Barcelona, Spain Overview Introduction
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Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political. -
Rooms May Still Be Available at the Following Hotels for the Bigsurv18 Conference
Rooms may still be available at the following hotels for the BigSurv18 conference. The hotels are listed in order of their distance to the Universitat Pompeu Fabra (UPF). Hotel H10 Marina - 4 star Av. del Bogatell, 64-68 08005-Villa Olímpica, Barcelona 600m from UPF Reservations and rates based on availability – please contact the hotel for more information. With a privileged location in the Olympic Village and very close to the beaches, the H10 Marina Barcelona is a hotel with a wide range of services, including the Skyline terrace with swimming pool and magnificent views of the city, the Dionissos restaurant with an exquisite cuisine and its Spa Center. In addition, the spacious and bright guest rooms have all the amenities to make your stay as pleasant as possible. Pullman Barcelona Skipper - 5 star Av. Del Litoral, 10 08005 Barcelona 800m from UPF Reservations and rates based on availability – please contact the hotel for more information.. Just 50 meters from the Barceloneta beach is this unique, cosmopolitan, impeccably designed hotel. Ideally situated less than 10 minutes from the city center and just 12 km from the airport, it is the perfect base for exploring the city of Barcelona. It has 241 comfortable rooms, two pools, a gym and a spa. Their service and commitment thrive on meeting your needs so that you can make the most of your stay in Barcelona ibis Styles Barcelona City Hotel - 2 star Carrer de Llull, 71 08005 Barcelona 850m from UPF Reservations and rates based on availability – please contact the hotel for more information. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
A Bloody Valentine to the World of Food and the People Who Cook Anthony Bourdain
Medium Raw A Bloody Valentine to the World of Food and the People Who Cook Anthony Bourdain To Ottavia On the whole I have received better treatment in life than the average man and more loving kindness than I perhaps deserved. —FRANK HARRIS Contents Epigraph The Sit Down 1 Selling Out 2 The Happy Ending 3 The Rich Eat Differently Than You and Me 4 I Drink Alone 5 So You Wanna Be a Chef 6 Virtue 7 The Fear 8 Lust 9 Meat 10 Lower Education 11 I’m Dancing 12 “Go Ask Alice” 13 Heroes and Villains 14 Alan Richman Is a Douchebag 15 “I Lost on Top Chef” 16 “It’s Not You, It’s Me” 17 The Fury 18 My Aim Is True 19 The Fish-on-Monday Thing Still Here Acknowledgments About the Author Other Books by Anthony Bourdain Credits Copyright About the Publisher THE SIT DOWN I recognize the men at the bar. And the one woman. They’re some of the most respected chefs in America. Most of them are French but all of them made their bones here. They are, each and every one of them, heroes to me —as they are to up-and-coming line cooks, wannabe chefs, and culinary students everywhere. They’re clearly surprised to see each other here, to recognize their peers strung out along the limited number of barstools. Like me, they were summoned by a trusted friend to this late-night meeting at this celebrated New York restaurant for ambiguous reasons under conditions of utmost secrecy. -
T Raducciones P Resentación
