DOCSLIB.ORG

DOCUMENT RESUME IR 002 067 Connecticut ESEA Title III

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DOCUMENT RESUME IR 002 067 Connecticut ESEA Title III DOCUMENT RESUME ED 108 572 88 IR 002 067 TITLE, Connecticut E.S.E.A. Title III Catalog. _7-- INSTITUTION Area Coopera,ive Edutat,tonal Services, New Haven, Conn. Educationaliesources center. SPONS AGENCY Connecticut State Dept. of Education, Hartford.; Office of Education (DHEW), Washington, D.C. PUB DATE 75 NOTE 290p. EDRS PRICE MF-$0.76 HC-$14.59 PLUS POSTAGE DESCRIPTORS Catalogs; Educational Assessment;-Educational Finance; *Educational Innovation; *Educational Legislation; *Educational Research; Elementary Education; Evaluation Methods; Experimental Programs; *Federal Aid; Federal Programs; Financial Support; Information Dissemination; *Program Descriptions; Secondary Education; Statewide Planning IDENTIFIERS Connecticut; *Elementary Secondary Education Act Title III; ESEA Title III ABSTRACT Title III projects conducted by local education agencies in Connecticut are listed alphabetically by agency and described. Each 'entry gives project title, amount and term of funding, target population, major objectives, evaluation design, findings to date, and dissemination plan. The agency name and address and the project_ director for each of the 91 entries is also given. A subject index to the projects\is attached. (SK) ********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. EPIC makes every effort * * to obtain the best copy available: nevertheless, items of virginal * * reproducibility are often encountered and this affects the quality * * of the nicrofiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied by EBBS are the best that can be made from the original. * *********************************************************************** tM4 FORI,ARD . , This publication was prepared for the Bureau of Evaluation and Educational Services, Connecticut State Department of Educations by the Educational Resources Center, a unit of Area Cooperative Education:- al Services (ACES). / TheEducational/ResourcesCenter (ERC) is a retrieval and dissemination agency serving the'4Aformation needs of educators throughout Connecti ut. ,Roger E. Richards 4 Coordinator - Title III - ESEA State Department of Education Harry W. Osgoc0 Director, ERC Adele Clark Cataloger/Editor September, 1974 Elisabeth Z. Graham Secretary The work presented or reported herein waa performed pursuant to a Title II grant from the Connedticut State Department of Education serving as he State Educationkl Agency for t e United States Office of Educati Department of Health, Educatioand Welfare. However, the opinion expressed herein do not necess rily reflect the position or policy o! the Connecticut State Depar t of Education or the United Office of Education, and no fficial endorsement by either sho ld be inferred. 1 TABLE OF CONTENTS PAGE INTRODUCTION ii ABSTRACTS AND DOCUMENT ACCESSION LIST . ,ABSTRACTS AND NARRATIVE REPORTS WITH PROJECT IDENTIFICATIONS 1 INDEX OF PROJECTS BY SUBJECT . 268 4 INTRODUCTION Concerning Title III In 1965 the Elementary and Secondary Education Actwas enacted by the Congress in an effort to help updatethe nation's schools. Discontented with some of the educational practices in basiceducation, Congress earmarked money for different kinds of categoricalaid in the form of various titles.One of these, Title III, was designed to hiing about creative solutions to educational problems.Title III or PACE (Projects to Advance Creativity in Education) has attempted to encourage new ways of teaching by providing innovativeservices for children and teachers and by adopting anddemonstrating exemplary programs based'on proven practices.No limit was established on the type of educational problem that could be addressednor the amount of money that would be granted toa particular project except for the constraint of the state's totalentitlement. Legislation has changed Title III to theextent that, as of 1967, 157. of all Title III dollars must beexpended in programs designed for the handicapped, and,as of July 1, 1970, the guidance and counseling section of NDEA (National DefenceEducation Act), Title V-A, was transferred to Title III. For the first three years of Title III activities,grants were made directly to local education agencies (LEA's) by theU. S. Commissioner of Education, USOE. In July of 1968, however, Congress amended the legislation so that the states themselves would be primarily responsible for the administration of Title III.The legislation was changed again in April of 1970so that the U. S. Commissioner as well as the states may make direct grantsto LEA's. This provision was made in Section 306.Currently, the-U. S. Office of Education administers 15% of the appropriation while thestates_ administer 857.. IN CONNECTICUT Adminiseiation of Title III in Connecticutis the responsibi- lity of the Bureau of Evaluation and Educational Services with direct coordination provided by Dr. Roger E. Richards, Title III Coordinator. Projects have been funded on a competitive basis and cover a wide range of educational concerns. In some cases, projects have a single focus, such as reading improvement or music education. In other cases, projects are multi-faceted incorporating several components or emphases. To review the range of project emphasis, the reader is referred to the Subject Index, foundon page xi. Another variable in Title III projects is thenature of the approach utilized. To a surprisingly high degree, the effort has ii been innovative, i.e., developing quite unique and novel approaches to educational problems.Other Title III projects, while not creat- fug. a new approach, have developed fIxemplaryprograms based on successful practices in existence elsewhere.Additionally, some Title III projects have adapted to their settings,programs complete- ly developed and proven in ongoing school practice. A final important difference among Title III projects is the 1 number of participating school districts.At one extreme, there are projects which have involved only one school. At the other extreme a few projects have served as many as 25 to 35 school districts. There is no standard requirement in this regard; the number of participants and the scope of operation depend primarilyupon the purposes and nature of the specific project. Most projects'have had a Title III funding period of three years. Since a critical part of the change psecess is-adoption, it was thought that this would give each LEA enough timeto work out the problems in the project, evaluate its worth and, hopefully,make it a regular part of the on-going schoolprogram. Grant support given the LEA usually decreases eachyear of project operation so that the LEA assumes increasing levels of financial responsibility during the project's life span. STATEWIDE DISSEMINATION OF TITLE III PROJECTS The dissemlnation of project information plays a vital role in the effectiveness of Title III. In fact, dissemination was written in as a requirement of Title III on the local, state and national level. Unless more educators become aware of the newer trends and have access to data on the successes and failures encountered in the search for educational improvement, the comparativelysmall amount of money that is available for educational innovationmay have limited long-range effects. Part of the State's administrative responsibility in the dissemination of project informationon a state-wide basis has been invested in the Area Cooperative Education- al Services (ACES) and its Educational Resources Center (ERC). ACES, a former Title III Project, is a regional education service center for the greater New Haven area. It is through this vehicle that information for this publication has been gathered.The ERC will also serve those who want to learn more about the Title III projects described herein. PURPOSE AN!) USE OF THIS PUBLICATION The purpose of this publication is to activate a communications system so that the educational community-at-large may become aware of programs supported by Title III; so that educators will have enough iii information to decide whether to explore the programs in more detail with a view to adopting them; and so that a resource network can be established for those in the processed studying aodkr planning new programs in their communities.With these uses in mind, this publication consists of abstracts of all Title III projects, past and present, accession listings of project documents, and a subject index. As additional projects come into being, periodic supplements will be issued. Most of the abstracts of the projects were submitted by the project directors/coordipators and contain the LEA, project number, financial information,-target population, major objectives of the project, project activities, design, findings to date, dissemination plan and progressro tow adoption. Few editorial modifications were made by the ERC on the project abstracts. The abstracts are arranged alphabetically by grantee agency and are followed by project-related document listings (e.g., planning proposal, initial opprational proposal, continuation proposals, project evaluation ieports and on-site evaluation reports). The accession numbers are pre-fixed by TT (e.g., Title Three) so as to distinguish this file from other special collections housed at the ERC. The first three digits refer to the project, while the second three digits refer to
Load more

Recommended publications
  • Clifford Owens
