Animal Figures in the Maya Codices, by 1
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Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
Indigenous Maya Knowledge and the Possibility of Decolonizing Education in Guatemala
Indigenous Maya Knowledge and the Possibility of Decolonizing Education in Guatemala by Vivian Michelle Jiménez Estrada A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education University of Toronto © Copyright by Vivian Michelle Jiménez Estrada 2012 Indigenous Maya Knowledge and the Possibility of Decolonizing Education in Guatemala Vivian Michelle Jiménez Estrada Doctor of Philosophy Department of Sociology and Equity Studies in Education University of Toronto 2012 Abstract Maya peoples in Guatemala continue to practice their Indigenous knowledge in spite of the violence experienced since the Spanish invasion in 1524. From 1991 until 1996, the state and civil society signed a series of Peace Accords that promised to better meet the needs of the Maya, Xinka, Garífuna and non-Indigenous groups living there. In this context, how does the current educational system meet the varied needs of these groups? My research investigates the philosophy and praxis of Maya Indigenous knowledge (MIK) in broadly defined educational contexts through the stories of 17 diverse Maya professional women and men involved in educational reform that currently live and work in Guatemala City. How do they reclaim and apply their ancestral knowledge daily? What possible applications of MIK can transform society? The findings reveal that MIK promotes social change and healing within and outside institutionalized educational spaces and argues that academia needs to make room for Indigenous theorizing mainly in areas of education, gender, knowledge production, and nation building. I analyze these areas from anticolonial and critical Indigenous standpoints from which gender and Indigenous identities weave through the text. -
Maya Writing Comprehension Questions
Maya Writing The Maya were one of the five ancient civilisations to have Although all the ancient Maya people shared the same culture, the Maya people from different cities independently developed a fully-fledged writing system. The and villages had their own distinct customs, clothing and language. This meant that there was not earliest examples of Maya writing were found in San Bartolo, one single Mayan language. There are over 800 Maya glyphs, but we can only decipher around Guatemala and date to as far back as 300 BC. 400 of them at the moment. The Maya people used a hieroglyphic writing system. Hieroglyphic Examples of Maya writing have been found carved in wood, on pottery, on stone monuments and writing consisted of signs or symbols called hieroglyphs or glyphs in codices (books). In addition to this, writing has also been found on lintels in their temples as well. for short. The glyphs in Maya writing were either logograms (which represent words), or syllabograms (which represent a unit of sound). The syllabograms would then be combined Codices written by Maya priests and scholars contained within a single glyph block and read together to create a word. information about astronomy, religion and gods. However, only As the Maya often had several syllabograms to represent the four known copies have survived to date. In 1562, a Catholic same sound, people could be creative when writing and choose priest called Diego de Landa ordered the mass burning of a different syllabograms to build up words. It seems that the Maya number of Maya codices, condemning them as a work of the preferred to vary how they spelt words within the same piece of devil. -
On the Origin of the Different Mayan Calendars Thomas Chanier