T RADUCCIONES P RESENTACIÓN La Font Màgica de Montjuïc forma parte de la iconografía de La dictadura de Primo de Rivera supuso una ruptura en la 131 Barcelona desde aquel lejano 19 de mayo de 1929, cuando fue organización de la Exposición. El mismo Cadafalch se alejó del inaugurada oficialmente la Exposición Internacional de proyecto al dimitir de su cargo en la Mancomunitat en Barcelona. septiembre de 1923. Esto generó una crisis que concluyó en el año 1924 con el nombramiento de Pere Domènech i Roure La imagen de los surtidores y las cascadas en la avenida de como director general de construcciones de la Exposición, lo Maria Cristina, con la Font Màgica y su juego de agua y de luz que comportó un cambio radical en los arquitectos encargados a los pies de un Palau Nacional iluminado por más de de los diferentes palacios y pabellones. novecientos reflectores y coronado por la aureola de rayos divergentes, fue imborrable para los visitantes y, según reflejan La escenografía espectacular de la entrada a la Exposición las crónicas, se llegaron a habilitar para el público sillas de había sido diseñada por el ingeniero militar Marià Rubió i mimbre para que pudiesen contemplar el espectáculo con más Bellver, asistido por su hijo Nicolau, arquitecto jardinero, y comodidad. por el paisajista francés Forestier. LENGINY DE CARLES BUIGAS Hoy en día seguimos teniendo el Palau Nacional, con El papel de Buigas, que era jefe de instalaciones eléctricas y que su corona de reflectores y la Font Màgica, enriquecida con el trabajaba para el Comité Directivo de la Exposición desde complemento musical que el mismo Carles Buigas añadió hacía años, cobró relevancia cuando, al haberse derribado las después de 1929. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
THE VIVA GUIDE Barcelona Welcome To
THE VIVA GUIDE Barcelona Welcome to_ This guide was produced for you by the Viva Barcelona team. Graphic Design by Carmen Galán [carmengalan.com] BARCELONA Barcelona is the 10th most visited city in the world and the third most visited in Europe after London and Paris, with several million tourists every year. With its ‘Rambles’, Barcelona is ranked the most popular city to visit in Spain and it now attracts some 7.5 million tourists per year. Barcelona has a typical Mediterranean climate. The winter is relatively mild and the summer is hot and humid. The rainy seasons are the once in between autumn and spring. There are very few days of extreme temperature, heat or cold. Every 24th September, Barcelona celebrates it’s annual festival, La Mercè – corresponding to the day of its patron saint. It comprises of some 600 events, from concerts and all kinds of local, cultural attractions including the human tower building, els Castellers, erected by groups of women, men and children, representing values such as solidarity, effort and the act of achievement. Children are the real stars of this tradition, they climb to the very top of the human castell expressing strength over fragility. 4 5 Since 1987, the city has been Passeig de Gràcia being the most Districts divided into 10 administrative important avenue that connects the districts: Ciutat Vella, Eixample, central Plaça Catalunya to the old Sants- Montjuic, Les Corts, town of Gràcia, while Avinguda Sarriá-Sant Gervasi, Gràcia, Diagonal cuts across the grid Horta-Guinardò, Nou Barris, diagonally and Gran Via de les Corts Sant Andreu, Sant Martì. -
Download Presentation Notes
2020.02.17 Barcelona/Bilbao Tour Presentation (30 min.) Some slides of the architecture we will see on the tour. Present slides chronologically which is different from the trip itinerary, this is a brief preview of the class teaching this summer (Gaudi’s 5 key dates), which was structured to be a prelude for the trip. Beautiful itinerary of Gaudi: playful Batlló/Mila, Vicens; mag.opus Sagrada; essence Dragon/Crypt; serene Park; finale Bilbao. Many other treats: Barcelona Rambla, ancient bullfighting ring, Barcelona Pavilion, 92 Olympic village/park, Miró museum. Catalan brickwork Trencadis discarded parabolic signatures metalwork 1885 Pavellons Güell Dragon Gate (Tue.) first use of Trencadis Mosaic, where we see