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CA Chart of Accts Film
CALIFORNIA CHART OF ACCOUNTS Qualifying and Non-qualifying Accounts Films - Movies of the Week - Mini-Series Effective July 1, 2014 Revised March 2014 The chart below is intended as a helpful guide, and not an exact list of what are considered Qualified Expenditures. Qualified Expenditures are for pre-production, production, and post-production - not for development, marketing, publicity, or distribution . The following listing assumes where "yes" is designated that the service is performed or property is used in the state of California. Items used or personnel services employed both within and outside of California can be qualified only for the prorata portion of costs incurred directly in California. Any expenditures incurred prior to issuance of the tax credit allocation letter are not qualified expenditures. Account # Description Qualified Comments 101-00 STORY & RIGHTS 101-01 Story Rights - Purchase NO 101-02 Acquisition Expenses NO 101-06 Title Report YES If work performed in California. 101-08 Copyright Fee NO 101-99 Fringe Benefits NO 102-00 WRITING 102-01 Writers NO 102-03 Editor and Consultants NO 102-05 Research YES 102-06 Script Timing YES 102-07 Secretaries YES 102-08 Script Duplication YES 102-18 Script Clearance Research YES 102-19 Clearance Fees YES If paid to CA company 102-20 Clearance License Fees NO 102-40 Materials & Supplies YES 102-45 Box Rentals YES On Qualified Labor Only 102-47 Car Allowances, Mileage YES On Qualified Labor Only 102-50 Rentals YES 102-80 Writer Entertainment & Meals YES 102-85 Script Publication -
College Choices for the Visual and Performing Arts 2011-2012
A Complete Guide to College Choices for the Performing and Visual Arts Ed Schoenberg Bellarmine College Preparatory (San Jose, CA) Laura Young UCLA (Los Angeles, CA) Preconference Session Wednesday, June 1 MYTHS AND REALITIES “what can you do with an arts major?” Art School Myths • Lack rigor and/or structure • Do not prepare for career opportunities • No academic challenge • Should be pursued as a hobby, not a profession • Graduates are unemployable outside the arts • Must be famous to be successful • Creates starving artists Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School in the News Visual/Performing Arts majors are the… “Worst-Paid College Majors” – Time “Least Valuable College Majors” – Forbes “Worst College Majors for your Career” – Kiplinger “College Degrees with the Worst Return on Investment” – Salary.com Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School Reality Projected More than 25 28 million in 2013 million in 2020 More than 25 million people are working in arts-related industry. By 2020, this is projected to be more that 28 million – a 15% increase. (U.S. Department of Labor) Copyright: This presentation may not be reproduced without express permission from Ed Schoenberg and Laura Young (June 2016) Art School Reality Due to the importance of creativity in the innovation economy, more people are working in arts than ever before. Copyright: This presentation -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Budget Reports
DEVELOPMENT Development 1100 Story & Screenplay Producers Unit Directors Unit Budget Preparation Accounting Legal Office Overhead Transportation Research Travel/Living Additional Expenses Miscellaneous TOTAL 0 Story & Other Rights 1200 Story Rights Purchase Writers Fees Story Consultant/Editor Secretary Research Typing Duplication Miscellaneous TOTAL 0 Continuity & Treatment 1300 Writer Research Typing Duplication Travel & Living Story Editor Consultants Legal Clearances Secretaries Office Expenses Entertainment Script Timing Miscellaneous TOTAL 0 Producers 1400 Executive Producer Executive Producer Producer Co-Producer Line Producer Supervising Producer Coordinating Producer Associate Producer Production Executive Secretaries Office Expenses Research Packaging Fee Miscellaneous TOTAL 0 Director 1500 Director Directors Assistant Choreographer Dialogue Coach Secretary Storyboard Artist Office Expenses Travel/Living Second Unit Director Miscellaneous TOTAL 0 Cast 1600 Principal Roles Supporting Roles Day Players Stunt Gaffer Assistant Stunt Gaffer Stunt Players Stunt Doubles Utility Stunt Players Casting Expenses Screen Tests Overtime/Turnaround Musicians Looping Second Run Residuals (TV) Welfare Worker/Teacher Rehearsal Expenses Contractuals Miscellaneous TOTAL 0 Above-the-line travel & living 1700 Hotels Travel Per Diem Car Rentals Misc. Expenses TOTAL 0 PRODUCTION Production Staff 2100 Production Manager Unit Production Manager First Assistant Manager 2nd Assistant Manager 2nd 2nd Assistant Other Assistants DGA Trainees Production Associates -
