Hans Talhoffer's Unusual Weapons
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Swordplay Through the Ages Daniel David Harty Worcester Polytechnic Institute
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2008 Swordplay Through The Ages Daniel David Harty Worcester Polytechnic Institute Drew Sansevero Worcester Polytechnic Institute Jordan H. Bentley Worcester Polytechnic Institute Timothy J. Mulhern Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Harty, D. D., Sansevero, D., Bentley, J. H., & Mulhern, T. J. (2008). Swordplay Through The Ages. Retrieved from https://digitalcommons.wpi.edu/iqp-all/3117 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. IQP 48-JLS-0059 SWORDPLAY THROUGH THE AGES Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by __ __________ ______ _ _________ Jordan Bentley Daniel Harty _____ ________ ____ ________ Timothy Mulhern Drew Sansevero Date: 5/2/2008 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor Keywords: 1. Swordplay 2. Historical Documentary Video 3. Higgins Armory 1 Contents _______________________________ ........................................................................................0 Abstract: .....................................................................................................................................2 -
The Academy of the Sword: Illustrated Fencing Books 1500
er'he .9fcademy of the Sword ILLUSTRATED FENCING BOOKS 1500-1800 3· I ~ Or~en.Hlcht: parade vonficu.n'de unten THE METROPOLITAN MUSEUM OF ART efhe !Academy #the Sword ILLUSTRATED FENCING BOOKS 1500-1800 Donald]. LaRocca THE METROPOLITAN MUSEUM OF ART, NEW YORK This publication is issued in conjunction with the exhibi Black-and-white photography by Susanne Cardone tion "The Academy of the Sword: Illustrated Fencing and Paul Lachenauer of The Photograph Studio, Books, 1500-1800," held at The Metropolitan Museum of The Metropolitan Museum of Art Art, New York, fromJune 9, 1998, to fall of 1999. Printed and bound by Malloy Lithographing, Inc., This publication is made possible byJoseph A. Suarez, Esq., Ann Arbor, Michigan The Armor and Arms Club of New York, and the Grancsay Fund. Cover illustration: Anthon Friedrich Kahn, Anfangsgriinde der Fechtkunst ... (see page 18) Published by The Metropolitan Museum of Art, New York Library of Congress Cataloging-in-Publication Data John P. O'Neill, Editor in Chief LaRocca, Donald]. Barbara Cavaliere, Editor The academy of the sword: illustrated fencing Sean Flaherty, Production books 1500-1800 / Donald]. LaRocca. Design by Robert Weisberg p. cm. Exhibition heldJune 1998 through the fall of 1999 Copyright © 1998 by The Metropolitan Museum of Art, at the Metropolitan Museum of Art. New York ISBN 0-87099-894-3 (pbk.) 1. Fencing in art-Exhibitions. 2. Fencing Second printing 1999 Textbooks-Illustrations-Exhibitions. 3. Illustrated books-New York (State)-New York-Exhibitions. All rights reserved. No part of this publication may be 4. Metropolitan Museum of Art (New York, N.Y:). -
Martial Arts of the Middle Age
IQP JLS-0072 Martial Arts of the Middle Age Interactive Qualifying Project Report Submitted to the Faculty of the Worcester Polytechnic Institute, Worcester, MA in partial fulfillment of the requirements for graduation by Andrew Aveyard ___________________ Jason Cardwell ___________________ Brad Davison ___________________ Daniel Haggerty ___________________ May 6, 2014 _______________________________ Professor Jeffrey L. Forgeng, Advisor 1 Table of Contents Table of Contents .......................................................................................................................................... 1 Abstract ......................................................................................................................................................... 4 Introduction .................................................................................................................................................. 5 History of European Martial Arts ................................................................................................................ 10 Medieval Time Period ............................................................................................................................. 10 Environment of the Medieval Age ...................................................................................................... 10 Knightly Combat .................................................................................................................................. 12 Masters and their Manuscripts -
Weaponry from the Vassal House in Křivoklát Castle from the Early 15Th Century. Modernity Or Anachronism?
