Darkcloud Blog
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Girl Scout Ceremonies Flag Ceremonies
Girl Scout Ceremonies These are ideas created and shared online and in other ways by other leaders. I have tweaked some to reflect changes in the Girl Scout Program, others will reflect more of the “old ways” and older language. Don’t feel like you need to use these verbatim. Take what works, and then modify it as you need to. Use these as ideas to create your own ceremonies. Think outside the box when it comes to supplies for your ceremonies. You don’t have to spend a bunch of money or have elaborate themes or props to give your girls and their families a meaningful experience. Also, don’t feel like you are tied to the category that someone placed these ceremonies into – just because a ceremony says it’s a “Bridging for Daisies to Brownies” doesn’t mean that’s the only way you can use the ideas. Make it work for you and your troop! Flag Ceremonies These are the basic Flag Ceremony commands. There are many versions & other commands that can be added. Do what you feel works for your group. These are just suggestions. We always have a caller & an even number of girls for the color guard. When raising the flag up a "real" pole (one with a rope & pulley system) it usually takes two girls to do the actual raising. Caller commands: Please stand Girl Scouts Attention Color Guard Attention Color Guard Advance Color Guard Post the Colors Please join me in the Pledge of Allegiance All recite Pledge Please join me in the Girl Scout Promise All say Promise Color Guard Dismissed Girl Scouts Dismissed Please be seated Flags---multiple levels Opening: Quiet Sign [Daisy Girl Scout Flag enters, carried by a Daisy Girl Scout] Narrator #1: "I am the Daisy Girl Scout Flag. -
Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
Gonzo Weekly #165
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 gave it, when we said that it was his best album since Scary Monsters back in 1980. Yes, I think that it probably was, although the 2002 album Heathen gives it a run for its money, but with the benefit of hindsight, it still lacked the hallmarks of a classic David Bowie album, mainly because it didn't break new ground. Between 1969 and 1980 Bowie released thirteen studio albums which basically defined the decade. With the possible exception of Lodger which was basically bollocks, IMHO, each of these albums not only broke new ground, but was a significant advance upon the one that came before it. Bowie defined the concept of the rock star as artist, and where he led many others followed. Each of his stylistic changes spawned a hundred imitators. In the wake of Ziggy Stardust and Aladdin Sane came dozens of glam bands, most of them totally missing the point, and schoolboys across the United My dear friends, Kingdom sported Ziggy haircuts. His plastic soul period not only persuaded his loyal legions that Luther Vandross was where it was at, but also meant that the 2016 is only a couple of weeks old, but we already high street outfitters were full of Oxford Bags and have the first major cultural event of the year. -
Bjorn Bengtsson Coalescence
Bjorn Bengtsson Coalescence Contents Peasantry .Word Panacea Re-Memory Portrait Of Angel Green, White with Black The Forgotten Altars Thirty-Nine April Joba Unnamed After Name Spring Wisteria Peasantry O Eternity! Who are we to you? Cradling universal motif by the backs of us, bending light, puttering around insanity, wallowing with mystery calls by night. Only laughing at the joy of forgotten, forgotten. In the love of the masters to come, I ask, what are you perfecting that has not already been? There is little time, littler language. Our playmaker has cast light to light. The wonder! The awe! This minute attention. Click, flutter, loose lip, out pour majesty. Ripple? Ripple! The tree Again sweet devastation. How it began with grey the messiest painter knew. Each color is an eye, altogether seeing. They left the mask of the leafed face, the hands. O artist! Lest you be among their sinuous circle, sweetly sing the, O - the majesty. Mahogany again. No! I resent the sacrilege of the order interior temple. All that is, is beautiful, restored to the eye in the source. II Don’t you pray for wisdom, o little language. You know the power of the Word. Acceptance, your artist asceticism, see to see is to unveil all that is not to see. The golden soul walks a world of her own. Tendril body you limp, limp! Arabesque below the torso of every head. You limp! Eternity walks with me, do you lift your hand? I do. I sing through the bare sole of my boot, peasantry, sanctity, release me - O Holy. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Black Skin, White Masks