Downsizing Presentation 14.Cdr
Istanbul conference High school reunion Int. plane Leisureland shuttle bus Leisureland visitors center Leisureland visitors center Leisureland visitors center Leisureland model home Leisureland model home Leisureland keepsake box Downsizing procedure Downsizing procedure Downsizing procedure Downsizing procedure Downsizing procedure Welcome to Leisureland Welcome to Leisureland Leisureland interiors Leisureland lawyer’s office Leisureland workers housing Bus Leisureland transportation Ext. Alondra apartments Alondra apartments Alondra apartments Alondra apartments Ext. Alondra apartments Norwegian fjord Norwegian village Norwegian village Norwegian village Norwegian village Norwegian village Leisureland concepts Leisureland branding Leisureland branding Production Designer Stefania Cella Supervising Art Director Kimberley Zaharko Art Directors Jørgen Stangebye Larsen Karl J. Martin Doug J. Meerdink Set Decorators Patricia Larman Karen Manthey Construction Accountant Lara Alexander Head Painter Peter Aquilina Model Maker Nick Augustyn Set Dresser Ryan Berkinshaw Art Department Coordinator: Additional Photography Jill Blackledge Set Designer Rudy Braun Assistant Art Director Katie Brock Storyboard Artist Doug Brode Leadman Jon J. Bush Art Advisor Nathan Carlson Set Designer Allen Coulter Specialty Prop Designer/Builder Taku Dazai Lead Painter Richard Ewan Props Buyer Ann-Marie Ferney-Tellez Moldmaker Jonathan Graham Concept Artist Ben Grangereau Set Designer Etienne Gravrand Assistant Property Master David Gruer Property Master David Gulick -
Pact BECTU Feature Film Agreement Grade Ladder PAY GROUP
Pact BECTU Feature Film Agreement Grade Ladder PAY GROUP 12 Armourer 1 All Runners Board Operator Boom Operator 2 Art Dept Junior Chargehand Props Camera Trainee Electrician Costume Trainee Post Prod. Supervisor Directors Assistant Production Buyer Electrical Trainee / junior Rigging Electrician Jnr Costume Asst Senior Make-up Artist Make-up Traineee SFX Technician Producers Assistant Stand-by Art Director Production Secretary Props Trainee / junior 13 1st Asst. Editor Script Supervisor's Assistant Art Director Sound Trainee / junior Convergence Puller DIT 3 2nd Assistant Editor 3rd Assistant Director 14 ?Crane Technician? Accounts Assistant/cashier Grip Art Dept Co-ordinator Location Manager Art Dept Assistant Prop Master Asst Production Co-ordinator Costume Assistant 15 Costume Supervisor Junior Make-up & Hair Best Boy Electrician Location Assistant Best Boy Grip Rigging Gaffer 4 Data Wrangler Make Up Supervisor Video Playback Operator Scenic Artist Script Supervisor 5 Assistant Art Director Sculptor Costume Dresser Set Decorator Costume Maker Stereographer AC Nurse Post Production Co--ordinator 16 Focus Puller Sound Asst (3rd man) Production Accountant Unit Manager Stills Photographer 6 Assistant SFX technician 17 Dubbing Editor Asst. Location Manager Researcher 18 1st Assistant Director Camera Operator 7 2nd Assistant Accountant Costume Designer Clapper Loader Gaffer Draughtsperson Hair & Make Up Chief/Designer Key Grip 8 Assistant Costume Designer Production Manager Dressing Props Prosthetic Make Up Designer Graphic Artist Senior SFX Technician Sound Recordist 9 Illustrator Supervising Art Director Stand By Construction Stand By Costume 19 Individual Negotiation => Stand By Props Casting Director Storyboard Artist Director Director of Photography 10 Make Up Artist Editor Production Co-Ordinator Line Producer / UPM Production Designer 11 1st Assistant Accountant SFX Supervisor 2nd Assistant Director Senior Video Playback Operator Storeman/Asst Prop Master . -
Storyboard Background-Information Styles, Tipps and Methods
