Enjoy the Show

Total Page:16

File Type:pdf, Size:1020Kb

Enjoy the Show CREAMFIELDS COMMUNITY TRAVEL & TRANSPORT Creamfields is renowned for its friendly crowd CREAMFIELDS SHUTTLE BUS TRAVEL BY CAR and we’re keen to retain its community spirit, and Creamfields is located in Daresbury which is a with over 60,000 people camping at Creamfields Creamfields shuttle buses will be running small village in Cheshire in the North West of we need your help to do this. We’re asking people throughout the days and nights of the festival England between Liverpool and Manchester. to look out for each other, so if you see someone weekend, taking you directly to and from the looking the worse for wear or on their own and they festival site. Road closures will be in place for the event so we look like they need some help then do the right advise not to use sat nav, please follow festival thing, go over, check they’re ok and please alert a We’re keen to be green and reduce our carbon signage which you will pick up as you approach member of staff or security if you’re concerned. footprint so please use public transport and the shuttle bus services we have provided. The the site. Also this year be sure to check out our hubs and all Creamfields shuttle bus service operates from new ‘Chill Out Zone’ in the campsite village. These Liverpool, Manchester and Warrington (with a PARKING return service only available from the festival site to are areas where you can go if you feel the need for There is plenty of parking at Creamfields, if you Runcorn & Widnes). a rest, escape from the music or just a chat with our have not pre booked your car parking ticket you friendly welfare staff. #CreamfieldsCares can pay on the day Shuttle bus tickets can be booked in advance from 3 & 4 Day Camping - £20 on the day www.ticketmaster.co.uk or you can purchase your 2 Day Camping - £15 on the day shuttle bus tickets on the day of travel (please note NEW SECURITY MEASURES Day Ticket Holders - £10 each day this excludes Manchester – you MUST purchase an • Only bring what you need, the more you have the longer advance shuttle bus ticket if you wish to use this Free parking is included if you have purchased the search will take route). a Gold or Silver ticket or purchased Dreamfields • You may be searched at any time in any part of the accommodation. festival or campsite When you are leaving the festival, if you have • There will be bag and no bag lanes into the arena from not pre-purchased your shuttle bus ticket, you the campsite and for day tickets. People with bags may can purchase one from the shuttle bus box office TRAVEL BY TRAIN take longer to get in as all bags will be searched located next to the bridge at the shuttle bus pick up The nearest train stations to the Creamfields • Explosives dogs will be in use throughout the site point near to the north entrance, where the shuttle festival site are Runcorn Station, Warrington • All vehicles may be subject to a search when entering the buses will be departing from. Central, Warrington Bank Quay and Liverpool Lime car parks Street, all of which are connected to the main line • All people coming to the festival must have a valid ticket or Runcorn & Widnes tickets can only be purchased and have shuttle buses in operation. proof of purchase for collection (hard copy not electronic) from the festival shuttle bus box office – there is no • Extensive CCTV will be in operation throughout the festival pre-booking available for these destinations. www.creamfields.com/information/travel and the surrounding areas VERSION 1 • Armed police officers may be on duty at the festival ADVICE FROM POLICE WHAT TO BRING & WHAT NOT TO BRING CREAMFIELDS CHECKLIST TOP TIPS ITEMITEM CAMPSITECAMPSITE ARENA ARENA KEEP YOURSELF & YOUR BELONGINGS SAFE: TicketTicket All car parks are number coded so make a • Security will be tight – this event is ticket-only and