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The Orontids of Armenia by Cyril Toumanoff
The Orontids of Armenia by Cyril Toumanoff This study appears as part III of Toumanoff's Studies in Christian Caucasian History (Georgetown, 1963), pp. 277-354. An earlier version appeared in the journal Le Muséon 72(1959), pp. 1-36 and 73(1960), pp. 73-106. The Orontids of Armenia Bibliography, pp. 501-523 Maps appear as an attachment to the present document. This material is presented solely for non-commercial educational/research purposes. I 1. The genesis of the Armenian nation has been examined in an earlier Study.1 Its nucleus, succeeding to the role of the Yannic nucleus ot Urartu, was the 'proto-Armenian,T Hayasa-Phrygian, people-state,2 which at first oc- cupied only a small section of the former Urartian, or subsequent Armenian, territory. And it was, precisely, of the expansion of this people-state over that territory, and of its blending with the remaining Urartians and other proto- Caucasians that the Armenian nation was born. That expansion proceeded from the earliest proto-Armenian settlement in the basin of the Arsanias (East- ern Euphrates) up the Euphrates, to the valley of the upper Tigris, and espe- cially to that of the Araxes, which is the central Armenian plain.3 This expand- ing proto-Armenian nucleus formed a separate satrapy in the Iranian empire, while the rest of the inhabitants of the Armenian Plateau, both the remaining Urartians and other proto-Caucasians, were included in several other satrapies.* Between Herodotus's day and the year 401, when the Ten Thousand passed through it, the land of the proto-Armenians had become so enlarged as to form, in addition to the Satrapy of Armenia, also the trans-Euphratensian vice-Sa- trapy of West Armenia.5 This division subsisted in the Hellenistic phase, as that between Greater Armenia and Lesser Armenia. -
Medieval Art & Architecture
Medieval Art & Architecture The Libraries of Professor Joachim Gaehde, Brandeis University and Dr. Lillian M.C. Randall, Curator of Manuscripts and Rare Books, Walters Art Gallery, Baltimore 1,288 titles in ca. 1,475 physical volumes From Brandeis Universisty website Remembering Joachim Gaehde, professor emeritus of fine arts Joachim Gaehde Nov. 26, 2013 Joachim Gaehde, professor emeritus of fine arts, passed away Nov. 24, of pneumonia. He was 92 and lived in Arlington, Mass. A scholar of Carolingian illuminated manuscripts, Gaehde was the eminence grise of the Department of Fine Arts for most of his long tenure at Brandeis, said his colleague Nancy Scott, associate professor of fine arts. Gaehde was born in Dresden, Germany, in 1921. His mother was Jewish, and he survived most of the war years in Nazi Germany. He emigrated to the United States in 1950 and later earned his doctoral degree from the Institute of Fine Arts at New York University. In 1962, Gaehde joined the Brandeis faculty as an associate professor and was promoted to full professor in 1969. He also served as dean of the faculty in the 1970s under President Marver Bernstein. Scott said that Gaehde defined the field of medieval studies at Brandeis, and became well known for his rigorous course studies; his kindly concern and manner toward students; and his wit, elegance and dedication. “As a colleague, [he] held the department to high standards, and at the same time he enjoyed the pleasures of his American life — he favored a blue Fiat convertible, which he drove with the top down in all kinds of weather; loved his Rhodesian Ridgeback dogs, which were part of his daily constitutionals; and was a gourmet cook,” recalled Scott. -
The Image of the Cumans in Medieval Chronicles
Caroline Gurevich THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES MA Thesis in Medieval Studies CEU eTD Collection Central European University Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ CEU eTD Collection Examiner Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis -
Acceptance and Rejection of Foreign Influence in the Church Architecture of Eastern Georgia
