The 610 Stompers of New Orleans: Mustachioed Men Making a Difference Through Dance Nikki M
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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 The 610 Stompers of New Orleans: Mustachioed Men Making a Difference Through Dance Nikki M. Caruso Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE THE 610 STOMPERS OF NEW ORLEANS: MUSTACHIOED MEN MAKING A DIFFERENCE THROUGH DANCE By NIKKI M. CARUSO A Thesis submitted to the School of Dance in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2014 © 2014 Nikki M. Caruso Nikki M. Caruso defended this thesis on April 4, 2014. The members of the supervisory committee were: Jennifer Atkins Professor Directing Thesis Tricia Young Committee Member Ilana Goldman Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii TABLE OF CONTENTS LIST OF FIGURES .........................................................................................................................v ABSTRACT ................................................................................................................................... vi INTRODUCTION ..........................................................................................................................1 CHAPTER ONE: “The Rise of the 610 Stompers: ‘Oh How I Want to Be in That Number’” ....................................6 CHAPTER TWO: “Extraordinary Moves: Dance as Continuation and Creation” ......................................................31 CHAPTER THREE: “The Stompers’ Balls: Dancing for the Greater Good” .................................................................54 CONCLUSION ..............................................................................................................................77 APPENDIX ....................................................................................................................................81 BIBILIOGRAPHY ........................................................................................................................82 BIOGRAPHICAL SKETCH ........................................................................................................90 iv LIST OF FIGURES Figure 1: The 610 Stompers uniform worn in hot weather, including the variation of Team Gleason socks and red sweatbands. .................................................................................................7 Figure 2: The 610 Stompers uniform with red satin jacket and white sweatband. ..........................9 Figure 3: The front of the Jefferson City Buzzards’ support truck and their banner. ....................34 Figure 4: SLAB asking questions at the 2013 auditions. ...............................................................39 Figure 5: 2012 Sweet 610 Debutante Ball attendees take to the dance floor. ..............................62 Figure 6: Stompers teach 2013 Ball Crawl attendees their choreography. ....................................64 Figure 7: Raucous dancing (and beer-flinging) at the Kingpin bar. 2012 Ball Crawl. .................66 Figure 8: The 2012 Ball Crawl making its way down St. Charles Ave. to Fat Harry’s. Note the streetcar passing on the left. ..........................................................................................................67 Figure 9: The 2013 trophy for the dance-off winner. ...................................................................69 v ABSTRACT In 2005, Hurricane Katrina devastated New Orleans. Nearly nine years later, the city still fights to recover. Within this landscape, mustachioed men wearing sweat bands, red satin jackets, blue coach shorts, and gold tennis shoes have emerged. These are the 610 Stompers, a group of everyday men with self-proclaimed “extraordinary moves” who have used dance, humor, and their local pop culture celebrity status to continually forge, embody, preserve, and serve the community of post-Katrina New Orleans in a way unparalleled by other organizations. The 610 Stompers are a dance group on one hand, but a representation of the New Orleans citizenry on the other. They emerged in the euphoria of the New Orleans Saints’ first trip to the Superbowl, quickly being adopted as the city’s favorite dance group. Since then, they have appeared in the Macy’s Thanksgiving Day Parade, danced at local sporting and charity events, and served as poster boys for local safety campaigns and public service announcements. Additionally, they now host two annual charity events. Dance is at the forefront of their existence, including high-energy booty-shaking, the Running Man, “riding the horse,” displays of machismo, and high-fives all around. Their use of popular, nostalgic, uninhibited moves makes dance not only accessible to the community, but a chance to find collective joy and the opportunity to play. The 610 Stompers are a unique symbol of a post-Katrina New Orleans culture that values the past, takes pride in the city, and lives in the moment. The Stompers’ story is one of simple beginnings and unexpected stardom. Through the 610 Stompers, New Orleanians are able to unite over a common cause, see that even underdogs can become extraordinary, preserve local traditions, help others in need, and experience unabashed happiness through dance. Through dance, the Stompers preserve the traditions of the city’s past, embrace the present, and strive for a better future in post-Katrina New Orleans. vi INTRODUCTION In the early hours of August 29, 2005, Hurricane Katrina hit the city of New Orleans. The city was devastated by flood waters from levee breaks, rain, and the winds of a powerful hurricane. Large portions of the city were engulfed in as much as fourteen feet of water. Though Katrina was only classified as a Category 3 hurricane, it left parts of the city uninhabitable for weeks, if not months.1 The people of New Orleans were also damaged, and nine years later they are still travelling the long road to recovery. Bob Hirshon, host of Science Update, interviewed Ronald Kessler of Harvard Medical School, who stated that “researchers found that anxiety, post-traumatic stress disorder, and mood disorders like depression were twice as high after Katrina as they had been before.”2 Added to this was the immense loss of life both directly and indirectly attributed to Hurricane Katrina: of the 1,833 total lives lost, 1,577 of them were in Louisiana alone.3 Perhaps unsurprising in a city that heavily values the celebratory aspects of life, a great sense of combined nostalgia and hometown pride gripped the city after the initial shock of the storm subsided. This manifested in everything from a renewed love for the New Orleans Saints football team to an increased number of groups organizing and taking to the streets to dance or march during Carnival season. Perhaps the most well-known of the new dance groups is the “610 Stompers,” an organization of men who dance in their signature late 1970s/early 1980s-inspired gold tennis shoes, striped tube socks, powder blue shorts, red satin jackets, and white sweatbands. Founded in 2009, they are the first and only all-male dance group in New Orleans.4 The Stompers originated as a handful of friends and relatives with season tickets (in section 610 of the Superdome) for New Orleans Saints football games.5 Under the leadership of Chief Dancing 1 “Katrina’s Statistics Tell Story of Its Wrath,” The Weather Channel, accessed October 23, 2011, http://www.weather.com/newscenter/topstories/060829katrinastats.html. 2 Ronald Kessler, “Katrina Mental Health,” interview by Bob Hirshon, ScienceNetLinks, accessed November 28, 2011, http://sciencenetlinks/science-news/science-updates/katrina-mental-health/. 3 “Katrina’s Statistics Tell Story of Its Wrath,” The Weather Channel. These numbers include the greater New Orleans area that share a culture rather than just the city proper. 4 “The Dead Rockstars” are a dance group of mostly (but not all) men, and Le Krewe D’Etat has a male dance unit within their parade, but it does not exist as a separate entity. 1 Officer Brett “SLAB” Patron, they became a group of self-proclaimed “ordinary men” with “extraordinary moves” who use dance to preserve New Orleans traditions, embody post-Katrina cultural trends, and push toward a better future for the city by raising money for charity, unifying the community through movement, and spreading joy in a once-devastated city. The 610 Stompers are a reflection of the community they serve: with a little passion and determination, everyone can overcome obstacles and become extraordinary. Their ambitions were modest to start: We had one goal with [a] possible secondary goal. Our goal was to march in one Mardi Gras parade – we didn’t know which one yet – and then we thought, we dreamt about performing … at a Saints game, a halftime show. ... (That was something way far beyond our reach that would never happen.) And we talked about those two goals and set our sights on a Mardi Gras parade. That’s how we started. SLAB and his fellow Stompers set their sights on the Krewe of Muses parade, as it was the “perfect fit” for their inclusion of “alternative groups” alongside high school marching bands.6 To realize this goal, the Stompers choreographed their first moves, began contacting parade organizers, and held auditions to recruit more