Come Into My Parlor : a Biography of the Aristocratic Everleigh
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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Come Into My Parlor. a Biography of the Aristocratic Everleigh Sisters of Chicago
COME INTO MY PARLOR Charles Washburn LIBRARY OF THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN IN MEMORY OF STEWART S. HOWE JOURNALISM CLASS OF 1928 STEWART S. HOWE FOUNDATION 176.5 W27c cop. 2 J.H.5. 4l/, oj> COME INTO MY PARLOR ^j* A BIOGRAPHY OF THE ARISTOCRATIC EVERLEIGH SISTERS OF CHICAGO By Charles Washburn Knickerbocker Publishing Co New York Copyright, 1934 NATIONAL LIBRARY PRESS PRINTED IN U.S.A. BY HUDSON OFFSET CO., INC.—N.Y.C. \a)21c~ contents Chapter Page Preface vii 1. The Upward Path . _ 11 II. The First Night 21 III. Papillons de la Nun 31 IV. Bath-House John and a First Ward Ball.... 43 V. The Sideshow 55 VI. The Big Top .... r 65 VII. The Prince and the Pauper 77 VIII. Murder in The Rue Dearborn 83 IX. Growing Pains 103 X. Those Nineties in Chicago 117 XL Big Jim Colosimo 133 XII. Tinsel and Glitter 145 XIII. Calumet 412 159 XIV. The "Perfessor" 167 XV. Night Press Rakes 173 XVI. From Bawd to Worse 181 XVII. The Forces Mobilize 187 XVIII. Handwriting on the Wall 193 XIX. The Last Night 201 XX. Wayman and the Final Raids 213 XXI. Exit Madams 241 Index 253 ACKNOWLEDGEMENTS My grateful appreciation to Lillian Roza, for checking dates John Kelley, for early Chicago history Ned Alvord, for data on brothels in general Tom Bourke Pauline Carson Palmer Wright Jack Lait The Chicago Public Library The New York Public Library and The Sisters Themselves TO JOHN CHAPMAN of The York Daily News WHO NEVER WAS IN ONE — PREFACE THE EVERLEIGH SISTERS, should the name lack a familiar ring, were definitely the most spectacular madams of the most spectacular bagnio which millionaires of the early- twentieth century supped and sported. -
Prostitutes, Feminists, and the War on White Slavery
Decades of Reform: Prostitutes, Feminists, and the War on White Slavery By: Jodie Masotta Under the direction of: Professor Nicole Phelps & Professor Major Jackson University of Vermont Undergraduate Honors Thesis College of Arts and Sciences, Honors College Department of History & Department of English April 2013 Introduction to Project: This research should be approached as an interdisciplinary project that combines the fields of history and English. The essay portion should be read first and be seen as a way to situate the poems in a historical setting. It is not merely an extensive introduction, however, and the argument that it makes is relevant to the poetry that comes afterward. In the historical introduction, I focus on the importance of allowing the prostitutes that lived in this time to have their own voice and represent themselves honestly, instead of losing sight of their desires and preferences in the political arguments that were made at the time. The poetry thus focuses on providing a creative and representational voice for these women. Historical poetry straddles the disciplines of history and English and “through the supremacy of figurative language and sonic echoes, the [historical] poem… remains fiercely loyal to the past while offering a kind of social function in which poetry becomes a ritualistic act of remembrance and imagining that goes beyond mere narration of history.”1 The creative portion of the project is a series of dramatic monologues, written through the voices of prostitutes that I have come to appreciate and understand as being different and individualized through my historical research The characters in these poems should be viewed as real life examples of women who willingly became prostitutes. -
Reconstructing American Historical Cinema This Page Intentionally Left Blank RECONSTRUCTING American Historical Cinema
Reconstructing American Historical Cinema This page intentionally left blank RECONSTRUCTING American Historical Cinema From Cimarron to Citizen Kane J. E. Smyth THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2006 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 10 09 08 07 06 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Smyth, J. E., 1977- Reconstructing American historical cinema : from Cimarron to Citizen Kane / J. E. Smyth. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8131-2406-3 (alk. paper) ISBN-10: 0-8131-2406-9 (alk. paper) 1. Historical films--United States--History and criticism. 2. Motion pictures and history. I. Title. PN1995.9.H5S57 2006 791.43’658--dc22 2006020064 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses For Evelyn M. Smyth and Peter B. Smyth and for K. H. and C. -
The New Sex Worker in American Popular Culture, 2006-2016
