DOCSLIB.ORG

Welcome to the Realm of the Shining Ones!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Welcome to the Realm of the Shining Ones! Welcome to the Realm of the Shining Ones! From Transylvania to Tunbridge Wells The history and etiquette of Vampirism in the Home Counties~ A collection of essays on the Derkesthai Culture with accompanying extracts from the Dragon Court archives by Nicholas de Vere Sovereign Grand Master - The Imperial and Royal Dragon Court Edited and Illustrated by - H.E. Michael Hunter B.A. - Archaeological and Anthropological Consultant - Baron Richard Dufton B.A. - Dedication This work is dedicated to the memory of an Elven Princess of the House of Llewelyn who opened her heart in love, threw the doors of Elphame wide and gave birth to the Sovereign Dragon Nation once more; and to the Grail Maidens and Dragon Princesses who are the sole and rightful custodians of Eternity’ Extracts from this collection first appeared in Mr. Laurence Gardner's book 'Genesis of the Grail Kings' with the kind permission of HI&RH Prince Nicholas de Vere, who also formerly permitted further extensive essay and research material, and archival extracts from the Dragon Collection to form the bulk of Mr. Gardner's September 1999 'Nexus Lectures' and his next book 'Ring Lords of the Dragon' which, although due to be published by Element Books in September 2000, has now apparently either been abandoned or renamed’ From Transylvania to Tunbridge Wells Frontispiece "The Beast, the Dragon, the terrible monster, is the disguise of the beloved; the horror to be overcome itself is, or contains, the Reward’ Beauty and the Beast must be conjoined’ The old tag that a serpent becomes not a Dragon save by devouring another serpent, has an Alchemical sense: These are the two Dragons, male and female: they destroy one another, or one destroys the other and a new and mightier one is born, a fiery wonder: A Phoenix (traditionally depicted as having red and gold plumage*), a leaping glory, a STAR of dream ascending to the throne of the world. This was the Transmutation, the Great Work of the hidden glory of perfection". Arthur Machen, Fr.GD. (Frater of the Hermetic Order of the Golden Dawn) The mating of Ravens is the rhythmic inhalation and exhalation of the breath of Ravens, one by the other. And in this way are the children of Ravens fashioned. (The Raven is the Phoenix of the Elven Kings)’ Traditional country folklore (England) * (The red and gold field, symbolizing the plumage of the Phoenix - superimposed by the white Star - are the Arms of the Vere, supported by two Dragons they historically become one of the Seals of the House. Red and gold are also the colors of other descendants of the Merovingian dynasty, including the Planagenets, the Mandevilles, the Spencers and the Royal House of Scotland). Return This book is a conversational and informal, organic, evolving work which will grow as the Dragon Court archives are converted into electronic data. Further chapters will include The Origin of the Dragon Lords of the Rings and a comprehensive discourse on the ancient methods used in The Rite of the Vampire, accompanied by a detailed endocrinological schematic. The author would like to acknowledge, thank and/or credit the following people for supportive and corroborative source material and for their encouragement throughout the years. These will be added to as time marches on. Anyone who feels that they have been forgotten should contact the site administrator and the oversight will be rectified if your work has been consulted. • Carol Thomas • Elizabeth Ward • Ian Inskipp • Jiddu Krishnamurti • Richard Dufton • Michael Hunter • Chris Hall • Kenneth Grant • Ward Rutherford • David Wood • Yatri • Pennethorne Hughes • H.T.F. Rhodes • Yuri Stoyanov • David Barker • George Reilly-Scott • Peter Anderson • Sabine Baring-Gould • Ulick Beck • Ean Begg • Margaret Murray • Richard Gregory • Drs. Walter Pierpaoli & William Regelson • Miranda Green • Vivian Green • David Day • Prof. Ray McNally • Austin Osman Spare • George Woodcock • Verily Anderson • James Anderson • Prof. Morton Smith • J. H. Brennan • Israel Regardie • Francis King • Colin Wilson • MacGregor Mathers, • Jack Parso • John Matthews • Jehovah (author of the bestselling novel The Holy Bible) • and a bunch of Irish and Welsh Monks for variously fiddling with the Annals of Irish History and for committing to parchment the Mabinogion and the Liebher Gabhala. In all other respects the bulk of this work was anticipatory and derived from the application of the Derkesthai phenomenon. It would be pretty pointless writing about it if it hadn't and the reader would just be confronted with yet another rehash of the same old material that has been doing the rounds for years. Grateful thanks are also extended to my mother, about whom my father says "that she is the only woman I have ever known to have suffered from post-natal depression for more than thirty years". A New Age Critique The