DOCSLIB.ORG

Mohamd Maddy SOUND ENGINEER [email protected] +974 775 675 72 Doha, Qatar

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mohamd Maddy SOUND ENGINEER Mohamdmaddy@Aol.Com +974 775 675 72 Doha, Qatar Mohamd Maddy SOUND ENGINEER [email protected] +974 775 675 72 Doha, Qatar Summary: 8 years of valuable experience in the Broadcast Television & Cinema industries in Egyptian & Qatari Media. Always ready for a challenging project and I have a talent for finding ways to do things that others say can't be done. Am seeking for the position of audio operator/engineer in the production/ post production industry to boost my skills and gain knowledge in aspects of media production field. Specialties: Video Production, "Audio", Sound Recordist -Recording On Filming Locations, Outside Broadcast Engineering & Communications. Post Production, Sound Studio, Audio Operations, Editing with Pro Tools Software, Mixing, Mastering, Recording, Sound Design, Foley & Editing Dialog. Audio Experience: Sound Designer: House Engineer: ReferenceStudios - CAIRO, EGYPT, 2011- 2014 *Record & Edit dialog for: Dubbing, Commercials Voiceover, RADIO Programs, and Documentaries As: “Timon & Pumbaa, Doc Mcstufns “for - Masrya Media. *Add ambiances & SFXtracks for Cinema movies & series & short movies As: "Harrag W Marrag"- Wika Media Production- " 31/12 & GARSONEERA "- Soteer Production - "AHLA ELAYAM"- Media Life - "SER ALANY & SEDNA ELSAYD"- ADL GROUP - "VIRGIN MORNING"- ERROR MEDIA PRODUCTION - . *Record & Edit Foley sessions for Cinema movies & series & short movies As: "Harrag W Marrag"-Wika Media Production- "VIRGIN MORNING"-ERROR MEDIA PRODUCTION- “31/12" & "GARSONEERA"-Soteer Production Sound Designer: House Engineer: ART FRIENDS PRODUCTIONS - DOHA, QATAR, 2015- PRESENT *Record & Edit dialog for: TVC,S , Commercials Voiceover , RADIO Programs ,Short Movies , and Documentaries. *Recording on set and mixing and sound designing for many projects, As: “Diabetes Campaign, QDB Loan TVC, Shell Short Movie” *Checking Pro Tools session backups for missing files and playback errors. *Mix audio for internal and external video projects including foreign languages, · *Test and compare mic pre-amps and microphones, export files for the sound team to listen & compare. *Created Pro Tools templates for various recording & mixing setups (Voiceover, foley, group voiceover,mix) sessions . Audio Engineering: Freelance - Egyptian Media - Recording on set - EGYPT 2007 – 2014 *Record many projects & Cinema movies & series & short movies . *Sound Production Director: ACADEMY OF ARTS - GIZA , EGYPT October2009– jun2012 *Add music sound tracks for many plays @ Academy of Arts , Egypt. *Design complete sound system within a given budget *System optimization and troubleshooting *Design, mix & playback music for festivals and plays @ The High Institute Of Theatre Arts *Sound Design, Mix & Editorial for various projects including student films *Sweeten audio for various projects Previous job Pre-production 1. Cinema Movies: - EL-FARAH-El Sobky Film- 2007 -Assistant HAD SAME3 HAGA"-El Sobky Film- 2007 -Assistant EL-LEMBY 8 GIGA"El Sobky Film -2009 Assistant&BoomOperator MOHTARAM ELLA ROB3" -El Sobky Film-2009 Assistant- & -Boom Operator SAFARY-Mahy Production- 2009 -Assistant- & -Boom Operator WELAD ELBALAD"-El Sobky Film- 2009 -Assistant- & -Boom Operator HASSAL KHAIR El Sobky Film 2011Assistant Engineer 31/12"-Media Group- -Soteer- 2011 -Assistant Engineer ABDO MOTA-El Sobky Film- 2012 Assistant Engineer GARSONEERA"-Media Group- -Soteer-2013-Engineer SHELL - Art Friends Productions 2015 -Engineer Teachers Academy, -corporate Exxonmobil -EdgePictures Oct2015 -Engineer- One Of Them - INNOVATION FILMS - 2015-2016 -ENGINEER- ANKABOOT - INNOVATION FILMS -2015 -ENGINEER- Seat belt awareness - INNOVATION FILMS -2015 -ENGINEER- OREEDOO DOCUMENTARIES - INNOVATION FILMS -2015 -ENGINEER- Almeera TVC -resolution production - 2015 - Engineer - 2.Series : - HARAMT YA BABA-T Vesion- 2007 Assistant D-TUBE"-AL-RAI Channel- 2007 -Assistant- ELGAM3A"-Karma Media Production- 2009 –Assistant & Boom Operator ELHARA"-Panorama Drama- 2010-Assistant- & -Boom Operator SHABAB FACEBOOK Farah Media- 2011 -Assistant- & -Boom Operator AHLLA AYAM “Media Life- 2013 -Assistant Engineer Afarit Mehrez “MidnightSun production- 2013 –Engineer Dr. Hammoud Show"-Innovation Film- 2014 Doha, Qatar –Engineer PSG Training Shooting"-Resolution Productions-2014 Doha, Qatar – -Engineer KAHRMAA AD Pro Screen Productions- 2014 Doha, Qatar-Engineer AJYAL YOUTH FILM FESTIVAL event DFI-&-Resolution Productions- 2014 Doha, Qatar - Engineer Algeria Habara Hunters”- EMIRI DEWAN -2014-2015 Algeria - Engineer Hammad Stroke Campaign” -Innovation Film- 2015 Doha,Qatar –Engineer Middle East Chef Program “S M Media productions 2015 Doha,Qatar - -Engineer PSG HandBall Team Tour 2015”- Resolution Productions- 2015 Doha,Qatar – Engineer PSG FootBall Team Winter Tour Dec,2015”- Resolution Productions- 2015 Doha,Qatar – Engineer Algalayel 2016-Hunting Competition ,Feb,2016 -Ain Al Shaheen- Doha,Qatar – Enginee Post-productions:- 1. Cinema Movies: - Design Foley Track & Efects Track, FOR "Harrag W Marrag" -Wika Media Production- 2012 – Design Foley Track & ambiances & Efects Track, FOR, "31/12"-Media Group for Production- 2013 Design Foley Track & ambiances & Efects Track, FOR, "Garsoneera" -Media Group for Production- 2013 Design Foley Track & ambiances & Efects Track, FOR, "VIRGIN MORNING" - ERROR MEDIA PRODUCTION- 2014. 2. Series : ADD Ambiances & Efects Track, FOR, SYDNA EL SAYED& SER 3ALLANY ADL GROUP RAMADAN 2012 ADD Ambiances & Efects Track ,FOR,"AHLA EL AYAM"-Media Life- RAMADAN 2013 ADD Ambiances & Efects Track ,FOR,"ESHTA W 3ASSAL"-Sootier Media Production- RAMADAN 2013 - Design Sound Track ,FOR, “Diabetes Campaign Series"-Art Friends Productions Qatar2015 ,& Many of , Plays music & Songs & Advertisements . Audio Skills • Pro Tools User for Post Production • Mixing Consoles: Digidesign Icon, Various digital & analog live consoles • Post production audio: Foley, SFX, Editing • Microphone theory, placement and recording techniques • Studio Maintenance: soldering, Cable Construction • Mac & PC proficient, Microsoft Ofce suite. • Sound Recorder & BOOM MIC Operator • Configurations, signal flow and outboard gear • User for many diferent Hard Disk Recorders such as: Sound vice, RolandEdirol, Tascam , Zoom , Sony Other Work History : Dubbing director: Directing arabic copy of "FIGHT CLUP ,&, I Will Always Know What You Did Last Summer ,&, DEN OF LIONS ,&, SCREAM #1 ,&, FEVER PITCH ,&, CHARLES ANGELS ,&, CASINO ROYAL ,&, GATHERING ,&, NEVER BEEN KISSED " and many other movies for "KlaketTV"@ Perspective Studio CAIRO, EGYPT, February 2010 – jan 2011 Critique and authoring , as student activities at Academy Of Arts , Giza , EGYPT , 2005-2012 . - Director : for THREE plays at theatre arts institute , EGYPT . 2009 - 2010 - 2011 . - Creative: at ERROR Media Production , Cairo , EGYPT , 2011 . Actor -Talent- of "Royal Spanish Center Doha" TVC, Doha,Qatar, 2015. Education Bachelor's Degree of Theatre Arts “Dramatic Art & Critique" Branch Academy of Arts , Egypt Graduated with mark of "GOOD" IN June 2012.
