1St Grade Specials Activities
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Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
Congratulations on Your New Match! We Are Thrilled That You Have Decided to Opt in for Connection During a Time of Social Distancing
Congratulations on your new match! We are thrilled that you have decided to opt in for connection during a time of social distancing. We understand that starting a new match off through a virtual platform can potentially feel awkward, so we’ve developed a template of conversation prompts to help you begin getting to know one another. How to Use: The first three months of suggested conversations and activities in your match are outlined below. You’ll notice that we’ve designed this template to follow a natural progression beginning with getting to know one another, discussing your different experiences, and goal setting for the future. We strongly recommend spending a minimum of 10-15 minutes each week, talking about the prompts below. Bigs and Littles should take turns leading the conversation each week and always make sure to check in with each other and make space to talk about and express feelings. Note: Keep in mind that this is intended to be a helpful guide and is not required in your match. If you and your Little prefer to come up with your own conversation topics and activities, go for it! Take what works for you and leave the rest. Goal | The goal for this month is to get to know your new Little/Big by learning about their family, friends, likes/dislikes, hobbies, and favorite things, etc. Instructions: Each week review the prompt and have a conversation. Try one of the suggested activities or come up with your own. Try to think out of the box! Week 1: Review Ice Breaker from Match Meeting. -
Musical Explorers My City, My Song a Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2
Weill Music Institute Musical Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 Student Guide Weill Music Institute Musical Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 Student Guide WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Jacqueline Stahlmann, Manager, Elementary School Programs Marie Ortinau, Administrative Assistant, Elementary School Programs PUBLISHING AND CREATIVE SERVICES Jay Goodwin, Managing Editor, WMI Carol Ann Cheung, Senior Editor Evelyn Ochoa, Graphics Manager CONTRIBUTORS Daniel Levy, Consultant Sophie Hogarth, Illustrator Scott Lehrer, Audio Production Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the Charles Haimoff Endowment, E.H.A. Foundation, and The Walt Disney Company. Additional support has been provided by the Ella Fitzgerald Charitable Foundation. Musical Explorers is also made possible, in part, by an endowment gift from The Irene Diamond Fund. © 2014 The Carnegie Hall Corporation. All rights reserved. 1 Welcome to Our Musical Trip! Welcome, Musical Explorers! I’m your conductor, and I’ll help you explore our musical city. Together, we’ll meet our singers and hear their songs and stories. Come along with me and make your discoveries! Subway map © 2014 and MTA New York City subway logo ™ Metropolitan Transportation Authority. Used with permission. -
Kindergarten Specials Activities
Kindergarten Specials Activities Art Music P.E. S.T.E.M Activity 1: Find primary Activity 1: Teach someone a Activity 1: Same Spot, Sock Shot Science: Take a nature walk and collect song you have learned in Using clean pair of balled up socks some natural materials. When you get colors (red, yellow, blue) in practice tossing under hand and then home sort the materials you your house. music class. If the song had a overhand while stepping with the found. Below are some examples of how game, teach the game as well. opposite foot to a target. Please ask you might sort. If you have time after adult permission to use certain sorting try building something cool with the natural materials. targets at your home. Examples: K-1st: sort by shape, color, or size laundry hamper, spot on wall/tile on 2nd-3rd: sort by texture, shape AND floor, or family members make a size, or living vs non-living hoop with their arms. 4th-6th: Have students create their own way of sorting and then challenge someone elseto identify their method. Activity 2: I SPY: Find Activity 2: Create your own Activity 2: Cardio Day Technology: Have someone in your instrument. You can draw it 5 Minute Morning Dance house pretend to be a robot. You secondary colors outside should program the robot how to (green, orange, purple) out and explain what it would Party move around the house. Remember be made out of, how it would Evening Running Competition; robots cannot make any decisions for work, and how it would How many laps can each themselves, they only can do what sound. -
