Liberal Arts Overview Theatre at Albright Theatre
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WALLY CROWDER 2ND UNIT DIRECTOR/STUNT COODINATOR [email protected]
WALLY CROWDER 2ND UNIT DIRECTOR/STUNT COODINATOR [email protected] MOTION PICTURES 2015 Monster Trucks (Stunt Performer) 2015 Kidnap (Assistant Stunt Coordinator) 2015 Self/less (Stunt Driver) 2015 Furious Seven (Stunt Driver) 2014 Alexander and the Terrible, Horrible, No Good, Very Bad Day (Utility Stunts) 2014 The Barber (Stunt Driver) 2014 Let’s Be Cops (Stunt Driver/Stunts) 2012 This is 40 (Stunt Driver) 2011 Jeff, Who Lives at Home (Stunts/Actor-Fisherman) 2011 Larry Crowne (Stunts) 2010 Uncle Nigel (Stunt Coordinator) 2009 A Christmas Carol (Stunts) 2009 Angels & Demons (Stunt Performer) 2009 12 Rounds (Stunt Performer/Actor-Streetcar Conductor) 2009 The Smell of Success (Stunts) 2006 The Last Time (Stunt Coordinator) 2005 Red Eye (Utility Stunts) 2005 The Dark (Stunt Coordinator) 2003 Basic (Stunts) 2003 House of 1000 Corpses (Stunt Performer) 2003 Old School (Stunts) 2003 War Stories (Stunt Coordinator) 2003 The Street Lawyer (Stunt Coordinator) 2002 Women vs. Men (Stunt Coordinator) 2002 Outta Time (Stunts) 2001 Rock Star (Stunts) 2001 Training Day (Stunts) 2001 Lying in Wait (Stunt Performer) 2001 Double Take (Stunts) 2000 The Adventures of Rocky & Bullwinkle (Stunts) 2000 Hot Boyz (Stunts) 1999 Avalon: Beyond the Abyss (Stunt Coordinator) 1999 House on Haunted Hill (Stunts) 1999 One Last Score (If…Dog…Rabbit) (Stunts) 1999 NetForce (Stunt Coordinator) 1998 The Siege (Stunt Performer) 1998 With Friends Like These… (Stunt Coordinator) 1998 Point Blank (Stunts) 1997 Acts of Betrayal (Stunts) 1997 Gone Fishin’ (Stunts) 1997 -
College Choices for the Visual and Performing Arts 2011-2012
A Complete Guide to College Choices for the Performing and Visual Arts Ed Schoenberg Bellarmine College Preparatory (San Jose, CA) Laura Young UCLA (Los Angeles, CA) Preconference Session Wednesday, June 1 MYTHS AND REALITIES “what can you do with an arts major?” Art School Myths • Lack rigor and/or structure • Do not prepare for career opportunities • No academic challenge • Should be pursued as a hobby, not a profession • Graduates are unemployable outside the arts • Must be famous to be successful • Creates starving artists Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School in the News Visual/Performing Arts majors are the… “Worst-Paid College Majors” – Time “Least Valuable College Majors” – Forbes “Worst College Majors for your Career” – Kiplinger “College Degrees with the Worst Return on Investment” – Salary.com Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School Reality Projected More than 25 28 million in 2013 million in 2020 More than 25 million people are working in arts-related industry. By 2020, this is projected to be more that 28 million – a 15% increase. (U.S. Department of Labor) Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School Reality Due to the importance of creativity in the innovation economy, more people are working in arts than ever before. Copyright: This presentation -
Safety Responsibilities Stunt Coordinator
Safety Responsibilities Stunt Coordinator Safety Program Information for Stunt Coordinator The following information is for your specific position and is provided to help you understand your extremely important part in your Production’s Injury & Illness Prevention Program (IIPP)/Safety Program. Responsibilities of the Stunt Coordinator The Stunt Coordinator is responsible for the safe performance of stunts and supervision of all persons involved, and is responsible to effectively coordinate with the Special Effects Coordinator and, at Pre- Stunt/FX meeting, to communicate stunt action to ensure understanding and safety of all involved crew. This meeting should be documented in the daily Production Report. Production Start-Up 1. Visit safetyontheset.com to familiarize yourself with the safety information available, (AMPTP Safety Bulletins, Tool Box Talks, etc.) and to read the Production Safety Manual. 2. Hire only Stunt Coordinators knowledgeable in the action they will be supervising. Hire stunt players who have the proper training and who understand or have previously demonstrated the similar work they will be asked to do. Stunt Coordinators performing their own stunts need a second stunt person to act as Stunt Coordinator during the sequence. 3. Hire only employees who have the proper safety training for, and who understand how to safely perform, any task they are asked to do. On Production Implement the IIPP: 1. Discuss all potential safety concerns with the Location Manager, Line Producer, Special Effects, Stunt, Transportation and Construction Coordinators, and key department heads during the script read through. 2. Conduct or arrange safety training for all Stunt employees and appropriate cast and crew members: a. -