BEYOND THE MARKED WOMAN: THE NEW SEX WORKER IN AMERICAN POPULAR CULTURE, 2006-2016 By Lauren Kirshner Bachelor of Education, University of Toronto, 2009 Master of Arts, University of Toronto, 2007 Honours Bachelor of Arts, University of Toronto, 2005 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the joint program of Communication and Culture Toronto, Ontario, Canada, 2019 © Lauren Kirshner, 2019 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revision, as required by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to lend this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii BEYOND THE MARKED WOMAN: THE NEW SEX WORKER IN AMERICAN POPULAR CULTURE, 2006-2016 Doctor of Philosophy 2019 Lauren Kirshner Communication and Culture, Ryerson University and York University This dissertation argues that between 2006 and 2016, in a context of rising tolerance for sex workers, economic shifts under neoliberal capitalism, and the normalization of transactional intimate labour, popular culture began to offer new and humanizing images of the sex worker as an entrepreneur and care worker. This new popular culture legitimatizes sex workers in a growing services industry and carries important de-stigmatizing messages about sex workers, who continue to be among the most stigmatized of women workers in the U.S. -
The Independent Voice of the Visual Arts Volume 35 Number 1, October 2020
The Independent Voice of the Visual Arts Volume 35 Number 1, October 2020 Established 1973 ART & POLITICS $15 U.S. ART AND POLITICS COVER CREDITS Front: Gran Fury, When A Government Turns Its Back On Its People; Joan_de_art & crew, Black Lives Matter;Hugo Gellert: Primary Accumulation 16 Back: Chris Burke and Ruben Alcantar, Breonna Taylor, Say Her Name!!!, Milwaukee; Sue Coe, Language of the Dictator; Lexander Bryant, Opportunity Co$t, Gran Fury, Kissing Doesn’t Kill. Established 1973 Vol. 35, No. 1 October 2020 Contents ARTICLES 3 Art and Politics: 39 COVID-19 and the Introduction Creative Process(es) Two more Interviews 5 Art of the Black Lives from Chicago Matter Movement Michel Ségard compiles BLM-related 39 Introduction art from across the country. 40 Stevie Hanley Stevie Hanley is a practicing artist and 11 It Can Happen Here— an instructor at the Art Institute of An Anti-Fascism Project Chicago. He is also the organizer of the Siblings art collective. Stephen F. Eisenman and Sue Coe mount their multimedia resistance to the Donald Trump administration. 43 Patric McCoy Patric McCoy is an art collector and 19 Have you given up hope co-founder of the arts non-profit for a cure? Diasporal Rhythms, an organization Paul Moreno revisits Gran Fury, an focused on the art of the African ‘80s art collective that responded to Diaspora. AIDS in unabashedly political ways. 25 In Tennessee, Art Itself Is Protest Kelli Wood leads us through Nashville’s art scene, advocating change to the tune of Dolly Parton’s “Down on Music REVIEWS Row.“ 47 “Problem Areas” 32 Iconoclasm Then Luis Martin/The Art Engineer reviews the first solo show from painter Paul and Now Moreno at New York’s Bureau of Gen- Thomas F.X. -
5 Shooting at Tuxedo Dance Hall
Tango Belt History - 1 Quotes in Books - 2 Intevriews - 5 Shooting at Tuxedo Dance Hall - 11 More Interviews - 17 The District - 21 The Tango Belt - 26 Photos of Dance Halls - 85 Bios - 98 A Trip to the Past - LaVida, Fern, Alamo - 102 Professors in Storyville - 105 Map of District - 108 List of Clubs - 111 May of Storyville - 114 Anna Duebler (Josie Arlington) - 117 Photos - 134 Tango Dance - 141 1 New Orleans is a port city and as such attracted visitors came from faraway places, especially from South America and the Caribbean. Around 1912 the world was experiencing a Tango dance craze. This craze sweep New Orleans and soon there was a part of the French Quarter that one newspaper reporter, in the part bordering Rampart Street of the Quarter, began calling it “The Tango Belt” with the concentration of halls, cabarets, saloons, restaurants and café centering around the 'unofficial' boundaries of Canal, Rampart, St. Peters and Rampart Streets. Other clubs around the nearby vicinity were also included in this distinction. Articles give other boundaries, but it is in the general area of the upper French quarter and still are considered 'in the District' along with Storyville. There were many places of entertainment within the 'district' (Storyville and the Tango Belt) The Blue Book listed 9 cabarets, four of them-two for whites and two for colored, were not within the boundaries of Storyville: Casino Cabaret (white) 1400 Iberville Street Union Cabaret (white) 135 n. Basin Street Lala's Cabaret (colored) 135 N. Franklin Street New Manhattan Cabaret colored) 1500 Iberville Street In 1917 when the Navy closed Storyville only 5 cabarets were affected, all restricted for the use of whites. -
She Shot Him Dead: the Criminalization of Women and the Struggle Over Social Order in Chicago, 1871-1919
