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The Country Dancer
RECORDS THE COUNTRY DANCE SOCIETY OF AMERICA SERIES Made by Folk raft. COUNTRY Music by THE PINEWOODS PLAYERS: Accordion, Concertina, Violin, Double Bass, Guitar. Orcon Flute Leader: Phil Merrill. Project supervisor: May Gadd . DANCER Flll2 Nottingham Swing; Three Meet Flll3 Washington Quickstep; Norfolk Long Dance Flll4 The Rifleman; Morpeth Rant FillS Sicilian Circle; Circassian Circle Fl209 La Russe Quadrille; Cumberland Square Dance; Yorkshire Square dance Music by KENWORTHY SCHOFIELD - Pipe and Tabor. Fl210 Morris Dances: Shepherd's Hey Jig; Fool's Jig Constant Billy; Bobbing Joe Fl211 Country Dances: Oranges and Lemons; Parson's Farewell Corn Riggs; Hey Boys Up Go We Fl212 Morris Dances: Lads a Bunchum; Country Gardens Jig Tubes for Sword or Square Dancing: Killagan Slashers, Oh Dear What Can the Matter Be, Charlie Mack's Jig, Bonnie Dundee, Cock o' the North '• Prices: 1112, 1113, 1114, 1115 - 10 • .............. 89¢ each 1209, 1210 , 1211, 1212 - 12 • ............ U. 78 each I 0% discount to C.D.S. Members and C.D.S. Centers Order Records and Instruction Books (with tunes) from: THE COUNTRY DANCE SOCIETY OF AMERICA 31 UNION SQUARE W., NEW YORK 3, N. Y. Send no money with order. We will bl11 you for cost of record plus mailing charges. Morris Ring Gathering f VOLUME 8 Thaxted, Essex, England aiHER PHOTOGRAPH CREDITS: "Jean Ritchie" by Gary Wagner, New York, N.Y. "William Kimber" by L. G. Hill, St. Albans, England. "Morris Ring Gathering" by F. Harris, Bishop's NUMBER 3 Stortford, England - supplied by Alec Hunter, Squire of the Morris Ring. DECEMBER 1952 35c THE COUNTRY DANCER EDIT OR RECORD REVIEWER BOOK EDITOR May Gadd Edward Tatnall Canby Roberta Yerkes Anne Davis ART EDITOR Ruth Sanders Maggie Mahon Genevieve Shimer William Sellers Published four times yearly by THE COUNTRY DANCE SOCIETY OF AMERICA 31 Union Square West, New York, 3, N. -
Jeff King Recounts the Spread of Cycling’S Drug Culture from Europe to North America
THE JOURNAL Rider on the Storm Former pro cyclist Jeff King recounts the spread of cycling’s drug culture from Europe to North America. By Jeff King June 2013 All pihotos: Coutesy of Jeff Coutesy King All pihotos: Jeff King winning a pair of races in New York’s Central Park in 2006. The first thing I noticed in Belgium was the speed. We were racing at a pace at least five miles per hour faster than anything I had ever done in North America and not taking the usual rests that would allow me to survive three-hour races like this. I was getting my legs ripped off. 1 of 10 Copyright © 2013 CrossFit, Inc. All Rights Reserved. Subscription info at http://journal.crossfit.com CrossFit is a registered trademark ® of CrossFit, Inc. Feedback to [email protected] Visit CrossFit.com Rider ... (continued) I had arrived in Brussels the day before, fresh off a It was my first race and I was already thinking, “Man, these season of national-level professional races around the guys are fit.” U.S. The weekend before, I was still the team captain for the University of Colorado cycling team that won the collegiate national championships. I was named to the all-American team. I was in top form, winning races and confident I would win more, which is why I decided to In the late 1990s, there was a move to Belgium and compete as a professional cyclist. drug renaissance going on in The day before I arrived, I was on top of the world; the day European biking. -
ARM Minutes 2019
SQUIRE: Pete Simpson, 69 Norfolk Road, Erdington, Birmingham, West Midlands B23 6ND Tel: 0121 3734654 Email: [email protected] BAGMAN: Jon Melville, 57 Shakespeare Drive, Nuneaton Warwickshire CV11 6NW Tel: 02476 345543 Email: [email protected] TREASURER: Clayton Francis, 25 Aultone Way, Sutton, Surrey SM1 3LD. Tel: 0208 3957821 Email: [email protected] nd Minutes of the Morris Ring 2019 Annual Reps’ Meeting Saturday 2 March 1) Attendees and Apologies I. Elected Officers Signature Squire Pete Simpson √ Bagman Jon Melville √ Treasurer Clayton Francis √ Chair: Advisory Council Edward Worrall √ ll. Elected Area Representatives Area Rep.: East Nigel Strudwick √ Area Rep.: North Jono Millward √ Area Rep.: North West David Loughlin √ Area Rep.: South West & Wales Paul Reece √ Area Rep.: West Midlands Mark Carter √ Area Rep.: North East Brian Pollard √ Area Rep.: North Midlands Charlie Corcoran √ Area Rep.: South Midlands Roger Comley √ Area Rep.: South East Fred Hands √ lII. Appointed Ring Officers: Archives Archive Group Chairman Chris Wildridge √ Archive - Morris Ring Archivist & Keeper of Paper Archive Geoff Douglas Archives - Keeper of the Mumming Archive Ron Shuttleworth Archives - Keeper of the Photograph Archive Duncan Broomhead Minutes of 2019 ARM March 2019 Page 1 Archives - Keeper of the Sound Archive Andy Padmore Archives - New Dance Collator Lester Bailey Archives - Scrapbook Keeper Cliff Marchant Archives - Logbook Keeper Charlie Corcoran N/A IV. Appointed Ring Officers: Communications & Services Publications – Editor Morris Circular Tony Foard Publications - Editor Morris Dancer Mac McCoig Social Network Coordinator Peter de Courcy √ MR Web Site Editor Peter de Courcy N/A Overseas Bagman Nigel Strudwick N/A Morris (Ring) Shop Keeper Shaun Lambley √ Auditor Current Tony Tomlin √ Auditor Past (HMRC) Richard Sinclair V. -
7'Tie;T;E ~;&H ~ T,#T1tmftllsieotog
7'tie;T;e ~;&H ~ t,#t1tMftllSieotOg, UCLA VOLUME 3 1986 EDITORIAL BOARD Mark E. Forry Anne Rasmussen Daniel Atesh Sonneborn Jane Sugarman Elizabeth Tolbert The Pacific Review of Ethnomusicology is an annual publication of the UCLA Ethnomusicology Students Association and is funded in part by the UCLA Graduate Student Association. Single issues are available for $6.00 (individuals) or $8.00 (institutions). Please address correspondence to: Pacific Review of Ethnomusicology Department of Music Schoenberg Hall University of California Los Angeles, CA 90024 USA Standing orders and agencies receive a 20% discount. Subscribers residing outside the U.S.A., Canada, and Mexico, please add $2.00 per order. Orders are payable in US dollars. Copyright © 1986 by the Regents of the University of California VOLUME 3 1986 CONTENTS Articles Ethnomusicologists Vis-a-Vis the Fallacies of Contemporary Musical Life ........................................ Stephen Blum 1 Responses to Blum................. ....................................... 20 The Construction, Technique, and Image of the Central Javanese Rebab in Relation to its Role in the Gamelan ... ................... Colin Quigley 42 Research Models in Ethnomusicology Applied to the RadifPhenomenon in Iranian Classical Music........................ Hafez Modir 63 New Theory for Traditional Music in Banyumas, West Central Java ......... R. Anderson Sutton 79 An Ethnomusicological Index to The New Grove Dictionary of Music and Musicians, Part Two ............ Kenneth Culley 102 Review Irene V. Jackson. More Than Drumming: Essays on African and Afro-Latin American Music and Musicians ....................... Norman Weinstein 126 Briefly Noted Echology ..................................................................... 129 Contributors to this Issue From the Editors The third issue of the Pacific Review of Ethnomusicology continues the tradition of representing the diversity inherent in our field. -
The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In
THE USE OF THE POLISH FOLK MUSIC ELEMENTS AND THE FANTASY ELEMENTS IN THE POLISH FANTASY ON ORIGINAL THEMES IN G-SHARP MINOR FOR PIANO AND ORCHESTRA OPUS 19 BY IGNACY JAN PADEREWSKI Yun Jung Choi, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Adam Wodnicki, Major Professor Jeffrey Snider, Minor Professor Joseph Banowetz, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Choi, Yun Jung, The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski. Doctor of Musical Arts (Performance), May 2007, 105 pp., 5 tables, 65 examples, references, 97 titles. The primary purpose of this study is to address performance issues in the Polish Fantasy, Op. 19, by examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the one-movement concerto introduced by nineteenth-century composers such as Weber and Liszt. Given that the Polish Fantasy, Op. 19, as well as most of Paderewski’s compositions, have been performed more frequently in the last twenty years, an analysis of the combination of the three characteristic aspects of the Polish Fantasy, Op.19 - Polish folk music, the generic rhetoric of a fantasy and the one- movement concerto - would aid scholars and performers alike in better understanding the composition’s engagement with various traditions and how best to make decisions about those traditions when approaching the work in a concert setting. -
American Square Dance Vol. 44, No. 4
AMERICAN SQUARE DANCE Annual $12 APRIL 1989 Single $1.25 HANHURST'S TAPE & RECORD SERVICE THE "ORIGINAL" z SUBSCRIPTION z dS3 cc L TAPE SERVICE a Have you heard all the 75-80 releases that Y 1VdVH3 TR 1: 1 have come out in the 1: OUN 1V last 3 months? C Since 1971 GO OH CHICA 1VA "I think you and your staff are doing a great I— job with the record service. You have pro- vided very responsive service when it comes )IOONIHO to record ordering. Having both the tape and record service you provide, is well worth the 33 expense." -- S.H., APO, New York Er cr —4 a. ❑ 1 1: "l am quite impressed with the quality of the reproduction of the monthly Hanhurst tape." B.B., Alberta, Canada cc 009 03 1 SE HOU 139 0 The Continuing Choice of 1,300 Callers! 0 CH CALL TOLL FREE NOW RAN t - FOR FREE SAMPLE TAPE VISA' UV9 - 1-800-445-7398 9 (In N.J. 201-445-7398) HANHURST'S TAPE & RECORD SERVICE STAR P.O. BOX 687 z RIDGEWOOD, N.J. 07451-0687 —1 BLUE EUREKA STING SNOW LOU MAC BIG MAC AMERICAN [--71 SaURRE ORNCE VOLUME 44, No. 4 THE INTERNATIONAL MAGAZINE APRIL 1989 WITH THE SWINGING LINES ASD FEATURES FOR ALL OUR READERS SPEAK 4 Co-Editorial 6 Grand Zip 5 bly-Line 41 Straight Talk 7 Meandering with Stan 43 Feedback 11 Get Out Of Step 13 April Fool Fun SQUARE DANCE SCENE 14 Dancing Daffy-nitions 20 Late Callerlab News 15 The Anaria Sheikdom 58 A/C Lines (Advanced & Challenge) 19 The Late Great Square Dance 70 Callerlab News 21 Name A Day—Or A Club 72 International News 23 Vacation '89 (Events) 93 S/D Mastercard 29 Encore 101 LSF Institute 31 Hem-Line 104 Run To Oklahoma 35 Dandy Idea 36 Product Line ROUNDS 37 Best Club Trick 33 Cue Tips 39 On Line 63 R/D Pulse Poll 45 Party Line 47 Dancing Tips 79 Facing the L.O.D. -
Julius S. Held Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt3g50355c No online items Finding aid for the Julius S. Held papers, ca. 1921-1999 Isabella Zuralski. Finding aid for the Julius S. Held 990056 1 papers, ca. 1921-1999 Descriptive Summary Title: Julius S. Held papers Date (inclusive): ca. 1918-1999 Number: 990056 Creator/Collector: Held, Julius S (Julius Samuel) Physical Description: 168 box(es)(ca. 70 lin. ft.) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Research papers of Julius Samuel Held, American art historian renowned for his scholarship in 16th- and 17th-century Dutch and Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear feet of material, dating from the mid-1920s to 1999, includes correspondence, research material for Held's writings and his teaching and lecturing activities, with extensive travel notes. Well documented is Held's advisory role in building the collection of the Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of study photographs documents Flemish and Dutch artists from the 15th to the 17th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note The art historian Julius Samuel Held is considered one of the foremost authorities on the works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt. -
Gibson CV 2020
Mara Gibson maragibson.com 5652 Burgundy Ave [email protected] Baton Rouge, LA 70806 (913) 957-6876: cell Education 1996--2001 Ph.D. Music Composition, State University of New York at Buffalo; Buffalo, NY Committee Members: David Felder, Martha Hyde, Erik Oña, Michael Long; Outside Reader: Stephen Jaffe, Duke University; Dissertation: mirar 1990--1994 Bachelor of Arts, Music Composition and Piano Performance, Bennington College; Bennington, VT Positions 2017—present Louisiana State University, Associate Professor of Composition (starting 2018) Visiting Assistant Professor: Composition (2017-18), Composition Forum, Laptop Orchestra, Constantinides New Music Ensemble, Orchestration (CxC certified), Contemporary Musical Practices PhD Committees: William Montgomery (chair), Landon Viator, Shane Courville, Christopher McCardle; MM Committee: Austin Franklin; Honors Thesis Committee: Hollyn Slykhuis, Mikeila McQueston (National Board of Sigma Phi Chapter Scholastic Award, LSU Presser Award) 2004--2017 Conservatory of Music and Dance, University of Missouri-Kansas City Associate Teaching Professor (2013- present), Instructor (2004-2013): Composition (133-433), Creative Strategies for Collaboration, Composition Forum, Ensembles for Composers, MUSE, graduate faculty (committee member), Musicianship IV, Composition Coordinator for Undergraduate Recruitment (2016), supervise all teaching artists for Conservatory in the Schools, Composition Workshop founder and director. Recent DMA committees: Dylan Baker, Tatev Amiryan, AMao Wang, MM Committees: -
Eponyms in Dance Terminology As an Object of Translation Judyta Mężyk