Load more

Recommended publications
  • List of Non-Exhaustive Crew Titles That Will Be Considered for Funding
    List of non-exhaustive crew titles that will be considered for funding: Director Best boy (lighting) Key make-up artist Producer Lighting technician / Electrics Special make-up effects Artist Line producer Grips (SFX makeup) Production assistant Key grip Make-up supervisor Production managements Best boy/Best Babe (grip) Make-up artist Production manager Dolly grip Key hair Assistant production Production sound Hair stylist manager Production sound mixer Special effects Unit manager Boom operator Special effects supervisor Production coordinator Second assistant sound Stunts First assistant director Art department Stunt coordinator Second assistant director Production designer Film editor Accounting Art director Editorial[edit] Production accountant Line Standby art director Negative cutter Producer Assistant art director Colorist Location manager Set designer Telecine colorist Assistant location manager Illustrator Visual effects[edit] Location scout Graphic artist Visual effects Unit publicist Set decorator Visual effects producer System administrator Buyer Visual effects creative Continuity Leadman director Script supervisor Set dresser Visual effects supervisor Script Writers Greensman Visual effects editor Casting Construction Compositor Casting director Construction coordinator Matte painter Cast PA Head carpenter Sound and music Drivers Carpenters Sound designer Camera and lighting Studio hands Dialogue editor Director of photography Propmaker Sound editor Camera Scenic Re-recording mixer Camera operator Key scenic Music supervisor First assistant camera Property Foley artist Second assistant camera Propmaster Conductor/ orchestrator Film loader Weapons master Score recorder/ mixer Digital imaging technician Costume department Music preparation Steadicam operator Costume supervisor Music editor Motion control Key costumer Previs technician/Operator Breakdown artist Animation Lighting Costume buyer Gaffer Cutter .
    [Show full text]
  • John Barzelay [email protected] (407) 761-1899
    John Barzelay [email protected] (407) 761-1899 Education University of Central Florida, Orlando, FL Bachelor of Arts, May 2008, Radio/Television. Minors in Film, Sociology. Recent Freelance Sound Mixer/Recordist, Camera Op, Steadicam (current) Work SOUND DEPARTMENT “Glendale Arts” - TV Spots – Sound Mixer (April 2012) Tegan Summer “Blue Lagoon” - Behind the scenes – Sound Mixer/Recordist (March 2012) Lifetime “Google Apps” - Commercial web-spots – Sound Mixer (September 2011) Google “Zombie Burst” iPhone Video Game –Sound Director (September 2011) “2012 Ford Fiesta” – Commercials – Sound Mixer (September 2011) Ford “Puss N Boots” – Live-action Commercial – Boom Op (September 2011) Dreamworks “Grabriel Iglesias” Commercials – Sound mixer (August 2011) Comedy Central “Prophets of Science Fiction” TV Show – Sound Mixer (July-August 2011) Discovery “Cee-Lo Green – Cry Baby” music video – Sound Mixer (July 2011) “Rango” Live-action commercial – Boom Op (June 2011) Nickelodeon. “Kids Choice Awards 2011” – Commercial Spots – Boom Op (May 2011) Nickelodeon “American Idol” TV Show – Sound Mixer/boom (March 2011) Fox “The Sorrow” Feature Film – Sound Mixer (March 2011) LapBand Commercial TV Spots – Sound mixer (Jan 2011) Tegan Summer “The Block” BET Pilot – Sound Mixer/Boom (Oct 2010) BET “Tony Hawk Pro Skater: Shred” Video game – Boom Op (April 2010) PCB. “Hatchet II” Feature film – Boom Operator (Jan-Feb 2010) Ariescope. CAMERA DEPARTMENT “YG – Get money and fuck” Music Video – Steadicam Op (April 2012) 55 Mill “My Indonesian Adventure”
    [Show full text]
  • Usc Sca Ctpr 507 Production I -‐ Fall 2011
    USC SCA CTPR 507 PRODUCTION I - FALL 2011 COURSE DESCRIPTION and OUTLINE (Section 18603 – Pollard/KositcHek) 4 units INSTRUCTORS: Cinematography: Robert KositcHek Email: [email protected] Phone: (310) 315-9465 Day/Time: Mon, 2:00 – 5:00 Location: SCA Stage 2 Producing/Directing: StU Pollard Email: [email protected] Phone: (310) 344-9380 Day/Time: Mon/Wed, UsUallY 2:00pM – 5:50pm (see Course Outline below) Location: SCA 362 Office Hours: By AppointMent OnlY SA: Christine Moitoso Phone: (209) 484-7508 Email: [email protected] WitH facUltY gUests: Editing: Reine-Claire Dousarkissian / 310-435-8216 / [email protected] SoUnd: Midge Costin / 310-890-2353 / [email protected] SoUnd: Doug Vaughan / 310-413-9181 / [email protected] Required text book: Voice & Vision, Second Edition: A Creative Approach to Narrative Film and DV Production by Mick Hurbis-Cherrier AtHletic SHoes and long pants MUST be worn to all CineMatograpHY classes USE OF