The Churches of Mtskheta: Acceptance and Rejection of Foreign Influence in the Church Architecture of Eastern Georgia Samantha Johnson Senior Art History Thesis December 14, 2017 The small town of Mtskheta, located near Tbilisi, the capital of the Republic of Georgia, is the seat of the Georgian Orthodox Church and is the heart of Christianity in the country. This town, one of the oldest in the nation, was once the capital and has been a key player throughout Georgia’s tumultuous history, witnessing not only the nation’s conversion to Christianity, but also the devastation of foreign invasions. It also contains three churches that are national symbols and represent the two major waves of church building in the seventh and eleventh centuries. Georgia is, above all, a Christian nation and religion is central to its national identity. This paper examines the interaction between incoming foreign cultures and deeply-rooted local traditions that have shaped art and architecture in Transcaucasia.1 Nestled among the Caucasus Mountains, between the Black Sea and the Caspian Sea, present-day Georgia contains fewer than four million people and has its own unique alphabet and language as well as a long, complex history. In fact, historians cannot agree on how Georgia got its English exonym, because in the native tongue, kartulad, the country is called Sakartvelo, or “land of the karvelians.”2 They know that the name “Sakartvelo” first appeared in texts around 800 AD as another name for the eastern kingdom of Kartli in Transcaucasia. It then evolved to signify the unified eastern and western kingdoms in 1008.3 Most scholars agree that the name “Georgia” did not stem from the nation’s patron saint, George, as is commonly thought, but actually comes 1 This research addresses the multitude of influences that have contributed to the development of Georgia’s ecclesiastical architecture. -
Buildings in Their Patrons' Hands? the Multiform Function of Small Size
Transkulturelle Perspektiven 3/2014 - 1 - و Maria Cristina Carile Buildings in their patrons’ hands? The multiform function of small size models between Byzantium and Transcaucasia The representation of the church model in the hands order to understand the value of these models after of the church's patron or founder finds its roots in the the twelfth century – following the chronological frame arts of Late Antiquity. Since the sixth century, this mo- of this volume – it is important to determine their im- tif adorned church apses, as an image of offering to portance in Caucasian visual culture, first tracing the Christ or the Virgin. 1 Later, it became a strong iconic evolution of the donation image. This will help us to image conveying the role of the patron/founder in the evaluate the meaning of architectural models in the construction and his devotion, which was embodied changed historical context of the Transcaucasian in the model as well as in the building itself. As such, principalities between the late twelfth and the thir- the theme had particular fortune in medieval Rome teenth centuries, when architectural models on and spread to the East as far as the Caucasus. After church walls were enriched with new meanings. the Latin conquest of Constantinople during the fourth crusade (1204 AD), the motif was widely adopted in The first appearance of the motif in the Transcaucasi- the Balkans and in the territories in close contact with an area probably dates back to the sixth century. This Byzantium. 2 This paper will focus on church models is testified by a now-lost sculpted relief with the im- as a motif, reflecting on their spread and role in the age of a woman holding a church model, which may decoration of the external façades of the churches in have decorated the outer walls of the cathedral com- the Caucasus and, specifically, in the area of Trans- plex at Agarak (region of Ayrarat), formed by a fifth- or caucasia. -
History Education in Schools in Turkey and Armenia. a Critique and Alternatives