etymology of the word 'dragon' comes to us via the Latin but is derived ultimately, it is thought, from the Greek, though the origin of the word and its definition is probably much older. The word in Greek is drakon (drakon); as in edrakon (edrakon), an aorist of derkesthai (derkesthai), which means 'to see clearly'. A dragon was one who saw clearly, and clarity of vision engendered and was always classically associated with wisdom, which itself produced power. Today we say that knowledge is power, so nothing has changed in that respect, except that it is actually wisdom - the ability to predict or intuit and synthesize knowledge - a prerequisite of druidic or fairy neuro-physiology, that actually affords the greatest power of all. In a progression of logic that naturally suggests itself, we are therefore entering in upon the linguistic territory of the seer, the witch and the magus, with whom the foregoing qualities have always been closely identified, a state of affairs with which etymologists concur. From there, in the Gaelic realms, we encounter the 'Merlins', a name which, like 'Dragon', literally means 'seer', and who furthermore, were of a class of druid priests or 'philosophus' or 'magi', as they were also known in classical times. Anciently the foregoing regional epithets were all attributed to one royal, priestly tribe originally known in Indo-European as the Arya: The 'race of the wise ones', a caste who were described in Latin as the 'nobilis', a name which originated from the Greek root gno (gno) meaning 'to know'. Similarly the word king is derived from the related Gothic word kuningzam, meaning both "knowing one" and "scion of the noble, (meaning wise), race". In addition we have the associated word siddhis, meaning 'the powers' and from this word or vice versa, was derived the tribal name 'the Scythians' the 'Arya-Sidhe' or 'Sidheans'. The 'siddhis' were a range of psychic or paranormal phenomena which manifested themselves as the attributes of those Tantric priests in Eurasia who had attained 'samadhi' or 'enlightenment'. These people, coterminously the Aryans or Scythians, who are thought to have developed Tantra in Sumeria, were known as the legendary Tuadha d'Anu (tribe of Anu and by a traditional, widely known derivation - "people of the stars") or daouine sidhe (meaning people of the powers) in the Gaelic countries. They were the 'wise ones', the elves or fairies; and from this we can conclude that by correct definition, a Dragon was originally, (by blood descent from the race of the wise), an overlord, an archdruid or bruidhina, magus and a seer, an elven goddess- queen or god-king. Such are not to be confused with the warrior kings or tinker dynasties installed by the Roman Church over the last 1500 years, nor with any modern royal family. The druidhe were kings above kings. The dragon or fairy gene was very rare and true archdruidic, royal dragon families were rarer still. Persecutions excepted, if this were not the case anyway, then perhaps many fairy stories of the popular genre which originated from outside the dragon culture would never have taken hold, because the reality would have been constantly staring people in the face. Traditionally and consistently, the symbol of both wisdom (Sophia) and healing was the serpent or, as it was also known, the dragon. In keeping with this the kings and queens of pre-catholic history were noted for their healing capabilities and as such, in Judaic mythology, were called, perhaps after the archangel Raphael, the Repha'im or Rapha'Elohim; the healing gods of the Anunnaki. Raphael was the Prince who appeared to Adam in Eden according to Milton. No mention of this is made in Genesis and one suspects that of the two entities that did appear to Adam, Enlil and Enki, or if you like: God and the Catholic Satan. Raphael - the Angel of the Rising Sun - must have been Enki who gave Kingship to man in the form of the Elven Overlords and after whom, by various related epithets; including 'The Repha'im', the Elven Kings are known. Authorities believe that these people were identical to both the Nephilim and the Anakim of Idumea and Canaan. In early heraldry, derived from ancient sources, the dragon was depicted as a serpent with the wings of a swan. This image was also given the wings of a bat. The dragon nevertheless was humanoid and so the symbolism in the dragon glyph ought rather be interpreted to substantiate the etymology of the word itself. The serpent stands for the wisdom and healing powers of the sacred king or queen whose regalia often consisted of serpent-like scale armour and whose consciousness soars above that of humanity as if carried on wings, which were symbolized by shamanic swan's feather cloaks. The nocturnal habits of the dragon people, typically those of the Cimmerian Scythians, were noted by their contemporaries and the swan's wings of the dragon glyph attributed to them were either interchangeable with, or substituted by, those of the bat to signify this.