Gaudi’s resourcefulness, frugality, creativity. A study of Gaudi’s work explores this human trait that will be needed for our survival on a rapidly changing planet. By use of discarded, broken, fragmented materials as decoration, Gaudi finds redemption, a humility willing to consider all. corner cast/wrought plasticity ventilators Mudéjar contraptions Casa Vicens (Mon. - interior) 1883-1888 organic form discarded personalized Park Güell bench (Wed. - interior) 1903-1914 mosaic ventilators parabolic Jean Nouvel: Agbar Tower (Tue.) 1999-2004 Norman Foster: Bilbao Underground Station (Fri.) 1995 parabolic natural honest (+7 min.) 1892 Sagrada Familia Nativity Façade (Mon. – interior) experiments Natural Form [honest truth, taboos, answers in nature] honest organic natural mosaic honest Mies: Barcelona Pavilion (Wed. - interior) 1928-1929 IMB: Vizcaya Foral Library (Sat.) 2007 inclined reuse contraption weight (+9 min.) 1898 Colònia Güell Crypt model (Tue. - interior) equilibriated structures gravity thrusts passive tree work with, not against Park Güell colonade viaduct (Wed. -
Pdf 1 20/04/12 14:21
Discover Barcelona. A cosmopolitan, dynamic, Mediterranean city. Get to know it from the sea, by bus, on public transport, on foot or from high up, while you enjoy taking a close look at its architecture and soaking up the atmosphere of its streets and squares. There are countless ways to discover the city and Turisme de Barcelona will help you; don’t forget to drop by our tourist information offices or visit our website. CARD NA O ARTCO L TIC K E E C T R A B R TU ÍS T S I U C B M S IR K AD L O A R W D O E R C T O E L M O M BAR CEL ONA A A R INSPIRES C T I I T C S A K Í R E R T Q U U T E O Ó T I ICK T C E R A M A I N FOR M A BA N W RCE LO A L K I NG TOU R S Buy all these products and find out the best way to visit our city. Catalunya Cabina Plaça Espanya Cabina Estació Nord Information and sales Pl. de Catalunya, 17 S Pl. d’Espanya Estació Nord +34 932 853 832 Sant Jaume Cabina Sants (andén autobuses) [email protected] Ciutat, 2 Pl. Joan Peiró, s/n Ali-bei, 80 bcnshop.barcelonaturisme.cat Estación de Sants Mirador de Colom Cabina Plaça Catalunya Nord Pl. dels Països Catalans, s/n Pl. del Portal de la Pau, s/n Pl. -
Catalonia 1400 the International Gothic Style
Lluís Borrassà: the Vocation of Saint Peter, a panel from the Retable of Saint Peter in Terrassa Catalonia 1400 The International Gothic Style Organised by: Museu Nacional d'Art de Catalunya. From 29 March to 15 July 2012 (Temporary Exhibitions Room 1) Curator: Rafael Cornudella (head of the MNAC's Department of Gothic Art), with the collaboration of Guadaira Macías and Cèsar Favà Catalonia 1400. The International Gothic Style looks at one of the most creative cycles in the history of Catalan art, which coincided with the period in western art known as the 'International Gothic Style'. This period, which began at the end of the 14th century and went on until the mid-15th century, gave us artists who played a central role in the history of European art, as in the case of Lluís Borrassà, Rafael Destorrents, Pere Joan and Bernat Martorell. During the course of the 14th century a process of dialogue and synthesis took place between the two great poles of modernity in art: on one hand Paris, the north of France and the old Netherlands, and on the other central Italy, mainly Tuscany. Around 1400 this process crystallised in a new aesthetic code which, despite having been formulated first and foremost in a French and 'Franco- Flemish' ambit, was also fed by other international contributions and immediately spread across Europe. The artistic dynamism of the Franco- Flemish area, along with the policies of patronage and prestige of the French ruling House of Valois, explain the success of a cultural model that was to captivate many other European princes and lords. -
