello printing errors, including the author's name on cover Lux Mentis, Booksellers which could have discontinued circulating copies. Part of Lux Mentis specializes in fine press, fine bindings, and the pulp narrative for witchcraft in the 1970s. Formerly owned by Leo Martello. No marks. esoterica in all areas, books that have been treasured and will continue to be treasured. As a primary focus is the 2. Gay Liberation building and/or deaccessioning of private collections, our Front, publisher Dr. Leo selections is diverse and constantly evolving. If we do not Louis Martello [from have what you are seeking, please contact us and we will his collection]. Come strive to find it. All items are subject to prior sale. Shipping Out!: A Newspaper By and For the Gay and handling is calculated on a per order basis. Please do Community [Vol.1, not hesitate to contact us regarding terms and/or with any No.1]. New York, NY: questions or concerns. Gay Liberation Front, 1969. First Edition. Estate of Dr. Leo Louis Martello Wear to edges, tanning, Dr. Leo Louis Martello was an author, graphologist, fold lines/edges, hypnotist and Witch of note who came to prominence otherwise, legible and during the Pagan/Witchcraft Renaissance of the late unmarred. Large format 1960s and early 1970s. As well as being very public newsprint, 16pp. + regarding his Witchcraft, Leo was also very much “out of illus. (b/w). Single the closet.” He was a founding member of the Gay issue. Very Good+ in Liberation Front (GLF), acting as its first moderator. Leo Wraps. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
Extraterrestrial Places in the Cthulhu Mythos
Extraterrestrial places in the Cthulhu Mythos 1.1 Abbith A planet that revolves around seven stars beyond Xoth. It is inhabited by metallic brains, wise with the ultimate se- crets of the universe. According to Friedrich von Junzt’s Unaussprechlichen Kulten, Nyarlathotep dwells or is im- prisoned on this world (though other legends differ in this regard). 1.2 Aldebaran Aldebaran is the star of the Great Old One Hastur. 1.3 Algol Double star mentioned by H.P. Lovecraft as sidereal The double star Algol. This infrared imagery comes from the place of a demonic shining entity made of light.[1] The CHARA array. same star is also described in other Mythos stories as a planetary system host (See Ymar). The following fictional celestial bodies figure promi- nently in the Cthulhu Mythos stories of H. P. Lovecraft and other writers. Many of these astronomical bodies 1.4 Arcturus have parallels in the real universe, but are often renamed in the mythos and given fictitious characteristics. In ad- Arcturus is the star from which came Zhar and his “twin” dition to the celestial places created by Lovecraft, the Lloigor. Also Nyogtha is related to this star. mythos draws from a number of other sources, includ- ing the works of August Derleth, Ramsey Campbell, Lin Carter, Brian Lumley, and Clark Ashton Smith. 2 B Overview: 2.1 Bel-Yarnak • Name. The name of the celestial body appears first. See Yarnak. • Description. A brief description follows. • References. Lastly, the stories in which the celes- 3 C tial body makes a significant appearance or other- wise receives important mention appear below the description. -
Lovecraft Research Paper Final Draft
Nagelvoort 1 Chris Nagelvoort Professor Walsh Humanities Core H1CS 13 June 2020 Becoming Anti-Human: How Lovecraftian Horror Philosophically Deconstructs Otherness The most horrifying monster is change. Having the comfort and consistency of normality be thrust into the foreign landscape of difference can be petrifying. The dormant mind can lose its sense of self, security, and, worst of all, control. In the horror genre, this is no different. Monsters are frightening because of the difference they impose on us and our identity. Imagining a world ruled by a zombie apocalypse or a ravenous vampire feasting at night may seem unobtrusive, but when the rabid ghoul trespasses the border of detached fiction into the interior of one’s identity, the cliche skeleton seems almost an afterthought. Much more terrifying than the grotesqueness or typicality of these horror villains is how they can turn one’s sense of self and control inside out. It invites the elusive glance inward, asking the subject to wonder if their pillars of psychological safety—identity, family, belief system, home—are very safe at all. This fear of something different is compartmentalized by the psyche as something so alien, so invasive, that it must be something Other. This effect is explored by the stories of Howard Philips Lovecraft, a horror writer whose stories are so bizarre that the average reader is stripped of all their preconceptions about reality and even their sense of self. This special subgenre of horror was pioneered by Lovecraft and is famously called “Lovecraftian horror” but is well known today as cosmic horror: A mesh of horror and science fiction that “erodes presumptions about the nature of reality” (Cardin 273). -