festival AEROSOLSAEROSOLS note of the car park you parked in (and take goers must be aged 18 or over. Valid Validphoto photo ID ID ALCOHOLALCOHOL (NO GLASS (NO GLASSBOTTLES) BOTTLES) a photo!). Campsites are colour coded and • Be aware of your surroundings – remember that you are remember which colour campsite you’re in, go safer in a group. CAMERASCAMERAS (EXCLUDES (EXCLUDES SLR) SLR) Tent (ifTent you’re (if camping) you’re camping) / roll mat / &roll padlock) mat & padlock) one better and make your tent stand out so you • Look after your belongings – make sure you keep valuables CAMPFIRESCAMPFIRES can find it easier out of sight. TorchTorch CHILDRENCHILDREN UNDER UNDER18 YEARS 18 OLDYEARS OLD DRUGS & WEAPONS - DON’T BRING THEM! CHINESECHINESE LANTERNS LANTERNS Toilet Toiletroll roll Don’t lose your phone! If you do, make it easy • Drug use, including psychoactive substances and nitrous for someone to return it to you by taking a COOKINGCOOKING STOVES STOVES SOLID FUELSOLID HEXY FUEL ONLY HEXY ONLY oxide canisters, is illegal and positive action will be taken by WaterWater bottle bottle screen grab of a contact number that you can police. DISPOSABLEDISPOSABLE BBQ’S BBQ’S be reached on and save as your wallpaper, if it’s • Place any drugs or sharps in the surrender bins provided FIREARMS,FIREARMS, WEAPONS, WEAPONS, SHARPS SHARPS Food Food& booze & booze (if camping!) (if camping!) found the good Samaritan can call and return it at the entrance. Within theWithin limit theand limit decanted and decanted from any from glass any bottles glass bottles • Drugs dogs will be used and searches will take place. FIREWORKSFIREWORKS / PYROTECHNICS / PYROTECHNICS WaterproofWaterproof clothing clothing FLAG FLAGPOLES POLES Stay hydrated! Drinking water taps are located ALCOHOL: in the event arena and campsites so refill your FLARESFLARES / DISTRESS / DISTRESS FLARES FLARES SunglassesSunglasses • The Challenge 21 Scheme will be in operation on-site – water bottles regularly expect to be asked for valid photographic proof of age. FOODFOOD Hat Hat • Drink in moderation to ensure you remain alert and aware GAS CANISTERSGAS CANISTERS / CYLINDERS / CYLINDERS Set times are announced at the show. Laminates of your surroundings. GLASSGLASS ComfortableComfortable footwear footwear can be purchased from official sellers and the • Remember to drink plenty of water, especially if the weather (If they’re(If new they’re break new them break in nowthem not in atnow Creamfields!) not at Creamfields!) merchandise stalls on site ILLEGAL SUBSTANCES (DRUGS) is hot. ILLEGAL SUBSTANCES (DRUGS) Toiletries:Toiletries: wet wipes/antibacterial wet wipes/antibacterial lotion/suntan lotion/suntan lotion/toothpaste lotion/toothpaste & & • If you feel unwell or unusual, seek immediate help. LASERLASER PENS PENS/ LASER / LASER EQUIPMENT EQUIPMENT brush/rollbrush/roll on deodorant on deodorant (not glass) (not glass) Remember it’s a 4 day festival marathon…not a NITROUSNITROUS OXIDE OXIDE Dry shampooDry shampoo AND REMEMBER sprint! Pace yourself you’ll enjoy it more! • The site lies in a residential area – please be respectful PROFESSIONALPROFESSIONAL AUDIO AUDIO / VISUAL / VISUAL MobileMobile phone phone & battery & battery case (fullycase charged!) (fully charged!) towards neighbouring properties as you enter and leave the RECORDINGRECORDING EQUIPMENT EQUIPMENT Create your own ‘quiet space’ – for a good kip site. make sure you bring earplugs & an eye mask NEW PSYCHOACTIVENEW PSYCHOACTIVE SUBSTANCES SUBSTANCES Bin bagsBin bags(for dirty (for clothes/rubbish/footwear) dirty clothes/rubbish/footwear) • To report a crime during the event visit the on-site police (NPS)(NPS) station, which will be clearly signposted. PREVIOUSLYPREVIOUSLY LEGAL LEGALHIGHS HIGHS SleepingSleeping bag / bag Pillow / Pillow/ Eye mask/ Eye mask/ Ear plugs / Ear plugs Leave a phone number in your purse/wallet so