The Country Dancer
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ARM Minutes 2019
SQUIRE: Pete Simpson, 69 Norfolk Road, Erdington, Birmingham, West Midlands B23 6ND Tel: 0121 3734654 Email: [email protected] BAGMAN: Jon Melville, 57 Shakespeare Drive, Nuneaton Warwickshire CV11 6NW Tel: 02476 345543 Email: [email protected] TREASURER: Clayton Francis, 25 Aultone Way, Sutton, Surrey SM1 3LD. Tel: 0208 3957821 Email: [email protected] nd Minutes of the Morris Ring 2019 Annual Reps’ Meeting Saturday 2 March 1) Attendees and Apologies I. Elected Officers Signature Squire Pete Simpson √ Bagman Jon Melville √ Treasurer Clayton Francis √ Chair: Advisory Council Edward Worrall √ ll. Elected Area Representatives Area Rep.: East Nigel Strudwick √ Area Rep.: North Jono Millward √ Area Rep.: North West David Loughlin √ Area Rep.: South West & Wales Paul Reece √ Area Rep.: West Midlands Mark Carter √ Area Rep.: North East Brian Pollard √ Area Rep.: North Midlands Charlie Corcoran √ Area Rep.: South Midlands Roger Comley √ Area Rep.: South East Fred Hands √ lII. Appointed Ring Officers: Archives Archive Group Chairman Chris Wildridge √ Archive - Morris Ring Archivist & Keeper of Paper Archive Geoff Douglas Archives - Keeper of the Mumming Archive Ron Shuttleworth Archives - Keeper of the Photograph Archive Duncan Broomhead Minutes of 2019 ARM March 2019 Page 1 Archives - Keeper of the Sound Archive Andy Padmore Archives - New Dance Collator Lester Bailey Archives - Scrapbook Keeper Cliff Marchant Archives - Logbook Keeper Charlie Corcoran N/A IV. Appointed Ring Officers: Communications & Services Publications – Editor Morris Circular Tony Foard Publications - Editor Morris Dancer Mac McCoig Social Network Coordinator Peter de Courcy √ MR Web Site Editor Peter de Courcy N/A Overseas Bagman Nigel Strudwick N/A Morris (Ring) Shop Keeper Shaun Lambley √ Auditor Current Tony Tomlin √ Auditor Past (HMRC) Richard Sinclair V. -
A History of Appalachia
University of Kentucky UKnowledge Appalachian Studies Arts and Humanities 2-28-2001 A History of Appalachia Richard B. Drake Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Drake, Richard B., "A History of Appalachia" (2001). Appalachian Studies. 23. https://uknowledge.uky.edu/upk_appalachian_studies/23 R IC H ARD B . D RA K E A History of Appalachia A of History Appalachia RICHARD B. DRAKE THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by grants from the E.O. Robinson Mountain Fund and the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Paperback edition 2003 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kenhlcky Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 12 11 10 09 08 8 7 6 5 4 Library of Congress Cataloging-in-Publication Data Drake, Richard B., 1925- A history of Appalachia / Richard B. -
Faculty Handbook & Constitution
_______________________LEE UNIVERSITY_____________________ Faculty Handbook & Constitution 2020-2021 Published by the Office of the Provost and Vice President for Academic Affairs _________________LEE UNIVERSITY FACULTY HANDBOOK & CONSTITUTION_________________ TABLE OF CONTENTS INTRODUCTION A Message from the President ....................................................................................................... 1–1 A Message from the Provost and Vice President for Academic Affairs ......................................... 1–2 Historical Profile of Lee University ................................................................................................. 1–3 Presidents of the University ........................................................................................................... 1–4 PURPOSE AND OBJECTIVES Accreditation .................................................................................................................................. 2–1 Mission Statement .......................................................................................................................... 2–1 Expanded Statement of Institutional Purpose ............................................................................... 2–1 Faith Statement .............................................................................................................................. 2–3 Institutional Goals ........................................................................................................................... 2–4 -
American Square Dance Vol. 44, No. 4