LAPTOPS, CELL PHONES, TABLETS, ETC. NOT ALLOWED DURING CLASS Hello and welcome to 507! There is no better way to learn how to make a picture, than actually going through the process of doing it… Be patient and open to new ideas as you embark on this creative and personal journey of discovery. OVERVIEW: Production I (CTPR 507) is about ideas and your ability to communicate effectively through the language of cinema. It combines introductions to the five major disciplines within the cinematic arts: producing, directing, editing, cinematography, and sound with guided opportunities to create individual and small group projects. Students will make two short HD projects as part of an exploration of visual storytelling, as well as shoot a directing an exercise in the Fundaments of Directing (production students only).
    [Show full text]
  • Filmmaking 101: Handout: Recording Audio © Nils Osmar 2012, All Rights Reserved
    Filmmaking 101: Handout: Recording audio © Nils Osmar 2012, All rights reserved. Instructor: Nils Osmar Email: [email protected] For a full list of classes, visit: www.classesandworkshops.com __________________________________________________________ Movies have two components: video and audio. Movies are primarily a visual medium, but the quality of the audio is extremely important in the perceived quality of the final product. Good audio can save a bad movie. Poor audio can ruin a good one. Sound conveys emotion. Video conveys information. (If you listen to a movie with the sound off, you won’t be emotionally involved in it.) (If you're scared of horror films, try watching them with the sound off; they won't scare you at all.) __________________________________________________________ Key points to remember: • The audio track in a movie is made up of several different components mixed together. The components include: - voices - room tone - sound effects and foley - music • Some audio is recorded in the field (on location) on the day of filming. Some is recorded later on in studio. Then it's treated and mixed in studio. • If your goal is to record high quality audio, all of these components need to be of high quality: - your microphone - your microphone holder - the cable connecting it to the recording device - the camcorder or other recording device the microphone is hooked up to. • The connections between the components have to be secure. Audio is only as strong as its weakest link. (A great microphone won't sound good if its connection to the camera has a problem.) The better your movie's soundtrack, the less your audience will be consciously aware of it.
    [Show full text]
  • DOCUMENT RESUME CE 056 758 Central Florida Film Production Technology Training Program. Curriculum. Universal Studios Florida, O
    DOCUMENT RESUME ED 326 663 CE 056 758 TITLE Central Florida Film Production Technology Training Program. Curriculum. INSTITUTION Universal Studios Florida, Orlando.; Valencia Community Coll., Orlando, Fla. SPONS AGENCY Office of Vocational and Adult Education (ED), Washington, DC. PUB DATE 90 CONTRACT V199A90113 NOTE 182p.; For a related final report, see CE 056 759. PUB TYPE Guides - Classroom Use - Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus PoQtage. DESCRIPTORS Associate Degrees, Career Choice; *College Programs; Community Colleges; Cooperative Programs; Course Content; Curriculun; *Entry Workers; Film Industry; Film Production; *Film Production Specialists; Films; Institutional Cooperation; *Job Skills; *Occupational Information; On the Job Training; Photographic Equipment; *School TAisiness Relationship; Technical Education; Two Year Colleges IDENTIFIERS *Valencia Community College FL ABSTRACT The Central Florida Film Production Technology Training program provided training to prepare 134 persons for employment in the motion picture industry. Students were trained in stagecraft, sound, set construction, camera/editing, and post production. The project also developed a curriculum model that could be used for establishing an Associate in Science degree in film production technology, unique in the country. The project was conducted by a partnership of Universal Studios Florida and Valencia Community College. The course combined hands-on classroom instruction with participation in the production of a feature-length film. Curriculum development involved seminars with working professionals in the five subject areas, using the Developing a Curriculum (DACUM) process. This curriculum guide for the 15-week course outlines the course and provides information on film production careers. It is organized in three parts. Part 1 includes brief job summaries ofmany technical positions within the film industry.