Storyboard Background-Information Styles, Tipps and Methods By Saskia Petrenz [email protected] Contents Introduction 3 Mindset of the storyboards artist: Who he is and what he does 4 Storyboard Styles 6 Work-Flow 8 Composition 11 Lighting and Color 12 Tips/Methods 15 Dictionary 17 Questionnaire 18 Sources 19 2 Introduction This paper will give a general overview about storyboards, information about different styles of storyboards and how to use them. The mindset of a storyboard artist and his work-flow will also be explained. Additionally composition and the use of light in storyboards will be explained as well as some handy tips and tricks. At the end a dictionary lists eventually necessary technical terms. What is a storyboard? A storyboard is a suggestion. It gives a possible basic setup for a scene including general camera setups and lighting. It allows advance organization, frame by frame and shot by shot what is going to be happening dur- ing shooting. The function of a storyboard is to indicate and illustrate all shots needed for the final product. It does this by pre-visualizing the written word (screenplay) and its structure. Also any visual effect will be indi- cated in the storyboard, this means that modern Special Effects Films are more demanding on storyboards. A storyboard serves the visual needs of the director of photography and special effects team. The director and director of photography will go over the storyboard to decide on the needed cameras/ lenses/filters/lighting equipment etc. Also the producer, director, cinematographer and production designer will want to see visuals and illustrated SFX (Special Effects) to estimate cost, the set up for shots and decide on cameras, lighting and framing. -
Iatse Local 891 Rates
IATSE LOCAL 891 RATES 4August 2, 2015-April 2, 2016 April 3, 2016-April 1, 2017 April 2, 2017-March 31, Television Feature Television Feature Television Feature ACCOUNTING Assistant Accountant $35.58 $37.36 $36.29 $38.11 $37.02 $38.87 Accounting Clerk 1 $24.15 $25.38 $24.63 $25.89 $25.12 $26.41 Accounting Clerk 2 $19.92 $21.15 $20.32 $21.57 $20.73 $22.00 Accounting Trainee $16.21 $17.06 $16.53 $17.40 $16.86 $17.75 ART Production Designer Negotiable Negotiable Negotiable Art Director $43.92 $46.13 $44.80 $47.05 $45.70 $47.99 Assistant Art Director $38.13 $40.05 $38.89 $40.85 $39.67 $41.67 Draftsperson $30.97 $32.50 $31.59 $33.15 $32.22 $33.81 Graphics/Illustrator/Storyboard Artist/Set $33.97 $35.66 $34.65 $36.37 $35.34 $37.10 Designer Art Department Assistant $16.21 $17.06 $16.53 $17.40 $16.86 $17.75 CONSTRUCTION Construction Coordinator $40.11 $42.11 $40.91 $42.95 $41.73 $43.81 Construction Foreman $38.45 $40.38 $39.22 $41.19 $40.00 $42.01 Lead Carpenter $36.29 $38.10 $37.02 $38.86 $37.76 $39.64 Scenic Carpenter $33.97 $35.66 $34.65 $36.37 $35.34 $37.10 Scenic Helper $31.64 $33.26 $32.27 $33.93 $32.92 $34.61 Lead Metal Fabricator $36.29 $38.10 $37.02 $38.86 $37.76 $39.64 Scenic Metal Fabricator $33.97 $35.66 $34.65 $36.37 $35.34 $37.10 Metal Fabricator Helper $27.03 $28.37 $27.57 $28.94 $28.12 $29.52 Construction Buyer $33.97 $35.66 $34.65 $36.37 $35.34 $37.10 Maintenance Person $31.64 $33.26 $32.27 $33.93 $32.92 $34.61 Sculptor $36.29 $38.10 $37.02 $38.86 $37.76 $39.64 Model Maker $36.29 $38.10 $37.02 $38.86 $37.76 $39.64 Lead Labourer $27.03 $28.37 $27.57 $28.94 $28.12 $29.52 Labourer (Construction) $24.80 $26.02 $25.30 $26.54 $25.81 $27.07 COSTUME Costume Designer Negotiable Negotiable Negotiable Asst. -
Digital Cinema and the Legacy of George Lucas
DOCTOR OF PHILOSOPHY Digital cinema and the legacy of George Lucas Willis, Daniel Award date: 2021 Awarding institution: Queen's University Belfast Link to publication Terms of use All those accessing thesis content in Queen’s University Belfast Research Portal are subject to the following terms and conditions of use • Copyright is subject to the Copyright, Designs and Patent Act 1988, or as modified by any successor legislation • Copyright and moral rights for thesis content are retained by the author and/or other copyright owners • A copy of a thesis may be downloaded for personal non-commercial research/study without the need for permission or charge • Distribution or reproduction of thesis content in any format is not permitted without the permission of the copyright holder • When citing this work, full bibliographic details should be supplied, including the author, title, awarding institution and date of thesis Take down policy A thesis can be removed from the Research Portal if there has been a breach of copyright, or a similarly robust reason. If you believe this document breaches copyright, or there is sufficient cause to take down, please contact us, citing details. Email: [email protected] Supplementary materials Where possible, we endeavour to provide supplementary materials to theses. This may include video, audio and other types of files. We endeavour to capture all content and upload as part of the Pure record for each thesis. Note, it may not be possible in all instances to convert analogue formats to usable digital formats for some supplementary materials. We exercise best efforts on our behalf and, in such instances, encourage the individual to consult the physical thesis for further information. -