List of Non-Exhaustive Crew Titles That Will Be Considered for Funding
List of non-exhaustive crew titles that will be considered for funding: Director Best boy (lighting) Key make-up artist Producer Lighting technician / Electrics Special make-up effects Artist Line producer Grips (SFX makeup) Production assistant Key grip Make-up supervisor Production managements Best boy/Best Babe (grip) Make-up artist Production manager Dolly grip Key hair Assistant production Production sound Hair stylist manager Production sound mixer Special effects Unit manager Boom operator Special effects supervisor Production coordinator Second assistant sound Stunts First assistant director Art department Stunt coordinator Second assistant director Production designer Film editor Accounting Art director Editorial[edit] Production accountant Line Standby art director Negative cutter Producer Assistant art director Colorist Location manager Set designer Telecine colorist Assistant location manager Illustrator Visual effects[edit] Location scout Graphic artist Visual effects Unit publicist Set decorator Visual effects producer System administrator Buyer Visual effects creative Continuity Leadman director Script supervisor Set dresser Visual effects supervisor Script Writers Greensman Visual effects editor Casting Construction Compositor Casting director Construction coordinator Matte painter Cast PA Head carpenter Sound and music Drivers Carpenters Sound designer Camera and lighting Studio hands Dialogue editor Director of photography Propmaker Sound editor Camera Scenic Re-recording mixer Camera operator Key scenic Music supervisor First assistant camera Property Foley artist Second assistant camera Propmaster Conductor/ orchestrator Film loader Weapons master Score recorder/ mixer Digital imaging technician Costume department Music preparation Steadicam operator Costume supervisor Music editor Motion control Key costumer Previs technician/Operator Breakdown artist Animation Lighting Costume buyer Gaffer Cutter . -
Sampling of Careers Within the Performing Arts
Sampling of Careers within the Performing Arts Performing in categories/places/stages including, but not limited to: Broadway Dance Companies International Theatre Short Films Children’s Theatre Documentaries Music Videos Television Commercials Festivals Off-Broadway Touring Companies Community Theatre Film Opera Web Series Cruise Ships Independent Films Regional Theatre West End London Performing arts jobs* including, but not limited to: Actor (27-2011) Dance Academy Owner (27-2032) Mascot (27-2090) Script Writer (27-3043) Announcer/Host (27-2010) Dance Instructor (25-1121) Model (27-2090) Set Designer (27-1027) Art Director (27-1011) Dancer (27-2031) Music Arranger (27-2041) Singer Songwriter (27-2042) Artistic Director (27-1011) Dialect Coach (25-1121) Music Coach (27-2041) Sound Editor (27-4010) Arts Educator (25-1121) Director (27-2012) Music Director (27-2041) Stage Manager (27-2010) Arts Manager (11-9190) Director’s Assistant (27-2090) Music Producer (27-2012) Talent Agent (27-2012) Ballet (27-2031) Drama Coach (25-1121) Music Teacher (25-1121) Casting Agent (27-2012) Drama Critic (27-3040) Musical Composer (27-2041) Technical Director (27-4010) Casting Director (27-2012) Drama Teacher (25-1121) Musical Theatre Musician (27-2042) Technical Writer (27-3042) Choir Director (27-2040) Event Manager (27-3030) Non-profit Administrator (43-9199) Theatre Company Owner (27-2032) Choir Singer (27-2042) Executive Assistant (43-6011) Opera Singer (27-2042) Tour Guide (39-7011) Choreographer (27-2032) Fashion Model (27-2090) Playwright (27-3043) -
Art/Production Design Department Application Requirements