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2017 She Shot Him Dead: The Criminalization of Women and the Struggle over Social Order in Chicago, 1871-1919 Rachel A. Boyle Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Women's History Commons Recommended Citation Boyle, Rachel A., "She Shot Him Dead: The Criminalization of Women and the Struggle over Social Order in Chicago, 1871-1919" (2017). Dissertations. 2582. https://ecommons.luc.edu/luc_diss/2582 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2017 Rachel A. Boyle LOYOLA UNIVERSITY CHICAGO SHE SHOT HIM DEAD: THE CRIMINALIZATION OF WOMEN AND THE STRUGGLE OVER SOCIAL ORDER IN CHICAGO, 1871-1919 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY RACHEL BOYLE CHICAGO, ILLINOIS MAY 2017 Copyright by Rachel Boyle, 2017 All rights reserved. ACKNOWLEDGEMENTS First and foremost, I am profoundly grateful for the honor of participating in the lively academic community in the History Department at Loyola University Chicago. I am especially grateful to my dissertation advisor, Timothy Gilfoyle, for his prompt and thorough feedback that consistently pushed me to be a better writer and scholar. I am also indebted to Elliott Gorn, Elizabeth Fraterrigo, and Michelle Nickerson who not only served on my committee but also provided paradigm-shifting insight from the earliest stages of the project. -
Racist Stereotypes, Commercial Sex, and Black Women's Identity in New Orleans, 1825-1917
University of Central Florida STARS HIM 1990-2015 2014 Animal-Like and Depraved: Racist Stereotypes, Commercial Sex, and Black Women's Identity in New Orleans, 1825-1917 Porsha Dossie University of Central Florida Part of the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Dossie, Porsha, "Animal-Like and Depraved: Racist Stereotypes, Commercial Sex, and Black Women's Identity in New Orleans, 1825-1917" (2014). HIM 1990-2015. 1635. https://stars.library.ucf.edu/honorstheses1990-2015/1635 “ANIMAL-LIKE AND DEPRAVED”: RACIST STEREOTYPES, COMMERCIAL SEX, AND BLACK WOMEN’S IDENTITIY IN NEW ORLEANS, 1825-1917” by PORSHA DOSSIE A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in History in the College of Arts & Humanities and in The Burnett Honors College at the University of Central Florida Orlando, FL. Summer Term 2014 Thesis Chair: Connie Lester, PhD 1 ACKNOWLEDGEMENTS “I have hated words and I have loved them, and I hope I have made them right.” The Book Thief, Markus Zusack This is, quite possibly, the hardest thing I have ever done in my academic career. I took on the endeavor of writing an undergraduate thesis very lightly, and if not for the following people it would have destroyed me. -
Jewish Influence: an Introduction
NOTE: "The list below is available on the internet. A random sampling of the names were found to be generally accurate. Since the source is the internet, the reader is advised to also authenticate. The link is: http://www.subvertednation.net/jew-lists/ The below link from the Jewish Virtual Library contains many of the names identified on pages 36 – 38. http://www.jewishvirtuallibrary.org/jsource/US- Israel/obamajews.html Jewish Influence: An Introduction We have been accused of having “Jew on the brain”; of being negatively obsessed with the Jews, and of being “anti-Semitic.” Yet Jewish influence over the affairs of the world are undeniably powerful, far out of proportion to their numbers. Their role in shaping public opinion through their media interests, and their mastering of the world of business and trade is pivotal to the world economy. As a group they are the most successful in terms of income and wealth and they have reached the highest echelons or the pinnacle of power in every field. Jews are the masters of Hollywood, they are the masters of all forms of media, radio, and television. They are masters of trade and commerce and banking, medicine, and law. The following lists we believe prove this reality. Jewish Lists The lists below are available on the internet. A spot check of several of the names found it to be generally accurate, though we cannot vouch for ALL of the names, and some titles may be out of date. The second list claims to be updated in 2012. They are followed by quotes on Jewish control. -
A Feminist Perspective on New Orleans Jazzwomen
A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1 -
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For Business and Pleasure Keire, Mara Laura Published by Johns Hopkins University Press Keire, Mara Laura. For Business and Pleasure: Red-Light Districts and the Regulation of Vice in the United States, 1890–1933. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.467. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/467 [ Access provided at 1 Oct 2021 16:48 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. For Business & Pleasure This page intentionally left blank studies in industry and society Philip B. Scranton, Series Editor Published with the assistance of the Hagley Museum and Library For Business & Pleasure Red-Light Districts and the Regulation of Vice in the United States, 1890–1933 mara l. keire The Johns Hopkins University Press Baltimore ∫ 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Keire, Mara L. (Mara Laura), 1967– For business and pleasure : red-light districts and the regulation of vice in the United States, 1890–1933 / Mara L. Keire. p. cm. — (Studies in industry and society) Includes bibliographical references and index. isbn-13: 978-0-8018-9413-8 (hbk. : alk. paper) isbn-10: 0-8018-9413-1 (hbk. : alk. paper) 1. Red-light districts—United States—History—20th century.