History Education in Schools in Turkey and Armenia A Critique and Alternatives Authors: Alişan Akpınar, Sos Avetisyan, Hayk Balasanyan, Fırat Güllü, Işıl Kandolu, Maria Karapetyan, Nvard V. Manasian, Lilit Mkrtchyan, Elif Aköz Özkaya, Hasan Tahsin Özkaya, Garine Palandjian, Ararat Şekeryan, Ömer Turan Editors: Bülent Bilmez, Kenan Çayır, Özlem Çaykent, Philip Gamaghelyan, Maria Karapetyan, Pınar Sayan Istanbul 2019 Yerevan History Education in Schools in Turkey and Armenia A Critique and Alternatives Authors: Alişan Akpınar, Sos Avetisyan, Hayk Balasanyan, Fırat Güllü, Işıl Kandolu, Maria Karapetyan, Nvard V. Manasian, Lilit Mkrtchyan, Elif Aköz Özkaya, Hasan Tahsin Özkaya, Garine Palandjian, Ararat Şekeryan, Ömer Turan Editors: Bülent Bilmez, Kenan Çayır, Özlem Çaykent, Philip Gamaghelyan, Maria Karapetyan, Pınar Sayan Istanbul and Yerevan 2019 This is the revised second edition of this publication. The first version was published in 2017. © History Foundation (Tarih Vakfı) and Imagine Center for Conflict Transformation This publication was prepared using Microsoft Office Word and the cover page design and image belongs to Microsoft Office. This publication has been produced with the assistance of the European Union, within the framework of the programme Support to the Armenia-Turkey Normalisation Process: Stage Two. Its contents are the sole responsibility of the History Foundation (Tarih Vakfı) and its partner the Imagine Center for Conflict Transformation and can in no way be taken to reflect the views of the European Union. www.armenia-turkey.net One of the workshops that made this publication possible was funded by the Friedrich Ebert Stiftung. www.fes.de i The History Foundation is a non-governmental organization working in the public interest with the objective of developing and extending history consciousness in Turkey. -
New-Articles by Title-1-23
Articles by Title Abusing the Term ‘Genocide’ in Distant Domains: The Statue of Aliyev and the Khojaly Massacre in Two Squares in Mexico City, Carlos Antaramian. Vol. 22 (2013): 263-277 (Communication). Academic Publications to Mark the 1700th Anniversary of Christian Armenia, Robert W. Thomson. Vol. 7 (1994): 115-122. (Research Note). Acculturation, Ethnic Identity, and Psychological Functioning Among Armenian- American Young Adults, Tara Yaralian, Aghop Der-Karabetian, and Tomas Martinez. Vol. 18:1 (2009): 157-179. Additions and Corrections to Coinage of the Artaxiads of Armenia, Jack Nurpetlian. Vol. 22 (2013): 227-231 (Communication). The Amatuni Hunting Scenes at the Seventh-Century Church of Ptłni: Patron and ‘Propaganda’, Anne Elizabeth Redgate. Vol. 21 (2012) 11-26. Amirdovlat‘ Amasiatsi’: His Life and Contributions, John L. Gueriguian. Vol. 3 (1987): 63-92. An Allegorical Poem by Mkrtich‘ Naghash and Its Models, S. Peter Cowe. Vol. 4 (1988-1989): 143-156. An Unpublished Homily on Easter Attributed to John Chrysostom, Dom B. Outtier. Vol. 1 (1984): 115-122. Anna Akhmatova’s Translations from the Armenian: Two Poems by Avetik‘ Isahakian, Sonia Ketchian. Vol. 2 (1985-1986): 155-168 Archaeological Excavations in Soviet Armenia, Babken N. Arak‘elyan. Vol. 1 (1984): 3-22. Armenia on Lake Urmia: Parskahayk‘ or “Persian Armenia”, Robert Hewsen. Vol. 22 (2013): 11-22. The Armenian Book of Ezras, Michael E. Stone. Vol. 4 (1988-1989): 209-212. The Armenian Counterculture That Never Was: Reflections on Eghishe Ch‘arents‘, James R. Russell. Vol. 9 (1996, 1997 [1999]): 17-35. The Armenian Church and the School Network in Buenos Aires: Channels for the Preservation of Identity (1930-1960), Nélida Boulgourdjian-Toufeksian. -
Saint Gayane Church
Masarykova univerzita Filozofická fakulta Seminář dějin umění Saint Gayane Church Bakalárska diplomová práca Autor: Michaela Baraničová Vedúci práce: prof. Ivan Foletti, MA, Docteur es Lettres Brno 2020 ii Prehlasujem, že som svoju bakalársku diplomovú prácu vypracovala samostatne a uviedla všetkú použitú literatúru a pramene. .............................................................. Podpis autora práce iii iv On the ancient peak of Ararat The centuries have come like seconds, And passed on. The swords of innumerable lightnings Have broken upon its diamond crest, And passed on. The eyes of generations dreading