College Choices for the Visual and Performing Arts 2011-2012
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
CA Chart of Accts Film
CALIFORNIA CHART OF ACCOUNTS Qualifying and Non-qualifying Accounts Films - Movies of the Week - Mini-Series Effective July 1, 2014 Revised March 2014 The chart below is intended as a helpful guide, and not an exact list of what are considered Qualified Expenditures. Qualified Expenditures are for pre-production, production, and post-production - not for development, marketing, publicity, or distribution . The following listing assumes where "yes" is designated that the service is performed or property is used in the state of California. Items used or personnel services employed both within and outside of California can be qualified only for the prorata portion of costs incurred directly in California. Any expenditures incurred prior to issuance of the tax credit allocation letter are not qualified expenditures. Account # Description Qualified Comments 101-00 STORY & RIGHTS 101-01 Story Rights - Purchase NO 101-02 Acquisition Expenses NO 101-06 Title Report YES If work performed in California. 101-08 Copyright Fee NO 101-99 Fringe Benefits NO 102-00 WRITING 102-01 Writers NO 102-03 Editor and Consultants NO 102-05 Research YES 102-06 Script Timing YES 102-07 Secretaries YES 102-08 Script Duplication YES 102-18 Script Clearance Research YES 102-19 Clearance Fees YES If paid to CA company 102-20 Clearance License Fees NO 102-40 Materials & Supplies YES 102-45 Box Rentals YES On Qualified Labor Only 102-47 Car Allowances, Mileage YES On Qualified Labor Only 102-50 Rentals YES 102-80 Writer Entertainment & Meals YES 102-85 Script Publication -
Michael Wiese Productions 2017 2017 Contents
MICHAEL WIESE PRODUCTIONS 2017 2017 CONTENTS NEW TITLES SCREENWRITING/ 25 The Way of Story 6 Producero t Producer — WRITING 25 Elephant Bucks 2nd Edition 19 The Coffeebreak 26 The Virgin’s Promise 7 Romantic Comedies Screenwriter — 2nd Edition 26 Mind Your Business 8 Making it Big in 26 Dan O’Bannon’s Guide to Shorts — 3rd Edition 19 The Hollywood Standard — 2nd Edition Screenplay Structure 9 The Woman in the 27 The Writer’s Advantage Story — 2nd Edition 19 Your Screenplay Sucks! 27 Rewrite — 2nd Edition 10 Writing Subtext — 2nd 19 Cinematic Storytelling Edition 20 Noteso t Screenwriters 27 Forensic Speak 11 Making the Magic 20 Writing the TV Drama 27 Creating Graphic Novels Happen Seriesd — 3r Edition 28 Shakespeare for 12 Crash! Boom! Bang! 20 Riding the Alligator Screenwriters 13 Write! Shoot! Edit! 20 Stealinge Fir from the 28 The Hidden Tools of Comedy 14 Shooting Better Movies Gods — 2nd Edition 28 Writing the Science 15 Make Some Noise 21 Why Does the Screenwriter Cross Fiction Film 16 Suspense With a Camera the Road? 29 Master Shots 17 Filmmaking for 21 Myth and the Movies 29 Master Shots Vol 1 — Change — 2nd Edition 21 And the Best Screenplay 2nd Edition ® 18 Save the Cat! Goes to... 29 Master Shots Vol 2 ® 18 Save the Cat! 21 Horror Screenwriting 29 Master Shots Vol 3 Goeso t the Movies 22 Story Line 18 The Writer’s Journey — 3rd Edition 22 My Story Can Beat Up DIRECTING/ Your Story VISUALIZATION 18 Memo from the Story Dept. 22 Psychology for 30 Directing Actors Screenwriters 30 The Film Director’s 22 Beat by Beat Intuition 23 -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Sampling of Careers Within the Performing Arts
Sampling of Careers within the Performing Arts Performing in categories/places/stages including, but not limited to: Broadway Dance Companies International Theatre Short Films Children’s Theatre Documentaries Music Videos Television Commercials Festivals Off-Broadway Touring Companies Community Theatre Film Opera Web Series Cruise Ships Independent Films Regional Theatre West End London Performing arts jobs* including, but not limited to: Actor (27-2011) Dance Academy Owner (27-2032) Mascot (27-2090) Script Writer (27-3043) Announcer/Host (27-2010) Dance Instructor (25-1121) Model (27-2090) Set Designer (27-1027) Art Director (27-1011) Dancer (27-2031) Music Arranger (27-2041) Singer Songwriter (27-2042) Artistic Director (27-1011) Dialect Coach (25-1121) Music Coach (27-2041) Sound Editor (27-4010) Arts Educator (25-1121) Director (27-2012) Music Director (27-2041) Stage Manager (27-2010) Arts Manager (11-9190) Director’s Assistant (27-2090) Music Producer (27-2012) Talent Agent (27-2012) Ballet (27-2031) Drama Coach (25-1121) Music Teacher (25-1121) Casting Agent (27-2012) Drama Critic (27-3040) Musical Composer (27-2041) Technical Director (27-4010) Casting Director (27-2012) Drama Teacher (25-1121) Musical Theatre Musician (27-2042) Technical Writer (27-3042) Choir Director (27-2040) Event Manager (27-3030) Non-profit Administrator (43-9199) Theatre Company Owner (27-2032) Choir Singer (27-2042) Executive Assistant (43-6011) Opera Singer (27-2042) Tour Guide (39-7011) Choreographer (27-2032) Fashion Model (27-2090) Playwright (27-3043) -