Terror Handouts
TERROR HANDOUTS This supplement is best used with the Call of Cthulhu (7th Edition) roleplaying game, and optionally the Pulp Cthulhu sourcebook, both available separately. Terror Australis © copyright 2018–2020 Chaosium Inc. All rights reserved. Call of Cthulhu © copyright 1981–2020 Chaosium Inc. Pulp Cthulhu © copyright 2016–2020 Chaosium Inc. All rights reserved. Chaosium Arcane Symbol (the Star Elder Sign) © copyright 1983 Chaosium Inc. All rights reserved. Call of Cthulhu, Chaosium Inc., and the Chaosium logo are registered trademarks of Chaosium Inc. Pulp Cthulhu is a trademark of Chaosium Inc. All rights reserved. Ithaqua © copyright 2020 the Estate of August Derleth. Used with permission. Atlach-Nacha and Tsathoggua © copyright 2020 the Estate of Clark Ashton Smith. Used with permission. Chaosium recognizes that credits and copyrights for the Cthulhu Mythos can be difficult to identify, and that some elements of the Mythos may be in the public domain. If you have corrections or additions to any credits given here, please contact us at [email protected]. This is a work of fiction. This book includes descriptions and portrayals of real places, real events, and real people; these may not be presented accurately and with conformity to the real-world nature of these places, people, and events, and are reinterpreted through the lens of the Cthulhu Mythos and the Call of Cthulhu game in general. No offense to anyone living or dead, or to the inhabitants of any of these places, is intended. This material is protected under the copyright laws of the United States of America. Reproduction of this work by any means without written permission of Chaosium Inc., except for the use of short excerpts for the purpose of reviews and the copying of character sheets and handouts for in-game use, is expressly prohibited. -
Dunwich Horror by Sean Branney with Andrew Leman
Dark Adventure Radio Theatre: The Dunwich Horror by Sean Branney With Andrew Leman Based on "The Dunwich Horror" by H.P. Lovecraft Read-along Script ©2008, HPLHS, Inc., all rights reserved Static, radio tuning, snippet of 30s song, more tuning, static dissolves to: Dark Adventure Radio theme music. ANNOUNCER Tales of intrigue, adventure, and the mysterious occult that will stir your imagination and make your very blood run cold. Music crescendo. ANNOUNCER This is Dark Adventure Radio Theatre, with your host Chester Langfield. Today’s episode: H.P. Lovecraft’s “The Dunwich Horror”. Music diminishes. CHESTER LANGFIELD The hills of Western Massachusetts contain dark and terrible secrets. Strange families keep to themselves and practice rites of ancient and unspeakable black magic. These dreadful and unholy rituals give birth to a monstrosity beyond imagination, a monstrosity that threatens mankind itself! Can a brave handful of intrepid scholars hope to confront the otherwordly destruction of “The Dunwich Horror”? But first a word from our sponsor. A few piano notes from the Fleur de Lys jingle. CHESTER LANGFIELD When I sit down to enjoy a meal, the first thing I do is light up a Fleur de Lys cigarette. Not only do they enhance the taste of food, Fleur de Lys aid in the digestive process. Our cigarettes are made from finer costlier tobaccos than other brands, providing you with the very best in freshness and flavor. So, for the sake of digestion, during and after meals be sure to smoke Fleur de Lys! Dark Adventure lead-in music. DART: The Dunwich Horror 2. -
Cthulhu Monsters a Field Observer's Handbook of Preternatural Entities