On the origin of the different Mayan Calendars Thomas Chanier To cite this version: Thomas Chanier. On the origin of the different Mayan Calendars. 2014. hal-01018037v1 HAL Id: hal-01018037 https://hal.archives-ouvertes.fr/hal-01018037v1 Submitted on 3 Jul 2014 (v1), last revised 14 Jan 2015 (v3) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. On the origin of the different Mayan Calendars T. Chanier∗1 1 Department of Physics, University of Namur, rue de Bruxelles 61, B-5000 Namur, Belgium The Maya were known for their astronomical proficiency. Whereas Mayan mathematics were based on a vigesimal system, they used a different base when dealing with long periods of time, the Long Count Calendar (LCC), composed of different Long Count Periods: the Tun of 360 days, the Katun of 7200 days and the Baktun of 144000 days. There were three other calendars used in addition to the LCC: a civil year Haab’ of 365 days, a religious year Tzolk’in of 260 days and a 3276- day cycle (combination of the 819-day Kawil cycle and 4 colors-directions). Based on astronomical arguments, we propose here an explanation of the origin of the LCC, the Tzolk’in and the 3276-day cycle. -
Catherine Docter with Dorie Reents Budet Foreword by Ricardo Agurcia
Catherine Docter with Dorie Reents Budet foreword by Ricardo Agurcia Fasquelle Created for teachers and students of the Casa K’inich Maya Learning Center Copan, Honduras Catherine Docter with Dorie Reents Budet foreword by Ricardo Agurcia Fasquelle Asociacion COPAN To the children of Copan ...ambassadors of Maya history and stewards of the future. book Copyright ©2005 The Copan Association Catherine Docter, Dorie Reents Budet, Ricardo Agurcia All rights reserved. Published by the Copan Maya Foundation, Santa Barbara, California www.copanmayafoundation.org www.asociacioncopan.org Design by The Lily Guild, Santa Barbara, California, www.thelilyguild.com Printed by Ventura Printing, Oxnard, California Table of Contents Acknowledgments 4 Foreword 5 This guidebook is for you, teachers! 7 Purpose of the Casa K’inich? 8 Welcome to the Casa K’inich 10 Where in the world are we? Maps of Copan and Mesoamerica 12 World Timeline 14 Frequently asked questions...Copan and the Ancient Maya 16 Exhibit 1 PUT YOUR FACE IN THERE! 18 Exhibit 2 ARCHITECTURE 20 Exhibit 3 LANGUAGE 24 Exhibit 4 WRITING 26 Exhibit 5 COUNTING AND NUMBERS 28 Exhibit 6 MATHEMATICS 29 Exhibit 7 THE ANCIENT MAYA CALENDAR 32 Exhibit 8 ASTRONOMY 36 Exhibit 9 DEITIES 40 Exhibit 10 DRESS ME 42 Exhibit 11 BALLGAME 46 Exhibit 12 UNDER THE CEIBA 50 Exhibit 13 TREASURES OF HONDURAS 52 Exhibit 14 THE ENVIRONMENT – THE IMPORTANCE OF TREES 53 Exhibit 15 WHAT HAPPENED TO THE MAYA? 54 Exhibit 16 STEWARDSHIP 56 Exhibit 17 MUSIC 58 Dynastic Sequence at Ancient Copan 60 Glossary 61 References 62 Answers to Maya Math Exercises 63 About the Authors 64 Acknowledgments I was eighteen when I first visited an ancient Maya site. -
CRÓNICAS Mesoamericanas Tomo I CRONICAS MESOAMERICANAS (TOMO I) © 2008 Universidad Mesoamericana ISBN: 978-99922-846-9-8 Primera Edición, 2008
CRÓNICAS MESOAMEricanas TOMO I CRONICAS MESOAMERICANAS (TOMO I) © 2008 Universidad Mesoamericana ISBN: 978-99922-846-9-8 Primera Edición, 2008 Consejo Directivo: Félix Javier Serrano Ursúa, Jorge Rubén Calderón González, Claudia María Hernández de Dighero, Carlos Enrique Chian Rodríguez, Ana Cristina Estrada Quintero, Luis Roberto Villalobos Quesada, Emilio Enrique Conde Goicolea. Editor: Horacio Cabezas Carcache. Traducción de textos mayas-quichés: Marlini Son, Candelaria Dominga López Ixcoy, Robert Carmack, James L. Mondloch, Ruud van Akkeren y Hugo Fidel Sacor. Revisor de estilo: Pedro Luis Alonso. Editorial responsable: Editorial Galería Guatemala. Consejo Editorial: Estuardo Cuestas Morales, Egemberto Alvergue Oliveros, Carlos Enrique Zea Flores, María Olga Granai de Zoller, Mario Estuardo Montes Granai. Diseño y diagramación: QUELSA. Ilustraciones en acuarela: Victor Manuel Aragón. Fotografía proporcionada por Fundación Herencia Cultural Guatemalteca, Fototeca de Justin Kerr de su catálogo Maya Vase Database y Fototeca de Fundación G&T Continental (páginas 119,134,140). Impresión: Tinta