    [Show full text]
  • Production Roles
    APPENDIX D Production Roles Producer: Has control over the entire production of a motion picture and is ultimately held responsible for the success or failure of the motion picture project; this person is involved with the project from start to finish. The producer’s tasks are to: • organize and guide the project into a successful motion picture; • organize the development of the film, and be quite active in the pre-production phase; and • supervise and give suggestions to be taken seriously by those creating the film. Director: The director is primarily responsible for overseeing the shooting and assembly of a film. The director’s tasks are to: • be directly responsible for the picture’s final appearance; • work at the center of film production; and • be inextricably linked with dozens of other people to get the job done. Screenwriter: The screenwriter provides more than the dialogue for the actors. The screenwirter’s tasks are to: • be responsible for organizing the sequence of events in a film to ensure that one scene leads logically to the next; • write descriptions of settings; and • suggest movements or gestures for the actors. • Production Designer/Art Director: The production designer is the first to translate the script into visual form. The production/art director’s tasks are to: • create a series of storyboards (a series of sketches to show the visual progression of the story from one scene to the next); and • determine the palette of colors to be used and often provides other important suggestions about the composition of individual shots. Cinematographer: The cinematographer is also known as the director of photography (DP).
    [Show full text]
  • FILM 5 Budget Example
    TFC Production Budget-DETAIL Title: My FILM 5 Movie Budget Dated: 22-Aug-18 Series: Medium/Format: Prodco: Length: 5 mins Location/Studio: Halifax 01.00 STORY RIGHTS/ACQUISITIONS Acct Description CASH 01.01 Story Rights/Acquisitions (0) 01.95 Other (0) TOTAL STORY 01.00 (0) RIGHTS/ACQUISITIONS 02.00 SCENARIO Acct Description # # Units Unit Rate/Amt CASH 02.01 Writer(s) 1 1 --- 0.00 (0) 02.05 Consultant(s) 1 1 --- 0.00 (0) 02.15 Storyboard 1 1 --- 0.00 (0) 02.20 Script Editor(s) 1 1 --- 0.00 (0) 02.25 Research 1 1 --- 0.00 (0) 02.27 Clearances/Searches 1 1 --- 0.00 (0) 02.30 Secretary 1 1 --- 0.00 (0) 02.35 Script Reproduction 1 1 --- 0.00 (0) 02.60 Travel Expenses 1 1 --- 0.00 (0) 02.65 Living Expenses 1 1 --- 0.00 (0) 02.90 Fringe Benefits 0.00 % 0 (0) 02.95 Other 1 1 --- 0.00 (0) 02.00 TOTAL SCENARIO (0) 03.00 DEVELOPMENT COSTS Acct Description CASH 03.01 Preliminary Breakdown/Budget (0) 03.05 Consultant Expenses (0) 03.25 Office Expenses (0) 03.50 Survey/Scouting (0) 03.60 Travel Expenses (0) 03.65 Living Expenses (0) 03.70 Promotion (0) TFC0208-0612 Page 1 of TFC Production Budget-DETAIL 03.95 Other (0) 03.00 TOTAL DEVELOPMENT COSTS (0) 04.00 PRODUCER Acct Description # # Units Unit Rate/Amt CASH 04.01 Executive Producer(s) 1 1 --- 0.00 (0) 04.05 Producer(s) 1 1 --- 0.00 (0) 04.07 Line Producer(s) / Supervising Prod.(s) 1 1 --- 0.00 (0) 04.10 Co-Producer(s) 1 1 --- 0.00 (0) 04.15 Associate Producer(s) 1 1 --- 0.00 (0) 04.25 Producer's Assistant 1 1 --- 0.00 (0) 04.60 Travel Expenses 1 1 --- 0.00 (0) 04.65 Living Expenses 1 1 --- 0.00
    [Show full text]
  • Here Done That