--- S. PETERSEN'S FIELD GUIDE TO Cthulhu Monsters A Field Observer's Handbook Of Preternatural Entities Paintings and Descriptions From the Cthulhu Mythos As Created by H.P. Lovecraft, With Augmentations for Today Sandy Petersen Tom Sullivan Lynn Willis with Peter Dannseys E.C. Fallworth L.N. Isinwyll Ivan Mustoll Chaosium Inc. Publication 5105 The 27 Most Frequently Encountered Monsters Howard Phillips Lovecraft 1890 - 1937 t PETERSEN'S Field Guide To Cthulhu :Monsters A Field Observer's Handbook Of Preternatural Entities Sandy Petersen conception and text TOIn Sullivan 27 original paintings, most other drawings Lynn ~illis project, additional text, editorial, layout, production Chaosiurn Inc. 1988 The FIELD GUIDe is p «blished by Chaosium IIIC . • PETERSEN'S FIELD GUIDE TO CfHUU/U MONSTERS is copyrighl e1988 try Chaosium IIIC.; all rights reserved. _ Similarities between characters in lhe FIELD GUIDE and persons living or dead are strictly coincidental . • Brian Lumley first created the ChJhoniwu . • H.P. Lovecraft's works are copyright e 1963, 1964, 1965 by August Derleth and are quoted for purposes of ilIustraJion_ • IflCide ntal monster silhouelles are by Lisa A. Free or Tom SU/livQII, and are copyright try them. Ron Leming drew the illustraJion of H.P. Lovecraft QIId tlu! sketclu!s on p. 25. _ Except in this p«blicaJion and relaJed advertising, artwork. origillalto the FIELD GUIDE remains the property of the artist; all rights reserved . • Tire reproductwn of material within this book. for the purposes of personal. or corporaJe profit, try photographic, electronic, or other methods of retrieval, is prohibited . • Address questions WId commel11s cOlICerning this book. -
US Struggles to Blunt Rebel Anger at Strikes Chelsea Clinton Gives Birth
SUBSCRIPTION SUNDAY, SEPTEMBER 28, 2014 THULHIJA 1, 1435 AH www.kuwaittimes.net Fishermen India court Murder verdict Bahrain’s Union accuses jails ex-film postponed Jebet stripped importers of star politician for Egypt’s of steeplechase boycott4 plot for corruption7 Mubarak8 gold17 at Asiad US struggles to blunt Max 41º Min 24º rebel anger at strikes High Tide 01:27 & 14:33 Low Tide Militants hit in Syria as UK bombers fly over Iraq 08:20 & 20:23 40 PAGES NO: 16299 150 FILS BEIRUT/DAMASCUS: The US is struggling to counter conspiracy theories anger among the Syrian opposition, where many believe that the air campaign against extremists in the country is only helping President Bashar Al-Assad and Well done, India! that Washington is coordinating with Damascus, despite American insistence it backs the rebel cause. Since the US-led campaign of air raids and missile strikes in Syria began last Tuesday, American officials - many of them Arabic-speaking - have been making appearances on Arab TV stations, explaining US goals. By Badrya Darwish They have repeatedly denied any cooperation with the Syrian government and say Washington still seeks Assad’s removal. But the messaging seems to be making little head- way. The anger among the opposition over the air cam- [email protected] paign points to a central difficulty in the US strategy: The main aim of the international coalition it has assem- bled is to defeat the Islamic State group - which has tak- ast week I said well done Scotland for the en over much of Syria and neighboring Iraq - but in recent graceful and peaceful referendum on Syria it is Assad’s government that is best placed to ben- Lindependence. -
Multi-Media Reviews
Page 84 MULTIMEDIA REVIEWS Batman: Arkham Reborn Writer: David Hine , Artist: Jeremy Haun (Publisher: DC Comics, 2010) Gotham City is a fitting home for its guardian – Batman lurks in the recesses of its distinctive architecture, camouflaging himself among the gargoyles and grotesques. Gotham’s cityscape is one of the most developed of all fictional locations: for the series No Man’s Land (1999) a detailed map of the city was produced, its rivers, bridges and streets named after DC Comics’ most beloved artists and writers. Undoubtedly, one of the most famous buildings in Gotham is Arkham Asylum – or, to give it its full name, ‘The Elizabeth Arkham Asylum for the Criminally Insane’ – a location introduced to the comics in 1974 to serve as a holding pen for Batman’s rogues gallery. Arkham Reborn is the latest story arc to develop the asylum’s mythos. It begins with the director, Jeremiah Arkham, picking his way through the ruins of the asylum (which was destroyed by the crime lord Black Mask during the events of a previous storyline). Stopping before one particular cell, Jeremiah recalls its former occupant, Humphrey Dumpler (AKA ‘Humpty Dumpty’), a man compelled to take things apart and put them back together – inevitably with disastrous consequences. ‘Poor Humphry,’ he muses. ‘Obsessed, like me, with repairing what was broken.’ This beginning recalls both Dan Slott and Ryan Sook’s Arkham Asylum: Living Hell (2003), the work in which Humpty Dumpty was introduced, and the seminal Arkham text, Grant Morrison and Dave McKean’s Arkham Asylum: A Serious House on Serious Earth (1989), wherein one doctor tells Batman: ‘sometimes you have to break down to rebuild, psychiatry’s like that’. -