Eponyms in Dance Terminology as an Object of Translation Judyta Mężyk To cite this version: Judyta Mężyk. Eponyms in Dance Terminology as an Object of Translation. Pólrocznik Językoz- nawczy Tertium, 2021, 5 (2), 10.7592/Tertium2020.5.2.Mezyk. hal-03277873 HAL Id: hal-03277873 https://hal.archives-ouvertes.fr/hal-03277873 Submitted on 5 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Półrocznik Językoznawczy Tertium. Tertium Linguistic Journal 5 (2) (2020) www.journal.tertium.edu.pl http://dx.doi.org/10.7592/Tertium2020.5.2.Mezyk Eponyms in Dance Terminology as an Object of Translation Judyta Mężyk University of Silesia in Katowice, Poland University Paris-Est Créteil Val de Marne, France [email protected] Abstract This paper raises both the issue of eponyms emerging in dance terminology and problems concerning their translation. In Section 1, a short introduction to the topic is presented. Section 2 covers theoretical background crucial to understand the topic, defining the notion of eponym vital to the paper as well as that of sociolect of the dance community. Moving on to the methodology of this research, Section 3 contains the corpus of 56 Polish eponyms in dance terminology, gathered mostly from books such as Kopaliński’s “Słownik eponimów, czyli wyrazów odimiennych” (1996), his “Słownik wyrazów obcych i zwrotów obcojęzycznych” (2003), Chodkowski’s “Encyklopedia muzyki” (1995), Dąbrowska’s “W kręgu polskich tańców ludowych” (1979) and during various lectures conducted by dance teachers, along with their English translations. -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
Sub-Group Ii—Thematic Arrangement
U.S. SHEET MUSIC COLLECTION SUB-GROUP II—THEMATIC ARRANGEMENT Consists of vocal and instrumental sheet music organized by designated special subjects. The materials have been organized variously within each series: in certain series, the music is arranged according to the related individual, corporate group, or topic (e.g., Personal Names, Corporate, and Places). The series of local imprints has been arranged alphabetically by composer surname. A full list of designated subjects follows: ______________________________________________________________________________ Patriotic Leading national songs . BOX 458 Other patriotic music, 1826-1899 . BOX 459 Other patriotic music, 1900– . BOX 460 National Government Presidents . BOX 461 Other national figures . BOX 462 Revolutionary War; War of 1812 . BOX 463 Mexican War . BOX 464 Civil War . BOXES 465-468 Spanish-American War . BOX 469 World War I . BOXES 470-473 World War II . BOXES 474-475 Personal Names . BOXES 476-482 Corporate Colleges and universities; College fraternities and sororities . BOX 483 Commercial entities . BOX 484 1 Firemen; Fraternal orders; Women’s groups; Militia groups . BOX 485 Musical groups; Other clubs . BOX 486 Places . BOXES 487-493 Events . BOX 494 Local Imprints Buffalo and Western New York imprints . BOXES 495-497 Other New York state and Pennsylvania imprints . BOX 498 Rochester imprints . BOXES 499-511 ______________________________________________________________________________ 2 U.S. Sheet Music Collection Ruth T. Watanabe Special Collections, Sibley Music Library Sub-Group II PATRIOTIC SERIES Leading National Songs Box 458 Ascher, Gustave, arr. America: My Country Tis of Thee. For voice and piano. In National Songs. New York: S. T. Gordon, 1861. Carey, Henry, arr. America: The United States National Anthem. -
1910 Brussels International Exhibition
1910 Brussels International Exhibition Belgium’s 5th such event confirmed her position as a major host of international events. Staged thirteen years after the previous Brussels Expo (5 years after that in Liège), and a year after the London international exhibition at which Belgium had a large pavilion, this fair revealed the government’s heavy commitment to international display. King Albert was patron and le Comte de Smet de Naeyer, minister of finance and public works, oversaw his department’s involvement in its construction. Major participants were France, Holland, UK & Ireland, Russia, Germany, Brazil, Spain & Italy. A pavilion for all other nations was erected, in which they put up stands. In all fewer nations attended than previous exhibitions. The exhibition opened on 23 April and closed during November. Some 13,000,000 people attended but the fair lost some 10,000 BEF. About 9 pm on the evening of Sunday 14 August, a fire broke out, but apart from the animals in the zoo being killed by smoke and heat, nobody was killed, as the public had already gone home. The fire broke out near the central gallery and quickly spread to the British section, the city of Paris pavilion and a French restaurant. After several hours the fire was brought under control, the rest of the site escaping damage. The remaining British industrial exhibits were relocated in the Salle des Fêtes. The fire greatly stimulated people’s curiosity to see the exhibition. The exhibition was sited in the Solbosch park, near the Bois de la Cambre at the outer end of the Avenue Louise in.