AMERICAN SQUARE DANCE Annual $12 APRIL 1989 Single $1.25 HANHURST'S TAPE & RECORD SERVICE THE "ORIGINAL" z SUBSCRIPTION z dS3 cc L TAPE SERVICE a Have you heard all the 75-80 releases that Y 1VdVH3 TR 1: 1 have come out in the 1: OUN 1V last 3 months? C Since 1971 GO OH CHICA 1VA "I think you and your staff are doing a great I— job with the record service. You have pro- vided very responsive service when it comes )IOONIHO to record ordering. Having both the tape and record service you provide, is well worth the 33 expense." -- S.H., APO, New York Er cr —4 a. ❑ 1 1: "l am quite impressed with the quality of the reproduction of the monthly Hanhurst tape." B.B., Alberta, Canada cc 009 03 1 SE HOU 139 0 The Continuing Choice of 1,300 Callers! 0 CH CALL TOLL FREE NOW RAN t - FOR FREE SAMPLE TAPE VISA' UV9 - 1-800-445-7398 9 (In N.J. 201-445-7398) HANHURST'S TAPE & RECORD SERVICE STAR P.O. BOX 687 z RIDGEWOOD, N.J. 07451-0687 —1 BLUE EUREKA STING SNOW LOU MAC BIG MAC AMERICAN [--71 SaURRE ORNCE VOLUME 44, No. 4 THE INTERNATIONAL MAGAZINE APRIL 1989 WITH THE SWINGING LINES ASD FEATURES FOR ALL OUR READERS SPEAK 4 Co-Editorial 6 Grand Zip 5 bly-Line 41 Straight Talk 7 Meandering with Stan 43 Feedback 11 Get Out Of Step 13 April Fool Fun SQUARE DANCE SCENE 14 Dancing Daffy-nitions 20 Late Callerlab News 15 The Anaria Sheikdom 58 A/C Lines (Advanced & Challenge) 19 The Late Great Square Dance 70 Callerlab News 21 Name A Day—Or A Club 72 International News 23 Vacation '89 (Events) 93 S/D Mastercard 29 Encore 101 LSF Institute 31 Hem-Line 104 Run To Oklahoma 35 Dandy Idea 36 Product Line ROUNDS 37 Best Club Trick 33 Cue Tips 39 On Line 63 R/D Pulse Poll 45 Party Line 47 Dancing Tips 79 Facing the L.O.D. -
BILL LOWE and the MUSIC of EASTERN APPALACHIA Heidi Mckee Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2013 BILL LOWE AND THE MUSIC OF EASTERN APPALACHIA Heidi Mckee Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the History Commons Recommended Citation Mckee, Heidi, "BILL LOWE AND THE MUSIC OF EASTERN APPALACHIA" (2013). All Theses. 1652. https://tigerprints.clemson.edu/all_theses/1652 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BILL LOWE AND THE MUSIC OF EASTERN APPALACHIA A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Heidi Baldwin McKee May 2013 Accepted by: Dr. Paul Anderson, Committee Chair Dr. Rod Andrew Dr. Alan Grubb ABSTRACT As the twentieth century progressed with radio and communications technology, the culture of the Appalachian mountains became an unexplored resource of vast cultural proportions. The Old Regular Baptist faith of the mountains had influenced creative thinkers in the area for generations, and the coming of settlement schools brought secular evaluation from outside the culture. As the people living in the mountains began to understand the uniqueness of their musical heritage, radio technology was becoming available on a much larger scale than ever before. Singers and songwriters from the mountains found eager audiences on a national level. One of these musicians was Bill Lowe, of Pike County, Kentucky. His early experiences with music clashed with his family’s belief system and he found himself caught up in the contradictions of southern spirituality. -
Appalachian Studies Bibliography Cumulation 2013-June 2016 ______
Appalachian Studies Bibliography Cumulation 2013-June 2016 _____________________ CONTENTS Agriculture and Land Use ................................................................................................................3 Appalachian Studies.........................................................................................................................8 Archaeology and Physical Anthropology ......................................................................................14 Architecture, Historic Buildings, Historic Sites ............................................................................18 Arts and Crafts ..............................................................................................................................21 Biography .......................................................................................................................................27 Civil War, Military.........................................................................................................................29 Coal, Industry, Labor, Railroads, Transportation ..........................................................................37 Description and Travel, Recreation and Sports .............................................................................63 Economic Conditions, Economic Development, Economic Policy, Poverty ................................71 Education .......................................................................................................................................82 -
Dance for Physically Disabled Persons: a Manual for Teaching Ballroom, Square, and Folk Dances to Users of Wheelchairs and Crutches