Asher-Greve / Westenholz Goddesses in Context ORBIS BIBLICUS ET ORIENTALIS
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2013 Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources Asher-Greve, Julia M ; Westenholz, Joan Goodnick Abstract: Goddesses in Context examines from different perspectives some of the most challenging themes in Mesopotamian religion such as gender switch of deities and changes of the status, roles and functions of goddesses. The authors incorporate recent scholarship from various disciplines into their analysis of textual and visual sources, representations in diverse media, theological strategies, typologies, and the place of image in religion and cult over a span of three millennia. Different types of syncretism (fusion, fission, mutation) resulted in transformation and homogenization of goddesses’ roles and functions. The processes of syncretism (a useful heuristic tool for studying the evolution of religions and the attendant political and social changes) and gender switch were facilitated by the fluidity of personality due to multiple or similar divine roles and functions. Few goddesses kept their identity throughout the millennia. Individuality is rare in the iconography of goddesses while visual emphasis is on repetition of generic divine figures (hieros typos) in order to retain recognizability of divinity, where femininity is of secondary significance. The book demonstrates that goddesses were never marginalized or extrinsic and thattheir continuous presence in texts, cult images, rituals, and worship throughout Mesopotamian history is testimony to their powerful numinous impact. This richly illustrated book is the first in-depth analysis of goddesses and the changes they underwent from the earliest visual and textual evidence around 3000 BCE to the end of ancient Mesopotamian civilization in the Seleucid period. -
07-12-2021 WIF and the Sundance Institute Financing
July 12, 2021 Media Contacts: Spencer Alcorn [email protected] Women’s Financing Intensive, from WIF (Women In Film, Los Angeles) & Sundance Institute, Elevates Twelve Feature Projects with Tailored Support Intensive equips filmmakers with financing strategies and introduces them to leading financiers. LOS ANGELES - The Sundance Institute and WIF (Women In Film, Los Angeles) today announce the projects and creators selected for the annual WIF and Sundance Institute Financing Intensive. The Intensive is designed to help women producers—fiction and documentary—build the skills and relationships necessary to advance a feature-length project to the next stage of financing success. On July 14–15, producers and their attached directors participate in small group workshops focused on both pitching and financing strategy, and professional skills development. The Intensive continues the week of July 19 with one-on-one meetings with potential financiers and partners including The Harnisch Foundation, IDA, Impact Partners, Participant, Freeform, Hulu, Gamechanger, Chicken & Egg Pictures, K Period. The Intensive will first kick off with a free public session on July 13 at 2pm – 3:15pm ET, Protecting Producers, that will explore fresh ideas in producer career sustainability. The conversation will take place on Sundance Co//ab and include: Carrie Lozano (Director, Sundance Documentary Film Program and Artist Programs), Yael Melamede (Documentary Producers Alliance), producer Summer Shelton, and Avril Speaks (Producers Union). The Institute and WIF have been working together to address the most challenging obstacles facing women filmmakers at both structural and project-based levels. Accessing capital remains elusive even for seasoned creators, and research by both institutions has shown that women continue to deal with particular gendered biases that make it harder to secure financing.