    BEST PICTURE BEST SOUND EDITING SKIP LIEVSAY SERIOUSLY. SUPERVISING SOUND EDITOR BEST SOUND MIXING FEATURES PETER F. KURLAND 2009 Emmy Winners . .14 PRODUCTION SOUND MIXER SKIP LIEVSAY Career Achievement Award . .16 RE-RECORDING MIXER Randy Thom is honored CRAIG BERKEY Filmmaker Award . .18 RE-RECORDING MIXER Mr. Henry Selick gets the nod GREG ORLOFF 16 RE-RECORDING MIXER The Way Back . .20 A League of Nations works together Super Dave’s Spike-Tacular . .24 Daredevil Bob Einstein returns to television Rejouer . .30 The fi rst feature fi lm shot using an HDSLR camera 30 DEPARTMENTS President’s Letter . .4 Awards season is upon us From the Editors . .6 Want to lend a hand? Technically Speaking . .9 John Garrett loves cardioids! Tips & Tricks . .12 24 Embedding audio into QuickTime video fi les Been There Done That . .32 CAS members check in The Lighter Side . .46 “Audaciously funny, original and resonant! A landmark in the Coen universe!” -Owen Gleiberman, ENTERTAINMENT WEEKLY GOTHAM AWARDS NOMINEE 46 Cover: Jon Fasal and Linda Whittlesey recording footsteps. BEST FEATURE BEST ENSEMBLE For up-to-the-minute screening information, go to: Academy.FilmInFocus.com CAS QUARTERLY FALL 2009 3 To read complete rave reviews from across America, visit: FilmInFocus.com ©2009 Focus Features. All Rights Reserved. BEST PICTURE BEST SOUND EDITING SKIP LIEVSAY SERIOUSLY. SUPERVISING SOUND EDITOR BEST SOUND MIXING FEATURES PETER F. KURLAND 2009 Emmy Winners . .14 PRODUCTION SOUND MIXER SKIP LIEVSAY Career Achievement Award . .16 RE-RECORDING MIXER Randy Thom is honored CRAIG BERKEY Filmmaker Award . .18 RE-RECORDING MIXER Mr. Henry Selick gets the nod GREG ORLOFF 16 RE-RECORDING MIXER The Way Back .
    [Show full text]
  • Education Employment Project Experience Production Details
    Charles Fleiss 1220 S Harvard Blvd Los Angeles, CA 90006 (551) 795-6011 [email protected] Education Drexel University Philadelphia, PA Bachelor of Science in Film/Video Graduated: June 2013 Skills Experience with Fostex Sound Mixers (large and small), Wendt Sound Mixers (X3, X4, X5), Sennheiser EW100ENGG3-A Wireless systems, Lectrosonic 100 series wireless systems, Edirol R-4 Pro sound recorder, Zoom H4n recorders, various shotgun microphones, Sony NX cameras, Sony PD170 cameras, Nikon D60 cameras. Experience with cleaning and maintaining costume pieces through both hand and machine washing, as well as dry cleaning; monitoring costuming inventory; assisting with dressing performers; assisting with fittings. Proficient in Microsoft Word, Microsoft Excel, Microsoft PowerPoint, Screenwriter, Final Cut Pro, and Adobe Photoshop, both Mac and PC. Employment South9 Entertainment, Philadelphia, PA May 2011 - June 2012 Intern Assisting in the production sound mixing and recording of music videos and short films. Professional Sound Services, New York, NY June – September 2010, March 2012 Intern Filled orders of sound equipment; tested and organized mixers, recorders, microphones, and wireless systems; assisted in the filing of equipment orders, maintenance requests, and bills; performed marketing and sales research; ran errands. Project Experience Various Film Productions October 2009 - present Sound, Production Design, Camera, Grip, Talent Collaborated on over 50 film projects since fall 2009. Supported directors’ creative vision by providing superior sound production, as well as art, prop, and costume work. Production Details ·Field Team, Superbowl XLVIII. Field Team Member. January 5 - February 2, 2014. ·”The King’s Whore”. Dir. Jen Wineman. Costume Department Intern. June 26 - August 11, 2013 ·Recording for “Starrider”.