black skin whiteit masks FRANTZ FANON Translated by Charles Lam Markmann Forewords by Ziauddin Sardar and Homi K. Bhabha PLUTO PRESS www.plutobooks.com Fanon 00 pre iii 4/7/08 14:17:00 Originally published by Editions de Seuil, France, 1952 as Peau Noire, Masques Blanc First published in the United Kingdom in 1986 by Pluto Press 345 Archway Road, London N6 5AA This new edition published 2008 www.plutobooks.com Copyright © Editions de Seuil 1952 English translation copyright © Grove Press Inc 1967 The right of Homi K. Bhabha and Ziauddin Sardar to be identifi ed as the authors of the forewords to this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2849 2 Hardback ISBN 978 0 7453 2848 5 Paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. The paper may contain up to 70% post consumer waste. 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Chase Publishing Services Ltd, Sidmouth, EX10 9QG, England Typeset by Stanford DTP Services, Northampton Printed and bound in the European Union by CPI Antony Rowe, Chippenham and Eastbourne Fanon 00 pre iv 4/7/08 14:17:00 5 THE FACT OF BLACKNESS “Dirty nigger!” Or simply, “Look, a Negro!” I came into the world imbued with the will to fi nd a meaning in things, my spirit fi lled with the desire to attain to the source of the world, and then I found that I was an object in the midst of other objects. -
Nolan Washington 0250O 19397
A thesis submitted in partial fulfillment of the requirements for the degree of University of Washington Committee: Program Authorized to Offer Degree: ©Copyright 2018 Daniel A. Nolan IV University of Washington Abstract Souvenirs and Travel Guides: The Cognitive Sociology of Grieving Public Figures Daniel A. Nolan IV Chair of the Supervisory Committee: Sarah Quinn Department of Sociology The deaths of public figures can produce a variety of emotional reactions. While bereavement research has explored mourning family or close friends, this literature does little to address the experience of grief for public figures. Similarly, research on how people relate to public figures provides an incomplete picture of the symbolic associations people can form with those figures. This study relies on interviews with individuals who had a memorable reaction to the death of a public figure to explore how these individuals related to that figure. Results suggest two ideal type reactions: Grief, characterized by disruption and sharp pain, and Melancholy, characterized by distraction and dull ache. Respondents reported symbolic associations between the figure and some meaning they had incorporated into their cognitive framework. I argue that emotional reactions to the death of a public figure are an affective signal of disruption to the individual’s cognitive functioning caused by the loss of meaning maintained by the figure. The key difference in kind and intensity of reaction is related to the cognitive salience of the lost meaning. This research highlights how individuals use internalized cultural objects in their sense-making process. More broadly, by revealing symbolically meaningful relationships that shape cognitive frameworks, this analysis offers cognitive sociological insights into research about the function of role models, collective memories, and other cultural objects on the individual’s understanding of their world. -
Prince Talks: the Silence Is Broken the Purple Pleasure Palace Houses the Genius Behind 'Around the World in a Day'
Prince Talks: The Silence Is Broken The Purple Pleasure Palace houses the genius behind 'Around the World in a Day' Prince on the cover of Rolling Stone. "Raspberry Beret" video still By Neal Karlen September 12, 1985 John Nelson turns sixty-nine today, and all the semiretired piano man wants for his birthday is to shoot some pool with his firstborn son. "He's real handy with a cue," says Prince, laughing, as he threads his old white T-Bird through his old black neighborhood toward his old man's house. "He's so cool. The man knows what time it is." Hard time is how life has traditionally been clocked in North Minneapolis; this is the place 'Time' forgot twelve years ago when the magazine's cover trumpeted "The Good Life in Minnesota," alongside a picture of Governor Wendell Anderson holding up a walleye. Though tame and middle-class by Watts and Roxbury standards, the North Side offers some of the few mean streets in town. The old sights bring out more Babbitt than Badass in Prince as he leads a leisurely tour down the main streets of his inner-city Gopher Prairie. He cruises slowly, respectfully: stopping completely at red lights, flicking on his turn signal even when no one's at an intersection. Gone is the wary Kung Fu Grasshopper voice with which Prince whispers when meeting strangers or accepting Academy Awards. Cruising peacefully with the window down, he's proof in a paisley jump suit that you can always go home again, especially if you never really left town. -
The Reification of Celebrity : Global Newspaper Coverage of the Death of David Bowie
The reification of celebrity : global newspaper coverage of the death of David Bowie BLACK, Jack <http://orcid.org/0000-0002-1595-5083> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/13788/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version BLACK, Jack (2016). The reification of celebrity : global newspaper coverage of the death of David Bowie. International Review of Sociology, 27 (1), 202-224. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk This is an author’s accepted manuscript for ‘International Review of Sociology’, online November 2016, copyright Taylor & Francis Online. To link to this article: http://www.tandfonline.com/doi/full/10.1080/03906701.2016.1254393 The Reification of Celebrity: Global Newspaper Coverage of the Death of David Bowie Dr. Jack Black, Academy of Sport and Physical Activity, Faculty of Health and Wellbeing, Sheffield Hallam University, Collegiate Hall, Collegiate Crescent, Sheffield, S10 2BP 1 The Reification of Celebrity: Global Newspaper Coverage of the Death of David Bowie Jack Black, PhD Academy of Sport and Physical Activity, Sheffield Hallam University, Sheffield, UK Abstract This paper examines global English language newspaper coverage of the death of David Bowie. Drawing upon the concept of reification, it is argued that the notion of celebrity is discursively (re)produced and configured through a ‘public face’ that is defined, maintained and shaped via media reports and public responses that aim to know and reflect upon celebrity. -