    MoMA PS1 ANNOUNCES LINE-UP FOR WARM UP 2013 Annual Outdoor Music Series Kicks Off June 29 for an Extended Run of 11 Saturdays This Summer Warm Up 2013 MoMA PS1, Courtyard Saturdays, June 29 – September 7 3:00 – 9:00 p.m. (doors open at 12:00 p.m.) Tickets: Advance $15 / Day of $18 (Long Island City, NY-May 23, 2013) MoMA PS1 presents Warm Up 2013, beginning June 29 and taking place every Saturday this summer through September 7. Now celebrating its 16th year, the museum's highly anticipated outdoor music series will continue its tradition of introducing audiences to the best in experimental live music, sound, and DJs—both local and international—across a range of genres. Warm Up supports both established and emerging artists by creating a platform that allows for experimentation and provides a space for collaboration, new material, and side-projects. The annual series is held in MoMA PS1's courtyard, which this year will feature a temporary urban landscape by CODA called Party Wall, the winning design of the 14th annual Young Architects Program. This year, Warm Up will be once again conceived by a curatorial committee, selected by the museum to represent a wide spectrum of expertise in music, sound, and the performing arts. Selected by MoMA PS1 Director Klaus Biesenbach and organized by MoMA PS1 Assistant Curator Eliza Ryan, the Warm Up 2013 committee includes: Dean Bein, Head of True Panther Sounds; Kris Chen, Head of XL Recordings; Jonathan Galkin, Co-Founder of DFA Records; Brandon Stosuy, Editor for Pitchfork; Matt Werth, Head of RVNG Intl; and Imogene Strauss, as MoMA PS1 Bookings and Stage Manager.
    [Show full text]
  • Fabric 95: Roman Flügel Label: Fabric Records Date: 13
    Artist: Roman Flügel Title: fabric 95: Roman Flügel Label: fabric Records Date: 13. October 2017 Cat: fabric189 Formats: CD/ Digital Pre-order: http://www.fabriclondon.com/store/fabric-95.html Roman Flügel’s path has been a musical one since childhood: beating drums in his basement, experimenting with all manner of gear under the watchful gaze of his uncle’s pin ups, turning his understanding of the world upside down with young forays to the Omen club and eventually abandoning his classical music studies for an unparalleled career in electronic music. With the release of his very first productions in the early 90s he became part of the legendary German label family of ‘Playhouse’, ’Klang Elektronik’ and ‘Ongaku’ - where he would release almost all his early music. At the same time, alongside Ata, Heiko M.S.O. and Jörn Wuttke, Roman stumbled into the music business and the Frankfurt Techno scene, with clubs like Omen and Offenbach’s Robert Johnson. A few years later, the crew will have formed the spine of the scene for a decade or more spawning notable sounds, trends, scenes and more than a few classic hits - like Flugel's and Wuttke’s ‘Rocker’ as Alter Ego (forever an immortal highlight of fabric’s Room 1 stage), Isoleé’s ‘Beau Mot Plage’ or Villalobos’ ‘Easy Lee / Dexter’. “The Club has been incredibly supportive for so many years now! I will never forget our first Live performance as Alter Ego during the peak of the success of our single ‘Rocker’ in Room One. It was pure mayhem.
    [Show full text]
  • La Ría Del Ocio L Lro L 3 SUMARIO I AURKIBIDEA I CONTENTS
    Udako Musika JAIALDIAK Ë Bilbao BBK Live, Pirineos Sur, Ebrovisión, Mundaka Festival… heldu dira udako musika jaialdiak. Rock and Rolla, Blues, Jazz… estilo guztietako soinuak eskeintzen dituzten festibalak aurkitu ditzakegu la ría estatu mailan kokapen ezberdinetan. del ocio THEATRE I ANTZOKIAK I MUSIC I MUSIKA I GASTRONOMY I GASTRONOMIA de Bilbao y Bizkaia www.lariadelocio.com 1 € l Jueves 7 de julio l miércoles 20 2016 KALEKA. LEKEITIOKO KALE ANTZERKIA NÚMERO 964 l l JORNADAS MUSICALES DE VERANO EN GERNIKA AÑO 29 UMOREZKO asco MONOLOGOAK V BARAKALDON país I GETXO SE LLENA AIA DE BLUES ZK I B I AGENDA KULTURALA Gxx RESTAURANTES RESTAURANTES I ESCAPADAS ESCAPADAS I ALOJAMIENTOS ALOJAMIENTOS I INFORMACIÓN Y VENTA DE ENTRADAS EN: www.pirineos-sur.es PIRINEOS SUR ESPECIALES I XXV FESTIVAL INTERNACIONAL DE LAS CULTURAS 15 / 31 DE JULIO DE 2016 LANUZA / SALLENT DE GÁLLEGO / HUESCA GUÍA OCIO Jueves 7 de julio l miércoles 20 de julio de 2016 l la ría del ocio l lro l 3 SUMARIO I AURKIBIDEA I CONTENTS Los festivales de julio la ría Ë Si el verano es desde Termibus y BEC a Kobetamendi y regre- caluroso y musical, el sar, con servicio ininterrumpido y frecuencias del ocio mes de julio concentra variables. de Bilbao y Bizkaia el grueso de la oferta Se encadenan el Getxo Blues con Sugaray de festivales. Al arranque Rayford & Travellin’ Brothers, The JB’s Original con el Getxo Jazz le sucede el James Brown Band featuring Marta High y Popa Bilbao BBK Live (7, 8 y 9 de julio). Se prevé que Chubby Band en la plaza Bihotz Alai, de Algorta, vuelva a superar los 100.000 espectadores, del 14 al 16 de julio.
