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Bibliography An, Qi 安琪 et al., eds. 2003. Zhongjiandai Shi 中间代诗 (Mid-generation poetry). Fuzhou: Haixia wenyi chubanshe. Artisan of Flowery Rocks 花岩匠人. “Net Servers.” In Low Poetry Tide <http://my.ziqu.com/bbs/666023/>. Accessed November 11, 2006. Auden, W. H. 1975a. “American Poetry.” In The Dyer’s Hand and Other Essays, 354–368. London: Faber and Faber. ———. 1975b. “Robert Frost.” In The Dyer’s Hand and Other Essays, 337–353. London: Faber and Faber. Ballard, J. G. 1970. The Atrocity Exhibition. London: Granda Books. Barlow, Tani E., ed. 1993. Gender Politics in Modern China: Writing and Feminism. Durham: Duke University Press. ———. 1994. “Politics and Protocols of Funü: (Un)Making National Woman.” In Gilmartin 1994: 339–359. Barmé, Geremie, and John Minford, eds. 1986. Seeds of Fire: Chinese Voices of Conscience. Hong Kong: Far Eastern Economic Review. Baudelaire, Charles. 1993. “Le Cygne” (The Swan). In James McGowan, tr., The Flowers of Evil. Oxford: Oxford University Press, 172–177. Bei, Dao 北島. 1991. Old Snow. Bonnie S. McDougall and Chen Maiping, trs. New York: New Directions. Benjamin, Walter. 1979. One-Way Street and Other Writings. London: New Left Books. Bing, Xin 冰心 (Xie Wanying 謝婉瑩). 1923. Fanxing 繁星 (Myriad stars). Shanghai: Commercial Press. ———. 1931. Chunshui 春水 (Spring waters), reprint. Shanghai: Beixin shuju. ———. 1949. Bing Xin shiji 冰心詩集 (Collected works of Bing Xin). Reprint, Shanghai: Kaiming shudian. Booth, Allyson. 1996. Postcards from the Trenches: Negotiating the Space between Modernism and the First World War. New York and Oxford: Oxford University Press. Borges, Jorge Luis. 1999. “The Argentine Writer and Tradition.” In Eliot Weinberger, ed., Selected Non-Fictions, 420–427. New York: Viking Press. Bottomore, Tom, ed. 1983. A Dictionary of Marxist Thought. London: Basil Blackwell. Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on Art and Literature. Cambridge: Polity. ———. 1996. The Rules of Art: Genesis and Structure of the Literary Field. Cambridge: Polity. Braester, Yomi. 2003. Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China. Stanford: Stanford University Press. 220 Bibliography Broome, Peter. 1977. Henri Michaux. London: The Athlone Press. Camus, Albert. 1966. “Absurd Freedom.” In William V. Spanos, A Casebook on Existentialism, 297–307. New York: Thomas Y. Crowell. Cao, Wenxuan 曹文轩. 2002. Ershi shiji Zhongguo wenxue xianxiang yanjiu 二十世末中国文学象研究 (A study of Chinese literary phenomena at the end of the twentieth century). Beijing: Beijing daxue chubanshe. Chambers, Ross. 1991. Room for Maneuver. Chicago and London: University of Chicago Press. Chase, Cynthia. 1985. “‘Viewless Wings’: Intertextual Interpretation of Keat’s ‘Ode to a Nightingale.’” In Hosek and Parker 1985, 208–225. Chen, Dongdong 陈东东. 2000. “Huigu xiandai Hanyu” 回顾现代汉语 (Looking back at modern Chinese). In Wang Jiaxin 王家新 and Sun Wenbo 孙文波, eds., Zhongguo shige: jiushi niandai beiwanglu 中国诗歌: 九十年代备忘录 (Chinese poetry: Memorandum of the 1990s). Beijing: Renmin wenxue chubanshe. Chen, Li 陳黎. 2003. Daoyu bianyuan 島嶼邊緣 (On the edge of the island). Taibei: Jiuge chubanshe. Chen, Sihe 陈思和. 1987. Zhongguo xinwenxue zhengtiguan 中国新文学整体观 (A macrocosmic view of new Chinese literature). Shanghai: Shanghai wenyi chubanshe. Chen, Yizhi 陳義芝, ed. 1999. Taiwan wenxue jingdian yantaohui taolun ji 台灣文學經典研討會討論集 (Collected proceedings from the conference on Taiwan literary classics). Taibei: Lianjing. Chen, Zhongyi 陈仲义. 2006. “Xinshiji wunian wangluo shixiang guancha” 新世纪5年网络诗象观察 (Observations on Internet poetry phenomena during the five years of the new century). <http://www.yanruyu.com/ jhy/author/69892.shtml>. Online posting accessed December 3, 2006. Cheung, Dominic, ed. and tr. 1986. The Isle Full of Noises. New York: Columbia University Press. Chiu, Julie. 2005. “Free-verse Poems in Fixed Forms: Tracing the ‘Silhouette’ of Zheng Chouyu’s Early Poems.” Texas Studies in Literature and Language 47.2 (Summer): 188–218. Chow, Rey. 2002. The Protestant Ethnic and the Spirit of Capitalism. New York: Columbia University Press. Cronon, William. 