The Berlin Journal | Number 34 | 2020–21
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Nazi Germany and the Jews Ch 3.Pdf
AND THE o/ w VOLUME I The Years of Persecution, i933~i939 SAUL FRIEDLANDER HarperCollinsPííMí^ers 72 • THE YEARS OF PERSECUTION, 1933-1939 dependent upon a specific initial conception and a visible direction. Such a CHAPTER 3 conception can be right or wrong; it is the starting point for the attitude to be taken toward all manifestations and occurrences of life and thereby a compelling and obligatory rule for all action."'^'In other words a worldview as defined by Hitler was a quasi-religious framework encompassing imme Redemptive Anti-Semitism diate political goals. Nazism was no mere ideological discourse; it was a political religion commanding the total commitment owed to a religious faith."® The "visible direction" of a worldview implied the existence of "final goals" that, their general and hazy formulation notwithstanding, were sup posed to guide the elaboration and implementation of short-term plans. Before the fall of 1935 Hitler did not hint either in public or in private I what the final goal of his anti-Jewish policy might be. But much earlier, as On the afternoon of November 9,1918, Albert Ballin, the Jewish owner of a fledgling political agitator, he had defined the goal of a systematic anti- the Hamburg-Amerika shipping line, took his life. Germany had lost the Jewish policy in his notorious first pohtical text, the letter on the "Jewish war, and the Kaiser, who had befriended him and valued his advice, had question" addressed on September 16,1919, to one Adolf Gemlich. In the been compelled to abdicate and flee to Holland, while in Berlin a republic short term the Jews had to be deprived of their civil rights: "The final aim was proclaimed. -
Versailles (Hellerau, 1927). Even Deutschland, Frankreich Und
BIBLIOGRAPHICAL NOTE Most of the sources on German history from 1890 to the end of the Weimar Republic are of use in a study of Maximilian Har den. In the following paragraphs are noted, besides the un published sources, only the published materials that deal directly with Harden, and the general works or monographs on the period that have been used most extensively. Many works cited in the text are not listed here; a complete reference to each one is found in its first citation. The indispensable source of information on Harden is the magazine he edited from 1892 until 1922. The one hundred and eighteen volumes of the Zukunft contain the bulk of his essays, commentaries, and trial records, as well as many private letters to and from him. The Zukunft was the inspiration or the source for Harden's principal pamphlets and books, namely Kampfge nosse Sudermann (Berlin, 1903); KopJe (4 vols., Berlin, 1911-1924); Krieg und Friede (2 vols., Berlin, 1918); and Von Versailles nach Versailles (Hellerau, 1927). Even Deutschland, Frankreich und England (Berlin, 1923), written after the Zukun}t had ceased publication, was in large a repetition of Zukunft articles. Harden's earliest work, Berlin als Theaterhauptstadt (Berlin, 1889), consisted in part of pieces he had written for Die Nation. Apostata (Berlin, 1892), Apostata, neue Folge (Berlin, 1892), andLiteraturund Theater (Berlin, 1896), were collections of his essays from Die Gegenwart. The Gegenwart and the other magazines for which he wrote before 1892 - Die Nation, Die Kunstwart, and M agazin fur Litteratur - are also indispensable sources. Harden's published writings also include articles in other German and foreign newspapers and magazines. -
The Only Defense Is Excess: Translating and Surpassing Hollywood’S Conventions to Establish a Relevant Mexican Cinema”*
ANAGRAMAS - UNIVERSIDAD DE MEDELLIN “The Only Defense is Excess: Translating and Surpassing Hollywood’s Conventions to Establish a Relevant Mexican Cinema”* Paula Barreiro Posada** Recibido: 27 de enero de 2011 Aprobado: 4 de marzo de 2011 Abstract Mexico is one of the countries which has adapted American cinematographic genres with success and productivity. This country has seen in Hollywood an effective structure for approaching the audience. With the purpose of approaching national and international audiences, Meximo has not only adopted some of Hollywood cinematographic genres, but it has also combined them with Mexican genres such as “Cabaretera” in order to reflect its social context and national identity. The Melodrama and the Film Noir were two of the Hollywood genres which exercised a stronger influence on the Golden Age of Mexican Cinema. Influence of these genres is specifically evident in style and narrative of the film Aventurera (1949). This film shows the links between Hollywood and Mexican cinema, displaying how some Hollywood conventions were translated and reformed in order to create its own Mexican Cinema. Most countries intending to create their own cinema have to face Hollywood influence. This industry has always been seen as a leading industry in technology, innovation, and economic capacity, and as the Nemesis of local cinema. This case study on Aventurera shows that Mexican cinema reached progress until exceeding conventions of cinematographic genres taken from Hollywood, creating stories which went beyond the local interest. Key words: cinematographic genres, melodrama, film noir, Mexican cinema, cabaretera. * La presente investigación fue desarrollada como tesis de grado para la maestría en Media Arts que completé en el 2010 en la Universidad de Arizona, Estados Unidos. -
Superman: What Makes Him So Iconic?