if • Finally, follow the CreamfieldsCops account on Facebook SOUNDSOUND SYSTEM SYSTEM its handed in we can call you and return it and Twitter for updates and information. Bank Bankcard/Cash card/Cash UMBRELLASUMBRELLAS (LARGE, (LARGE, GOLFING) GOLFING) (Both are(Both accepted are accepted on all the on bars all the+ cash bars machines + cash machines are available are availableon site) on site) OPENING & CLOSING TIMES GET READY FOR THE GATES FAQ’s OFFICIAL COACH TRAVEL Please note there will be increased security CAN I BRING FOOD & DRINK? THURS FRI SAT SUN MON measures and stringent searches will be in place Yes if you’re camping. However, this can’t be 24TH 25TH 26TH 27TH 28TH and we ask all customers to be patient for this brought into the event arena, the limit on alcohol process, the police, dogs and security are there to you can bring is 1 Litre of spirits or wine + 1 crate keep YOU safe of cans (24) per person. CLOSE - CAMP 12PM- 12PM- 10AM- N/A SITE 9PM 9PM 9PM 2PM ARE THERE SHOWERS? Use the decanting Have your ticket If you have a Gold, Silver, Bronze or Dreamfields DAY 2PM- 12PM- station – no glass and valid photo ID camping ticket, you have access to hot showers N/A N/A N/A will be allowed OFFICIAL COACH TRAVEL TO TICKETS 9PM 9PM onsite ready & ‘proper’ toilets as part of your package. If CREAMFIELDS FESTIVAL you have a standard camping ticket you can purchase Club Class (access to proper toilets / THE LARGEST COACH MUSICCAR PARK5PM- OPENING3PM- &2PM- CLOSING12PM- TIMESN/A hot showers/pamper room) for info go to 11PM 11PM 4AM 11PM www.clubclassevents.com/festivals/creamfields PROVIDER TO THE Drugs & weapons Challenge 21 in don’t risk it - use operation - make FESTIVAL INDUSTRY LAST THURS FRI SAT SUN MON sure you collect a 9PM 9PM 9PM 9PM N/A the surrender bins CAN I CHARGE MY PHONE? ENTRY 24TH 25TH 26TH 27TH 28TH wristband if you look Yes there are various phone charging stations on provided! under 21 site.
Recommended publications
  • Executive of the Week: Columbia Records Senior VP
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 9, 2021 Page 1 of 18 INSIDE Executive of the Week: • Inside Track: How the Music Business Columbia Records Senior VP Is Preparing to Return to the Office Marketing Jay Schumer • Health Professionals on the Mental Toll of BY DAN RYS Returning to Shows Mid-Pandemic yler, The Creator’s sixth album, CALL ME extensively, and how marketing has changed over the • Shamrock Capital, IF YOU GET LOST, was a smash hit upon course of his career. “Fans have a lot of things they After Buying Taylor its release: 169,000 equivalent album units, could be doing at any given moment,” he says, “so you Swift’s Catalog, the single week highest of his career; a better be giving them a really good reason to give you Raises $200M to Tsecond straight No. 1 on the Billboard 200, and sixth their attention.” Loan to Creators straight top five; and a promotional campaign that in- Tyler, The Creator’s CALL ME IF YOU GET • For the First Time, cluded a performance at the BET Awards and several LOST debuted at No. 1 on the Billboard 200 this People of Color well-received music videos. week with 169,000 equivalent album units, the Dominate Recording It also was another release from the artist that came highest mark of his career. What key decisions did Academy Board of bundled with an innovative marketing plan, helped you make to help make that happen? Trustees: Exclusive by a rollout featuring a phone number that fans could The success of this album comes first and foremost • Taylor Swift, call to receive personalized messages from Tyler, from having an artist like Tyler who is one-of-a-kind Jack Antonoff & which followed the VOTE IGOR campaign that Tyler and has continued to grow with every release.
    [Show full text]
  • Using Green Man Festival As a Case Study
    An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study.