y Papel Derechos reservados. La reproducción total o parcial de esta obra sólo podrá hacerse con autorización escrita de la Universidad Mesoamericana. http://www.umes.edu.gt 40 Calle, 10-01, Zona 8, Guatemala, C. A. CRÓNICAS MESOAMEricanas TOMO I CONTENIDO PRÓLOGO 9 FÉLIX JAVIER SERRANO URSÚA INTRODUCCIÓN 11 HORACIO CABEZAS CARCACHE CÓDICES mayas Y MEXICANOS 17 TOMÁS BARRIENTOS Y MARION POPENOE DE HATCH Crónicas DE YAXKUKUL Y CHAC Xulub CHEN 31 ERNESTO VARGAS PACHECO CRÓNICA DE CHAC XULUB CHEN 44 TÍTULO DE LOS SEÑORES DE Sacapulas 59 RUUD VAN AKKEREN HISTORIA DE SU ORIGEN Y VENIDA DE SUS PADRES EN LAS TIERRAS DEL QUICHÉ. 78 PARTE I. FRAGMENTO QUIChé [K’iChe’] 88 TÍTULO DE CAGCOH [KAQKOJ] 93 ENNIO BOSSÚ TESTAMENTO Y TÍTULO DE LOS ANTECESORES DE 100 LOS SEÑORES DE CAGCOH SAN CRISTÓBAL VERAPAZ. -
Maya Languages……21
1 Special thank you for those who made this possible: Dr. Linda Green (Honors Thesis advisor and Director of the Center for Latin American Studies) Center for Latin American Studies Faculty and Staff Dr. Raul Saba (Professor of LAS) Mr. Leo Roop (LAS Student Supporter) Centro de Investigaciones Regionales de Mesoamerica (CIRMA) University of Arizona Study Abroad University of Arizona Honors College 2 Table of Contents: Abstract…………………………………………………………………3 Introduction…………………………………………………………….4 Guatemala: A Geographical Perspective……………………………..8 Defining Present Day Guatemala: Modernization and the Maya…11 Through the Lens of Violence, Fear and Exploitation…………......16 Vacillating Through Time: The Shift of the Maya Languages……21 Responding to the Change……………………………………….......25 Conclusion…………………………………………………………….29 Bibliography…………………………………………………………..32 3 Abstract The History of Guatemala, from cochineal to the fruit economy, is entrenched in deep societal and cultural problems caused by oppression, inequality and exploitation. Emerging into the twentieth century, Guatemala yearned for a spot within the global economic sphere. The industrialization and globalization, propelled by the coffee economy, deepened the schism within Guatemalan society, resulting in destructive consequences for the Maya and indigenous populations. This research will focus on the changes and shifts within the Maya languages as a result of the country’s fragile history and modernization of the early twentieth century. Despite the inequality of classes, Maya languages are experiencing reaffirmation and revitalization movements, proving that Maya languages are a dynamic part of the discourse in modern Guatemala. 4 Introduction Language is the foundation of communication within society, government, politics and economics. In Guatemala, a country roughly the size of Tennessee, there are over 23 indigenous languages that are recognized and spoken in the vida cotidiana, or everyday life. -
Glyph Dwellers Phonological Variation in the Maya Codices
Phonological Variation in the Madrid Codex 9/17/00 7:57 PM Glyph Dwellers is an occasional publication of the Maya Hieroglyphic Database Project, at the University of California, Davis, California. Its purpose is to make available recent discoveries about ancient Maya culture, history, iconography, and Mayan historical linguistics deriving from the project. Funding for the Maya Hieroglyphic Database Project is provided by the National Endowment for the Humanities, grants #RT21365-92, RT21608-94, PA22844-96, the National Science Foundation, #SBR9710961, and the Department of Native American Studies, University of California, Davis. © 1998 Martha J. Macri & Matthew G. Looper. All rights reserved. Written material and artwork appearing in these reports may not be republished or duplicated for profit. Citation of more than one paragraph requires written permission of the publisher. No copies of this work may be distributed electronically, in whole or in part, without express written permission from the publisher. ISSN 1097-3737 Glyph Dwellers Report 9 November 1999 Phonological