SUPERMAN: WHAT MAKES HIM SO ICONIC? Superman: What makes him so Iconic? Myriam Demers-Olivier George Brown College © 2009, Myriam Demers-Olivier SUPERMAN: WHAT MAKES HIM SO ICONIC? Introduction “Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound. Look! Up in the sky! It’s a bird, it’s a plane, it’s Superman! “ (Daniels, 1998, p. 1-7). Some people might not recognize the reference to early radio shows and cartoons, but most people will recognize the name Superman. Superman has become such an amazing cultural icon, that almost everyone knows his name, and often his weakness, his powers, the colors of his suit and the name of his arch nemesis. It’s part of common knowledge and everyone has been exposed to him at some time or another. Since the creation of Superman in 1938, comic book research and literary studies have come along way. These allows us to more deeply analyze and understand, as well as unravel the deeper signified meanings associated with the iconic Superman (Wandtke, 2007, p. 25). He is seen as a superhero, but also upholds “truth, justice and the American way” (Watt-Evans, 2006, p. 1). Some see him as Christ-like or Jewish, and even as a fascist. He fulfills some of our needs from the Maslow’s hierarchy of needs, and also expresses different messages depending on the medium in which he is portrayed. There is no end to the Superman merchandise, but Superman as an icon, can change a person. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Planwerk Nordostraum Berlin
Umschlag_789,4x297.qxd 17.01.2007 19:59 Uhr Seite 1 200 mm 210 mm 3 mm 210 mm 200 mm Die Planungen der 1990er Jahre definier- bei verhaltener Nachfrage und begrenzten ten den Nordosten Berlins vor allem als Mitteln den höchsten Beitrag zur langfris- Stadterweiterungsraum. Inzwischen ist tigen Qualifizierung des Nordostraums als deutlich, dass viele der damals diskutier- Wohn- und Arbeitsort verspricht. ten Vorhaben unter veränderten Nach- fragebedingungen und eingeschränkten Für das Naherholungsgebiet Berliner Bar- Finanzierungsmöglichkeiten auf abseh- nim geht es weiterhin darum, unter Wah- bare Zeit nicht realisierbar sein werden. rung des landwirtschaftlichen Charakters vielfältige Erholungsangebote für die Das Planwerk Nordostraum entwickelt Menschen im Einzugsbereich bereitzustel- deshalb ein modifiziertes Leitbild, das len und die besonderen Qualitäten dieser zwar die Sicherung einer Flächenreserve Landschaft auszubauen. Für Bauflächen- für die Zukunftsentwicklung Berlins im reserven, die in absehbarer Zeit nicht Auge behält, sich jedoch vor allem mit den benötigt werden, müssen tragfähige Frei- aktuellen Chancen und Problemen dieses raumkonzepte umgesetzt werden. Raumes auseinandersetzt. Dazu gehören der Ausbau des gesamtstädtisch bedeut- Das Planwerk Nordostraum zeigt, wie auch samen Gesundheits- und Forschungs- unter veränderten Rahmenbedingungen standortes Buch, die Entwicklung des die Potenziale dieser vielfältigen Stadt- Hauptzentrums Pankow als „Leuchtturm“ landschaft genutzt und entwickelt werden des Nordostens, sowie die -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
A New Examination of the Arch of Marcus Aurelius and Lucius Verus at Oea Rachel Meyers Iowa State University, [email protected]
World Languages and Cultures Publications World Languages and Cultures 2017 A New Examination of the Arch of Marcus Aurelius and Lucius Verus at Oea Rachel Meyers Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/language_pubs Part of the European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, and the History of Gender Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ language_pubs/130. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the World Languages and Cultures at Iowa State University Digital Repository. It has been accepted for inclusion in World Languages and Cultures Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. A New Examination of the Arch of Marcus Aurelius and Lucius Verus at Oea Abstract The ra ch dedicated to Marcus Aurelius and Lucius Verus at Oea was an important component in that town’s building activity. By situating the arch within its socio-historical context and acknowledging the political identity of Oea and nearby towns, this article shows that the arch at Oea far surpassed nearby contemporary arches in style, material, and execution. Further, this article demonstrates that the arch was a key element in Oea’s Roman identity. Finally, the article bridges disciplinary boundaries by bringing together art historical analysis with the concepts of euergetism, Roman civic status, and inter-city rivalry in the Roman Empire. -
