Activism, Advertising, and Far-Right Media: the Case of Sleeping Giants
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The Olympic Games and Civil Liberties
Analysis A “clean city”: the Olympic Games and civil liberties Chris Jones Introduction In 2005, the UK won the right to host the 2012 Olympic Games. Seven years later, the Games are due to begin, but they are not without controversy. Sponsors of the Games – including McDonald’s, Coca-Cola, Cadbury’s, BP and, perhaps most controversially, Dow Chemical [1] – were promised “what is chillingly called a ‘clean city’, handing them ownership of everything within camera distance of the games.” [2] In combination with measures put in place to deal with what have been described as the “four key risks” of terrorism, protest, organised crime and natural disasters, [3] these measures have led to a number of detrimental impacts upon civil liberties, dealt with here under the headings of freedom of expression; freedom of movement; freedom of assembly; and the right to protest. The Games will be hosted in locations across the country, but primarily in London, which is main the focus of this analysis. Laying the groundwork Following victory for the bid to host the Games, legislation – the London Olympic Games and Paralympic Games Act 2006 – was passed “to make provision in connection with the Olympic Games and Paralympic Games that are take place in London in the year 2012.” [4] It is from here that limitations on freedom of expression have come, as well as some of the limitations on freedom of movement that stem from the introduction of “Games Lanes” to London’s road system. Policing and security remains the responsibility of the national and local authorities. -
“What I'm Not Gonna Buy”: Algorithmic Culture Jamming And
‘What I’m not gonna buy’: Algorithmic culture jamming and anti-consumer politics on YouTube Item Type Article Authors Wood, Rachel Citation Wood, R. (2020). ‘What I’m not gonna buy’: Algorithmic culture jamming and anti-consumer politics on YouTube. New Media & Society. Publisher Sage Journals Journal New Media and Society Download date 30/09/2021 04:58:05 Item License https://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/623570 “What I’m not gonna buy”: algorithmic culture jamming and anti-consumer politics on YouTube ‘I feel like a lot of YouTubers hyperbolise all the time, they talk about how you need things, how important these products are for your life and all that stuff. So, I’m basically going to be talking about how much you don’t need things, and it’s the exact same thing that everyone else is doing, except I’m being extreme in the other way’. So states Kimberly Clark in her first ‘anti-haul’ video (2015), a YouTube vlog in which she lists beauty products that she is ‘not gonna buy’.i Since widely imitated by other beauty YouTube vloggers, the anti-haul vlog is a deliberate attempt to resist the celebration of beauty consumption in beauty ‘influencer’ social media culture. Anti- haul vloggers have much in common with other ethical or anti-consumer lifestyle experts (Meissner, 2019) and the growing ranks of online ‘environmental influencers’ (Heathman, 2019). These influencers play an important intermediary function, where complex ethical questions are broken down into manageable and rewarding tasks, projects or challenges (Haider, 2016: p.484; Joosse and Brydges, 2018: p.697). -
Rejecting and Embracing Brands in Political Consumerism
Rejecting and Embracing Brands in Political Consumerism Rejecting and Embracing Brands in Political Con sumerism Magnus Boström The Oxford Handbook of Political Consumerism Edited by Magnus Boström, Michele Micheletti, and Peter Oosterveer Print Publication Date: Feb 2019 Subject: Political Science, Political Behavior Online Publication Date: Aug 2018 DOI: 10.1093/oxfordhb/9780190629038.013.50 Abstract and Keywords Brands play important roles as targets and arenas for political consumerism. Much of po litical consumerist action navigates towards large and highly visible brands, which politi cal consumers reject or embrace. This chapter views a brand—the name and logo of an actor/object and their associated/recognized meanings—as a core symbolic asset of an or ganization. The chapter argues that such a symbolic resource brings both opportunities and risks. A brand increases its power if it is entwined in institutions, identities, everyday practices, discourses, values, and norms. Successful eco- or ethical branding can bring profits, legitimacy, and power to companies. At the same time highly visible brands are targets of negative media reporting and movement attacks, and thus they are vulnerable to reputation risks. Through a literature review, the chapter demonstrates how brands re late to boycott/brand rejection, buycott, discursive, and lifestyle political consumerism. The concluding discussion suggests topics for future research. Keywords: boycott, buycott, discursive, labelling, lifestyle A columnist for the New York Times recently argued that online campaigns “against brands have become one of the most powerful forces in business, giving customers a huge megaphone with which to shape corporate ethics and practices, and imperiling some of the most towering figures of media and industry.”1 Regardless if he is correct or not in his assessment of the strong power of brand-focused online activism, without a doubt brands play imperative roles as targets and arenas for political consumerism, par ticularly in present times. -