1990. “Modes of Prophecy and Production: Placing Nature in History.” The Journal of American History (March) 76.4: 1122–1131. Crosby, Alfred W. 1990. “An Enthusiastic Second.” The Journal of American History (March) 76.4: 1107–1110. Culler, Jonathan. 1985. “Changes in the Study of the Lyric.” In Hosek and Parker 1985, 38–54. Dagong shiren 打工诗人 (Menial worker poets). <http://sh.netsh.com/bbs/ 8832/>. Accessed December 3, 2006. Dai, Wangshu 戴望舒. 1989. “Wo sixiang” 我思想 (I think). Collected Works of Dai Wangshu 戴望舒全编. Liang Ren 梁仁, ed., Hangzhou: Zhejiang wenyi chubanshe. Bibliography 221 Davis, Walter A. 1978. The Act of Interpretation: A Critique of Literary Reason. Chicago: University of Chicago Press. ———. 1994. Get the Guests: Psychoanalysis, Modern American Drama, and the Audience. Madison: University of Wisconsin Press. ———. 2001. Deracination: Historicity, Hiroshima, and the Tragic Imperative. Albany: State University of New York Press. ———. 2003. “Death’s Dream Kingdom: The American Psyche After 9/11.” Journal for the Psychoanalysis of Culture and Society (Spring) 8.1: 127–132. Day, Michael. 2005. China’s Second World of Poetry: The Sichuan Avant-Garde, 1982–1992. <http://leiden.dachs-archive.org/poetry/md.html> (e-book ver- sion of doctoral thesis, University of Leiden). Accessed December 3, 2006. ———. 2006. “China’s Second World of Poetry: Web Site List.” <http:// leiden.dachs-archive.org/poetry/list.html>. Accessed December 3, 2006. ———. 2007a. <http://leiden.dachs-archive.org/poetry/translations.html>. Accessed January 15, 2007. ———. 2007b. “The Poetry of Tang Yaping 唐亚平.” <http://leiden.dachs- archive.org/poetry/MD/Tang_Yaping_trans.pdf>. Accessed January 15, 2007. ———. 2007c. “Zhai Yong-ming: China’s First Poet of the Female Sex.” <http://leiden.dachs-archive.org/poetry/MD/Zhai_Yongming_trans.pdf>. Accessed January 15, 2007. Dishige luntan 低诗歌论坛 (Low poetry forum). <http://my.clubhi.com/bbs/ 661612/>. Accessed December 3, 2006. Dishige wang 低诗歌网 (Low poetry network). <http://www.dpoem.com>. Accessed November 15, 2006. Dordoy, Alan, and Mary Mellor. 2000. “Ecosocialism and Feminism: Deep Materialism and the Contradictions of Capitalism.” Capitalism Nature Socialism 43 (September) 11.3: 41–61. Duo, Duo 多多. 2002. The Boy Who Catches Wasps. Gregory B. Lee, tr. Brookline, MA: Zephyr Press. Eisenstein, Paul. 2004. “Visions and Revision: Aronofsky’s π and the Primordial Signifier.” In Todd McGowan and Sheila Kunkle, eds., Lacan and Contemporary Film. New York: Other Press: 1–28. Felman, Shoshana. 1985. Writing and Madness Literature/Philosophy/ Psychoanalysis. Martha Noel Evans, Shoshona Felman, and Brian Massumi, trs. Ithaca: Cornell University Press. Felman, Shoshana, and Dori Laub, eds. 1992. Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. New York: Routledge. Finnegan, Ruth. (1972) 1992. Oral Poetry: Its Nature, Significance and Social Context. 1st Midland Book edition. Bloomington and Indianapolis: Indiana University Press. Original edition, Cambridge University Press. Fussell, Paul. 1979. Poetic Meter and Poetic Form. Revised edition. New York: Random House. Ganlan shu 橄榄树 (The olive tree). <http:www.wenxue.com>. Accessed December 3, 2006. 222 Bibliography Gilmartin, Christina K. et al., eds. 1994. Engendering China: Women, Culture, and the State. Cambridge: Harvard University Press. Grange, Joseph. 1997. Nature: An Environmental Cosmology. Albany: State University of New York Press. Gu, Cheng 顾城. 1990. Selected Poems. Sean Golden and Chu Chiyu, eds. Hong Kong: Renditions. ———. 1993. Ying’er 英儿 (Ying’er). Beijing: Zuojia chubanshe. ———. 1995. Gu Cheng shi quanbian 顾城诗全编 (Complete poems of Gu Cheng). Gu Gong 顾工, ed. Shanghai: Shanghai sanlian shudian. ———. 2005a. Gu Cheng wenxuan vol. 1 顾城文选 (卷一) (Selected works of Gu Cheng). Harbin: Beifang wenyi chubanshe. ———. 