DOCUMENT RESUME ED 146 720 EC 102 698 AUTHOR Hill, Kathleen TITLE Dance for Physically Disabled Persons: A Manual for Teaching Ballroom, Square, and Folk Dances to Users of Wheelchairs and Crutches. INSTITUTION American Alliance for Health, Physical Education, and Recreation, Washington, D.C. SPONS AGENCY Bureau of Education for: the Handicapped (DHEW/OE), Washington, D.C. Div. cf Innovation and Development. MORT NO 447AH50022 PUB DATE Jun 76 GRANT G007500556 NOTE 114p.; For related information, see EC 102 692 - EL 102 697 AVAILABLE FROM Physical Education and Recreation for the Handicapped, Information and Research Utilization Center (IRUC), 1201 Sixteenth Sreet, N.W., Washington, D.C. 20036 ($7.95) EDRS PRICE ME-$0.83 Plus Postage. HC Not Available from EDRS. DESCRIPTORS Adapted Physical Education; *Dance; Physical Acti-rities; *Physically Handicapped; Psychological Needs; Recreation; Rehabilit_tion; *Teaching Methods; Wheel Chairs ABSTRACT . The final booklet in a series on physical education and sports for the handicapped presents ideas for teaching dance to the physically disabled. Introductory sections consider the rehabilitation role of dance, physiological and psychological benefits, and facilities for dance instruction. Step-by-step suggestions are given for teaching ballroom dance (waltz, foxtrot, merengue, cha-cha, rhumta, and tango), square dance, and folk dance to persons using wheelchairs and crutches. Also included are reprints of seven articles on dance :and a listing of additional resources on dance. (CL) *********************************************************************** * Documents acquired by ERIC include many irformal unpublished * * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardccpy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). -
Jean Thomas' American Folk Song Festival : British Balladry in Eastern Kentucky
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 4-1978 Jean Thomas' American Folk Song Festival : British balladry in Eastern Kentucky. Marshall A. Portnoy University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Musicology Commons, and the Other Music Commons Recommended Citation Portnoy, Marshall A., "Jean Thomas' American Folk Song Festival : British balladry in Eastern Kentucky." (1978). Electronic Theses and Dissertations. Paper 3361. Retrieved from https://ir.library.louisville.edu/etd/3361 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. JEAN THOMAS' AfiERICAN FOLK SONG FESTIVAL: ''. BRITISH BALLADRY IN EASTERN KENTUCKY ·By . Marshall A. Portnoy '" B.A., Yale University, 1966 M.S., Southern Connecticut State College, 1967 B. Mus., The Jewish Theological Seminary of America, 1971 Diploma of Hazzan, School of Sacred Music of The Jewish Theological Seminary of America, 1971 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of Music History Division of Humanities University of Louisville Louisville, Kentucky April 1978 © 1978 MARSHALL ALAN PORTNOY ALL RIGHTS RESERVED JEAN THOMAS' AMERICAN FOLK SONG FESTIVAL: BRITISH BALLADRY IN EASTERN KENTUCKY By Marshall A. -
News Www .Moreheadstate.Edu Morehead State University UPO Box 1100 Morehead, KY 40351-1689 (606) 783-2030 Feb
University Communications Pauline Young, Director News www .moreheadstate.edu Morehead State University UPO Box 1100 Morehead, KY 40351-1689 (606) 783-2030 Feb. 1, 2002 FOR IMMEDIATE RELEASE MOREHEAD, Ky.---Whether its Bluegrass, Celtic or folk, music lovers may enjoy it all at Morehead State University's "Americana Crossroads Live" on Friday, Feb. 22, in Duncan Recital Hall on the campus. The concert, which begins at 7:30p.m., will feature Atwater-Donnelly, Greg Trooper, and Melvin Goins & Windy Mountain. Doors open to the public at 7 p.m. to allow campus guests to visit the performers and sponsors display tables. Aubrey Atwater and Elwood Donnelly, are self-taught musicians from Rhode Island who formed a duo in 1987. Atwater has performed original songs of social commentary, as well as contemporary folk songs and traditional ballads. Donnelly, who has performed professionally since he was 15, began with a rock band, then as a solo artist, and later in a Cambodian band. He writes songs for voice, guitar and harmonica. The pair has performed throughout the United States and British Isles and their seven recordings receive international airplay. They have completed extensive research on folk music in New England, Ireland, England, Prince Edward Island, the Ozarks and Appalachia. The duet has shared festival billing with a number of folk legends, such as Jean Ritchie, Pete Seeger and Doc Watson. Among Atwater and Donnelly's latest projects was a live recording titled "And Then I'm Going Home." They also completed two books of poetry, written by Atwater, and a 130-page songbook titled "Song by Song." The free concert is presented by WMKY 90.3 FM, MSU's public radio to the mountains, and the University's Kentucky Center for Traditional Music (KCTM). -