A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film
A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film Barbara Elisabeth Wyllie School of Slavonic and East European Studies, University College London For the degree of PhD 2 0 0 0 ProQuest Number: 10015007 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10015007 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Twentieth-century American culture has been dominated by a preoccupation with image. The supremacy of image has been promoted and refined by cinema which has sustained its place as America’s foremost cultural and artistic medium. Vision as a perceptual mode is also a compelling and dynamic aspect central to Nabokov’s creative imagination. Film was a fascination from childhood, but Nabokov’s interest in the medium extended beyond his experiences as an extra and his attempts to write for screen in Berlin in the 1920s and ’30s, or the declared cinematic novel of 1938, Laughter in the Dark and his screenplay for Stanley Kubrick’s 1962 film version of Lolita. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
CELS Accepted Papers Program Committee 2016-11-04
Friday, November 18, 2016 8:00-11:00 AM Breakfast/Registration (3rd Floor Loggia) 9:00-11:00 AM Methods Panel (Room 3041) 11:00-11:15 AM Break (3rd and 4th Floor Loggias) Panel 1 Room TBA Room TBA Room TBA Room TBA Room TBA Room TBA Room TBA International/ Comparative Relational and Incomplete Accounting & Law II Administrative Law Cooperation Law Law & Psychology I Contracts I Securities Law II Paper: Does Counter-Cyclical Paper: An Autopsy of Paper: Estimating the Compliance Paper: The Legalization of Paper: Barriers to Contracting in Provisioning Mitigate Lending Paper: Can Nudges Be Cooperation: Diamond Dealers Paper: N-Equality: More People, Costs of Securities Regulation: A Truth in International Fact- Village Economies: A Test for Contractions? Evidence from Supply Transparent and Yet Effective? and the Limits of Trust-Based Less (Concern for) Equality? Bunching Analysis of Sarbanes- Finding Enforcement Constraints Shocks Exchange Oxley Section 404(B) Author: Hendrik Bruns University of HamBurg - School of Business, Economics and Social Sciences; Max Planck Society for the Author: Sudarshan Author: Ryan Bubb New York Advancement of the Sciences - Author:Stephen M. Garcia JayaramanUniversity of Rochester - Author: Shiri Krebs Stanford University School of Law Supreet International Max Planck University of Michigan Simon Business School Bryce University, School of Law, Kaur ColumBia University Sendhil Research School on Earth System Author: Barak D. Richman Duke Avishalom Tor Notre Dame Law Author: Dhammika Dharmapala Schonberger -
Annual Report 2017
Annual Report 2017 Program Cover.indd 1 05/10/17 7:26 PM Table of Contents Minutes of the 132nd Business Meeting ................................................................................. 2 Officers’ Reports .................................................................................................................... 7 Professional Division Report ...................................................................................................... 8 Research Division Report ......................................................................................................... 10 Teaching Division Report ......................................................................................................... 12 American Historical Review Report .......................................................................................... 15 AHR Editor’s Report ............................................................................................................. 15 AHR Publisher’s Report ....................................................................................................... 31 Pacific Coast Branch Report ................................................................................................. 48 Committee Reports .............................................................................................................. 50 Committee on Affiliated Societies Report ............................................................................... 51 Committee on Gender Equity Report .....................................................................................