Fireworks Encyclopedia
FireWorks Encyclopedia Featuring Species from the Sierra Nevada Fireworks Encyclopedia Species Page Number American black bear 1 Annosum Root Rot 3 Baker Cypress 5 bark beetles 7 Black fire beetle 9 Black -backed woodpecker 11 Bracken fern 13 California black oak 15 California red fir 17 California spotted owl 19 Canon live oak 21 Cheatgrass 23 Deer brush 25 Deer mouse 27 Coast Douglas-fir 29 Dusky-footed woodrat 31 Fisher 33 Fox sparrow 35 Incense-cedar 37 Jeffrey pine 39 Mariposa lily 41 Mountain lion 43 Mountain whitethorn 45 Mountain yellow-legged frogs 47 Mule deer 49 Northern goshawk 51 Ponderosa pine 53 Quaking aspen 55 Ross's sedge 57 Sierra gooseberry 59 Sierra lodgepole pine 61 Sticky whiteleaf manzanita 63 Sugar pine 65 Wavyleaf soap plant 67 Webber's milkvetch 69 Western gray squirrel 71 Western wood-pewee 73 White fir 75 White pine blister rust 77 Yellow starthistle 79 (Ursus americanus) growing. By the me I was strong enough to walk and keep up with Mother, it was springme outside, me for us to see what food the melng snow might uncover. Mother taught me all about food. My brother and I followed her everywhere, carefully watching what she ate. Did I tell you I’m an omnivore? I love to eat grass, flowers, and seeds, but I’m not at all picky. I’ll also eat insects, mushrooms, and small animals—dead or alive. If I find garbage lying around outside, I’ll eat that too. In fact, I’m a master burglar when it comes to garbage cans, coolers, and backpacks. -
Black Skin, White Masks (Get Political)
Black Skin, White Masks Fanon 00 pre i 4/7/08 14:16:58 <:IEA>I>86A www.plutobooks.com Revolution, Black Skin, Democracy, White Masks Socialism Frantz Fanon Selected Writings Forewords by V.I. Lenin Homi K. Edited by Bhabha and Paul Le Blanc Ziauddin Sardar 9780745328485 9780745327600 Jewish History, The Jewish Religion Communist The Weight Manifesto of Three Karl Marx and Thousand Years Friedrich Engels Israel Shahak Introduction by Forewords by David Harvey Pappe / Mezvinsky/ 9780745328461 Said / Vidal 9780745328409 Theatre of Catching the Oppressed History on Augusto Boal the Wing 9780745328386 Race, Culture and Globalisation A. Sivanandan Foreword by Colin Prescod 9780745328348 Fanon 00 pre ii 4/7/08 14:16:59 black skin whiteit masks FRANTZ FANON Translated by Charles Lam Markmann Forewords by Ziauddin Sardar and Homi K. Bhabha PLUTO PRESS www.plutobooks.com Fanon 00 pre iii 4/7/08 14:17:00 Originally published by Editions de Seuil, France, 1952 as Peau Noire, Masques Blanc First published in the United Kingdom in 1986 by Pluto Press 345 Archway Road, London N6 5AA This new edition published 2008 www.plutobooks.com Copyright © Editions de Seuil 1952 English translation copyright © Grove Press Inc 1967 The right of Homi K. Bhabha and Ziauddin Sardar to be identifi ed as the authors of the forewords to this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2849 2 Hardback ISBN 978 0 7453 2848 5 Paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. -
OBJ (Application/Pdf)
VOL. 42 MORRIS BROWN COLLEGE NO. 4 Black Film Festival for A. U. Center Colleges By Mathias A. Odoemele According to an announcement by the newly-formed Atlanta University Center Student Council, there will be a presentation of “The Drum Film Festival” beginning February 6 through 10 in the six A.U. center schools. The presentation of the show is a part of the nationwide observance of Black History Week. The festival is aimed at broadening the awareness of the lives and conditions of Black and Brown people through out the world and will feature many diverse Left to Right: Mrs. Darthy Sims, Dr. Beulah Farmer, entries from here and around the globe. Mr. & Mrs. Redding, Dr. Jackson, Dr. Willie F. Payne The kick-off of the festival which will begin its pre sentations at Morris Brown College, consists of six full- length films and nine thought-provoking short features. You’ve Taken My Song and Gone The newly-organized Student Council comprises re presentatives from all the six colleges in the Atlanta University Center. “Cultural Nationalism - - - Reality or Myth?” On Thursday, February 6, in the Cunningham Aud was the topic of Dr. Saunders Redding’s lecture January itorium of the MBC campus the festival will present the 17, 1975. following films: “The Dispossessed,” a dramatic docu Dr. Redding’s distinct voice enchanted the audience, as did his message. Dr. Redding spoke metaphorically mentation of the struggle of the Pit River Indians of Northern California to regain their land from the Pacific on whites taking “our” songs bringing out Congruous Mr.