Storyboards 1
Storyboards 1 Storyboards The OCR Guide to Storyboards Version 1 understanding understanding learning guidance resources communication industry knowledge skills employment training education learning guidance qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources resources communicationcommunication industry industry knowledge skills employment training education qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources communication industry knowledge skills employment training education qualification understanding learning guidance resources communication -
Animation Workers Antitrust Litigation C/O Kurtzman Carson Consultants ("KCC") P.O
Animation Workers Antitrust Litigation c/o Kurtzman Carson Consultants ("KCC") P.O. Box 40007 College Station, TX 77842-4007 AWU Animation Workers Antitrust Litigation «Barcode»c/o Kurtzman Carson Consultants ("KCC") PostalP.O. Box Service: 40007 Please do not mark barcode College Station, TX 77842-4007 Animation Workers Antitrust Litigation Claim#: AWU-«Claim8» - «CkDig»c/o Kurtzman Carson Consultants (“KCC”) «First1» «Last1» P.O. Box 40007 ID:<<Claim8>> AWU«Addr2» Access Code: <<PIN>> College Station, TX 77842-4007 «Addr1» «Barcode»«City», «St» «Zip» Postal Service: Please do not mark barcode UNITED STATES DISTRICT COURT Claim#: AWU-«Claim8» - «CkDig»FOR THE NORTHERN DISTRICT OF CALIFORNIA «First1» «Last1» ID:<<Claim8>> NOTICE OF PENDENCY OF CLASS ACTION LAWSUIT, «Addr2» PROPOSED SETTLEMENTS, Access Code: <<PIN>> «Addr1» «City», «St» «Zip» FAIRNESS HEARING, AND RIGHT TO APPEAR IMPORTANT INFORMATION – READ CAREFULLY AND DO NOT DISCARD UNITED STATES DISTRICT COURT If you were an employee who held anFOR animation THE NORTHERN or visual effects DISTRICT job title OF at CALIFORNIA Blue Sky Studios, Inc., DreamWorks Animation SKG, Inc., Two Pic MC LLC (f/k/a Image Movers Digital LLC), Lucasfilm, Ltd., LLC, Pixar, Sony Pictures Animation Inc., Sony Pictures Imageworks Inc., orNOTICE The Walt OF Disney PENDENCY Company OF during CLASS the ACTION time periods LAWSUIT set forth, below, an ongoing class action lawsuit may affect your rights, and you could getPROPOSED money from SETTLEMENT settlements withS, two of the multiple defendants in the lawsuit. A court FAIRNESSauthorized this HEARING, Notice. This AND is not RIGHT a solicitation TO APPEAR from a lawyer. This Notice describesIMPORTANT the ongoing lawsuit INFORMATIO and how youN – can READ continue CAREFULLY in that lawsuit AND or D Oexclude NOT DISCARDyourself from that lawsuit. -
CSIF/Calgary Public Library 16Mm and Super 8 Film Collection
CSIF Film Library CSIF/Calgary Public Library 16mm and Super 8 Film Collection Film Running Time Number Title Producer Date Description (min) A long, hard look at marriage and motherhood as expressed in the views of a group of young girls and married women. Their opinions cover a wide range. At regular intervals glossy advertisements extolling romance, weddings, babies, flash across the screen, in strong contrast to the words that are being spoken. The film ends on a sobering thought: the solution to dashed expectations could be as simple as growing up before marriage. Made as part of the Challenge for Change 1 ... And They Lived Happily Ever After Len Chatwin, Kathleen Shannon 1975 program. 13 min Presents an excerpt from the original 1934 motion picture. A story of bedroom confusions and misunderstandings that result when an American dancer begins pursuing and English woman who, in turn, is trying to invent the technical grounds of 2 Gay Divorcee, The (excerpt) Films Incorporated 1974 divorce 14 A hilarious parody of "Star Wars". Uses a combination of Ernie Fosselius and Michael Wiese special effects and everyday household appliances to simulate 4 Hardware Wars (Pyramid Films) 1978 sophisticated space hardware. 10 Laurel and Hardy prepare for a Sunday outing with their wives 5 Perfect Day, A Hal Roach Studios (Blackhawk Films) 1929 and Uncle Edgar Kennedy, who has a gouty foot. 21 Witty, sad, and often bizarre anecdotes of Chuck Clayton, the 73-year-old former manager of the largest cemetery east of 6 Boo Hoo National Film Board of Canada 1975 Montreal, told as he wanders nostalgically through its grounds.