Budget Reports
DEVELOPMENT Development 1100 Story & Screenplay Producers Unit Directors Unit Budget Preparation Accounting Legal Office Overhead Transportation Research Travel/Living Additional Expenses Miscellaneous TOTAL 0 Story & Other Rights 1200 Story Rights Purchase Writers Fees Story Consultant/Editor Secretary Research Typing Duplication Miscellaneous TOTAL 0 Continuity & Treatment 1300 Writer Research Typing Duplication Travel & Living Story Editor Consultants Legal Clearances Secretaries Office Expenses Entertainment Script Timing Miscellaneous TOTAL 0 Producers 1400 Executive Producer Executive Producer Producer Co-Producer Line Producer Supervising Producer Coordinating Producer Associate Producer Production Executive Secretaries Office Expenses Research Packaging Fee Miscellaneous TOTAL 0 Director 1500 Director Directors Assistant Choreographer Dialogue Coach Secretary Storyboard Artist Office Expenses Travel/Living Second Unit Director Miscellaneous TOTAL 0 Cast 1600 Principal Roles Supporting Roles Day Players Stunt Gaffer Assistant Stunt Gaffer Stunt Players Stunt Doubles Utility Stunt Players Casting Expenses Screen Tests Overtime/Turnaround Musicians Looping Second Run Residuals (TV) Welfare Worker/Teacher Rehearsal Expenses Contractuals Miscellaneous TOTAL 0 Above-the-line travel & living 1700 Hotels Travel Per Diem Car Rentals Misc. Expenses TOTAL 0 PRODUCTION Production Staff 2100 Production Manager Unit Production Manager First Assistant Manager 2nd Assistant Manager 2nd 2nd Assistant Other Assistants DGA Trainees Production Associates -
Art/Production Design Department Application Requirements
Art/Production Design Department Thank you for your interest in the Art Department of I.A.T.S.E. Local 212. Please take a few moments to read the following information, which outlines department specific requirements necessary when applying to the Art Department. The different positions within the Art/Production Department include: o Production Designer o Art Director (Head of Department) o Assistant Art Director o Draftsperson/Set Designer o Graphic Artist/Illustrator o Art Department Coordinator and o Trainee Application Requirements For Permittee Status In addition to completing the “Permit Information Package” you must meet the following requirement(s): o A valid Alberta driver’s license, o Have a strong working knowledge of drafting & ability to read drawings, o Have three years professional Design training or work experience, o Strong research abilities, o Freehand drawing ability and o Computer skills in Accounting and/or CADD and or Graphic Computer programs. APPLICANTS ARE STRONGLY RECOMMENDED TO HAVE EXPERIENCE IN ONE OR MORE OF THE FOLLOWING AREAS: o Art Departments in Film, Theatre, and Video Production o Design and Design related fields: o Video/Film and Television Art Direction & Staging o Theatrical Stage Design & Technical Direction o Architectural Design & Technology o Interior Design o Industrial Design o Graphic Design o Other film departments with proven technical skills beneficial to the needs of the Art Department. Your training and experience will help the Head of the Department (HOD) determine which position you are best suited for. Be sure to clearly indicate how you satisfy the above requirements. For example, on your resume provide detailed information about any previous training/experience (list supervisor names, responsibilities etc.) Additionally, please provide copies of any relevant licenses, tickets and/or certificates etc. -
Resume of Kim Bailey “ Feature Projects ”