Art/Production Design Department Thank you for your interest in the Art Department of I.A.T.S.E. Local 212. Please take a few moments to read the following information, which outlines department specific requirements necessary when applying to the Art Department. The different positions within the Art/Production Department include: o Production Designer o Art Director (Head of Department) o Assistant Art Director o Draftsperson/Set Designer o Graphic Artist/Illustrator o Art Department Coordinator and o Trainee Application Requirements For Permittee Status In addition to completing the “Permit Information Package” you must meet the following requirement(s): o A valid Alberta driver’s license, o Have a strong working knowledge of drafting & ability to read drawings, o Have three years professional Design training or work experience, o Strong research abilities, o Freehand drawing ability and o Computer skills in Accounting and/or CADD and or Graphic Computer programs. APPLICANTS ARE STRONGLY RECOMMENDED TO HAVE EXPERIENCE IN ONE OR MORE OF THE FOLLOWING AREAS: o Art Departments in Film, Theatre, and Video Production o Design and Design related fields: o Video/Film and Television Art Direction & Staging o Theatrical Stage Design & Technical Direction o Architectural Design & Technology o Interior Design o Industrial Design o Graphic Design o Other film departments with proven technical skills beneficial to the needs of the Art Department. Your training and experience will help the Head of the Department (HOD) determine which position you are best suited for. Be sure to clearly indicate how you satisfy the above requirements. For example, on your resume provide detailed information about any previous training/experience (list supervisor names, responsibilities etc.) Additionally, please provide copies of any relevant licenses, tickets and/or certificates etc. -
Resume of Kim Bailey “ Feature Projects ”
Local #800 Local #44 Resume of Kim Bailey “ Feature Projects ” ADOD, LLC. 2008-Present, ADOD, LLC. (Artistic Development on Demand) (Los Angeles) C.E.O. Current entrepreneurial venture outside the scope of the entertainment industry. Business model focuses on conceptual business development, development of the brand image along with image consulting, architectural interior design and themed entertainment environments , in-house graphics, development & design of advertisement campaign relating to corporate message and trade show exhibits, product placement, web design, marketing strategies, tools & sales materials, consulting for personnel management of staff, vendors and direction of sales force. Damaged Goods 2012, Serious Damage Productions, LLC. Director: Annie Biggs (Los Angeles - PILOT) Production Designer Hired by: (Executive Producer) Annie Biggs Interfaced with: (All aspects of production) Responsible for complete design and look for all aspects of production. Pranked 2011, Untitled, LLC. Director: Adam Rifkin (Los Angeles) Supervising Art Director Hired by: (Producer) Bernie Gewissler Interfaced with: (Production, Director & Executive Producer) Responsible for complete design and look for all aspects of production. The Wrath of Shatner 2010, Free Enterprise 2, LLC. Director: Robert Burnett (Los Angeles) Supervising Art Director to Production Designer Hired by: (Producer) Jeffrey Cohglan Interfaced with: (Production & Director) Responsible for complete design and look for all aspects of production, took over for Production designer -
Covid-19 Pandemic Production Guide
THE BC MOTION PICTURE INDUSTRY COVID-19 PANDEMIC PRODUCTION GUIDE 7J PERFORMERS August 2020 This is an excerpt from The BC Motion Picture Industry COVID-19 Pandemic Production Guide 7J 7.J. PERFORMERS These guidelines are intended to provide guidance to employers/producers, supervisors and workers on identifying and mitigating potential COVID-19-related workplace hazards applicable to performers including: actors, animation performers, background performers, choreographers, dancers, narrators/commentators, photo-doubles, puppeteers, singers, stand- ins, stunt coordinators/performers/riggers, vocal/dialogue coaches, voice over performers. and musicians. Also refer to the Hair/Makeup/Costume Guidelines, the Office Guidelines, the Camera Guidelines, and the Transportation Guidelines, and the General Technicians Guidelines (VFX: Scanning and Motion Capture) as appropriate. Performers