    [Show full text]
  • Charlotte Gainsbourg, CHVRCHES, Polo & Pan and John Talabot
    Charlotte Gainsbourg, CHVRCHES, Polo & Pan and John Talabot among the new confirmations of Paraíso 2019 • The festival presents a new line-up announcement, a fourth stage focused on the local scene and the daily line-up drawn up so far • Channel Tres, Jacques Greene, Mano Le Tough, Mount Kimbie, North State and Superorganism join the line-up that currently includes 32 artists from 15 countries Madrid, January 2019. The Electronic ideal space and atmosphere to enjoy a line- music and other arts festival that started last up that explores electronic creations from 15 year presents its second edition, again, as a countries, with 32 artists from Europe, North meeting point in which to discover the work America, South America, the Caribbean of visionary artists in different disciplines, in and Africa. a tolerant and inclusive environment. 10 new artists at Paraíso 2019 Today, Paraíso—under the direction of its director José Morán at the hotel Gran Meliá French electronic music reinforces its Palacio de los Duques—has unveiled new presence in Paraíso with the addition of artists’ names who, like the rest of the line-up Charlotte Gainsbourg and the duo Polo & drawn up so far, move in different electronic Pan, artists whose work includes the French territories converging with other genres. The touch of the school created by Cerrone, festival also presents a new stage, Nido, who recently confirmed his participation in with proposals by local DJs and producers the festival. The iconic Franco-British singer, as part of the festival’s commitment to actress and director will perform in Madrid making the Madrid talent and scene visible.
    [Show full text]
  • Paraíso Presents an Aperitif of Its Second Edition 2019
    ParaísoParaíso presents presenta an un aperitif primer of aperitivoits desecond su edición edition 20192019 > The Electronic music and other arts festival of Madrid, which will take place on June 14 and >15, El announcesFestival de themúsica first electrónicaartists that ywill otras make artes up its de line-up Madrid, que tendrá lugar los días 14 y 15 de junio, anticipa alguno de los primeros artistas que compondrán el line up de su segunda edición. > These are the first 11 confirmed names of Paraíso 2019: Bob Moses, Kalabrese, KiNK, Maribou State, Nicola Cruz, Or:la, Orpheu The Wizard, Pional, Rhye, Selvagem and Young Marco > Los primeros 10 nombres que entran en Paraíso 2019: Bob Moses, Kalabrese, KiNK, MaribouParaíso’s second State, edition, Nicola which Cruz, will Or:la,who Orpheu has released The his Wizard, essential Pional, ParaísoRhye, 2019.Selvagem Both of them y Young closely Marco. become a reality on June 14 and 15, new record Blood (Loma Vista linked to Dekmantel and Red Light La2019 segunda at the UCM edición Campus, de Paraíso, unveils Recordings)Records). Procedentes in 2018—will de deliver Reino Radio,Más nombres.they’re two Esta relevant vez figuresdesde the names of the first 11 artists that, his electronic, subtle and nuanced in the Dutch underground and que se hará realidad los días 14 y Unido, el dúo MARIBOU STATE y la Bulgaria: KiNK. En su carrera ha coming from 9 countries, make up R&B. irresistible selectors who find their 15a temptingde junio deaperitif 2019 ofen what el Campus will be DJ OR:LA.