Variation in the Maya Codices Gabrielle Vail Examples of phonological variation in the Maya codices provide evidence that the same processes that characterize speech were also occasionally represented in the hieroglyphic script. This in turn suggests that the script recorded in the codices reflects certain features of the spoken language, or vernacular, of the population inhabiting the Maya lowlands during the Postclassic period. One of the phonological processes that operates in the modern Yucatecan languages is nasal assimilation, such that syllable-final /n/ optionally becomes [m] before a labial and [ng] before a velar (Blair and Vermont-Salas 1965:15; Hofling 1991:8). -
Maya Ritual and Myth: Human Sacrifice in the Context of the Ballgame and the Relationship to the Popol Vuh Jessica Zaccagnini
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 12-2003 Maya Ritual and Myth: Human Sacrifice in the Context of the Ballgame and the Relationship to the Popol Vuh Jessica Zaccagnini Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Zaccagnini, Jessica, "Maya Ritual and Myth: Human Sacrifice in the Context of the Ballgame and the Relationship to the Popol Vuh" (2003). Honors Theses. Paper 336. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Maya Ritual and Myth: Human Sacrifice in the Co?text of the Ballgame and the Relationship to the Popol yUh Jessica Zaccagnini Dr. Jonathan Hill Anthropology 480 December 8, 2003 Maya Ritual and Myth: Ritual Human Sacrifice in the Context ofth~ Ballgame and the Relationship to the Popol Vuh Abstract The ballgarne existed as an integral facet of Mayan life. Ritual and mythic expression are inextricably linked to the execution ofthe ballgarne and are deeply integrated into Mayan culture. Ritual human sacrifice is an unquestionable aspect related to the ballgarne. The Maya rulers extended the outcome of the ballgarne by satisfYing th., deities through ritual and human sacrifice (Scarborough 1991 :143). The Quiche book of epic narratives, named the Papal Vuh, is a recurring theme in the exploration of the ballgarne and it is deeply weighted with mythic significance. A discussion of how this theme is interwoven into the political, social, and religious aspects of Mayan society wil! be addressed in this paper. -
The Production of K'iche'tellano in Highland Guatemala
The International Journal of Language Society and Culture Editors: Thao Lê and Quynh Lê URL: www.educ.utas.edu.au/users/tle/JOURNAL/ ISSN 1327-774X Language Gain, Language Loss: The Production of K’iche’tellano in Highland Guatemala Martha Bitar, Charise Pimentel, Ana Juarez Texas State University - San Marcos Abstract This ethnographic study examines the emerging language practices of a local Maya community in Nu- eva Santa Catarina Ixtahuacán, Guatemala. The authors utilize racial formation theory (Omi & Wi- nant, 1994) to demonstrate how state apparatuses, such as language restriction laws and the consti- tution have contributed to the formation of racial categories such as Ladinos and Indians, racial con- structs that did not occur prior to the Spanish colonialization. In addition to the structural effects on racial formation, the authors examine the cultural representations that emerge in the process of racial formation, namely Maya resiliency, a pan-Mayan identity, and evolving language practices that incor- porate K’iche’ and Spanish. Data in this article show that while members of this Maya community may fight to preserve K’iche’ in the face of macro-level racial projects that aim to eliminate all Mayan lan- guages, they simultaneously produce micro-level practices that sustain the ideological underpinnings that privilege the Spanish language. More specifically, we find that while participants’ use of Spanish and K’iche’ is highly contextualized, they also produce hybrid language practices that reflect the on- going racial projects and linguistic transformations that Maya peoples undergo. We refer to the partic- ipants’ mixed language code as “K’iche’tellano,” a term that captures the competing, yet complementa- ry interaction between the two languages: K’iche’ and Castellano (Spanish from Spain). -