interact with multiple departments on a production and there is a high likelihood that they will be required to work in close contact with other performers and crew. A suite of controls should be considered in order to protect the health and safety of performers and minimize the risk of transmission of COVID-19. In general, physical distancing requirements between performers does not apply to performers who reside in the same household. GENERAL WORKPLACE POLICIES In addition to guidelines in Section 2.A., consider the following: 1. Scenes involving singing, loud yelling, or the use of wind instruments may increase the risk of transmission. Where possible, film these outdoors and/or ensure adequate distancing between people. 2. Filming large crowd scenes outdoors where possible and limiting the amount of time spent filming these types of scenes. 3. Requiring that animals and their trainer only enter set when immediately needed and that interaction with the animal is limited to the trainer and the performer(s) who interact with the animal in the scene. -
14 Performer Flying & Aerial Stunts Performing Arts Safety Bulletin
Performing Arts Safety Bulletin #14 PERFORMER FLYING AND AERIAL STUNTS Performer flying and aerial stunts involve much greater potential for serious or fatal injury than normal performance activities. This document provides general guidelines for the principles of safe design, risk assessment, rehearsal and performance. OVERVIEW Performer flying and aerial stunts require the supervision of a fully trained and experienced professional stunt co-ordinator, the use of appropriate engineering and specialized equipment. The title of the flying director/stunt coordinator/rigger may vary, but that person, to be qualified, must have the appropriate experience, expertise and ability to ensure a safe and secure work environment in order to give people the ability to create their art. This bulletin uses the title “stunt coordinator” to refer to the qualified person. British Columbia health and safety regulations define a qualified person as follows: they must be knowledgeable of the work, the hazards involved, and the means to control the hazards, by reason of education, training, experience or a combination of these. All parties involved in performer flying or aerial stunts should know who is responsible for each aspect of the effect. DESIGN AND CONSTRUCTION 1. Fly systems should be designed: • for simplicity and reliability in operation, and durability in repeated use; • to ensure predictability and repeatability of motion; • to include a passive secondary that takes weight only if the load-bearing component fails; and • to include a control option to easily permit movement outside the cue sequence in an emergency. 2. Conduct load calculations with due regard to the load capabilities of the components. -
Pact BECTU Feature Film Agreement Grade Ladder PAY GROUP
Pact BECTU Feature Film Agreement Grade Ladder PAY GROUP 12 Armourer 1 All Runners Board Operator Boom Operator 2 Art Dept Junior Chargehand Props Camera Trainee Electrician Costume Trainee Post Prod. Supervisor Directors Assistant Production Buyer Electrical Trainee / junior Rigging Electrician Jnr Costume Asst Senior Make-up Artist Make-up Traineee SFX Technician Producers Assistant Stand-by Art Director Production Secretary Props Trainee / junior 13 1st Asst. Editor Script Supervisor's Assistant Art Director Sound Trainee / junior Convergence Puller DIT 3 2nd Assistant Editor 3rd Assistant Director 14 ?Crane Technician? Accounts Assistant/cashier Grip Art Dept Co-ordinator Location Manager Art Dept Assistant Prop Master Asst Production Co-ordinator Costume Assistant 15 Costume Supervisor Junior Make-up & Hair Best Boy Electrician Location Assistant Best Boy Grip Rigging Gaffer 4 Data Wrangler Make Up Supervisor Video Playback Operator Scenic Artist Script Supervisor 5 Assistant Art Director Sculptor Costume Dresser Set Decorator Costume Maker Stereographer AC Nurse Post Production Co--ordinator 16 Focus Puller Sound Asst (3rd man) Production Accountant Unit Manager Stills Photographer 6 Assistant SFX technician 17 Dubbing Editor Asst. Location Manager Researcher 18 1st Assistant Director Camera Operator 7 2nd Assistant Accountant Costume Designer Clapper Loader Gaffer Draughtsperson Hair & Make Up Chief/Designer Key Grip 8 Assistant Costume Designer Production Manager Dressing Props Prosthetic Make Up Designer Graphic Artist Senior SFX Technician Sound Recordist 9 Illustrator Supervising Art Director Stand By Construction Stand By Costume 19 Individual Negotiation => Stand By Props Casting Director Storyboard Artist Director Director of Photography 10 Make Up Artist Editor Production Co-Ordinator Line Producer / UPM Production Designer 11 1st Assistant Accountant SFX Supervisor 2nd Assistant Director Senior Video Playback Operator Storeman/Asst Prop Master . -