death Have glanced at its luminuos summit, And passed on. The turn is now yours for a brief while: You, too, look at its lofty brow, And pass on! Avetik Isahakyan, “Mount Ararat”, in Selected Works: Poetry and Prose, ed. M. Kudian, Moscow 1976. v vi My first sincere thanks belong to my thesis’ supervisor, prof. Ivan Foletti, for his observations, talks and patience during this time. Especially, I would like to thank him for introducing me to the art of Caucasus and giving me the opportunity to travel to Armenia for studies, where I spent five exciting months. I would like to thank teachers from Yerevan State Academy of Arts, namely to Gayane Poghosyan and Ani Yenokyan, who were always very kind and helped me with better access of certain Armenian literature. My gratitude also belongs to my friends Susan and colleagues, notably to Veronika, who was with me in Armenia and made the whole experience more entertaining. To Khajag, who helped me with translation of Armenian texts and motivating me during the whole process. It´s hard to express thanks to my amazing parents, who are constantly supporting me in every step of my studies and life, but let me just say: Thank you! vii viii Content Introduction.........................................................................1 I. -
Armenian Architecture and Genocide Governor General Appoints
JANUARY 4, 2020 Mirror-SpeTHE ARMENIAN ctator Volume LXXXX, NO. 24, Issue 4617 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Sen. Dole Receives Governor General Appoints Gundjian, Medal from Armenian Government Sarkissian Members of Order of Canada Yerevan (Mediamax) — On December 17 Ambassador of Armenia to the US Varuzhan OTTAWA — The Office of the Governor active member of the Canadian-Armenian Nersesyan presented the Order of Honor to Sen. General of Canada announced on December community and Armenian Diaspora, Bob Dole, bestowed on the former senator for 28 that Governor General of Canada Julie founder of the first Canadian Armenian his considerable contribution to the develop- Payette this past week made a number of school and several community infrastruc- ment the friendly relations between Armenian new appointments to the Order of Canada, tures, and Greg Sarkissian, a businessman, and the US. upon the recommendation of the Advisory and founding member and current presi- The Armenian Embassy in the U.S. said that Council of the Order, chaired by the Richard dent of the Zoryan Institute, which has Nersesyan expressed profound gratitude to Dole for Wagner, Chief Justice of Canada. established the Toronto University his tireless efforts in 1980-90s for the recognition Among these appointees are scientist Genocide and Human Rights program. of the Armenian Genocide, which in their turn con- and Canadian community leader Dr. This honor is granted by the governor tributed to the recent adoption of resolutions 296 Arshavir Gundjian, a well-known senior general of Canada to individuals as a testa- by the House of Representatives and 150 by the Senate. -
Genocide Bibliography
on Genocide The Armenian Genocide A Brief Bibliography of English Language Books Covering Four Linked Phases Genocide Facts Presentation of Oral and Written Evidence for the Armenian Genocide in the Grand Committee Room, The House of Commons London 24th April 2007 First and Second Editions 2007, with Addenda 2009, Third Edition 2011, Fourth Edition 2013, Fifth Edition Centennial Presentation, the 1st of January, 2015 Sixth Edition © English By Français T.S. Kahvé Pусский Español Ararat Heritage Հայերեն London Português 2017 Genocide: Beyond the Night, by Jean Jansem, detail photography by Ararat Heritage PREFACE There are certain polyvalent developments of the past that project prominently into the contemporary world with pertinent connotations for the future, decisively subsuming the characteristics of permanence. Their significance dilates not only because well organised misfeasance bars them from justice, but also because of sociological and psychological aspects involving far-reaching consequences. In this respect, the extensive destruction brought about by the Armenian Genocide and the substantive occupation of Armenia’s landmass by its astonishingly hostile enemies will remain a multifarious international subject impregnated with significant longevity. Undoubtedly, the intensity of the issue in motion will gather momentum until a categorically justifiable settlement is attained. A broad reconstruction programme appears to be the most reasonable way forward. PREAMBLE 1st. PRELUDE TO GENOCIDE Encompasses the periods referred to as the Armenian Massacres; mainly covering the years 1894 - 96 and Adana 1909. Some titles in the bibliography record the earlier international treaties that failed to protect the Armenians. Only a small number of works have been included, predominantly relevant to this period. -
Sevan Writers' Resort Conservation Management Plan
CONSERVATION MANAGEMENT PLAN | 1 Sevan Writers’ Resort Conservation Management Plan Sevan Writers’ Resort Conservation Management Plan The Sevan Writers’ Resort Conservation Management Plan has been developed by urbanlab, commissioned by the Writers’ Union of Armenia with the financing of the Getty Foundation’s Keeping It Modern initiative, within the scope of the Sevan Writers’ Resort Conservation Management Plan Development and Scientific Restoration Project. The project was initiated and elaborated by Ruben Arevshatyan and Sarhat Petrosyan. urbanlab is a Yerevan-based independent urban think-do-share lab, aimed to promote democratization of urban landscape toward sustainable development in its broader understanding. Acknowledgement Conservation Management Plan Consultant: Jonas Malmberg, Álvaro Aalto Foundation (Helsinki) Research Lead: Ruben Arevshatyan Research Coordinator: Nora Galfayan Researcher on Architectural Archives: Aleksandra Selivanova (Moscow) Researcher on Interior and Furniture: Olga Kazakova (Moscow) Lead Architect: Sarhat Petrosyan, urbanlab Structural Consultant: Grigor Azizyan, ArmProject Legal Consultant: Narek Ashughatoyan, Legallab HORECA Consultant: Anahit Tantushyan Glass Structure Consultant: Vahe Revazyan, Gapex HVAC System Consultant: Davit Petrosyan, Waelcon Conservation Architect Consultant: Mkrtich Minasyan Design Consultant: Verena von Beckerat, Heide & Von Beckerath Scientific Consultants: Vladimir Paperny (Los Angeles), Marina Khrustaleva (Moscow), Karen Balyan, Georg Schöllhammer (Austria) Colour -
Armenian Printers
The Armenian Weekly WWW.ARMENIANWEEKLY.COM SEPTEMBER 1, 2012 The Armenian Weekly SEPTEMBER 1, 2012 CONTENTS Contributors Armenian medieval Armenian Printing in 2 13 Historians in Print: 25America (1857–1912) 500 Years: A Celebration Three Centuries of —By Teotig, 3 of Ink and Paper and Glue Scholarship across Translated and Edited —By Chris Bohjalian Three Continents by Vartan Matiossian —By Ara Sanjian Talk to Me A World History 5 —By Kristi Rendahl Celebrating 500 Years 28of Armenian Printers of Armenian Printing —By Artsvi “Wings on Their Feet and 22 —By Lilly Torosyan Bakhchinyan 7 on their Heads: Reflections on Port Armenians and The First Historian of Five Centuries of Global 24Armenian Printing Armenian Print Culture” —By Vartan Matiossian —By Sebouh D. Aslanian Editor: Khatchig Mouradian The Armenian Weekly Copy-editor: Nayiri Arzoumanian CONTRIBUTORS Art Director: Gina Poirier Sebouh David Aslanian was born in Ethiopia and Born in Montevideo (Uruguay) and long-time resi- received his Ph.D. (with distinction) from Columbia dent of Buenos Aires (Argentina), Dr. Vartan University in 2007. He holds the Richard Hovannisian Matiossian is a historian, literary scholar, translator Endowed Chair of Modern Armenian history at the and educator living in New Jersey. He has published department of history at UCLA. His recently published six books on Armenian history and literature. He is From the Indian Ocean to the Mediterranean: The currently the executive director of the Armenian Global Trade Networks of Armenian Merchants from New Julfa National Education Committee in New York and book review editor (Berkeley: University of California Press, 2011) was the recipient of of Armenian Review.