Local #800 Local #44 Resume of Kim Bailey “ Feature Projects ” ADOD, LLC. 2008-Present, ADOD, LLC. (Artistic Development on Demand) (Los Angeles) C.E.O. Current entrepreneurial venture outside the scope of the entertainment industry. Business model focuses on conceptual business development, development of the brand image along with image consulting, architectural interior design and themed entertainment environments , in-house graphics, development & design of advertisement campaign relating to corporate message and trade show exhibits, product placement, web design, marketing strategies, tools & sales materials, consulting for personnel management of staff, vendors and direction of sales force. Damaged Goods 2012, Serious Damage Productions, LLC. Director: Annie Biggs (Los Angeles - PILOT) Production Designer Hired by: (Executive Producer) Annie Biggs Interfaced with: (All aspects of production) Responsible for complete design and look for all aspects of production. Pranked 2011, Untitled, LLC. Director: Adam Rifkin (Los Angeles) Supervising Art Director Hired by: (Producer) Bernie Gewissler Interfaced with: (Production, Director & Executive Producer) Responsible for complete design and look for all aspects of production. The Wrath of Shatner 2010, Free Enterprise 2, LLC. Director: Robert Burnett (Los Angeles) Supervising Art Director to Production Designer Hired by: (Producer) Jeffrey Cohglan Interfaced with: (Production & Director) Responsible for complete design and look for all aspects of production, took over for Production designer -
Downsizing Presentation 14.Cdr
Istanbul conference High school reunion Int. plane Leisureland shuttle bus Leisureland visitors center Leisureland visitors center Leisureland visitors center Leisureland model home Leisureland model home Leisureland keepsake box Downsizing procedure Downsizing procedure Downsizing procedure Downsizing procedure Downsizing procedure Welcome to Leisureland Welcome to Leisureland Leisureland interiors Leisureland lawyer’s office Leisureland workers housing Bus Leisureland transportation Ext. Alondra apartments Alondra apartments Alondra apartments Alondra apartments Ext. Alondra apartments Norwegian fjord Norwegian village Norwegian village Norwegian village Norwegian village Norwegian village Leisureland concepts Leisureland branding Leisureland branding Production Designer Stefania Cella Supervising Art Director Kimberley Zaharko Art Directors Jørgen Stangebye Larsen Karl J. Martin Doug J. Meerdink Set Decorators Patricia Larman Karen Manthey Construction Accountant Lara Alexander Head Painter Peter Aquilina Model Maker Nick Augustyn Set Dresser Ryan Berkinshaw Art Department Coordinator: Additional Photography Jill Blackledge Set Designer Rudy Braun Assistant Art Director Katie Brock Storyboard Artist Doug Brode Leadman Jon J. Bush Art Advisor Nathan Carlson Set Designer Allen Coulter Specialty Prop Designer/Builder Taku Dazai Lead Painter Richard Ewan Props Buyer Ann-Marie Ferney-Tellez Moldmaker Jonathan Graham Concept Artist Ben Grangereau Set Designer Etienne Gravrand Assistant Property Master David Gruer Property Master David Gulick -
Pact BECTU Feature Film Agreement Grade Ladder PAY GROUP
Pact BECTU Feature Film Agreement Grade Ladder PAY GROUP 12 Armourer 1 All Runners Board Operator Boom Operator 2 Art Dept Junior Chargehand Props Camera Trainee Electrician Costume Trainee Post Prod. Supervisor Directors Assistant Production Buyer Electrical Trainee / junior Rigging Electrician Jnr Costume Asst Senior Make-up Artist Make-up Traineee SFX Technician Producers Assistant Stand-by Art Director Production Secretary Props Trainee / junior 13 1st Asst. Editor Script Supervisor's Assistant Art Director Sound Trainee / junior Convergence Puller DIT 3 2nd Assistant Editor 3rd Assistant Director 14 ?Crane Technician? Accounts Assistant/cashier Grip Art Dept Co-ordinator Location Manager Art Dept Assistant Prop Master Asst Production Co-ordinator Costume Assistant 15 Costume Supervisor Junior Make-up & Hair Best Boy Electrician Location Assistant Best Boy Grip Rigging Gaffer 4 Data Wrangler Make Up Supervisor Video Playback Operator Scenic Artist Script Supervisor 5 Assistant Art Director Sculptor Costume Dresser Set Decorator Costume Maker Stereographer AC Nurse Post Production Co--ordinator 16 Focus Puller Sound Asst (3rd man) Production Accountant Unit Manager Stills Photographer 6 Assistant SFX technician 17 Dubbing Editor Asst. Location Manager