CHRISTOPHER LEPS Kick the Can (Spec Ad) Director, Stunt Coordinator Alex Madison, Producer
FEATURE Spaceman Stunt Coordinator Stephen Nemeth, Producer Dance Camp Stunt Coordinator Jon M. Chu, Producer Book of Swords Stunt Coordinator Wayne Kennedy, Producer Torque Fight Coordinator (uncredited) Neal H. Moritz, Producer The Waiters 2nd Unit Director Kipp Tribble, Producer Clutch Stunt Coordinator Robert Stio, Producer TELEVISION Greenleaf (1 ep.) Cover Coordinator Al Dickerson, Producer RocketJump: The Show (1 ep.) Stunt Coordinator Freddie Wong, Producer Complications (2 eps.) Cover Coordinator Craig Siebels, Producer Burger King Star Wars commercial Fight Coordinator John Landis, Director Angel (1 ep.) Asst. Sword Coordinator Skip Schoolnik, Producer Worst Case Scenarios (1 ep.) Stunt Co-Coordinator Craig Piligian, Producer Mortal Kombat Conquest (14 eps.) Asst. Fight Coordinator (uncredited) Larry Kasanoff, Producer Out of the Blue Stunt Coordinator Sam Riddle, Producer Chase (spec ad) Director, Stunt Coordinator Alex Madison, Producer CHRISTOPHER LEPS Kick the Can (spec ad) Director, Stunt Coordinator Alex Madison, Producer DIRECTOR STUNT COORDINATOR SHORT FILM STUNTMAN Director, Producer, Writer, Editor Muse (2014) www.imdb.me/christopherleps Wholehearted (2012) www.christopherleps.com Century of Light (2011), [email protected] Ed & Vern’s Rock Store (2008) Cop Sign (2005) 818 . 618 . 5661 Shadow (2004), Saber Duel (2003) Director, Producer, Editor Testing (2015) Amy and Elliot (2009) SPECIAL SKILLS AND ABILITIES Directing | Editing | Pre-Viz | Martial Arts & Weapons (30 years) | Fight Choreography | Driving Sword Work | Mo-Cap | Reactions | High Falls | Mini-Tramp | Wire Work | Air Rams & Ratchets BIO Over the past 27 years, I’ve had a unique adventure in the TV and film industry. My diverse career started at the Walt Disney Company in 1989, but my zeal for cinema was sparked by the movies seen in my youth. -
Dave Macomber
Dave Macomber Gender: Male Height: 5 ft. 8 in. Weight: 165 pounds Eyes: Green Hair Length: Short Waist: 30 Inseam: 30 Shoe Size: 9.5 Physique: Athletic Coat/Dress Size: 40R Ethnicity: Caucasian / White Photos Film Credits Hollywood Adventures Fight Coordinator Entourage Stunts Savannah Sunrise Stunt Coordinator Seventh Sun Stunts Transformers: Age of Extinction Stunt Double: Mark Wahlberg Sabotage Stunt Double: Sam Worthington / Fight Coordinator R.I.P.D Stunt Performer Iron Man 3 Stunts / Utility Stunts Television Banshee (24 Episodes) Stunt Performer / Stunt Double Banshee (Multiple Episodes) Fight Coordinator Banshee (Multiple Episodes) Stunt Coordinator Most Daring (40+ Episodes) Stunt Coordinator Powers Stunt Performer The Vampire Diaries Stunt Performer Generated on 09/26/2021 09:38:54 pm Page 1 of 2 Commercial Stage Music Videos Motion Capture Guild Affiliations SAG / AFTRA Stunt Teams Stunt Skills Stunt Skills: Squibs, Fight-Guy/Gal - General, Martial Artist, Certified Scuba Diver - PADI, Rappelling, Wire Work, Hong Kong Wire Work, Fire Burns, Weapons ~ General, I Ground Pound, Martial Arts: MMA, Martial Arts: Jujitsu, TRAINING: Rick Seaman's Super Level 1, Stunt Driving, Martial Arts: Karate, Martial Arts: Krav Maga, Martial Arts: Eskrima, Martial Arts: Judo, Martial Arts: Aikido, Martial Arts: Grappling, Martial Arts: Greco-Roman, Martial Arts: Wushu, Weapons: Sword, Weapons: Knife, Weapons: Nunchaku, Weapons: Katana, Sword Master, Prat Falls, Martial Arts: Hap Ki Do, Martial Arts: Black Belt, Weapons: Dagger, Weapons: Broadsword, Footfalls, Stage Fighting, Martial Arts: Kick Boxing, Weapons: Sword & Shield, Weapons: Rifle - AR-15, etc., Weapons: Shotgun, Martial Arts: Wing Chun, Martial Arts: Taekwondo, Martial Arts: Kali, Weapons: Military Unique Talents: Experienced Previz editor.