    [Show full text]
  • 59˚ 42 Issue Four
    issue four 59˚ 42 14 12 03 Editor’s Letter 22 04 Disposed Media Gaming 06 Rev Says... 07 Wishlist 08 Gamer’s Diary 09 BigLime 10 News: wii 11 Freeware 12 User Created Gaming 14 Shadow Of The Colossus 16 Monkey Island 17 Game Reviews Music 19 Festivals 21 Good/Bad: The New Emo 26 22 Mogwai 23 DoorMat 24 Music Reviews Films 26 Six Feet Under 28 Silent Hill 30 U-Turn 31 Film Reviews Comics 33 Marvel’s Ultimates Line 35 Scott Pilgrim 36 Wolverine 37 Comic Reviews Gallery 33 42 Next Issue... Publisher Tim Cheesman Editors Andrew Revell/Ian Moreno-Melgar Art Director Andrew Campbell Contributors Dan Gassis/Jason Brown/Jason Robbins/Adam Parker/Robert Florence/Keith Andrew /Jamie Thomson/Danny Badger Designers Peter Wright/Rachel Wild Cover-art Melanie Caine [© Disposable Media 2006. // All images and characters are retained by original company holding.] DM4/EDITOR’S LETTER So we’ve changed. We’ve CHANGE IS GOOD.not been around long, but we’re doing ok. We think. But we’ve changed as we promised we would in issue 1 to reflect both what you asked for, and also what we want to do. It’s all part of a long term goal for the magazine which means there’ll be more issues more often, as well as the new look and new content. You might have noticed we’ve got a new website as well; it’ll be worth checking on a very frequent basis as we update it with DM news, and opinion. We’ve also gone and done the ‘scene’ thing and set up a MySpace page.
    [Show full text]
  • Sponsorship Effects on Music Festival Participants
    Copenhagen Business School 2014 MSoc.Sc.Service Management MASTER’S THESIS Sponsorship Effects on Music Festival Participants Victor Guedon David Gramm Kristensen February, 5th, 2014 Supervisor Helle Haurum 111 Pages / 267.755 Characters Abstract While worldwide investments in sole sponsorship fees were expected to reach $53.3 billion in 2013, findings from the academic research on sponsorships’ ability to impact customers’ perception of a sponsor are inconsistent; ranging from positive, small or ambiguous effects to negative or no effects at all. Thus, the objective of the current research was to contribute by researching if participation in a music festival, NorthSide 2013, would influence festival participants’ perception of the main sponsor Royal Beer. To do so, the chosen research design was a pre-post event quasi experimental design with independent samples. It was crucial to have both pre and post event measurements of event participants to investigate a potential change. Moreover, the quasi-experimental strategy was deemed relevant since it features the use of a control group to identify the source of an effect. Identified as one of the reasons for the inconsistent academic findings, the aim was to avoid conscious processing of the respondents by eliciting sponsorships or the two entities together, so that answers collected would account for the effects rather than respondents’ opinions about how this sponsorship affected them. In pursuance of this research several practical steps have been undertaken: a thorough literature review, a face-to-face interview of the Royal Beer brand manager, creation of a beer brand personality scale fitted to the Danish setting, a focus group to translate the brand personality facets and most importantly; the design and data collection of three distinct questionnaires that resulted in a total of 950 valid responses.
    [Show full text]
  • Thehard DATA Summer 2015 A.D
    FFREE.REE. TheHARD DATA Summer 2015 A.D. EEDCDC LLASAS VEGASVEGAS BASSCONBASSCON & AAMERICANMERICAN GGABBERFESTABBERFEST REPORTSREPORTS NNOIZEOIZE SUPPRESSORSUPPRESSOR INTERVIEWINTERVIEW TTHEHE VISUALVISUAL ARTART OFOF TRAUMA!TRAUMA! DDARKMATTERARKMATTER 1414 YEARYEAR BASHBASH hhttp://theharddata.comttp://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR1 & MORE! EDITORIAL Contents Tales of Distro... page 3 Last issue’s feature on Los Angeles Hardcore American Gabberfest 2015 Report... page 4 stirred a lot of feelings, good and bad. Th ere were several reasons for hardcore’s comatose period Basscon Wasteland Report...page 5 which were out of the scene’s control. But two DigiTrack Reviews... page 6 factors stood out to me that were in its control, Noize Suppressor Interview... page 8 “elitism” and “moshing.” Th e Visual Art of Trauma... page 9 Some hardcore afi cionados in the 1990’s Q&A w/ CIK, CAP, YOKE1... page 10 would denounce things as “not hardcore enough,” Darkmatter 14 Years... page 12 “soft ,” etc. Th is sort of elitism was 100% anti- thetical to the rave idea that generated hardcore. Event Calendar... page 15 Hardcore and its sub-genres were born from the PHOTO CREDITS rave. Hardcore was made by combining several Cover, pages 5,8,11,12: Joel Bevacqua music scenes and genres. Unfortunately, a few Pages 4, 14, 15: Austin Jimenez hardcore heads forgot (or didn’t know) they came Page 9: Sid Zuber from a tradition of acceptance and unity. Granted, other scenes disrespected hardcore, but two The THD DISTRO TEAM wrongs don’t make a right. It messes up the scene Distro Co-ordinator: D.Bene for everyone and creativity and fun are the fi rst Arcid - Archon - Brandon Adams - Cap - Colby X.