    [Show full text]
  • Permanent Vacation Release Date: 1St September 2017 Cat: PERMVAC 160-1/-2 Formats: 4-LP Vinyl / Digital
    Artist: VA Title: Permanent Vacation X Ten Years Label Anniversary Label: Permanent Vacation Release date: 1st September 2017 Cat: PERMVAC 160-1/-2 Formats: 4-LP Vinyl / Digital Celebrating its 10 years label anniversary Permanent Vacation releases a top-notch package of 16 brand-new tracks by their main artists including John Talabot, Tuff City Kids, Mano Le Tough, Tensnake, Red Axes, Pional and many more. Plus special guest Joakim, who contributed the track “Camino De La Luna”; paying homage to his classic remix for Antenaʼs “Camino Del Sol”, the first big hit on the label 10 years ago. *** EVEN ETERNITY HAS TO BE MEASURED AND THATʼS WHY IT IS TIME TO CELEBRATE 10 YEARS OF PERMANENT VACATION WITH A BIG FAT ANNIVERSARY COMPILATION. But letʼs look back for a minute, because a lot has happened since Tom Bioly and Benjamin Fröhlich dusted off the mirror balls in Munich. Since the 1970s the city always had a reputation for being one of the worldʼs disco capitals and Permanent Vacation took good care of this precious heritage being partly responsible for the new found love of Disco music and its variations such as BALEARIC, COSMIC, KRAUTROCK or PROTOHOUSE. Back then Tom, who for several years had been working in the music business, was a regular at PlayRecords that was run by Benjamin, who had also been busy as a DJ and party promoter. Soon theybecame friends and discovered their astoundingly similar taste in music. The label name PERMANENT VACATION also reflects the way the label came into existence, since the its main concept was developed during pingpong matches rather than at a conference table.
    [Show full text]
  • Organization and Partners Primavera
    THE FESTIVAL LINE UP PARC DEL FÒRUM ORGANIZATION AND PARTNERS TICKETS GRAPHIC CAMPAIGN PRESS QUOTES HISTORY CONTACT THE FESTIVAL Primavera Sound has always concentrated all its efforts on uniting the latest musical proposals from the independent scene together with already well-established artists, while embracing any style or genre in the line up, fundamentally looking for quality and essentially backing pop and rock as well as underground electronic and dance music. Over the last twelve years, the festival has had the most diverse range of artists. Some of those who have been on stage are Arcade Fire, Queens of the Stone Age, The National, Nine Inch Nails, Kendrick Lamar, Pixies, Aphex Twin, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Enemy, Grinderman, Franz Ferdinand, Television, Devo, Enri- que Morente, The White Stripes, LCD Soundsystem, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull, Mazzy Star, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, Tame Impala, The Strokes, Belle & Sebastian, Antony & the Johnsons, The Black Keys, James Blake, Interpol y Sleater-Kinney amongst many others. Primavera Sound has consolidated itself as the urban festival par excellence with unique characteristics that have pro- jected it internationally as a reference cultural event. The event stands out from other large music events and is faithful to its original artistic idea, keeping the same standards and maintaining the same quality of organization of past years, without resorting to more commercial bands.
    [Show full text]
  • NIGHTSHIFT Free Every
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 198 January Oxford’s Music Magazine 2012 CHECK THIS OUT! Local promoters tell us who they think you should see in 2012 Photo: Johnny Moto NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THE OXFORD PUNT is set to return in 2012. The annual showcase of new local music talent has been running since 1996 but was forced to take a year off in 2011 due to a lack of suitable venues in Oxford city centre. This year’s Oxford Punt will take place on Wednesday 16th May, featuring 20 acts playing across five venues. Participating venues are The Cellar, The Purple Turtle, The Wheatsheaf, The Duke’s Cut and The Junction, the latter two venues situated across the road from each other in Park End Street. The Punt has previously given early exposure to bands such as Young Knives, Stornoway, Fixers, Little Fish and Elizabeth, the band formed by Yannis and Jack before Foals. Bands or solo acts wanting to play at the Punt can submit demos, either by emailing links to online music to [email protected], or sending CDs to Nightshift, PO Box 312, Kidlington, OX5 1ZU. In both cases please clearly mark your demo PUNT and include both phone and email contact details and a brief biog of the band. Only acts from Oxfordshire may apply, you can’t apply if you’ve played the Punt before and, due to licensing conditions of the venues, only acts aged over 18 will be 876084 eligible.
    [Show full text]
  • Family Horrors and Hidden Paradises: New Album Reviews
    Family Horrors And Hidden Paradises: New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world There are so many excellent new albums around right now that, this week, I hardly know where to begin. We have house magnificence from Demuja and Kann, gorgeously deep ambiance from Gas, the leftfield techno brilliance of Jon Hopkins, Forest Swords, Max Cooper and Aïsha Devi and lots more. By JOHN BITTLES So, tell your piggy bank to make peace with its maker, and let us begin… Jon Hopkins‚ Immunity LP was close to ubiquitous in 2013, rightly appearing in most Best Of lists for that year. While the follow-up was a long time coming the good news is that it is every bit as good. Released at the start of May, Singularity contains the same mixture of techno crunch, ambient interludes and emotional resonance which Jon’s long term fans have come to expect. The title track gets things off to a great start, stuttering beats joined by trance like synths on a song sure to have any self-respecting raver resembling one of Pavlov’s dogs. Next, lead single Emerald Rush begins all soft and tranquil before bursting into life with some mind mangling bass stabs. Other picks include the epic trance groover Neon Pattern Drum which resembles the highlight of a Paul Van Dyk set, the melancholic clanks of Everything Connected, the tranquil piano refrain Echo Dissolve and the light and airy house strains of Luminous Beings. Full of peaks and troughs, Singularity gives the listener a proper journey filled with high drama and a sense of loss when it comes to an end.
    [Show full text]
  • Festival Guide 2017 All the Best Fests in the Uk, Europe & Beyond
    569 DJMAG.COM FESTIVAL GUIDE 2017 ALL THE BEST FESTS IN THE UK, EUROPE & BEYOND SAFE AS HOUSE IS TRANS DJs TALK GENDER IDENTITY & SAFE SPACES LIVING & BREATHING DANCE MUSIC! CARL CRAIG’S NEW DJMAG.COM ORCHESTRAL PROJECT REACHING THE SUMMIT TEN YEARS OF IMS IBIZA * MUSIC * CLUBS * TECHNOLOGY TECHNOLOGY Ben UFO, Pangaea & Pearson Sound * MIAMI MUSIC MARATHON THE PARTIES! THE PEOPLE! A decade of musical mutations GAME CHANGER LEFTFIELD/LYDON ‘OPEN UP’ No. 569 CLARK’S ODDBALL ELECTRONICA May 2017 May BODY & SOUL No.569 May 2017 £4.95 SOUTHPORT £4.95 WEEKENDER IS BACK! RODRIGUEZ JR., DJ ZINC, MAURO PICOTTO, NINA KRAVIZ, BUSY P, REDLIGHT, UNDERWORLD PLUS: TERRY FRANCIS, ATB, DJ RAP, DANNIC, TIME WARP, SHAROOZ RAOOFI, HAAi , FRANKY RIZARDO… Untitled-1 1 16/03/2017 16:38 CONTENTS Cover shot: CARSTEN WINDHORST 030 AUDIO INTERFACE We delve deep with Hessle Audio heads Ben UFO, Pangaea and Pearson Sound as their ground-breaking, scene-shaping label turns 10 years old... FEATURES 037 FESTIVAL GUIDE 075 I.M.S 037 FESTIVAL GUIDE 2017 Everything you need: Listings, the world’s number one fest, and Southport Weekender’s 30th anniversary... 055 MIAMI MUSIC MARATHON Rounding up all the action from this year’s Miami Music Week... 060 ORCHESTRA IN THE ZONE Carl Craig reveals the details behind his new electro-classical album, ‘Versus’... 065 CATASTROPHE ANTHEMS We catch up with Warp stalwart Clark to chat mild-bending rave music... 068 SAFE AS HOUSE IS DJ Mag talks gender identity with Honey Dijon, DJ Sprinkles, Octo Octa and more... 072 JUNIOR SENIOR 055 MIAMI Rodriguez Jr talks moving to Mobilee and his sophomore LP, ‘Baobab’..