TJ Specials Bingo Card 3-5 Week 3.Xlsx
A B C D E 1 Specials Bingo: 3rd-5th Grade 2 April 20-26 3 Art PE Music Art PE With a family member Turn your self or Draw a large flower. each person has a someone in your Fill each petal with a paper, see who can list house into the Mona Watch a show that you different line/shape the most exercise Lisa. Use whatever like. Every time pattern. Trace each Watch a musical as a movements in 30 items you have to someone on the show one with different family. seconds! Then after make them look like laughs do five jumping colored markers, time is up, do two of her. Take picture if jacks. crayons, pencils or each exercise on the you can and email it to pens. 4 lists. me. :) 5 Date:________ Date:________ Date:________ Date:________ Date:________ 6 Music PE Art Music Art 2 DIMENSIONAL and Draw a picture of your choice. Do 5 squats in each room of your Color it using only blues. Use as Listen to a style of 3 DIMENSIONAL - house. Then do 5 mountain many blue markers, crayons, pens, climbers in each room. Lastly 5 music that you Find the folowing in Complete your weekly pencils that you can find. Using jumping jacks in each room. Extra one color family is called normally do not and your house: listening journal. challenge. Time yourself while you MONOCHROMATIC. This is how do this... try a second time and see write down 5 things 2D/3D=square/cube we did our feathers at the if you can beat your first score. -
Year 15, Issue 4, November 8, 2017: Odyssey Moments
YearOdyssey Oracle 15, Issue 4 November 8, 2017 11-8-2017 ODYSSEY MOMENTS In this Oracle . Proud of Ourselves ............................... 3 Channeling Frederick Douglass ............ 7 Channeling William Lloyd Garrison ...... 8 Special Places ....................................... 9 What’s in a Name ............................... 16 Reflections .......................................... 23 Finding Plato’s Cave Today ................ 27 Moved By Music ................................. 33 What Will Home Be? .......................... 41 Emily Auerbach, Project Director; Oracle Editor [email protected] 608-262-3733 or 608-712-6321 Kevin Mullen, Associate Director; Oracle Editor [email protected] 608-572-6730 Emily Azad, Odyssey Coordinator [email protected] 608-262-3885 Colleen Johnson, Director of Development and Community Partnerships Beth McMahon, Oracle Designer www.odyssey.wisc.edu Odyssey Oracle 11-8-2017 2 Odyssey Oracle 11-8-2017 PROUD OF OURSELVES I am very proud of myself. I family growing up. I was can really say that for always and still am a someone my age, I have respectful person. But done many good things in growing up I colored my hair life. Taking full responsibility any color I wanted. I cut my for my daughter, I consider hair short and kept it that myself to be a good mom, way for a long time. I dressed always working to provide how I wanted because I for my little princess. I’m always trying to find always knew who I was. My hair color and the good in the bad, be happy, and give a style and way I dressed didn’t make me smile to those around me, even if sometimes I represent the “Bad Girl” stereotype that the feel my world crumbling. -
CEN WORKSHOP Agreementfinal Draft for CWA/MES:1998
CEN WORKSHOP AGREEMENTFinal draft for CWA/MES:1998 1998-11-18 English version Information technology – Multilingual European Subsets in ISO/IEC 10646-1 Technologies de l’information – Informationstechnologie – Jeux partiels européens multilingues Mehrsprachige europäische Untermengen dans l’ISO/CEI 10646-1 in ISO/IEC 10646-1 This CEN Workshop Agreement has been drafted and approved by a Workshop of representatives of interested parties, whose names and affiliations can be obtained from the CEN/ISSS Secretariat. The formal process followed by the Workshop in the development of this Workshop Agreement has been endorsed by the National Members of CEN, but neither the National Members of CEN nor the CEN Central Secretariat can be held accountable for the technical content of this CEN Workshop Agreement or for possible conflicts with standards or legislation. This CEN Workshop Agreement can in no way be held as being an official standard developed by CEN and its Members. This CEN Workshop Agreement is publicly available, as a reference document, from the CEN Members National Standard