Load more

Recommended publications
  • Notes on the Folk-Lore of the Northern Counties of England and The
    S*N DIEGO) atitty, ESTABLISHED IN . THE YEAK MDCCCLXXVIII Alter et Idem. PUBLICATIONS OF THE FOLK-LOKE SOCIETY. II. LONDON: PRINTED BY NICHOLS AND SONS, STREET. 25, PARLIAMENT FOLK-LORE OP THE NORTHERN COUNTIES OF ENGLAND AND THE BORDERS. A NEW EDITION WITH MANY ADDITIONAL NOTES. BY WILLIAM HENDERSON, AUTHOR OF " MY LIFE AS AN ANGLER." " Our mothers' maids in our childhood . have so frayed us with hullbeggars, spirits, witches, urchins, elves, hags, fairies, satyrs, pans, faunes, sylvans.kit-with-the-candlestick (will-o'-the-wisp), tritons (kelpies), centaurs, dwarfs, giants, imps, calcars (assy-pods), conjurors, nymphs, changelings, incubus, Rohin-Goodfellow (Brownies), the spoorey, the man in the oak, the hellwain, the firedrake (dead light), the Puckle, Tom Thumb, Hobgoblin, Tom Tumbler, Bouclus, and such other bug- bears, that we are afraid of our own shadows." REGINALD SCOTT. LONDON: PUBLISHED FOR THE FOLK-LORE SOCIETY BY W. SATCHELL, PEYTON AND CO., 12, TAVISTOCK STREET, COVENT GARDEN. W.C. 1879. TO THE MOST HONOURABLE THE MARQUESS OF LONDONDERRY, IN EEMEMBRANCE OF MUCH KINDNESS AND OF MANY PLEASANT HOURS SPENT TOGETHER, THIS VOLUME IS, BY PERMISSION, INSCRIBED WITH EVERY SENTIMENT OE RESPECT AND ESTEEM BY HIS LORDSHIP'S ATTACHED FRIEND, WILLIAM HENDERSON. VI The Council of the Folk-Lore Society, in issuing this work as one of the publications for the year 1879, desire to point out to the Members 'that it is chiefly owing to the generous proposal of Mr. Henderson they arc enabled to produce in the second year of the Society's existence a book so much appreciated by the Folk-Lore student.
    [Show full text]
  • Th E Bells of St. M Ar
    GOD IS GOD IS FEBRUARY 2017 Dear Saint Mary's family, We are off to a good start for 2017. As I write this letter we are just three full weeks in to the new year and already so much is happening. We have held our first Annual Meeting together, and the response has been very posi- tive. At that meeting we were able to make amendments to the church’s By-Laws that will allow us to go forward with a smaller eight person Vestry, all of whom were elected unanimously by the members present at the meeting. At our February Vestry meeting we will vote for a Junior Warden, Treasurer, and Secretary. With that accomplished we will begin the process of looking at all of the different aspects of the way we at Saint Mary’s currently do things. The end goal of that process is to identify and eliminate any barriers to growth that might not have been considered, and to find ways to improve upon many of the things we are already doing well. To that end, please begin to pray to see if God may be calling you to participate in any of the ministries that currently exist at Saint Mary’s. This is going to be a fun and exciting time for us to bond and grow together as we seek to strengthen the teams and look at the ways they function. Ushers and Greeters, the Flower and Altar Guilds, Eucharistic Ministers and Visi- tors… Perhaps you have a special talent or hobby that could be used to the Glory of God and you have never considered how.
    [Show full text]
  • Chrismon Tree Ornaments
    Chrismon Tree Ornaments 1106 North Main Street Garden City, KS 67846 Chrismon Ornaments were originated and first made for use on the Christmas tree of Ascension Lutheran Church in Danville, Virginia, in 1957 by Mrs. Frances Kipps Spencer, a church member. The designs were monograms of and symbols for our Lord Jesus Christ. Because these designs have been used by his followers since biblical times, they are the heritage of all Christians and serve to remind each of us regardless of denomination of the One we follow. All Chrismon Ornaments are made in a combination of white and gold to symbolize the purity and majesty of the Son of God and the Son of Man. Please use this Chrismon booklet to teach others about our Lord Jesus Christ. Return the booklet to its original place so others can use as a form of discipleship as well. Thanks and enjoy! Alpha & Omega Bell Alpha and Omega are the first and last Bells have been used for centuries to call letters in the Greek alphabet. Used people to worship. They were mentioned together, they symbolize that Christians as early as in the 6th century. Before clocks believe Jesus is the beginning and the end a church bell was rung to tell people it was of all things. time to attend a wedding, funeral or other services. High church towers were built just so that the bells could be heard as far as possible. May the bells we hear remind us of God’s gift to us, the birth of Jesus. Anchor Cross Bottony Cross The Anchor Cross was used by early The cross always reminds us of Jesus’ Christians as a symbol of their faith when great gift to us through his death and they had to avoid recognition as Christians resurrection.