The 610 Stompers of New Orleans: Mustachioed Men Making a Difference Through Dance Nikki M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 The 610 Stompers of New Orleans: Mustachioed Men Making a Difference Through Dance Nikki M. Caruso Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE THE 610 STOMPERS OF NEW ORLEANS: MUSTACHIOED MEN MAKING A DIFFERENCE THROUGH DANCE By NIKKI M. CARUSO A Thesis submitted to the School of Dance in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2014 © 2014 Nikki M. Caruso Nikki M. Caruso defended this thesis on April 4, 2014. The members of the supervisory committee were: Jennifer Atkins Professor Directing Thesis Tricia Young Committee Member Ilana Goldman Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii TABLE OF CONTENTS LIST OF FIGURES .........................................................................................................................v ABSTRACT ................................................................................................................................... vi INTRODUCTION ..........................................................................................................................1 CHAPTER ONE: “The Rise of the 610 Stompers: ‘Oh How I Want -
Stephenson1997-1998:Steph Bro Convo
Stephenson Memorial Concert Series 1997-1998 Stephenson Me mo ri al Concert Series The Stephenson Memorial Concert fund was es tab lished Dorian Wind Quintet with Billy Childs in 1987 by the late Louis B. Stephenson Jr. and Edna September 25, 1997, 8 o’clock M. Stephenson to honor their daugh ter, Nancy Anne, a Phelps Stokes Au di to ri um pi a nist who died early in her life. Following his death a few months after his retirement, the concerts also Jean Ritchie with George Pickow honored their son, John B. Stephenson, President of October 23, 1997, 3 o’clock Berea Col lege, 1984-1994. Phelps Stokes Auditorium The elder Stephensons’ wills provide for the con tin u a - ˘ tion of these memorial concerts in a manner that Zivili enables Berea College this year to present the first December 6, 1997, 8 o’clock Stephenson Memorial Concert Series. Seabury Arena In many ways, the multiple programs each year will be The Ahn Trio chosen to reflect the interests of their daughter and January 19, 1998, 8 o’clock son: of Nancy Anne, in the piano as a solo and Phelps Stokes Auditorium en sem ble instrument, of John, in traditional world and ethnic music and dance that foster an understanding of The Waverly Consort diverse cultural traditions, in contemporary themes that March 19, 1998, 8 o’clock expand an awareness of frontiers, and in the ex plo ra - Phelps Stokes Auditorium tion of a sense of place - wheth er in Appalachia or Scotland. Many thousands of students will come to Maxwell Street Klezmer Band appreciate the fruits of this memorial series. -
Northern Junket, Vol. 10, No. 9
fiHBj.r..=.i;r^rp Rp- ,,,,, .:. ^^^.^ ;^^ (J'ir^- ^^>-^ ^<vP""'-v/ yf^c\'^ ^^^^mk vol 10 $ HO 9 \mci Article page Take It Or Leave It - - - - 1 Style - - - - 2 Hews - - - 3-12t-22-29 Hotes At A Callers' Meeting - * • if. Money Musk - - • •. 7 A Stolen Amati Violin Pound - - - 10 The Mystery Man Of Irish Music - - 13 Patter Chatter -, • - - 20 And In Conclusion - - - 23 Contra Dance - Braintree Hornpipe - -. 25 Square Dance - Fori'/ard 6 The Gents Pass Under - Z6 Folk Dance - Laces And Graces - - - 2? Polk Song - Aura lee - • - 28 let«s Mix »Bm Up ~ - - - 30 It's Pun To Hunt - - - • 3I Painless Folklore - - «, - 40 Remember Ii/hen - Tongue Twisters - ^3 JTew England Folklore - • -> .. i|4 Good Pood - - - - w ij.6 . Tkm IT OR LBAVB IT This month I'd like to quote from an article I wrote for the Hew Eng- land Caller's 20th anniversary issue: "Most of mankind are 'joiners'. They like to ""bQlone" to scanething; they like to feel that the organization to which they belong is a little bit better than the general nqj of things. By Joining a S/d club, they feel that they are better 'dr.nccrs than othor pooplc who do not- belong to a- S/d .' club. Sometimes they are J So-called traditional dancing, not being organized into clubs, began to be looked down upon by club members . Club members began to think of the others as belonging in the same category of people who went to "barn dances". Traditional dancing fell by the wayside because of lack of organizations catering to those needs, "The traditional dancers sneer at the club dancers, and the club dancers sneer at the tradi- tional dancers.