Sleeping Giants: a Ofensiva Moral Dos Gigantes Adormecidos Contra O Novo Regime De Desinformação
VOL. 23, Nº 1, JAN.-ABR. 2021 ISSN 1518-2487 Sleeping Giants: a ofensiva moral dos gigantes adormecidos contra o novo regime de desinformação Sleeping Giants: La ofensiva moral de los gigantes dormidos contra el nuevo régimen de desinformación The moral offensive of Sleeping Giants against the new regime of disinformation Arthur Coelho Bezerra Juliano Borges Doutor em Ciências Humanas pela Universidade Jornalista (UFRJ) e doutor em Ciência Política pelo Federal do Rio de Janeiro, com pós-doutorado antigo IUPERJ com pós-doutorado em Comunica- também pela UFRJ. Mestre em Sociologia pelo ção Política pela Universidade do Estado do Rio antigo IUPERJ. Pesquisador Titular do Instituto de Janeiro. Professor titular do curso de Comuni- Brasileiro de Informação em Ciência e Tecnolo- cação Social do IBMEC e integrante do grupo de gia (IBICT/MCTIC), com bolsa de produtividade do pesquisa Escritos - Estudos Críticos em Informa- CNPq. Professor do Programa de Pós-Graduação ção, Tecnologia e Organização Social do Instituto em Ciência da Informação (PPGCIIBICTUFRJ). Lí- Brasileiro de Informação em Ciência e Tecnologia der do grupo de pesquisa Escritos - Estudos Crí- (IBICT). ticos em Informação, Tecnologia e Organização Contato: [email protected] Social Contato: [email protected] CreativeCommons Atribuição NãoComercial CompartilhaIgual Resumo O artigo analisa o trabalho do movimento cívico digital Sleeping Giants de enfrentamento à desinformação na internet por meio da desmonetização de sites produtores de conteúdos maliciosos. Com base em análises de posts e interações do movimento no Twitter, além de entrevista concedida pela cocriadora do grupo aos autores, apresentamos as táticas, os alvos e o tipo de linguagem que Sleeping Giants utiliza para combater a desinfor- mação na internet. -
© Copyright 2020 Yunkang Yang
© Copyright 2020 Yunkang Yang The Political Logic of the Radical Right Media Sphere in the United States Yunkang Yang A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2020 Reading Committee: W. Lance Bennett, Chair Matthew J. Powers Kirsten A. Foot Adrienne Russell Program Authorized to Offer Degree: Communication University of Washington Abstract The Political Logic of the Radical Right Media Sphere in the United States Yunkang Yang Chair of the Supervisory Committee: W. Lance Bennett Department of Communication Democracy in America is threatened by an increased level of false information circulating through online media networks. Previous research has found that radical right media such as Fox News and Breitbart are the principal incubators and distributors of online disinformation. In this dissertation, I draw attention to their political mobilizing logic and propose a new theoretical framework to analyze major radical right media in the U.S. Contrasted with the old partisan media literature that regarded radical right media as partisan news organizations, I argue that media outlets such as Fox News and Breitbart are better understood as hybrid network organizations. This means that many radical right media can function as partisan journalism producers, disinformation distributors, and in many cases political organizations at the same time. They not only provide partisan news reporting but also engage in a variety of political activities such as spreading disinformation, conducting opposition research, contacting voters, and campaigning and fundraising for politicians. In addition, many radical right media are also capable of forming emerging political organization networks that can mobilize resources, coordinate actions, and pursue tangible political goals at strategic moments in response to the changing political environment. -
26°C—39°C Today D
Community Community Indian actress Indian Ester Noronha Cultural will perform Centre P6live during the 17th P16 conducts Cultural Fest for Annual May Queen blue-collar workers which Ball to be held in entertains them with a Doha. new experience. Monday, April 24, 2017 Rajab 27, 1438 AH DOHA 26°C—39°C TODAY LIFESTYLE/HOROSCOPE 11 PUZZLES 12 & 13 COVER STORY Name of the game Profiting Ivanka fights to protect her first name. P4-5 2 GULF TIMES Monday, April 24, 2017 COMMUNITY ROUND & ABOUT Can’t Help Falling In Love DIRECTION: Mae Czarina Cruz-Alviar WRITTEN BY: Carmi Raymundo, Kristine Gabriel CAST: Kathryn Bernardo, Daniel Padilla SYNOPSIS: Gab (Kathryn Bernardo) is a “close to perfect girl” who’s already set to wed her long-time boyfriend Jason (Matteo Guidicelli). Her world, however, suddenly turns upside down when she discovers that she PRAYER TIME is already married – but to a total stranger, the happy-go-lucky Dos Fajr 3.44am (Daniel Padilla). As she fi gures out Shorooq (sunrise) 5.04am with how this unlikely incident Zuhr (noon) 11.32am happened between them, Gab starts Asr (afternoon) 3.01pm breaking her own rules to survive Maghreb (sunset) 6.03pm their crazily confusing situation. Isha (night) 7.33pm But with the changes in her well-planned life seems to come a change of heart as well. USEFUL NUMBERS THEATRES: The Mall, Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, -