Bodies. CEN Members are the National Standards Bodies of Austria, Belgium, the Czech Republic, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, the Netherlands, Norway, Portugal, Spain, Sweden, Switzerland and the United Kingdom. CEN EUROPEAN COMMITTEE FOR STANDARDIZATION COMITÉ EUROPÉEN DE NORMALISATION EUROPÄISCHES KOMITEE FÜR NORMUNG Central Secretariat: rue de Stassart 36, B-1050 Brussels © CEN 1998 All rights of exploitation in any form and by any means reserved worldwide for CEN national Members Ref.No. CWA/MES:1998 E Information technology – Page 2 Multilingual European Subsets in ISO/IEC 10646-1 Final Draft for CWA/MES:1998 Contents Foreword 3 Introduction 4 1. -
978 470-4700 FAX: 978 470-4740 Email: [email protected]
PLEASE PRINT Date of Wedding: DJ: 1 Main Street Suite #306 Andover, MA 01810 www.getadj.com 978 470-4700 FAX: 978 470-4740 email: [email protected] Same Gender Reception Form – Wedding Party Introductions Grandparents: (Please check one ) Announce into Room Acknowledge at Table None Grandparents: Grandparents: Intro Music DJ Selects Other: Parents: (use 2nd line if announced separately): Parents: (use 2nd line if announced separately): Intro Music Same as above DJ Selects Other: SameasssaaAbo vePrevious Attendant Attendant s s 1. 1. 2. 2. 3. 3. 4. 4. 5. 5. Flower Girl/Jr. Bridesmaid: Ring Bearer/Jr. Usher: Maid/Matron/Person of Honor Best Man/Woman 1. 1. 2. 2. Intro Music: Same as above DJ Selects Other: Previous Newlyweds : Please print all names and be sure this is the same order and the same pairings as you give to your venue. © 2016 AllStar Entertainment/www.getadj.com. All rights reserved. May not be printed or duplicated without prior permission. DJ: Your Name: Your Fiance’s Name: Place of Reception: Time of Ceremony? Travel Time from Ceremony to Reception:___________ minutes or On-Site Ceremony ___ Ceremony to be held in reception room in another room Outdoors Ceremony Music by: DJ Other ___________________ Ceremony from? to ______ (*background music should startD 30 min. BEFORE the scheduled start of the ceremony, to be playing as your guests are arriving.)J Cocktail Hour Music by: DJ Other Cocktails from? to DJ Total Hours DJ is booked: from to Sit-Down Meal Buffet/Stations Receiving Line: (Please specify) At Church We’ll Be Visiting -
CEN WORKSHOP AGREEMENT CWA 13873:2000 Multilingual
CEN WORKSHOP AGREEMENT CWA 13873:2000 2000-03-01 English version Information technology – Multilingual European Subsets in ISO/IEC 10646-1 Technologies de l’information – Informationstechnologie – Jeux partiels européens multilingues Mehrsprachige europäische Untermengen dans l’ISO/CEI 10646-1 in ISO/IEC 10646-1 This CEN Workshop Agreement has been drafted and approved by a Workshop of representatives of interested parties, whose names and affiliations can be obtained from the CEN/ISSS Secretariat. The formal process followed by the Workshop in the development of this Workshop Agreement has been endorsed by the National Members of CEN, but neither the National Members of CEN nor the CEN Central Secretariat can be held accountable for the technical content of this CEN Workshop Agreement or for possible conflicts with standards or legislation. This CEN Workshop Agreement can in no way be held as being an official standard developed by CEN and its Members. This CEN Workshop Agreement is publicly available, as a reference document, from the CEN Members National Standard Bodies. CEN Members are the National Standards Bodies of Austria, Belgium, the Czech Republic, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, the Netherlands, Norway, Portugal, Spain, Sweden, Switzerland and the United Kingdom. CEN EUROPEAN COMMITTEE FOR STANDARDIZATION COMITÉ EUROPÉEN DE NORMALISATION EUROPÄISCHES KOMITEE FÜR NORMUNG Central Secretariat: rue de Stassart 36, B-1050 Brussels © CEN 2000 All rights of exploitation in any form and by any means reserved worldwide for CEN national Members Ref.No. CWA 13873:2000 E Page 2 CWA 13873:2000 Contents Foreword 3 Introduction 4 1. Scope 5 2. -
UTF-8 from Wikipedia, the Free Encyclopedia