    [Show full text]
  • IDEKTERS *Collaborative Councils
    # Pr DOCUMENT RESUME ED 219 544 CE 033 212 AU7HOR G91d, Gerard G.; And Others TITLE Industry-Education-Labor Collaboxation. Policies and Practices it Perspective. INSTITUTION National Inst. for Work and Learning, Washington, D.C. SPONS AGENCY Office of Vocational ay Adult Education (ED), Washington, DC. PUB DATE 82 CONTRACT 300-7%70691 NOTE 212p.; For related documents'see -ED 206 906-907. 4 AVAILABLE FROMPublications, The National Institute for,Work and Learning, Center for Education and Work, Suite 501,* 1302 18th St., N.W., Washington Dt20036 ($25.00). EDRS' PRICE ( MF01/PC09 Plus Postage. DESCRIPTORS Career Development; Career Education; *Community Cooperation; *Cooperative Planning; *Cooperative Programs; Education Work Relationship; Elementary 'Secondary Education; Institutional Cooperation; Policy Formation; *Program Implementation; Public a Policy; *School Business Relationship; School Community Relationship; Vocational Education IDEKTERS *Collaborative Councils ABSTRACT Industry, labor, and educational institutions are entering a new period of enthusiasm for mutual cooperation and alliantes within Communities. Local collaborative councils bringing together leaders from business, labor, government, and education are demonstrating anew the community-level leadership that is essential to create and establish a new national consensus about the purposes / and functions of education institutions. But, according to this study, conducted through a review of literature and an examination of local collaborative councils, these.are still
    [Show full text]
  • I Louse 11! ALE U.S. Moves
    ^ V WEDNESDAY, DECEMBER 16, 1970 U PAGE FORTY-POUR JjJanrljTj^Tr ^WTiting UTrali Average Daily Net Press Run ^ 21m Week Ended The Weather de- that an architect can be select­ project expressing their November 14,1970 gatioh of architectural compet­ prizes must be established and . Clearing wd colder tonight; ed by March 1 in order to keep sire to be. considered. WANTED ition procedures revealed that approved by the A.I.A. iow In 20s. Partly sunny tomor­ ^Jbout Town Cost Rules OutjContest ’Hie committee which will se­ to a timetable for preparing row; high in 40s. Saturday fair; such a contest is an expe.nslve SULKY DATES SET Clean, Late Model 1 6 , 0 8 0 lect the architect or architects plans for a referendum next little temperature change. The Women’s ' Guild of Trini­ procedure which proves econ­ I will consist • Director of Pub­ November. The Board of Direc­ ALBANY, N.Y, (AP) - - Ihe Manche»ter—~A City of Village Charm' ty Covenant Church will present For Picking SchoohDesigti omical only in projects which USED CARS coat over $20 million. lic Works William O’Neill, tors must approve any referen­ New York State Harness Racing a Christmas Concert BViday at Building Insi>ector Thomas Co'mmisqlon has approved 1971 8 p.m. at the church. Members Previous ideas about possibly of the cost factors involved in -Rules and regulations for such dum questions for November Top Prices Paid VOL. LXXXX, NO. 66 (Olasslfled Adverttslng bn Page 29) Monahan, Assistant Town iMan- dates to r the harness racing (THIRTY-TWO PAGES—TWO SECTIONS) MANCHESTER, CONN., THURSDAY, DECEMBER 17, 1970 PRICE TEN CENTS are reminded' to brlntr home­ holding a design competitlan for conducting such a contest.
    [Show full text]