    [Show full text]
  • The Last Train Changeling
    SW00121 & SW00122 CHANGELING by angela forrest THE LAST TRAIN by val ormrod CHANGELING by Angela Forrest September, 2015 He isnae mine, hasnae been for twelve years. I know that now. It took a good long while tae admit it and I’ve tried tae make up for lost time, for a’ the years I dithered about whether or not it wis true. These last few years especially I’ve done ma best, done right by Lorna and wee Olivia even if they couldnae understand. They don’t know whit he is. They don’t know Bradley left us a long time ago, that day in the woods. September, 2003 This is ma favourite place. The way the trees come crowing up tae the shore of the loch, closing us in tae our own wee private beach: ye cannae beat it. Lorna’s minding the baby, letting her roll around on the picnic blanket among the half-chewed cheese and ham pieces. She’s still a stunner, my Lorna, even after having two weans. Run ragged looking after them, so she is, but ye’d never know it looking at her. She’s kept her hair long and bonny, not like a lot of they mum’s I see at the school gates. I catch her eye and she gies me a wink and a smile, holding up Olivia’s wee hand to wave at me. I wave back at ma girls and have a check in with ma boy. He’s near enough up tae my waist now. He’s trying tae skip stones across the water but they’re landing wi’ splattering plops.
    [Show full text]
  • 'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world.
    [Show full text]
  • Dynamics of Religious Ritual: Migration and Adaptation in Early Medieval Britain
    Dynamics of Religious Ritual: Migration and Adaptation in Early Medieval Britain A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Brooke Elizabeth Creager IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Peter S. Wells August 2019 Brooke Elizabeth Creager 2019 © For my Mom, I could never have done this without you. And for my Grandfather, thank you for showing me the world and never letting me doubt I can do anything. Thank you. i Abstract: How do migrations impact religious practice? In early Anglo-Saxon England, the practice of post-Roman Christianity adapted after the Anglo-Saxon migration. The contemporary texts all agree that Christianity continued to be practiced into the fifth and sixth centuries but the archaeological record reflects a predominantly Anglo-Saxon culture. My research compiles the evidence for post-Roman Christian practice on the east coast of England from cemeteries and Roman churches to determine the extent of religious change after the migration. Using the case study of post-Roman religion, the themes religion, migration, and the role of the individual are used to determine how a minority religion is practiced during periods of change within a new culturally dominant society. ii Table of Contents Abstract …………………………………………………………………………………...ii List of Figures ……………………………………………………………………………iv Preface …………………………………………………………………………………….1 I. Religion 1. Archaeological Theory of Religion ...………………………………………………...3 II. Migration 2. Migration Theory and the Anglo-Saxon Migration ...……………………………….42 3. Continental Ritual Practice before the Migration, 100 BC – AD 400 ………………91 III. Southeastern England, before, during and after the Migration 4. Contemporary Accounts of Religion in the Fifth and Sixth Centuries……………..116 5.