COMMUNICATION and the CITY: VOICES, SPACES, MEDIA Leeds, June 14-15 2013
COMMUNICATION AND THE CITY: VOICES, SPACES, MEDIA Leeds, June 14-15 2013 PARALLEL SESSIONS 1 Friday June 14, 15:15-16:45 METHODS AND THEORIES FOR URBAN COMMUNICATION RESEARCH Lecture Theatre G.12 Chair: Simone Tosoni 1. Repositioning the visual essay and panoramic photography as instruments for urban research and communication Luc Pauwels, University of Antwerp 2. The challenge of the city to audience studies: Some methodological considerations on the exploration of audiencing amidst the complexity of mediated urban practices Seija Ridell, University of Tampere Simone Tosoni, Catholic University of Milan 3. Spatial materialities: Co-producing actual/virtual spaces Greg Dickinson, Colorado State University Brian L. Ott, University of Colorado Denver 4. Spatialising narratives of place Marsha Berry, RMIT University James Harland, RMIT University William Cartwright, RMIT University THE LEEDS MEDIA ECOLOGY PROJECT: MAPPING THE NEWS IN/OF THE CITY Cinema 2.31 Chair: Kate Oakley 1. Introduction to the Leeds media ecology Stephen Coleman, University of Leeds 2. Interviewing local news providers Judith Stamper, University of Leeds Jay G. Blumler, University of Leeds 3. A week in news – media content and survey analysis Chris Birchall, University of Leeds Katy Parry, University of Leeds 4. News, audiences and publics Nancy Thumim, University of Leeds 1 PARALLEL SESSIONS 2 Friday June 14, 17:00-18:30 MEMORY, HERITAGE, HISTORY AND URBAN IDENTITIES Conference Room 1.18 Chair: Peter Haratonik 1. Spaces of remembrance: Identity, memory and power on the streets of Belfast John Poulter, Leeds Trinity University College 2. The museums of Greenville, South Carolina: Contested racial histories of the city Jeremiah Donovan, Indiana University 3. -
Contentious Politics, Culture Jamming, and Radical
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2009 Boxing with shadows: contentious politics, culture jamming, and radical creativity in tactical innovation David Matthew Iles, III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Political Science Commons Recommended Citation Iles, III, David Matthew, "Boxing with shadows: contentious politics, culture jamming, and radical creativity in tactical innovation" (2009). LSU Master's Theses. 878. https://digitalcommons.lsu.edu/gradschool_theses/878 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BOXING WITH SHADOWS: CONTENTIOUS POLITICS, CULTURE JAMMING, AND RADICAL CREATIVITY IN TACTICAL INNOVATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Political Science by David Matthew Iles, III B.A., Southeastern Louisiana University, 2006 May, 2009 ACKNOWLEDGEMENTS This thesis was completed with the approval and encouragement of my committee members: Dr. Xi Chen, Dr. William Clark, and Dr. Cecil Eubanks. Along with Dr. Wonik Kim, they provided me with valuable critical reflection whenever the benign clouds of exhaustion and confidence threatened. I would also like to thank my friends Nathan Price, Caroline Payne, Omar Khalid, Tao Dumas, Jeremiah Russell, Natasha Bingham, Shaun King, and Ellen Burke for both their professional and personal support, criticism, and impatience throughout this process. -
Limiting Law: Art in the Street and Street in the Art
Linda Mulcahy and Tatiana Flessas Limiting law: art in the street and street in the art Article (Accepted version) (Refereed) Original citation: Mulcahy, Linda and Flessas, Tatiana (2015) Limiting law: art in the street and street in the art. Law Culture and Humanities . ISSN 1743-8721 (In Press) © 2015 The Authors This version available at: http://eprints.lse.ac.uk/64564/ Available in LSE Research Online: December 2015 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Limiting Law: Art in the Street and Street in the Art To be published in Law Culture and Humanities. Linda Mulcahy London School of Economics and Political Science, London, UK Tatiana Flessas London School of Economics and Political Science, London, UK Abstract Conventional legal responses to street art have tended to characterize it as a problem that is best dealt with through criminal law sanctions. -
'Activism, Artivism and Beyond; Inspiring Initiatives of Civic Power'
Activism, Artivism and Beyond Inspiring initiatives of civic power Activism, Artivism and Beyond Inspiring initiatives of civic power Author Yannicke Goris (The Broker) Co-author Saskia Hollander (The Broker) Project-team Frans Bieckmann (The Broker) Patricia Deniz (CIVICUS-AGNA) Yannicke Goris (The Broker) Anne-Marie Heemskerk (Partos/The Spindle) Saskia Hollander (The Broker) Bart Romijn (Partos) Remmelt de Weerd (The Broker) Language editor Susan Sellars Cover design & layout Soonhwa Kang Printing Superdrukker Photo credit on cover Front No podemos ni opinar, by Martin Melaugh, copyright Conflict Textiles Flamenco anticapitalista 6, by Antonia Ioannidou The Standing March, by Kodiak Greenwood Back Barsik wins momentum, by Radio Komsomolskaya Pravda #NotATarget, by UN Women, via Flickr Relax, it says McDonalds, courtesy of IMGUR Copyright © Partos, 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission from Partos. One of the key activities of The Spindle, the innovation programme of Partos, is to monitor and highlight trends and new developments on key themes such as on inclusion, civic power, new ways of cooperation and data. Activism, Artivism and Beyond is the first publication in The Spindle Monitor series about civic power. Inspiring people All cultures around the world have civil society, including restrictive leg- leged to have The Broker, an innova- 8 The Standing March their own stories about the epic strug- islation, financial constraints, smear tive think net on globalization and 10 Introducing civic space gles of individuals and civil society campaigns, and even assassinations. -
IRIE International Review of Information Ethics Vol
IRIE International Review of Information Ethics Vol. 30 (08/2021) Juliano Borges & Arthur Coelho Bezerra (interviewers), Nandini Jammi (interviewed) A trench in the fight against disinformation: Interview with Sleeping Giants co-creator Nandini Jammi Abstract: With the aim of gathering information for an article (recently published in Brazil) about Sleeping Giants’ fight against the political economy of disinformation, Brazilian researchers Juliano Borges and Arthur Coelho Bezerra interviewed the co-creator of the SG movement in the United States, Nandini Jammi, on October 2020. In this interview, Jammi addresses programmatic advertising, discusses the tactic found by Sleeping Giants to demonetize uninformative sites and takes a position on the responsibility of platforms to contain hate speech and disinformation on the internet. She explains how the initiative begins by targeting the disinformation site Breitbart News, and evolves into a digital civic movement that now relies on the collaborative work of unknown volunteers, including spontaneous cell creation in countries like Canada, France and Brazil. Keywords: Disinformation, Programmatic Advertising, Regime of Information, Sleeping Giants Interviewers: Prof. Dr. Juliano Borges • [email protected] • Instituto Brasileiro de Mercado de Capitais (IBMEC). Avenida Armando Lombardi, 940, Barra da Tijuca, Rio de Janeiro - RJ, 22640-000, Brazil Prof. Dr. Arthur Coelho Bezerra • Instituto Brasileiro de Informação em Ciência e Tecnologia, Rua Lauro Müller, 455, 4o andar, Botafogo, 22290-160, Rio de Janeiro – RJ, Brasil. • [email protected], escritos.ibict.br © by IRIE – all rights reserved www.informationethics.ca 1 ISSN 1614-1687 IRIE International Review of Information Ethics Vol. 30 (08/2021) Introduction The following interview was conducted for the purpose of writing an article about the digital civic movement Sleeping Giants and their moral offensive against disinformation1, which was published in the Brazilian journal Eptic. -
Neo-Avant-Garde””
RE·BUS CULTURAL PRODUCTION IN THE 20TH AND 21ST CENTURIES: ART COLLECTIVES, INSTITUTIONS, CULTURE INDUSTRY SPECIAL ISSUE V O L U M E 1 Table of Contents Editorial Statement for Volume 1 .......................................................................... ii Louise R. Mayhew, "On Top of the Art World: Clark Beaumont and the Rise of Artist Girl Gangs” ................................................................................................... 1 Martin Lang, "Counter Cultural Production: A Militant Reconfiguration of Peter Bürger’s “Neo-Avant-Garde”” ............................................................................. 24 Diego Mantoan, "Diverging Collectives: Artist-Run Spaces versus Warehouse Shows” ................................................................................................................. 50 Adrienne Fast, "Printmaking and Professionalism in Early 20th Century Calcutta” ............................................................................................................................. 82 Re·bus Issue 8 Spring 2017 i EDITORIAL STATEMENT FOR VOLUME 1 For the first volume of the re-bus Special Issue “Cultural Production in the 20th and 21st Centuries: Art Collectives, Institutions, Culture Industry” the editorial team has put together four articles that launch a fundamental inquiry into the definition of the art collective and its strained relationship with institutions at large. Implicated in this relationship are distinct matters that run from economic strategies to concrete political