2005b. Sea of Dreams: The Selected Writings of Gu Cheng. Joseph R. Allen, tr. New York: New Directions. Haft, Lloyd, ed. 1989. A Selective Guide to Chinese Literature 1900–1949, Volume III: The Poem. Leiden: E. J. Brill. Han, Dong 韩东. 2007. “Lun minjian” 论民间 (On the popular). Quoted and tr. in Van Crevel 2007. He, Jipeng 何寄澎. 1981. “Zheng Chouyu zuopin shangxi” 鄭愁予作品賞析 (An appreciation and analysis of Zheng Chouyu’s works). In Lin Mingde 林明德 et al., eds. Zhongguo xinshi shangxi 中國新詩賞析 (An analysis and appreciation of modern Chinese poetry), 241–278. Taibei: Chang’an. Heidegger, Martin. 1962. Being and Time. John Macquarrie and Edward Robinson, trs. New York: Harper & Row. Hockx, Michel. 2004. “Links with the Past: Mainland China’s Online Literary Communities and Their Antecedents.” Journal of Contemporary China 38 (February): 105–127. ———. 2005. “Virtual Chinese Literature: A Comparative Case Study of Online Poetry Communities.” The China Quarterly 183 (September): 670–691. Hong, Ying 虹影, and Zhao Yiheng 赵毅衡, eds. 1993. Muchuang: Gu Cheng Xie Ye haiwai daibiao zuoping ji 墓床: 顾城谢烨海外代表作品集 (Grave bed: Representative overseas works of Gu Cheng and Xie Ye). Beijing: Zuojia chubanshe. Hosek, Chaviva, and Patricia Parker, eds. 1985. Lyric Poetry: Beyond New Criticism. Ithaca and London: Cornell University Press. Hsu, Kai-yu, ed. and tr. 1973. Twentieth-Century Chinese Poetry: An Anthology. Ithaca, New York: Cornell University Press. Jakobson, Roman. 1987. Language in Literature. Krystyna Pomorska and Stephen Rudy, eds. Cambridge, MA: Belknap Press. Jameson,
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    UC San Diego UC San Diego Electronic Theses and Dissertations Title Unity and variety : a study of the Chinese language and its cultural implications Permalink https://escholarship.org/uc/item/8tt1c8sd Author Li, Chunlin Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Unity and Variety A Study of the Chinese Language and Its Cultural Implications A Dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Chunlin Li Committee in charge Professor Wai-lim Yip, Chair Professor Marcel Hénaff, Co-Chair Professor William Arctander O’Brien Professor Kuiyi Shen Professor Yingjin Zhang Professor Oumelbanine Zhiri 2010 The Dissertation of Chunlin Li is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Co-Chair _____________________________________________________________________ Chair University of California, San Diego 2010 iii TABLE OF CONTENTS Signature Page ...……………………………………...………………………………iii Table of Contents ………………………………………...………...…………………iv List of Figures and
  • The Maqã¢Mah As Prosimetrum: a Comparative Investigation of Its Origin, Form and Function

    The Maqã¢Mah As Prosimetrum: a Comparative Investigation of Its Origin, Form and Function

    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 The Maqâmah as Prosimetrum: A Comparative Investigation of its Origin, Form and Function Ailin Qian University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Comparative Literature Commons, and the Near Eastern Languages and Societies Commons Recommended Citation Qian, Ailin, "The Maqâmah as Prosimetrum: A Comparative Investigation of its Origin, Form and Function" (2012). Publicly Accessible Penn Dissertations. 562. https://repository.upenn.edu/edissertations/562 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/562 For more information, please contact [email protected]. The Maqâmah as Prosimetrum: A Comparative Investigation of its Origin, Form and Function Abstract This study investigates the prosimetric style of a renowned contribution to Arabic narrative, the Maqâmât of Badî' al-zamân al-Hamadhânî (358-398/969-1008). Al-Hamadhânî's Maqâmât corpus contains fifty-two short tales that are centered on the words and deeds of a fictitious beggar hero. They are also characterized by a consistent alternation of rhymed prose (saj') and poetry. These two distinct features of the maqâmah genre were faithfully imitated by al-Hamadhânî's successors in the following millennium. The origins of the maqâmah genre have sparked heated debates among scholars of Arabic literature. Its longevity and versatility also await an explanation. This comprehensive and comparative analysis of the Maqâmât's prose (both rhymed and plain) and poetry can provide new angles through which to consider these issues.