Researcher 18 1st Assistant Director Camera Operator 7 2nd Assistant Accountant Costume Designer Clapper Loader Gaffer Draughtsperson Hair & Make Up Chief/Designer Key Grip 8 Assistant Costume Designer Production Manager Dressing Props Prosthetic Make Up Designer Graphic Artist Senior SFX Technician Sound Recordist 9 Illustrator Supervising Art Director Stand By Construction Stand By Costume 19 Individual Negotiation => Stand By Props Casting Director Storyboard Artist Director Director of Photography 10 Make Up Artist Editor Production Co-Ordinator Line Producer / UPM Production Designer 11 1st Assistant Accountant SFX Supervisor 2nd Assistant Director Senior Video Playback Operator Storeman/Asst Prop Master . -
Storyboard Background-Information Styles, Tipps and Methods
Storyboard Background-Information Styles, Tipps and Methods By Saskia Petrenz [email protected] Contents Introduction 3 Mindset of the storyboards artist: Who he is and what he does 4 Storyboard Styles 6 Work-Flow 8 Composition 11 Lighting and Color 12 Tips/Methods 15 Dictionary 17 Questionnaire 18 Sources 19 2 Introduction This paper will give a general overview about storyboards, information about different styles of storyboards and how to use them. The mindset of a storyboard artist and his work-flow will also be explained. Additionally composition and the use of light in storyboards will be explained as well as some handy tips and tricks. At the end a dictionary lists eventually necessary technical terms. What is a storyboard? A storyboard is a suggestion. It gives a possible basic setup for a scene including general camera setups and lighting. It allows advance organization, frame by frame and shot by shot what is going to be happening dur- ing shooting. The function of a storyboard is to indicate and illustrate all shots needed for the final product. It does this by pre-visualizing the written word (screenplay) and its structure. Also any visual effect will be indi- cated in the storyboard, this means that modern Special Effects Films are more demanding on storyboards. A storyboard serves the visual needs of the director of photography and special effects team. The director and director of photography will go over the storyboard to decide on the needed cameras/ lenses/filters/lighting equipment etc. Also the producer, director, cinematographer and production designer will want to see visuals and illustrated SFX (Special Effects) to estimate cost, the set up for shots and decide on cameras, lighting and framing. -
Iatse Local 891 Rates
IATSE LOCAL 891 RATES 4August 2, 2015-April 2, 2016 April 3, 2016-April 1, 2017 April 2, 2017-March 31, Television Feature Television Feature Television Feature ACCOUNTING Assistant Accountant $35.58 $37.36 $36.29 $38.11 $37.02 $38.87 Accounting Clerk 1 $24.15 $25.38 $24.63 $25.89 $25.12 $26.41 Accounting Clerk 2 $19.92 $21.15 $20.32 $21.57 $20.73 $22.00 Accounting Trainee $16.21 $17.06 $16.53 $17.40 $16.86 $17.75 ART Production Designer Negotiable Negotiable Negotiable Art Director $43.92 $46.13 $44.80 $47.05 $45.70 $47.99 Assistant Art Director $38.13 $40.05 $38.89 $40.85 $39.67 $41.67 Draftsperson $30.97 $32.50 $31.59 $33.15 $32.22 $33.81 Graphics/Illustrator/Storyboard Artist/Set $33.97 $35.66 $34.65 $36.37 $35.34 $37.10 Designer Art Department Assistant $16.21 $17.06 $16.53 $17.40 $16.86 $17.75 CONSTRUCTION Construction Coordinator $40.11 $42.11 $40.91 $42.95 $41.73 $43.81 Construction Foreman $38.45 $40.38 $39.22 $41.19 $40.00 $42.01 Lead Carpenter $36.29 $38.10 $37.02 $38.86 $37.76 $39.64 Scenic Carpenter $33.97 $35.66 $34.65 $36.37 $35.34 $37.10 Scenic Helper $31.64 $33.26 $32.27 $33.93 $32.92 $34.61 Lead Metal Fabricator $36.29 $38.10 $37.02 $38.86 $37.76 $39.64 Scenic Metal Fabricator $33.97 $35.66 $34.65 $36.37 $35.34 $37.10 Metal Fabricator Helper $27.03 $28.37 $27.57 $28.94 $28.12 $29.52 Construction Buyer $33.97 $35.66 $34.65 $36.37 $35.34 $37.10 Maintenance Person $31.64 $33.26 $32.27 $33.93 $32.92 $34.61 Sculptor $36.29 $38.10 $37.02 $38.86 $37.76 $39.64 Model Maker $36.29 $38.10 $37.02 $38.86 $37.76 $39.64 Lead Labourer $27.03 $28.37 $27.57 $28.94 $28.12 $29.52 Labourer (Construction) $24.80 $26.02 $25.30 $26.54 $25.81 $27.07 COSTUME Costume Designer Negotiable Negotiable Negotiable Asst. -
PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer .