DIRECTORS GUILD of AMERICA JOB CLASSIFICATIONS & DEFINITIONS A. Director: Directs the Production of Motion Pictures And
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EXPLORING IDENTITY Emilio Sosa L Costume Designer Michael Griffo L
EXPLORING IDENTITY Emilio Sosa l Costume Designer Michael Griffo l Author/Educator ELA, Life Skills, Character Studies Grades l 5, 6, 7, 8, 9, 10 FEATURING EMILIO SOSA • FASHION & BROADWAY COSTUME DESIGNER EXPLORING IDENTITY BACKGROUND ARTIST INSIGHT As a Latino, I’m influenced by the bright colors that’s evident in my Latin culture. I also grew up listening to great Latin music and being surrounded by aunts and uncles in their Sunday best. I can now look back and use those influences in a modern way. I think that style comes from within, not just the clothing you wear. Style doesn’t come with a price tag; it comes from knowing yourself and what works for you. I have a strong belief that hard work and dedication are the keys to success and that talent rises to the top. Any challenges I come across I’ve been able to overcome because of my strong will to succeed. My advice to anyone who aspires to work on Broadway or in the fashion field is to gain as much knowledge as possible. Whether it’s through formal education or internships knowledge is power. —Emilio Sosa, Fashion and theatrical costumer designer ABOUT THE EXPERTS SPECIAL GUEST: Emilio Sosa is a first-generation immigrant from the Santo Domingo, Dominican Republic, and a graduate of the Pratt Institute. He discovered his passion for design when he was 14 years old and has since achieved his goal of becoming an award- winning fashion and costume designer. In 2006 he was the recipient of the TDF’s Irene Sharaff Young Master Award and named Design Virtuoso by American Theatre Magazine in 2003. -
South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos. -
CA Chart of Accts Film
CALIFORNIA CHART OF ACCOUNTS Qualifying and Non-qualifying Accounts Films - Movies of the Week - Mini-Series Effective July 1, 2014 Revised March 2014 The chart below is intended as a helpful guide, and not an exact list of what are considered Qualified Expenditures. Qualified Expenditures are for pre-production, production, and post-production - not for development, marketing, publicity, or distribution . The following listing assumes where "yes" is designated that the service is performed or property is used in the state of California. Items used or personnel services employed both within and outside of California can be qualified only for the prorata portion of costs incurred directly in California. Any expenditures incurred prior to issuance of the tax credit allocation letter are not qualified expenditures. Account # Description Qualified Comments 101-00 STORY & RIGHTS 101-01 Story Rights - Purchase NO 101-02 Acquisition Expenses NO 101-06 Title Report YES If work performed in California. 101-08 Copyright Fee NO 101-99 Fringe Benefits NO 102-00 WRITING 102-01 Writers NO 102-03 Editor and Consultants NO 102-05 Research YES 102-06 Script Timing YES 102-07 Secretaries YES 102-08 Script Duplication YES 102-18 Script Clearance Research YES 102-19 Clearance Fees YES If paid to CA company 102-20 Clearance License Fees NO 102-40 Materials & Supplies YES 102-45 Box Rentals YES On Qualified Labor Only 102-47 Car Allowances, Mileage YES On Qualified Labor Only 102-50 Rentals YES 102-80 Writer Entertainment & Meals YES 102-85 Script Publication -
Techniques and Practical Skills in Scenery, Set Dressing and Decorating for Live-Action Film and Television
International Specialised Skills Institute Inc Techniques and Practical Skills in Scenery, Set Dressing and Decorating for Live-Action Film and Television Julie Belle Skills Victoria/ISS Institute TAFE Fellowship Fellowship funded by Skills Victoria, Department of Innovation, Industry and Regional Development, Victorian Government ISS Institute Inc. APRIL 2010 © International Specialised Skills Institute ISS Institute Suite 101 685 Burke Road Camberwell Vic AUSTRALIA 3124 Telephone 03 9882 0055 Facsimile 03 9882 9866 Email [email protected] Web www.issinstitute.org.au Published by International Specialised Skills Institute, Melbourne. ISS Institute 101/685 Burke Road Camberwell 3124 AUSTRALIA April 2010 Also extract published on www.issinstitute.org.au © Copyright ISS Institute 2010 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Whilst this report has been accepted by ISS Institute, ISS Institute cannot provide expert peer review of the report, and except as may be required by law no responsibility can be accepted by ISS Institute for the content of the report, or omissions, typographical, print or photographic errors, or inaccuracies that may occur after publication or otherwise. ISS Institute do not accept responsibility for the consequences of any action taken or omitted to be taken by any person as a consequence of anything contained in, or omitted from, this report. Executive Summary In film and television production, the art department operates, under the leadership of the production designer or art director, to create and manipulate the overall ‘look, feel and mood’ of the production. The appearance of sets and locations transports audiences into the world of the story, and is an essential element in making a production convincing and evocative. -
College Choices for the Visual and Performing Arts 2011-2012
A Complete Guide to College Choices for the Performing and Visual Arts Ed Schoenberg Bellarmine College Preparatory (San Jose, CA) Laura Young UCLA (Los Angeles, CA) Preconference Session Wednesday, June 1 MYTHS AND REALITIES “what can you do with an arts major?” Art School Myths • Lack rigor and/or structure • Do not prepare for career opportunities • No academic challenge • Should be pursued as a hobby, not a profession • Graduates are unemployable outside the arts • Must be famous to be successful • Creates starving artists Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School in the News Visual/Performing Arts majors are the… “Worst-Paid College Majors” – Time “Least Valuable College Majors” – Forbes “Worst College Majors for your Career” – Kiplinger “College Degrees with the Worst Return on Investment” – Salary.com Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School Reality Projected More than 25 28 million in 2013 million in 2020 More than 25 million people are working in arts-related industry. By 2020, this is projected to be more that 28 million – a 15% increase. (U.S. Department of Labor) Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School Reality Due to the importance of creativity in the innovation economy, more people are working in arts than ever before. Copyright: This presentation -
Atp 3M:Production Roles
1 BLM #4 Student Resource ATP 3M:PRODUCTION ROLES WHAT IS PRODUCTION WORK? It is all of the work behind the scenes that bring a production to life. There are many roles that fall under production work: Producer This is the person responsible for the business side of a production, including raising the necessary money. He or she arranges rehearsal space, audition space, production meetings. Artistic Director The artistic director is responsible for conceiving, developing, and implementing the artistic vision and focus of a dance company. An Artistic Director is the head of a dance company who has the overall say on the artistic direction of the company, the work it does and the dancers and artists that it employs. She/he may choreograph/direct some of the productions or she/he may hire freelance choreographers. Choreographer Choreographers create and arrange original dances, combining steps and movements to form an artistic whole. They may create original work or they may develop new interpretations of traditional dances. Technical Director This is the person who oversees all technical aspects of a production. The Technical Director has the daily responsibility for the technical operations of a theatre, including lighting, sound, set design and construction, and coordinating necessary maintenance. Stage Manager This is the person who runs the actual show during its performances. She/he makes sure that everyone and everything involved in the production, from actors and technicians to props and lighting, is in the right place at the right time. She/he must compile a prompt script, which notes the dancers’ moves, set changes and technicians' cues. -
Cecil Averett Resume Sound Design Theatrical - Film/Multimedia – Civic
Cecil Averett Resume Sound Design Theatrical - Film/Multimedia – Civic 1056 Electric Avenue SE Salem, Oregon 97302 888.592.4448 ext. 1 [email protected] www.csdesigngroup.net EDUCATION San Jose State University, San Jose, CA. Liberal Arts, History California Recording Institute, San Francisco, CA. Music Recording, Technology EMPLOYMENT Arena Stage Washington, D.C. Audio Engineer 1995-1998 The Goodman Theatre Chicago, IL. Audio Head/Engineer 1998-2004 Milburn Bodeen Music Chicago, IL. Editor/Designer 1998-2001 cs|designgroup Chicago / Portland Co-Founder / Principal Designer 2002-Present ADI Group New York, NY. Designer, Assoc. Designer 2003-2004 Marriott Theatre Lincolnshire, IL. Resident Sound Designer 2004-2009 TEACHING EXPERIENCE Northwestern University, Evanston, IL. Theatre Sound Design / Technology – Beginning /Advanced 2001-2003 DePaul University, Chicago, IL. Guest Artist / Mentor – Sound Design 1999-2002 SOUND DESIGN – Theatrical GOODMAN THEATRE, Chicago, IL. Beyond Glory, directed by Stephen Lang 2005 (also Of-Broadway at Roundabout Theatre, directed by Robert Falls 2007) Romance, directed by Pam MacKinnon 2006 Mamet Festival, directed by Various 2006 Passion Play: a cycle, directed by Mark Wing-Davies 2007 (Joseph Jeferson Nomination – Sound Design) A Christmas Carol, directed by Bill Brown 2007, 2008 ARENA STAGE, Washington, D.C. Ghosts, directed by Liviu Chuili 1996 CHICAGO SHAKESPEARE THEATRE, Chicago, IL. Henry IV Parts I and II, directed by Barbara Gaines 1999 (Jef Award – Best Production) Macbeth, directed by Kim Rubenstien 1999 Romeo and Juliet, directed by Kim Rubenstien 2000 (Remounted and subsequent tour in 2001) Three Musketeers, directed by David H. Bell 2007 CAP21 / DR2 THEATRE, New York, NY. Waiting For My Man, directed by Anthony Patellis 2004 (Of-Broadway) CLEAR CHANNEL PRODUCTIONS / JUNIPER STREET PRODUCTIONS, New York, NY. -
Theatre This Sheet Has Sample Occupations, Work Settings, Employers, and Career Development Activities Associated with This Major
Alternative Format Available • Revised 3/14 Theatre This sheet has sample occupations, work settings, employers, and career development activities associated with this major. Some of these options may require additional training and career planning. You are not limited to these options when choosing a possible career path. Sample Occupations Performing Artists Art Education Arts Journalism Theatrical Administration Actor/Director Art, Drama, and Music Critic - Broadcasting Box Office Theater Ballet Dancer Teacher, Postsecondary Critic - Print Media Company Manager Choreographer Drama Coach Theatrical Press Agent Chorus Singer Private Dance Teacher Production, Directing, and Apprentice Comedian Theater Arts Professor Design Theatrical Press Agent Conductor - Symphony Vocal Coach Casting Director Orchestra Director - Theatrical Writing and Composing for Dancer Behind the Scenes Production the Performing Arts Narrator Audio/Video Technician Producer - Theatrical Composer - Musical Theater, Section Member Fashion/Costume Designer Production Opera Show Musician Lighting Technician Production Assistant Librettist Singer Makeup Artist Scenic Designer Playwright Studio Musician Production Hairstylist Stage Manager Songwriter Voice-Over Artist Sound Technician Stylist Sample Work Settings Broadway Theaters Dinner Theaters Orchestras Showcase Comedy Clubs Community Theaters Opera Companies Recording Studios Television, Motion Pictures Sample Employers A sample of organizations that have hired students with a concentration in theatre. Afterschool -
Costume Designer Costume Designer
COSTUME DESIGNER A Costume Designer creates the clothes and costumes for theatre, film, dance, concerts, television and other types of stage productions. The role of the Costume Designer in the professional theatre industry is to design garments and accessories for actors to wear in a production. In this industry the majority of designers, specialise in both set and costume design, although they often have a particular strength in one or the other. READING THE SCRIPT The first step is to read this script, which can give direction as to what the characters are wearing. The script also gives an indication through the character’s personality and behaviour. The designer should consider the time period, the location, as well as the social status of each character. The designer would then liaise with the director to determine the time period and location (as they may change this from the script) and if there is any other style or element they want to achieve. It is imperative that the costume and set design have a cohesive look. BUDGET As a designer you will need to know your budget as this has a big impact upon the design of a production. It is cheaper to produce a contemporary show, so you can op shop costumes or buy them from a retail outlet. Often actors will provide bits and pieces from their own wardrobe on smaller budget shows. Period shows are expensive as most costumes will need to be made. These costs include fabric and trims and employing people to draft patterns, cut and sew them, all of which are labour and time intensive. -
List of Non-Exhaustive Crew Titles That Will Be Considered for Funding
List of non-exhaustive crew titles that will be considered for funding: Director Best boy (lighting) Key make-up artist Producer Lighting technician / Electrics Special make-up effects Artist Line producer Grips (SFX makeup) Production assistant Key grip Make-up supervisor Production managements Best boy/Best Babe (grip) Make-up artist Production manager Dolly grip Key hair Assistant production Production sound Hair stylist manager Production sound mixer Special effects Unit manager Boom operator Special effects supervisor Production coordinator Second assistant sound Stunts First assistant director Art department Stunt coordinator Second assistant director Production designer Film editor Accounting Art director Editorial[edit] Production accountant Line Standby art director Negative cutter Producer Assistant art director Colorist Location manager Set designer Telecine colorist Assistant location manager Illustrator Visual effects[edit] Location scout Graphic artist Visual effects Unit publicist Set decorator Visual effects producer System administrator Buyer Visual effects creative Continuity Leadman director Script supervisor Set dresser Visual effects supervisor Script Writers Greensman Visual effects editor Casting Construction Compositor Casting director Construction coordinator Matte painter Cast PA Head carpenter Sound and music Drivers Carpenters Sound designer Camera and lighting Studio hands Dialogue editor Director of photography Propmaker Sound editor Camera Scenic Re-recording mixer Camera operator Key scenic Music supervisor First assistant camera Property Foley artist Second assistant camera Propmaster Conductor/ orchestrator Film loader Weapons master Score recorder/ mixer Digital imaging technician Costume department Music preparation Steadicam operator Costume supervisor Music editor Motion control Key costumer Previs technician/Operator Breakdown artist Animation Lighting Costume buyer Gaffer Cutter . -
Costume Designer
Katherine Milne Costume Designer. Bio Katherine Milne is a Melbourne based costume designer and stylist with over twenty years of experience across film, television and commercials. Her design credits include Killer Elite starring Jason Statham and Robert De Niro, The Whistleblower, set in China and Africa, starring Tang Wei. Most recently she has just completed filming Liam Neeson’s latest film Blacklight, set in Washington DC. Originally from Auckland New Zealand, Katherine began her career on the cult classic TV series Xena and Hercules. Since then she has worked continuously in the film industry on numerous local and International film productions. Katherine excels at managing large scale departments and budgets. She has significant experience with executing speciality costumes and any stunt action costume requirements. Katherine thrives working in the collaborative creative ecosystem of film and television production , embraces each new design challenge and loves to create authentic characters and their worlds through costume. M: +61 (0) 404983147 E: [email protected] Katherine Milne W: katherinemilne.com Costume Designer. FILM & TV - Experience 1999-2020 BLACKLIGHT - COSTUME DESIGNER Feature Film 2020 Director Mark Williams | Producers , Mark Williams ,Myles Nestel , Paul Currie , Coco Ma | Budget: US$ 46M (est.) REEF BREAK - COSTUME DESIGNER (5 episodes) ABC T.V Series: Touchstone Productions Executive Producers: Poppy Montgomery, Steve Pearlman, Ruthanne Secunda Producer: Guy Louthan THE WHISTLEBLOWER - COSTUME DESIGNER -
Sampling of Careers Within the Performing Arts
Sampling of Careers within the Performing Arts Performing in categories/places/stages including, but not limited to: Broadway Dance Companies International Theatre Short Films Children’s Theatre Documentaries Music Videos Television Commercials Festivals Off-Broadway Touring Companies Community Theatre Film Opera Web Series Cruise Ships Independent Films Regional Theatre West End London Performing arts jobs* including, but not limited to: Actor (27-2011) Dance Academy Owner (27-2032) Mascot (27-2090) Script Writer (27-3043) Announcer/Host (27-2010) Dance Instructor (25-1121) Model (27-2090) Set Designer (27-1027) Art Director (27-1011) Dancer (27-2031) Music Arranger (27-2041) Singer Songwriter (27-2042) Artistic Director (27-1011) Dialect Coach (25-1121) Music Coach (27-2041) Sound Editor (27-4010) Arts Educator (25-1121) Director (27-2012) Music Director (27-2041) Stage Manager (27-2010) Arts Manager (11-9190) Director’s Assistant (27-2090) Music Producer (27-2012) Talent Agent (27-2012) Ballet (27-2031) Drama Coach (25-1121) Music Teacher (25-1121) Casting Agent (27-2012) Drama Critic (27-3040) Musical Composer (27-2041) Technical Director (27-4010) Casting Director (27-2012) Drama Teacher (25-1121) Musical Theatre Musician (27-2042) Technical Writer (27-3042) Choir Director (27-2040) Event Manager (27-3030) Non-profit Administrator (43-9199) Theatre Company Owner (27-2032) Choir Singer (27-2042) Executive Assistant (43-6011) Opera Singer (27-2042) Tour Guide (39-7011) Choreographer (27-2032) Fashion Model (27-2090) Playwright (27-3043)