Signature Cocktails Wine by the Glass – 7Oz. Pour Beer
SIGNATURE COCKTAILS BRUNCH COCKTAILS MIMOSA 11.0 0 / C A R A F E 35.0 0 TEXAS GRAPEFRUIT MARTINI 14 Nue Vodka, St. Germaine, Fresh Grapefruit Juice, BLOODY MARY 1 2 .0 0 Splash of Prosecco ROSE GOLD RASPBERRY SANGRIA 1 5 .0 0 / C A R A F E 55.0 0 GREY GOOSE WHITE SANGRIA 1 5 .0 0 / C ARAFE 55.00 AL’S BLUE-CHIP MARTINI 14 Chopin Vodka, Bleu Cheese Olives, Bleu Cheese Salted Rim ESPRESSO MARTINI G RE Y G OOSE , ESPRESSO, KAHLUA 1 4 .0 0 BARREL AGED OLD FASHIONED 16 Al Biernat’s Single Batch Eagle Rare Bourbon, Sugar, EASONAL OCKTAILS Angostura Bitters, Orange Peel S C HIBISCUS MARTINI 13 BEE’S KNEES 15 Double Cross Vodka, Villa Massa Limoncello, Hibiscus Flower Hendricks Gin, Fresh Lemon Juice, Local Honey ANCHO MAKER’S MANHATTAN 14 SWEET GEORGIA PEACH 13 Maker’s Mark, Ancho Reyes, Dolin Sweet Vermouth Jim Beam Peach Whiskey, Fresh Peaches, Fresh Lemon Juice, Angostura Bitters Simple Syrup, Soda, Crushed Ice JAVI’S RANCH WATER 13 CUCUMBER BASIL & LIME GIMLET 14 El Tesoro, Fresh Lime Juice, Topo Chico Dripping Springs Vodka, Fresh Basil, Cucumber, Lemon & Lime Juices BLACK CHERRY LEMON-DROP 14 Effen Black Cherry Vodka, Triple Sec, Fresh Lemon MIJENTA PALOMA 14 Mijenta Tequila, Fresh Grapefruit Juice, Soda, Lime 512 MADRAS 14 WINE BY THE GLASS – 7OZ. POUR 512 Blanco Tequila, Cranberry & Orange Juice, Crushed Ice SPARKLING BASIL DARK RYE MULE 13 ROEDERER ESTATE BRUT SPARKLING California 13.75 Basil Hayden Dark Rye, Fresh Lime Juice, PERRIER JOUET GRAND BRUT Champagne 19.75 IMPECCABLE SPARKLING ROSE Provence 15.00 Fever Tree Ginger Beer WHITE & ROSE EDDIE’S MEXICAN MARTINI 13 CLOUDY BAY SAUVIGNON BLANC New Zealand 16.75 Socorro Reposado, Orange Liqueur, Fresh Lime Juice, PASCAL JOLIVET SANCERRE Loire Valley 17.00 Jalapeno Stuffed Olives, Salted Rim CAKEBREAD CHARDONNAY Napa Valley 23.00 RED MARE ‘DUTTON RANCH’ CHARDONNAY Russian River 18.00 MER SOLIEL CHARDONNAY Santa Lucia Highlands 13.50 DESSERTS 10.50 EACH OLIVIER LEFLAIVE LES SETILLES WHITE BURGUNDY France 17.50 DR. -
Un Seísmo Causa Más De
i LUNES CONSELL DE CENTPAÍS: 425-427 Españawww.elperiodico.com DIRECTOR FRECUENCIA: Diario 1,30 18 DE ABRIL DEL 2016 BARCELONA. TEL. 93.265.53.53 www.grupozeta.es ENRIC HERNÀNDEZ PÁGINAS: 1-4 O.J.D.: 89305 TARIFA: 77026 € E.G.M.: 513000 lu. ÁREA: 3330 CM² - 313% SECCIÓN: PORTADA 18 Abril, 2016 PARA GENTE COMPROMETIDA 18 El modernismo abre las puertas Las casas museo afloran en BCN por el interés turístico de la arquitectura TEMA DEL DÍA Páginas 2 a 4 3 PANORAMA EL PAÍS SUDAMERICANO VIVE SU PEOR TRAGEDIA EN DÉCADAS Página 14 3 Un seísmo causa más de 230 muertos en Ecuador EFE / JOSÉ JÁCOME El terremoto, que sacudió la zona costera, provocó más de 1.600 heridos El presidente Correa regresa de urgencia a Quito y decreta el estado de emergencia VECINOS AL RESCATE Varias personas sacan de los escombros a un hombre en Pedernales. q JORDI COTRINA REUNIÓN DE DOHA El choque de El Barça Irán y Arabia culmina Saudí dinamita su semana un pacto por el petróleo trágica El Valencia gana en el Riad exige en la cumbre de 3Camp Nou (1-2) y pone 3Catar que Teherán también la Liga en máximo peligro congele la producción de crudo PRIMERA FILA PANORAMA Páginas 42 a 45 Neymar y Suárez se lamentan. Páginas 24 y 25 3 3 PAÍS: España FRECUENCIA: Diario LUNES 2 Conexión a internet: http://www.elperiodico.com 18 DE ABRIL DEL 2016 PÁGINAS: 1-4 O.J.D.: 89305 TARIFA: 77026 € E.G.M.: 513000 ÁREA: 3330 CM² - 313% SECCIÓN:El patrimonioPORTADA arquitectónico 18 Abril, 2016Tema del día Páginas 2 a 4 LA CIUDAD Y SU HISTORIA Las casas museo afloran en Barcelona El interés turístico