UTF-8 From Wikipedia, the free encyclopedia UTF-8 is a character encoding capable of encoding all possible characters, or code points, defined by Unicode and originally designed by Ken Thompson and Rob Pike.[1] The encoding is variable-length and uses 8-bit code units. It was designed for backward compatibility with ASCII and to avoid the complications of endianness and byte order marks in the alternative UTF-16 and UTF-32 encodings. The name is derived from Unicode (or Universal Coded Character Set) Transformation Format – 8- bit.[2] UTF-8 is the dominant character encoding for the World Wide Web, accounting for 89.1% of all Web pages in May 2017 (the most popular East Asian encodings, Shift JIS and GB 2312, have 0.9% and 0.7% respectively).[4][5][3] The Internet Mail Consortium (IMC) recommended that all e-mail programs be able to display and create mail using UTF-8,[6] and the W3C recommends UTF-8 as the default encoding in XML and HTML.[7] UTF-8 encodes each of the 1,112,064[8] valid code points in Unicode using one to four 8-bit bytes.[9] Code points with lower numerical values, which tend to occur more frequently, are encoded using fewer bytes. The first 128 characters of Unicode, which correspond one-to-one with ASCII, are encoded using a single octet with the same binary value as ASCII, so that valid ASCII text is valid UTF-8-encoded Unicode as well. Since ASCII bytes do not occur when encoding non-ASCII code points into UTF-8, UTF-8 is safe to use within most programming and document languages that interpret certain ASCII characters in a special way, such as '/' in filenames, '\' in escape sequences, and '%' in printf. -
Dan Wells, in Musical Form
Partials Playlist Dan Wells, in Musical Form The characters in Partials live in the ruins of the world you and I leave behind, eleven years after a devastating plague wipes out 99.9% of the human race. They scavenge through the old, empty stores and houses to find things they need, like clothes and canned food, and one of the characters, a girl named Xochi, collects music players—iPods, Zunes, and so on. This is one of my favorite little quirks of the novel because a music player is so much more than a song or an album: It’s a record of who you are, reflected through your music. It’s a little piece of your personality that survives the plague and reaches out to future generations. So this got me thinking: If somebody found my music player in the wreckage of the old world, what would it say about me? I’d love to just plop my entire iPod up here for you to listen to, but it’s several gigs and way too big. What I can do, though, is create a little mini musical portrait of myself—a representative playlist to show you who I am and what I’m about. I’ve painfully narrowed it down to fifteen songs, and here they are: 1. “Everlong” by the Foo Fighters We might a well start at the top: “Everlong” is my very favorite song. I also have an acoustic version, which I listened to constantly while writing my first published novel (a supernatural thriller called I Am Not a Serial Killer), but the standard version is just as awesome and that’s the one I’ve included here. -
Social Studies - 1 Use Any Resources You Have (Such As the Internet Or Books) to Explore the Topics More Each Week
This year in first grade students have been learning about the Communities and Cultures. In these at home learning opportunities you can continue this exploration. Some information may be review and some may be new. Feel free to Social Studies - 1 use any resources you have (such as the internet or books) to explore the topics more each week. Each week will connect to the last as much as possible. Directions: Help your student create a timeline using the template below. This could be of their life, the events of the school closure, someone else’s life (famous or not), an historical even, etc. Really anything you all are interested in! Below the timeline are a few discussion questions. TIMELINE ABOUT___________________________________ Possible Discussion Questions: 1. What do you think happens next? Why? 2. How is this timeline similar to other experiences? 3. What happened in-between two of the events in our timeline? 4. How do we know about the information in the timeline? Reading Bingo Have fun and try new ways to read! Put an x through each completed square. Try to get a Bingo by completing a full row in any direction! Reread Read a Read Read out Read on your poem about loud the couch favorite animals book Read in Read Read Read a Read in bed about about poem the people sports morning Read with Read a FREE Read Read a a stuffed book with outside book with animal facts pictures Read in a Read Read to Read with Read a silly voice before bed someone a snack good book Read in a Read a Read with Read after Read comfy short book a pet or lunch under a chair sibling tree Write about what you read here: HOME/SCHOOL CONNECTION Investigation 1: Exploring Air Look around your home and see if you can find a toy that uses air to make it work.