FASCICULI ARCHAEOLOGIAE HISTORICAE FASC. XXXIII, PL ISSN 0860-0007 DOI 10.23858/FAH33.2020.013 JOSEF HLOŽEK*, OLGIERD ŁAWRYNOWICZ** WEAPONRY FROM THE VASSAL HOUSE IN KŘIVOKLÁT CASTLE FROM THE EARLY 15TH CENTURY. MODERNITY OR ANACHRONISM? Abstract: This paper aims at discussing an exceptionally well dated assemblage of pre-Hussite weaponry in Bohemia which survived in Křivoklát Castle. This castle was one of the most important medieval defensive seats of the kings of Bohemia. Archaeological examinations of the so-called Vassal House (Czech: Manský dům, German: Lehensmannshaus) which were carried out in the 1980s by Tomaš Durdík yielded important results which have not been published in full. In destruction layers of the feature which was an economic hinterland of the castle there were numerous remains of weaponry and military equipment, such as fragments of shafted weapons, crossbows, armours and individual finds of firearms. These artefacts are now a unique assemblage of weaponry from the period of intense transformation of Euro- pean arms and armour in the early 15th century. They are also a material testimony of existence of the castle garrison, which was composed of local vassals who were obliged to defend it. It is assumed that in the pre-Hussite period the garrison may have been composed of about 60 combatants, including nearly 40 shooters. Keywords: Křivoklát Castle, Manský dům, Medieval Period, weaponry, castle Received: 25.08.2020 Revised: 16.09.2020 Accepted: 07.10.2020 Citation: Hložek J., Ławrynowicz O. 2020. Weaponry from the Vassals House in Křivoklát from the 15th Century. Modernity or Anachro- nism? “Fasciculi Archaeologiae Historicae” 33, 183-199, DOI 10.23858/FAH33.2020.013 Introduction replaced by nearby Týřov as the central administration Křivoklát Castle in the Rakovník District is one castle in the area of this hunting forest.4 of Bohemia’s most significant castle sites. -
Historical Evolution of Roman Infantry Arms And
HISTORICAL EVOLUTION OF ROMAN INFANTRY ARMS AND ARMOR 753 BC - 476 AD An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment to the requirements for the Degree of Bachelor of Science By Evan Bossio Robert Chase Justin Dyer Stephanie Huang Marmik Patel Nathan Siegel Date: March 2, 2018 Submitted to: Professor Diana A. Lados Professor Luca Capogna Abstract During its time, the Roman Empire gained a formidable reputation as a result of its discipline and organization. The Roman Empire has made a lasting impact on the world due to its culture, political structure, and military might. The purpose of this project was to examine how the materials and processes used to create the weapons and armour helped to contribute to the rise and fall of the Roman Empire. This was done by analyzing how the Empire was able to successfully integrate new technologies and strategies from the regions the Empire conquered. The focus of this project is on the Empire's military, including the organization of the army, and the tactics and weapons used. To better understand the technology and innovations during this time the Roman long sword, spatha, was replicated and analyzed. 1 Acknowledgments The team would like to thank Professor Diana A. Lados and Professor Luca Capogna for this unique experience. The team would also like to thank Anthony Spangenberger for his guidance and time throughout the microstructure analysis. Lastly, this project could not have been done without Joshua Swalec, who offered his workshop, tools, and expertise throughout the manufacturing process 2 Table of Contents Abstract 1 Acknowledgments 2 Table of Contents 3 List of Figures 6 List of Tables 11 Authorship 12 1. -
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EARLY MODERN CELTIC WARFARING Mathew Glozier Introduction Whenever the need arose and a war broke out … they all joined the battle.1 The whole race is war-mad, high-spirited and quick to battle.2 Caesar’s self-serving memoir of his Gallic wars (58-51 B.C.) reveals much about the ancient Celtic attitude towards war. Fighting was a key component of the life of the Celtic elite, but also pervaded the culture at all levels. The legends of other Celtic lands give a similar impression of small war bands, great heroes and large set-piece battles – much as Caesar himself described them in Gaul. From about the early fifth century B.C. in central Europe to its high- point in the third century B.C. the Celts came to dominate much of Europe, from Spain to Asia Minor. Their growth and expansion was not synonymous with war; trade and industry played a large part in their cultural primacy by the 200s B.C. However, war was the key to opposing the expansion of others, including Romans and the Germanic tribes. In the British Isles, Rome’s influence contained Celtic culture within Scotland, Wales and Ireland, and fifth century Christianisation challenged some Celtic practices. War was an all-male activity. Archaeological evidence suggests as many as half all adult males were buried with weaponry. Caesar reported the high level of ownership of weapons among some groups (did this make his victory sound all the more impressive?). 3 The typical Celtic warrior carried a spear over a metre long as well as short throwing spears and a large round shield of wood covered with leather and bearing a metal boss to protect the hand that gripped it. -
Medieval Combat: a Fifteenth-Century Manual of Swordfighting and Close-Quarter Combat Pdf