    [Show full text]
  • From Glyndebourne to Glastonbury: the Impact of British Music Festivals
    An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research.
    [Show full text]
  • Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should Be Amended to Provide an Exception for Harm Reduction Services
    Chicago-Kent Law Review Volume 93 Issue 3 Comparative and Cross-Border Issues in Article 12 Bankruptcy and Insolvency Law 9-18-2018 Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should be Amended to Provide an Exception for Harm Reduction Services Robin Mohr Chicago-Kent College of Law Follow this and additional works at: https://scholarship.kentlaw.iit.edu/cklawreview Part of the Criminal Law Commons, Entertainment, Arts, and Sports Law Commons, Food and Drug Law Commons, and the Legislation Commons Recommended Citation Robin Mohr, Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should be Amended to Provide an Exception for Harm Reduction Services, 93 Chi.-Kent L. Rev. 943 (2018). Available at: https://scholarship.kentlaw.iit.edu/cklawreview/vol93/iss3/12 This Notes is brought to you for free and open access by Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in Chicago-Kent Law Review by an authorized editor of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. PREVENTING DRUG-RELATED DEATHS AT MUSIC FESTIVALS: WHY THE “RAVE” ACT SHOULD BE AMENDED TO PROVIDE AN EXCEPTION FOR HARM REDUCTION SERVICES ROBIN MOHR INTRODUCTION Amid flashing lights and pulsing beats, nearly 100,000 electronic dance music fans attended Electric Zoo on New York’s Randall’s Island in August 2013.1 Unfortunately the party was cut short. Following the deaths of two young fans, the final day of the three-day music festival was can- celed at the request of city authorities.2 In separate incidents, Olivia Ro- tondo, a twenty-year-old University of New Hampshire student, and Jeffrey Russ, a twenty-three-year-old Syracuse University graduate,3 died after collapsing at Electric Zoo with high body temperatures.4 Toxicology results revealed that Ms.
    [Show full text]
  • ISSUE B SS 2020 Your Personal White Space (Aaaahh Breathing Room...)
    ART + CULT ISSUE B SS 2020 your personal white space (aaaahh breathing room...) verbose və:’bəʊs adj. using or expressed in more words than are needed. 2 the_verbose issue b : bipolar spring 2020 the_verbose On the eve of this release, the world was forced to shelter in place. As I clicked “publish” and closed my laptop, little did I know what awaited me in the morning: a global crisis that would soon reveal itself as the harbinger for existential crisis (I know), and social and political movements as businesses and communities simultaneously dismantled to come together. The bipolarity of this fueled the hyper connectivity between physical and digital space which was the core of this second issue back in early 2019 as I set out to map global intersections through art. In a quest to identify the common threads in vastly different mediums, messages, cultures and geographies, we can now reflect on the creative intelligence breeding change and elevating the human spirit in an uncertain and transient world. This second issue, b, represents bipolar. Through travel and serendipitous encounters, I’ve been documenting creativity to build a narrative around the visible confluence of human interaction from polar opposite worlds. wuuuut? The result: a curation of art + culture that collectively guide us out of emotional cues and robotic reactions, adrenaline and apathy lacing swipes and likes, and towards stories inviting us to look beyond the pictures, and respond with questions, and with intention. My interviews get personal in effort to decrease the distance between people and the pages, print or pixel.