    [Show full text]
  • Production Sound Essentials
    PRODUCTION SOUND ESSENTIALS (Or How Eggs should be Sucked) Robert Allen's mind meanders after fifty years recording sound for Motion Pictures. READ AND UNDERSTAND THE SCRIPT ditioning in building can be controlled during takes. Location Managers should see to this, but rarely do. Check surroundings to see where Generator can be Re-read script considering sound requirements. Un- parked to ease sound problems, but not inconven- derline or highlight any sound effects or sound di- ience electricians with long cable runs. The Location rections mentioned in the scene descriptions. Note Manager should be informed of the position. Gen- down any sound effects atmosphere tracks or sound erators are blimped, but the amount of noise reduc- ideas you may think useful for the final sound track. tion varies from machine to machine. Electrical Crews dislike parking the Generator more than one cable length from the set. Do not let them bully you, ASSESS THE DIALOGUE put the Generator where it won't cause problems. Is it interior or exterior? Are any of the scenes in Make sure that other outfits like wardrobe and noisy locations such as factories, busy city streets or make-up wagons, who usually have Honda Genera- beaches with surf? These may require the use of tors on board for lighting and heating, are either radio microphones so count the number of artists in suitably parked or arrangements made for shutting each scene in order to know the number of channels off the Generators during takes. needed. DECISIONS - DECISIONS Are there any musical numbers in the script that will have to be pre-recorded? If so, provision of synch playback will be needed on set.
    [Show full text]
  • 219 Film and Television
    http://www.avc.edu (661) 722-6300 Film and Television 219 Definition students seeking fulfillment of general education requirements The popular culture of the twentieth century is forever marked for a degree program; and students wishing to gain specific by the amazingly rapid advancements in the mediums of film skills and knowledge in order to pursue careers in the film and and television. We have become a civilization influenced by television industry. visual images as they link with the ancient art of storytelling. Studying Film and Television teaches us how our lives have been, and continue to be, informed and shaped by these powerful Career Options Anchor mediums. Assistant Director Audio Operator Staff Boom Operator To access faculty and staff, dial (661) 722-6300, then the 4-digit Director extension. Director of Photography Dean: Film/Video Editor Duane Rumsey ext. 6385 Field Production Producer Administrative Assistant: Film Librarian Tangie Hunter ext. 6385 Floor Manager Clerical Assistant III: Grip position vacant ext. 6385 Independent Film/Videomaker Department Chair: Instructor Lisa Karlstein ext. 6534 Lighting Director Adjunct Faculty: Line Producer To access adjunct faculty voice mail, dial 722-6300, then the 4-digit Media Consultant number. Movie Reviewer V.M. Producer David Lewis 2463 Production Assistant Kevin North 2969 Production Coordinator Matthaeus Szumanski 2016 Screenwriter Alissa Welsch 2124 Script Supervisor Stage Manager Program Description Studio Camera Operator The course offerings fall into two categories: film/television Technical Director history and theory, and film/video production. Both areas are Video Artist designed to build specific skills upon a strong foundation of Videographer general knowledge of film and television production.
    [Show full text]
  • James Baker Film and Television Production Sound Mixer
    James Baker Film and Television Production Sound Mixer 917 402 7836 (cell) [email protected] IMDB - www.imdb.com/name/nm0048542/?ref_=fn_nm_nm_13 James Baker specializes in production sound mixing for film, television and documentaries. An extensive equipment package is owned, maintained, continually upgraded and is available for hire for both film and video projects. With the skills and knowledge gained working on location and in the post-production studio James Baker ensures quality recordings captured on the set. Able to work within the most demanding of environments, James Baker will meet all challenges with expertise and skill. Nominations: 2009 BAFTA Television Craft Nomination for Best Sound - Factual: “Louis Theroux: Behind Bars” 2007/2008 Emmy Nomination for Outstanding Sound Mixing Non Fiction Programming: “The Amazing Race” - seasons 10/12 Feature/Drama: Production Sound Mixer 2003- present “Don Jons Addiction” - NY unit, feature, dir. Joseph Gordon-Levitt “The Delivery Man” feature, dir. Ken Scott “Dr Who” BBC - NY unit, “The Angels take Manhattan” “The Good Wife” CBS – 30 episode Tandem unit mixer/A unit mixer “The Electric Company” 5 episodes, PBS/Sesame workshop “American Falls” short, dir. Be’ Garret “June Weddings” short, dir. Barbara Hammond “Midnight Mass” feature, Lionsgate films, dir. Tony Mandile, Feature/Drama: Boom Operator/Sound Utility – 2008- present “Moonrise Kingdom” Boom Operator. dir. Wes Anderson, mixer: Pawel Wdozcak “The Hunger Games – Catching Fire” Boom Operator (uncredited), mixer: Tod Maitland “The Hunger Games” Boom Operator (uncredited). dir. Gary Ross, mixer: Tod Maitland “The Amazing Spiderman” Utility (uncredited). dir. Marc Webb, mixer: John Pritchett “The Delivery Man” Boom Operator. dir.
    [Show full text]