FREE MEDIEVAL COMBAT: A FIFTEENTH-CENTURY MANUAL OF SWORDFIGHTING AND CLOSE-QUARTER COMBAT PDF Hans Talhoffer | 320 pages | 19 Jun 2014 | Pen & Sword Books Ltd | 9781848327702 | English | Barnsley, United Kingdom Swordsmanship treaties, references and manuals: old european | LibraryThing This is an interesting book, a classic in the field. It gets the point across pun intended via a collection of gritty little illustrations that would be amusing Medieval Combat: A Fifteenth-Century Manual of Swordfighting and Close-Quarter Combat any other context. No messing around, here. Read full review. Mainly consists of illustrations reproduced from the original. Each illustration is captioned, explaining what is happening in the illustrated maneuver. Also contains a foreword by John Clements and an introduction to the material by editor and translator Mark Rector. Account Options Sign in. My library Help Advanced Book Search. View eBook. Hans Talhoffer. Greenhill Books- Fencing - pages. This attractive book is one of the most influential and lavishly-drawn fencing manuals of the Middle Ages. The authentic fifteenth-century techniques of master of arms Hans Talhoffer are illustrated in detail, presenting not only a unique historic record but also a visual guide for modern practitioners. Talhoffer's professional fencing manual of illustrates the intricacies of the medieval art of fighting, covering both the 'judicial duel' an officially sanctioned fight to resolve a legal dispute and personal combat. Combatants in the Middle Ages used footwork, avoidance, and the ability to judge and manipulate timing and distance to exploit and enhance the Medieval Combat: A Fifteenth-Century Manual of Swordfighting and Close-Quarter Combat inherent cutting and thrusting capabilities. -
Fechtmeister Hans Talhoffer (1420-1490)
Fechtmeister Hans Talhoffer (1420-1490) Hans Talhoffer was a German Fight Master of the 15th century. He fought in the tradition of Johannes Lichtenauer, Grandmaster of the German school of fencing, but developed his own style far beyond that. He left 6 fight manuals that cover a wide range of combat forms: LongSword Sword & Buckler Sword on Horseback PoleArms Sword & LongShield Sword & Lance on Horseback LongShield Mace & LongShield Crossbow on Horseback Dagger Longsword in Full Armor One against Two Messer Sword & Spear in Full Armor Man against Woman Flail Hand-to-Hand Combat Spear Hand-to-Hand on Horseback Hans Talhoffer – self portrait Talhoffer travelled around southern Germany and Switzerland, was “Fechtmeister” of a fencing school in Zurich, but more often training knights and nobility in the arts of combat – both on the battlefield as well as dueling. “Indeed [1444]the Pope-to-be Pius II was disturbed to observe just how armed and dangerous Germans tended to be at that time, whether noble or burgher. It seems that Germany was something of a giant armed camp, where a man trained to fight and stay alive by winning, whether that happened within dueling- barriers, burgh-street or battlefield.” -- Jeffrey Hull in Fight Earnestly, commentary on Talhoffer’s 1459 Fight-Book. Talhoffer’s manuals mostly deal with dueling and self-defense, including an outline of the entire judicial duel process. He trained the combatants and presided over judicial duels himself. Talhoffer was ahead of his time. He trained the fighter not only martially, but also included advice on nutrition, strength training, scholarship, ethics, chivalry, bathing, sleeping, relaxation via hunting and/or music, prayer, meditation, use of astrological charts for determining favorable battle dates, and the blessing of the weapons at holy mass. -
Codex Wallerstein a Medieval Fighting Book from the Fifteenth Century on the Longsword, Falchion, Dagger and Wrestling
Codex Wallerstein A Medieval Fighting Book from the Fifteenth Century on the Longsword, Falchion, Dagger and Wrestling Introduction (revised) by Grzegorz Zabinski REMARKS ON THE MANUSCRIPT1 2 and 3 are blank. This codex is by no means a homogenous source—it seems to consist of two The subject of this edition, one of the best different manuals (for the sake of convenience known late medieval Fechtbuch known as called further A and B), which were put togeth- Codex Wallerstein is preserved in the collection er and later given a common pagination.4 Part of the Universitätsbibliothek Augsburg A (No. 1 recto—No. 75 recto, and No. 108 (I.6.4°.2). The codex is a paper quarto manu- verso; thus consisting of 151 pages) is probably script, written in Middle High German with from the second half of the fifteenth century, on some Bavarian dialect influence, containing 221 account on both the representations of arms pages,2 every odd one numbered in the upper and armour on No. 1 verso (full plate armours right corner, starting from page 4 which is and armets) and No. 2 recto, and costume given No. 1. Page 1 contains a date 1549, the details of costumes on No. 108 verso5. On the supposed manual owner’s name, Vonn other hand, part B (No. 76 recto—No. 108 recto; Baumans,3 and the word Fechtbuch, while pages 66 pages) is probably of much earlier origin, 1 Some observations upon the Codex Wallerstein, incor- Ringbuch (wrestling and dagger). See: Martin Wierschin, porated into the present edition, were already published Meister Johann Liechtenauers Kunst des Fechtens by the author in his paper ”Several Remarks on the (Münchener Texte und Untersuchungen zur Deutschen Bloßfechten Section of Codex Wallerstein.” (Last Update Literatur des Mittelalters. -