    [Show full text]
  • Age for Daniela Urem's Ancestors Back to Charts
    Geni - Ancestors 2/21/17, 2:34 Daniela Urem ▾ Search People 0 Geni Basic Home Tree Family ▾ Research ▾ PRO Upgrade Age for Daniela Urem's Ancestors Back to charts Select a Chart to View Age Click a region on the chart to view Chart: the profiles in that section. Life Expectancy This chart is based on 2681 Group: profiles with lifespan entered for Ancestors your Ancestors. Your tree has 2318 profiles with Slice: missing lifespan data. Make this All chart data chart better by adding missing data. View Profiles Edit Profiles 581-600 of 2681 people «Previous 1 26 27 28 29 30 31 32 33 34 135 Next» Photo Name Relationship Managed By Immediate Family Gender Birth Date Daughter of Edward I "The Elder", King of the Anglo-Saxons and Ælfflæd Eadgyth MP Wife of Otto I, Holy (908 - 946) Roman emperor "Princess Edith of Mother of Liudolf, Duke of England", Swabia; Liutgarde and "Edgitha", Richlint von Sachsen, "Editha", "Edith", Herzogin von Schwaben your 32nd great Sister of Aelfgifu between 908 "Ēadgȳð", Erin Spiceland Female grandmother AElfgar's wife of England; and 1/910 "Eadgyth", Eadwin; Æthelflæda, nun "Ēadgith", "Ædgyth", at Romsey; Ælfweard, "Ēadgy", king of the English and 5 "Eadgdith", "Edit others av England" Half sister of Æthelstan 'the Glorious', 1st King of the English; Ælfred; N.N.; Eadburgha, Nun at Nunnaminster and 3 others Daughter of Aëpa II, Khan of the Kumans and N.N. Wife of Yuri I Vladimirovich Dolgorukiy N.N. Aepovna, (the Long Arm) Kuman Princess Mother of Andrei I MP (c.1092 - your 28th great Bogolyubsky; Rostislav Bjørn P.
    [Show full text]
  • Seeing Is Believing
    0 6 M AY 1 9 9 8 Seeing is Believing How photography killed Victorian Fairy Painting When William Blake reported a fairy funeral in his back garden, it's doubtful anyone demanded proof of what he had seen. That, of course, was before the camera entered the picture. Photography attempted to make up for the supposed inability of previous generations to record visually what was 'really' there, by providing apparently objective evidence for manifestations that could otherwise only be supported on a subjective basis. Confusing art with a kind of faux-scientic journalism, one casualty of this somewhat misguided will-to-truth was the representation of fairies. Developments in photography demanded that fairies - symbolic remnants of a displaced people, fallen angels, heathen dead or the unconscious made esh - relocate from their niche in the imagination of folklorists, dramatists and artists, to science's inhospitable laboratory. It was a move that, as it inadvertently sanitised, de-sexualised and trivialised fairy mythology, revealed elements of truth and ction, and showed the boundaries between genres and media to be as layered and co-dependant as the pieces of a Russian Doll. 'I see only phantoms that strike my eye, but disappear as soon as I try to grasp them' wrote Jean Jacques Rousseau in 1769. 1 The diculty of grasping phantoms and the myriad motivations for wanting to do so have, over the centuries, been manifold. During no period in history, however, was the attempt made more vigorously than in Victorian Britain, where phantoms assumed wings and found their way into painting.
    [Show full text]
  • Fairy Queen Resource Pack
    1 The Fairy Queen Resource Pack 2 Contents Page 3-4 Plot Summary 5 Characters: The Faeries 6 Characters: The Lovers 7 Characters: The Mechanicals 8-9 Henry Purcell & The Fairy Queen 10 Creative Writing Exercise: Mischievous Puck 11 Drama Exercise: You Spotted Snakes 12-13 Design and make a Fairy Crown 14 Magical Muddle character game 15 A Midsummer Night’s Dream Word Search 3 “A Midsummer Night’s Dream” by William Shakespeare Plot Summary Duke Theseus and Queen Hippolyta are preparing for their wedding. Egeus, a nobleman, brings his daughter Hermia to Theseus, as he wants her to marry Demetrius but she is in love with another man, Lysander. The Duke, Theseus, commands Hermia to obey her father and either marry Demetrius or, according to Athenian Law, she must be put to death or enter a convent. Hermia and Lysander decide to runaway together that night to get married in secret. Hermia tells her best friend Helena of her plans. Helena is in love with Demetrius (even though he hates her and loves Hermia), so she tells him about Hermia and Lysander’s plans, hoping that she might win his love. All the four lovers run away into the woods that night - Demetrius following Hermia & Lysander and Helena following after Demetrius. Meanwhile, there are a group of tradespeople called the Mechanicals who are rehearsing a play in the same woods. They include Bottom the weaver, Quince the taylor and Flute the bellows mender, among others. The play they are rehearsing is ‘The Tragedy of Pyramus and Thisbe’ and it is to be performed for the Duke and Queen at their wedding.