An Annotated Overview of “Tikal Dancer” Plates * by Erik Boot (E-Mail: [email protected])
An Annotated Overview of “Tikal Dancer” Plates * by Erik Boot (e-mail: [email protected]) ***************************************************************************** This essay presents twenty-seven ceramic plates painted in the well-known “Tikal Dancer” style or tradition (Reents-Budet 1994: 339). Originally, the “Tikal Dancer” plates were nicknamed “Uaxactun Dancer” plates (Hellmuth, cited in Coe 1982: 88), after the fact that the first identified example was excavated archaeologically at Uaxactun. Subsequently other such plates have been excavated at Tikal (Culbert 1993: Figure 43a & Figure 48c). The remaining “Tikal Dancer” plates are generally without any indication of provenance, having been removed illegally from their original context (note 1). The plates in this tradition are painted in different shades of orange, red, green, and black on a cream or sometimes tawny background. Most of the plates have an outflaring wall and a slightly accentuated exterior flange. The majority of the plates originally stood on three hollow (rattle) pedestals. The design on the bottom of the plate depicts an anthropomorphic male figure. In most of the examples the figure has been executed in a powerful fine black line drawing, while the body and costume have been colored in orange, red, and green. In most of the examples his arms are stretched out, while the hands are turned down with the thumbs parallel to the surface of the hands and fingers. The positioning of the legs is indicative of a dancing movement (cf. Grube 1992). The posture of the figure, his elongated head, headdress, and costume identify the male figure as the dancing resurrected Young Maize God (Reents-Budet 1994: 197-198, 339, Figs. -
Astronomy and the Iconography of Creation Among the Classic and Colonial Period Maya
Astronomy and the Iconography of Creation Among the Classic and Colonial Period Maya KHRISTAAN D. VILLELA and LINDA SCHELE University of Texas, Austin Westerners have been fascinated by the Period Maya. John Lloyd Stephens and others astronomical knowledge of the ancient Maya published accounts and views of the ruins of since travelers and scholars first reported ruined southern Mexico, Honduras, Guatemala, and cities in the Americas and Precolumbian manu- then British Honduras (Del Río and Cabrera scripts in European libraries. Beginning in the late 1822; Stephens 1841, 1843; Catherwood 1844; nineteenth century, students of the Maya speculat- Norman 1843; Charnay 1863, 1885; Maudslay ed on the astronomical identities of iconographic and Maudslay 1899). At the same time, academ- motifs and characters portrayed in the codices and ics and bibliophiles across the Atlantic discovered on monumental sculptures. In addition to identify- Precolumbian Maya codices and Colonial Spanish ing the signs for the sun, moon, and Venus, they accounts of the Maya. In Germany, Alexander von also produced tentative reconstructions of the Humboldt's account of travels in the New World Maya zodiac and other constellations. Alternate included the first publication of a Maya codex, interpretations of the nature of Maya astronomy five pages of the Dresden manuscript (Humboldt have appeared throughout this century. 1810:Plate 45). Humboldt's folio size work also Based on recent advances in our understand- first reproduced Maya art, a stucco relief from ing of the natural and astronomical foundations of Palenque (Humboldt 1810:Plate 11). In nearby Classic and Post-Classic Period Maya conceptions Paris, the Abbé Brasseur de Bourbourg published of Creation, we present another model of the so- the Quiché Maya Popol Vuh in 1861, and Diego called Maya zodiac.