    [Show full text]
  • The Festival Take-Over Tribes Live #22
    #22 The festival take-over Tribes Live #22 Tribes Live is Channel 4's online research community, where around 350 16-24s from across the UK share their opinions and ideas to uncover what life is really like growing up in the UK today. Recruited through 4OD and free- find recruitment, our liberal but diverse community represents all 5 planning segments and 34 Tribes in the UK. Tribes Live: The festival take-over Tribes Live #22 “ Festivals are massive milestones in the year because they're kind of a mix of everything great. You went on holiday camping? You went to a concert? You went to a party? You hung out with friends? A music festival is like all of those things combined into one amazing weekend! Holly, 23, Sports Junkie, Mainstream” Page 3 of 14 Tribes Live #22 Escapism Tribes seek an escape from everyday responsibilities and stresses and how better to achieve this than by packing their bags and heading off to a festival? Festivals are more than just the event for Tribes. They’re accessible, exciting and for first time festivalgoers, , offer a real sense of independence but in a relatively safe and controlled environment. For the care-free and often more experienced Tribes on the festival circuit, spontaneity and the Festivals are the one chance for new and unknown experiences is always on offer. ” “ The music festival becomes everything and Festivals are THE big moment in the year for Tribes – for some it’s a rare time every moment in the day involves it. It’s an to gain independence, while others take the chance to explore new music on the live scene.
    [Show full text]
  • Do Ticketmaster's Exclusive Agreements with Concert Venues Violate Federal Antitrust Law?
    Journal of Civil Rights and Economic Development Volume 10 Issue 2 Volume 10, Spring 1995, Issue 2 Article 7 "Not for You"; Only for Ticketmaster: Do Ticketmaster's Exclusive Agreements with Concert Venues Violate Federal Antitrust Law? Matthew K. Finkelstein Colleen Lagan Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred This Note is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. "NOT FOR YOU";, ONLY FOR TICKETMASTER: DO TICKETMASTER'S EXCLUSIVE AGREEMENTS WITH CONCERT VENUES VIOLATE FEDERAL ANTITRUST LAW? America's antitrust laws are premised upon the belief that com- petition fosters the best allocation of resources within a given in- dustry.2 Lower prices, higher output, and better product quality that result from vigorous competition 3 are desirable from both so- cial and economic perspectives.4 The inherent conflict in applying antitrust law is that an effi- cient or innovative company may drive competitors out of busi- ness.5 A question then arises as to whether the dominant firm may have violated antitrust law simply because, through effi- 1 PEARL JAm, Not For You, on VrrALOGy (Sony Records 1994). 2 See National Soc'y of Professional Eng'rs v. United States, 435 U.S. 679, 695 (1978). In Professional Eng'rs, the Court stated that "[t]he Sherman Act reflects a legislative judg- ment that ultimately competition will produce lower prices, but better goods and services." Id.; see also Northern Pac.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Detecting Disease Outbreaks in Mass Gatherings Using Internet Data
    JOURNAL OF MEDICAL INTERNET RESEARCH Yom-Tov et al Original Paper Detecting Disease Outbreaks in Mass Gatherings Using Internet Data Elad Yom-Tov1, BSc, MA, PhD; Diana Borsa2, BSc, BMath, MSc (Hons); Ingemar J Cox3,4, BSc, DPhil; Rachel A McKendry5, BSc, PhD 1Microsoft Research Israel, Herzelia, Israel 2Centre of Computational Statistics and Machine Learning (CSML), Department of Computer Science, University College London, University of London, London, United Kingdom 3Copenhagen University, Department of Computer Science, Copenhagen, Denmark 4University College London, University of London, Department of Computer Science, London, United Kingdom 5University College London, University of London, London Centre for Nanotechnology and Division of Medicine, London, United Kingdom Corresponding Author: Diana Borsa, BSc, BMath, MSc (Hons) Centre of Computational Statistics and Machine Learning (CSML) Department of Computer Science University College London, University of London Malet Place Gower St London, WC1E 6BT United Kingdom Phone: 44 20 7679 Fax: 44 20 7387 1397 Email: [email protected] Abstract Background: Mass gatherings, such as music festivals and religious events, pose a health care challenge because of the risk of transmission of communicable diseases. This is exacerbated by the fact that participants disperse soon after the gathering, potentially spreading disease within their communities. The dispersion of participants also poses a challenge for traditional surveillance methods. The ubiquitous use of the Internet may enable the detection of disease outbreaks through analysis of data generated by users during events and shortly thereafter. Objective: The intent of the study was to develop algorithms that can alert to possible outbreaks of communicable diseases from Internet data, specifically Twitter and search engine queries.
    [Show full text]