Academy of European Medieval Martial Arts (AEMMA)
Academy of European Medieval Martial Arts (AEMMA) Hans Talhoffer “Fechtbuch aus dem Jahre 1467” The following document is the result of the efforts of a number of individuals within the AEMMA membership, including Shawn Hickey, Scott Walman and Mike Rasmusson. The purpose of the document is to simply present in printer-friendly form, content that is currently available in the online library of the AEMMA web site to help facilitate medieval martial arts studies. Many of the initial translations were the result of the work by Mark Rector in September – November, 1998, prior to his recent publication and therefore, cannot be consider copyright infringement on the part of this document. However, any new translations made available will be highlighted as an “AEMMA comment” in the text. Distribution Feel free to distribute this document, either electronically or hard copy in an un-altered state. Do not profit from this and other documents made available on the AEMMA web site. Further Information This and other documents and manuscripts are available online in the online library area of the AEMMA web site located at http://www.aemma.org. For more information, queries or comments, feel free to email AEMMA at [email protected] . Hans Talhoffer: “Fechtbuch aus dem Jahre 1467” – for personal study only Contents Talhoffer’s Fechtbuchs: an Introduction................................................................................................................................. 3 (1) Langes Schwert (The Long Sword) - plates 1 – 67............................................................................................................ 5 (2) Kämpfe in den Schranken mit Spiess und Schwert in voller Rüstung (Fight in the Lists with Spear and Sword in Full Armor) - plates 68 – 73....................................................................................................................................................... 38 (3) Langes Schwert (The Long Sword – Half-sword Techniques).................................................................................... -
Armed and Educated: Determining the Identity of the Medieval Combatant. Submitted by Johann Keller Wheelock Matzke, to the Unive
Armed and Educated: Determining the Identity of the Medieval Combatant. Submitted by Johann Keller Wheelock Matzke, to the University of Exeter as a dissertation for the degree of Master of Philosophy in Archaeology, September 2011. This dissertation is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this dissertation which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………..…………………………….. Table of Contents Acknowledgements...…………………………………………………………………3 Abstract………………………………………………………………………………..4 List of Tables………………………………………………………………………….5 List of Figures ………………………………………………………………………..5 Chapter 1 ……………………………………………………………………………..7 Research Questions And Objectives Chapter 2……………………………………………………………………………..21 The martial traditions of Europe Chapter 3……………………………………………………………………………..48 The status of Europe’s martial traditions. Chapter 4……………………………………………………………………………. 60 Injury patterns in the archaeological record. Chapter 5……………………………………………………………………………..74 Injury patterns of modern sample populations. Chapter 6 …………………………………………………………………...………..97 Conclusions Works Cited ………………………………………………………………………...100 Appendices: A. The Pell ………………………………………………………………………….118 B. Military training………………………………………………………………….122 C. Civilian training …………………………………………………………………125 D. Crime and -
From Mediaeval Sword to Renaissance Rapier from Mediaeval Sword to Renaissance Rapier
Gladius, II (1963), pp. 5-68 Ada Bruhn Hoffmeyer ISSN 0435-029X FROM MEDIAEVAL SWORD TO RENAISSANCE RAPIER by Dr. Ada Bruhn HoffmeyerHolffmeyer THE sword types of the Middle Ages proper are not numerous. They are assembled chiefly aboutabut two main types:types: the sword with the brazil-nut.shapedbrazil-nutshapecl plommelpommel and the swordswolrd with the disC'-ordisoor wheel pommel. In both main groups there are numerous variations ofolf the pommel forms, with a certain amount of typological se1quence,selqueme, interinter- mediate formsform~sand sp€lcialspecial forms. To some extent the shape of the pommel is related to the hand.guard,hand-guard, wh1chwhich may be horizontal'horizontal or curved, thick and heavy, round, flat, much curved or sligthly curved. The shape of the pommel, the length of the tang and the shapesh~.peand length of the guard or quillons are the most important aids to the period and provenance determination of the sword. In this respect the blade is secondary in importance,implortance, because in the ma1joritymajolrity of cases blades were mass'producedmass-produced in great blade centres, whereas the hilts mostly are individual work, carried out in accordance with the owner's personal idelas and pecuniary circumstances, and RIsoalso accor.accor- ding to the intended purpoisepurpose of the weapon: ceremonial, coronation, magistracy, public authorities or war. No doubtdmb& further and detailed examinations of the various types ,andand shapes of bla~des,blades, their matemate rialandrial and the manufacture of the blades wmwill be most useful as an important aid in regard to the determination of provenance, use and chronology.