    [Show full text]
  • Sir Bobby Charlton
    EDUCATION PACK 2019 Activity 1 Matchbox Memories Activity 2 A Living For Northumberland Day 2019, we are running Northumbrian Legend ‘Matchbox Memories’ - an initiative with which we would like to get schools involved. – Sir Bobby Charlton We are inviting schoolchildren to write their favourite memory of Northumberland, so far in their lives, on a plain white matchbox. Alternatively, they could write it on a piece of paper and a teacher could then write on the boxes, as these are quite small. Another option is for children to take a matchbox home and collect a matchbox memory from a parent, or elderly family member. In this way, they can take part in an oral history exercise. We then wish to collect the memory boxes and put as many as possible on display. The children can add their name, or the name of the person who has given them their special memory, if they wish. We have a limited number of matchbox memory boxes available, but they can be bought at Amazon, if needs be. We could also possibly partner a school with a local sponsor, if we can find one for you. We’d love to have pictures of children working on their matchbox memories, or all holding one aloft for a photo. We will try to arrange for certain collection points, if you take part. This is a very special way to being generations together and find out what people have found special about Northumberland, past and present. We hope you have fun with it. One of the most famous Northumbrians alive today is a footballing legend and one of the few Englishmen to have won the World Cup football trophy.
    [Show full text]
  • St. Patrick's Church and Shrine Merlin
    ST. PATRICK’SSt. Patrick’sCHURCH Church ANDand Shrine SHRINE Merlin MERLIN 57735773 Tenth Tenth Line Line Merlin,Merlin, Ontario ON N0P N0P 1W0 1W0 THE OFFICE AND STORE ARE CLOSED UNTIL FURTHER NOTICE DUE TO COVID-19. Messages can be left on the office phone and someone will return your call. PASTORAL TEAM: CHURCH OFFICE: Fr Antony & Fr. Sebastin: Phone: 519-689-7760 Phone: 519-689-7760 | E-mail: [email protected] [email protected] | Fax: 519-689-4788 Board President: Andrew Van Zelst Website: olrshrine.ca | Facebook: Finance Committee Chair: Mike Buis facebook.com/stpatrick Cemetery Committee Chair: Randy Moynahan CHURCH SERVICES May 30 – June 5, 2021 Solemnity All church services, office and store have been suspended until further notice. of the Messages can be left on the office phone Most Holy (519-689-7760) or Trinity e-mailed at [email protected] Someone will get in touch with you. In this issue: Mass Intentions …………………………………. 2 Reconciliation: Financial Report ………………………………… 2 Prayers of the Faithful ………………………… 2 Confessions are available by May 2021 Calendar ……………………………. 3 appointment only. Trinity Sunday ……………………………………. 3 Fr. Antony - 1-519-350 -3437 Prayers of the Cross ……………………………. 3 Fr. Sebastin – 1-416-276 -0489 How Mankind was Created ………………… 4 Adam & Eve Family Tree ……………………. 4 Baptism / First Communion /Marriage: Holy Humour ....……………………………….…. 5 St. Vincent de Paul ….…………………………. 5 Contact our office - 519-689-7760 Thank you to our Sponsors …………………. 5 Financial Report FOR THE MONTH OF JUNE 2021 Intention for Evangelization THE BEAUTY OF MARRIAGE A financial report is not available for May 23, 2021 Let us pray for young people who are preparing for marriage with the support of a Christian community: may they grow in love, with generosity, faithfulness and patience.
    [Show full text]
  • Morgan Le Fay's Ultimate Treason Revealed
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Lehigh University: Lehigh Preserve Lehigh University Lehigh Preserve Theses and Dissertations 1993 Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The veils of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks Ann Maureen Cavanaugh Lehigh University Follow this and additional works at: http://preserve.lehigh.edu/etd Recommended Citation Cavanaugh, Ann Maureen, "Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The eiv ls of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks" (1993). Theses and Dissertations. Paper 201. This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. UH R: Cavanaugh,. nn Maureen T~TLE:, valon Revisited: Morgan La Fayus Ultimate I Treason Revealedaac ""'l DATE: October 10,1993 Avalon Revisited: Morgan Ie Fay's Ultimate Treason Revealed and 'The Veils of Wretched Love': uncovering sister Leopolda's Hidden Truths in Louise Erdrich's Love Medicine and Tracks by Ann Maureen Cavanaugh A Thesis Presented to the Graduate and Research Committee of Lehigh University in candidacy for the Degree of Master of Arts in the Department of English Lehigh university October 1993 "Yet in every winter's heart there is a quivering spring, and behind the veil of each night there is a smiling dawn. Now my despair has turned into hope." (Kahlil Gibran) Thanks Dad, Mom, Gr~ndmom, Bert, steen, Andrea, and Maurice for your loving support.
    [Show full text]